记者 诸葛漪 突破传统戏剧边界的多感官剧场作品《风之痕》，将剧场转化为"记忆实验室"，从根本上重新定 义"观看"的维度。跨文化团队协作的电子音乐剧场《星潮胜览》则融合了印尼甘美兰音乐的演奏元素， 来自不同学科的创作者相互激发艺术灵感，共同将思想和情感转化为声音与视觉符号，构建起跨领域对 话的"发声器"。 个展《天空呼吸的频率》依托跨学科合作，将宇宙气象学、信息技术、数字艺术与装置、影像、剧 场等传统艺术形式进行深度融合，有效拉近了艺术与生活、社会的距离。群展《出神之境》通过装置、 影像、声音与行为表演等媒介构建多感官通道，创造一种可被身体感知、被情绪牵引的全新观看方式。 委约作品实验川剧《芙蓉大饭店》以"话剧为骨，戏曲为魂"，采用沉浸式小剧场先锋样态呈现布莱 希特经典话剧《四川好人》。音乐剧《消灭多余的我》聚焦三个灵魂的奇幻历程，探讨自我认知与生命 轨迹。邀约演出系列也呈现多元、丰富、精彩的格局，包括以刘慈欣的《三体》为灵感的"来自星空的 未来音乐会——三体世界的召唤"音乐会，"世界和平颂歌——上海城市草坪音乐会"，上海和伦敦轮流 举办的"未来·观——中英青年数字创意展"，以及以传统杂技为基点，融合现代舞蹈、 ...

记者 吴桐 "太震撼了！《布兰诗歌》史诗般的交响合唱和美妙的灯光点亮了城市的夜空，和2000多位观众一 起感受节日的浓厚氛围。"昨晚，观众张颖早早来到上海展览中心户外喷水池广场，第二十四届中国上 海国际艺术节在此奏响精彩前奏。 作为本届艺术节特别呈献，大型户外交响合唱音乐会《布兰诗歌》以气势恢宏的交响与震撼的合唱 点燃申城之秋。 "巴伐利亚回响——2025上海大剧院歌剧节"作为本届艺术节重磅演出之一，10月1日至6日驻场上 海：素有"德国第一歌剧院"之称的巴伐利亚国家歌剧院继1984年首度访华后，阔别四十余年后重访，以 三百余人的重量级阵容登陆上海大剧院，奏响纯正的"巴伐利亚之声"。 来自山西的乐迷果果选择跟随观演日程"驻场申城"："能够在国内听到巴伐利亚国家歌剧院的演出 非常难得，这一次的作品很有诚意，完整演绎了瓦格纳、威尔第两位大神级作曲家的代表性作品的同 时，3日晚精心编排的音乐会更是丰富了我们对巴伐利亚国家歌剧院音乐传承的理解。" 第二十四届中国上海国际艺术节将于10月17日至11月27日举行。艺术节虽未正式开幕，却已"未演 先热"，金秋十月申城"艺术黄金档"氛围已触手可及。 "艺术+"融合"票根+" ...

Core Viewpoint - The article highlights the artistic journey of Yang Liping, emphasizing her evolution from a solo dancer to a choreographer, and her philosophy of "舍得" (sacrifice and gain) in art and life [1][17]. Group 1: Artistic Journey - Yang Liping began her dance career at the age of 13, joining the Xishuangbanna Song and Dance Troupe, and later the Central National Song and Dance Troupe, where she experienced a seven-year period of silence without works or exposure [5]. - After seven years of preparation, she created and performed the solo dance "The Spirit of the Sparrow," winning first place in both creation and performance at the second National Dance Competition [7]. - Yang Liping's artistic philosophy revolves around finding her own rhythm in life and art, choosing to accumulate her physical language and perception of life slowly [7][12]. Group 2: Philosophy and Approach - In her view, true beauty in dance is not about external forms but about inner order and sincerity in performance, which resonates with the audience [10]. - Yang Liping's meticulous attention to detail in her performances reflects her commitment to authenticity, as she prioritizes the essence of the moment over superficial embellishments [10][12]. - She believes that art is a continuous dialogue with nature and life, and that every dance is a form of expression that transcends language [8][12]. Group 3: Embracing Change - Despite concerns about the marginalization of traditional art in the age of short videos, Yang Liping embraces change and has created a series of art short films based on the "Twelve Zodiac Animals" to connect with contemporary audiences [13]. - She expresses a calm acceptance of the rise of artificial intelligence, focusing on the timeless nature of art and the human experience of dance [15]. - Yang Liping emphasizes the importance of finding one's own rhythm amidst the chaos of modern life, suggesting that true strength lies in maintaining one's essence [15][17].