（来源：劳动午报） 转自：劳动午报 叶盛兰大剧院近日迎来成立五周年纪念日，这方由北京高校与京剧院携手搭建的舞台因国粹而兴、为育 人而创，已成为融汇传统与现代、连接校园和社会的重要文化坐标。 2020年12月，由北京城市学院发起、北京京剧院等单位支持成立的叶盛兰大剧院在北京城市学院顺义校 区落成并举办专场演出。剧院以京剧艺术大师叶盛兰之名命名，自诞生之日起便肩负着培养京剧人才、 传承京城文脉、服务周边群众、推广京剧文化的使命。 5年来，京剧这一传统艺术形态借助叶盛兰大剧院在校园中持续上演，成为师生近距离感知中华优秀传 统文化的重要窗口，"梨园雅韵进校园"系列活动更是让这方舞台真正"活"了起来。自2021年首场京剧剧 目《锁麟囊》演出启幕以来，北京城市学院与北京京剧院携手，持续将高水准的京剧演出引入校园，青 年演员、新编作品、经典剧目在同一舞台交相辉映，校园文化生活因此多了一份厚重与雅正。 叶盛兰大剧院不仅演绎传统，也回应时代。2021年，围绕建党百年主题，北京城市学院以京剧艺术为载 体，创新开展党史学习教育，推出红色主题京剧专场，《党的女儿》《红灯记》《智取威虎山》等经典 选段在舞台上集中呈现，将革命精神与国粹 ...

Core Viewpoint - The article highlights the deep connection between the author and the play "Taking Tiger Mountain by Strategy," emphasizing the collective effort and dedication of past artists in shaping the art form [2]. Group 1: Personal Journey and Experience - The author has been involved with "Taking Tiger Mountain by Strategy" since childhood, performing over 100 shows and experiencing both challenges and triumphs throughout the journey [2]. - An injury during a performance did not deter the author from completing the show, reflecting a strong commitment to the character of Yang Zirong [2]. Group 2: Artistic Training and Methodology - The author received extensive training from mentor Tong Xiangling, who emphasized the importance of understanding the character's motivations and emotions [3]. - The character of Yang Zirong requires a blend of various acting styles and techniques, necessitating a solid foundation in traditional performance [4]. - The author has studied various forms of opera and has watched over 300 performances of the play to master the nuances of the character [4]. Group 3: Respect for Tradition and Continuous Learning - The article stresses the importance of respecting and revitalizing traditional art forms, with a focus on continuous learning and emotional engagement in performances [5]. - The author aims to integrate various influences and develop a personal style while maintaining the essence of the character [5].

Core Viewpoint - The 32nd China Drama Plum Blossom Award emphasizes the reform of national-level drama awards, reaffirming the people's nature and artistic quality of drama, and aims to revitalize the art of drama in contemporary times [2][6]. Group 1: Award Reform and Evaluation Criteria - The award ceremony gathered 17 actors and 13 drama categories, focusing on respecting the essence of drama and valuing beloved traditional repertoires, while rejecting profit-driven works [2]. - The evaluation process highlighted the importance of "sticking to the essence of drama," with a significant portion of the final evaluation dedicated to traditional repertoire that showcases actors' artistic skills [2][3]. - The new rules require awarded works to possess both artistic value and market viability, encouraging submissions of popular and frequently performed repertoires [4][5]. Group 2: Artistic Innovation and Audience Engagement - The award-winning performances demonstrate that innovation in drama does not require the subversion of tradition, but rather a creative transformation that respects artistic principles and contemporary values [3][5]. - Notable works like the dance drama "The Crested Ibis" and the play "Four Generations Under One Roof" have been performed over 400 times, indicating their popularity and resonance with audiences [4][5]. Group 3: Inclusion of Private Theater Troupes - For the first time, the award opened application channels for private theater troupes, allowing the Zhejiang Taizhou Luantan Troupe to participate, which signifies a shift towards a more inclusive industry ecosystem [5]. - The recognition of the Taizhou Luantan Troupe, which had faced operational difficulties, highlights the potential of private artistic forces to thrive on national stages when they adhere to artistic integrity and audience appreciation [5][6]. Group 4: Cultural Significance and Social Impact - The reform of the Plum Blossom Award serves as a cultural touchstone, reinforcing the idea that drama originates from the people and should ultimately serve them [6]. - The award's emphasis on grassroots engagement and artistic diversity aims to invigorate the traditional drama landscape, fostering a vibrant cultural environment [5][6].