《舍得智慧人物》

Search documents
倪萍:在人生的舍与得之间,活成自己
凤凰网财经· 2025-09-25 12:46
Core Viewpoint - The article highlights the journey of Ni Ping, a prominent Chinese host and actress, emphasizing her resilience, adaptability, and the philosophy of "舍得" (letting go and gaining) throughout her life and career [3][18]. Group 1: Commitment - Ni Ping's initial naivety transformed into a deep respect for her role as a host, where she meticulously crafted her delivery to connect with the audience [7][9]. - She faced challenges and self-doubt but chose to persevere, using her grandmother's advice as motivation to overcome obstacles [9][10]. - Her departure from the long-running show "综艺大观" after 100 episodes was a testament to her commitment to authenticity and personal growth [10]. Group 2: Responsibility - Ni Ping's life took a significant turn when her son was diagnosed with congenital cataracts, leading her to prioritize family over her career [11][13]. - She embraced the challenges of motherhood and the emotional toll of her son's treatment, ultimately finding fulfillment in her sacrifices [13][14]. - This experience reshaped her understanding of life, viewing hardships as new beginnings rather than endings [14]. Group 3: Courage - After leaving CCTV, Ni Ping ventured into acting, winning the Golden Rooster Award for Best Actress, showcasing her willingness to embrace new opportunities [14][16]. - She has continuously explored various creative outlets, including writing and painting, demonstrating her adaptability and willingness to evolve [14][16]. - Ni Ping's ability to empathize with younger generations reflects her understanding of contemporary challenges, allowing her to remain relevant in the changing media landscape [16].
杨丽萍:冬天过去就会是春天
凤凰网财经· 2025-08-25 13:13
Core Viewpoint - The article highlights the artistic journey of Yang Liping, emphasizing her evolution from a solo dancer to a choreographer, and her philosophy of "舍得" (sacrifice and gain) in art and life [1][17]. Group 1: Artistic Journey - Yang Liping began her dance career at the age of 13, joining the Xishuangbanna Song and Dance Troupe, and later the Central National Song and Dance Troupe, where she experienced a seven-year period of silence without works or exposure [5]. - After seven years of preparation, she created and performed the solo dance "The Spirit of the Sparrow," winning first place in both creation and performance at the second National Dance Competition [7]. - Yang Liping's artistic philosophy revolves around finding her own rhythm in life and art, choosing to accumulate her physical language and perception of life slowly [7][12]. Group 2: Philosophy and Approach - In her view, true beauty in dance is not about external forms but about inner order and sincerity in performance, which resonates with the audience [10]. - Yang Liping's meticulous attention to detail in her performances reflects her commitment to authenticity, as she prioritizes the essence of the moment over superficial embellishments [10][12]. - She believes that art is a continuous dialogue with nature and life, and that every dance is a form of expression that transcends language [8][12]. Group 3: Embracing Change - Despite concerns about the marginalization of traditional art in the age of short videos, Yang Liping embraces change and has created a series of art short films based on the "Twelve Zodiac Animals" to connect with contemporary audiences [13]. - She expresses a calm acceptance of the rise of artificial intelligence, focusing on the timeless nature of art and the human experience of dance [15]. - Yang Liping emphasizes the importance of finding one's own rhythm amidst the chaos of modern life, suggesting that true strength lies in maintaining one's essence [15][17].
陈佩斯:在时代变迁中守艺承风
凤凰网财经· 2025-06-26 10:22
从舞台小人物到戏剧大先生,陈佩斯用光阴诠释: 传承的真谛,不在于固守陈规,而在于舍弃浮名旧路,攒足拥抱时代的勇气。 由凤凰网、舍得酒业联合出品的访谈节目《舍得智慧人物》第七季,本期对话表演艺术家陈佩斯,演 员、导演陈大愚。 01 传承不是固步自封 提到陈佩斯,人们会立刻想起《吃面条》里那个捧着空碗、吃面条的生动形象。他用接地气的肢体语 言,将笑声刻进亿万观众心中,成为时代记忆。 然而,随着电视不再是唯一的娱乐中心,陈佩斯渐渐淡出了主流大众的视野。对很多观众来说,那个熟 悉的春晚面孔,仿佛只留下了一个问号: 他后来去哪了? 在这看似"淡出"的岁月里,他并非远离了热爱,而是躬身在排练场,以近乎笨拙的专注,继续打磨着他 心中的喜剧。 早在2004年,他便自编、自导、自演了现实主义话剧《阳台》,其锋芒如利刃,直刺社会痛点。 彼时的他正浸在创作巅峰的"飘"态中,终日吟诵陈子昂的 "前不见古人,后不见来者" ——这份与古人 共鸣的力量,支撑他大胆地观察和表现现实。 他知道,舍弃票房利益,换来的是艺术对 时代脉搏的真切触摸和经久不衰的回响。 然而 ,"传承"绝非固步自封。 面对新兴喜剧形式和短视频浪潮,陈佩斯展现出开放的好 ...