Core Viewpoint - The article highlights the deep connection between the author and the play "Taking Tiger Mountain by Strategy," emphasizing the collective effort and dedication of past artists in shaping the art form [2]. Group 1: Personal Journey and Experience - The author has been involved with "Taking Tiger Mountain by Strategy" since childhood, performing over 100 shows and experiencing both challenges and triumphs throughout the journey [2]. - An injury during a performance did not deter the author from completing the show, reflecting a strong commitment to the character of Yang Zirong [2]. Group 2: Artistic Training and Methodology - The author received extensive training from mentor Tong Xiangling, who emphasized the importance of understanding the character's motivations and emotions [3]. - The character of Yang Zirong requires a blend of various acting styles and techniques, necessitating a solid foundation in traditional performance [4]. - The author has studied various forms of opera and has watched over 300 performances of the play to master the nuances of the character [4]. Group 3: Respect for Tradition and Continuous Learning - The article stresses the importance of respecting and revitalizing traditional art forms, with a focus on continuous learning and emotional engagement in performances [5]. - The author aims to integrate various influences and develop a personal style while maintaining the essence of the character [5].

第十届中国戏剧奖·梅花表演奖（第三十二届中国戏剧梅花奖）日前在上海圆满收官。这场汇聚17位演 员、13个戏剧门类的终评活动，强调尊重戏剧艺术本体，重视深受观众喜爱的保留剧目，张开怀抱迎纳 民营剧团，拒绝"评奖即封箱"的功利之作，向行业传递出强烈信号：国家级戏剧评奖正以刀刃向内的勇 气厉行改革，重申戏剧的人民性和艺术性，努力推动戏剧艺术焕发时代光彩。 戏曲艺术的独特魅力，源自其历经千年沉淀的内核特征——以唱念做打为核心、以声腔韵律为灵魂、以 写意美学为根基。然而，一段时间以来，行业内出现盲目追求舞美大制作、堆砌声光电、泛剧种化、唱 腔歌剧化等问题，导致审美迷失，脱离观众。本届梅花奖有鉴于此，在剧目评审中明确将"坚守戏剧本 体"作为一条准绳。因此，最能展现演员艺术功底和舞台造诣的整理改编传统剧目，在本届梅花奖终评 中占比最大。 这些剧目坚持"守正不守旧、尊古不复古"，显示了戏曲艺术的迷人魅力。比如，秦腔《焚香记》赋予传 统戏曲空灵诗化的当代表达，营造出兼具古典韵味与现代审美的唯美意境；昆剧《烂柯山》、河北梆子 《打神告庙》《窦娥冤·法场》、秦腔《赵五娘》等作品，加入了契合人物情境的表演技巧，并从当代 视角解读人物 ...