中青报·中青网记者 王志伟 在演唱会现场体验"万人"大合唱的震撼，在脱口秀表演的观众席收获简单的快乐……如今，观看演出已 成为年轻人寻求情绪价值、丰富生活体验的重要方式。近日，中国青年报社社会调查中心联合问卷网 （wenjuan.com）进行的一项有1500名青年参与的调查显示，近一年，68.4%的受访青年观看了两场及以 上演出。年轻人为何愿意为演出花钱？61.2%的受访青年认为是出于释放压力、调节情绪的目的， 54.8%的受访青年认为是现场氛围感强，能引起情感共鸣，53.9%的受访青年表示是为了满足自己的兴 趣爱好，取悦自己。 "过去一年，我看了10来场演出，包括演唱会、Livehouse演出、相声、戏曲等。"在北京工作的90后李 铮（化名）觉得北京的文化演出比较丰富，想看的类型基本都有。"我对戏曲比较感兴趣，平时在网上 刷到戏剧的唱段，都会听完，所以我很想到线下去体验。"去年，李铮到现场看了京剧《锁麟囊》《贵 妃醉酒》，越剧《红楼梦》等剧目，演员的表演让他沉浸其中。李铮发现，现场观众中有不少年轻人， 在购票平台搜索时，有些剧目的票出现了售罄的情况，"感觉对戏曲感兴趣的年轻人变多了"。 大家爱看什么类型的演 ...

| | 日本公開的 2000 2000 30 | | --- | --- | | 演出时间 | 因感形观 | | 2月17日 | | | (正月初一) | 京剧《龙凤呈祥》 | | 19:30 | | | 2月18日 | 京剧《八仙过海》 | | (正月初二) | 《红慧烈马·大登殿》 | | 14:00 | | | 2月18日 | | | (正月初二) | 京剧《四郎探母》 | | 19:30 | | | 2月19日 | | | (正月初三) | 京剧《风还巢》 | | 19:30 | | | 2月20日 | | | (正月初四) | 京剧《锁麟囊》 | | 19:30 | | | 2月21日 | | | (正月初三) | 京剧《杨门文将》 | | 19:30 | | | 2月22日 | | | (正月初六) | 《京剧名家名段演唱会》 | | 19:30 | | 演出阵容以当日现场为准 国家京剧院2026年"贺新春"系列演出 京剧《龙凤呈祥》 ·演出时间· 2026年2月17日（周二） 19:30 ·地 点· 梅兰芳大剧院·大剧场 ·票 价· 100/180/280/380/480/680/880 剧情简 ...

演出时间：2月17日 14:00 演出地点：吉祥大戏院 剧情简介 薛平贵离家十八年后，自西凉归里，于武家坡得遇其妻王宝钏。王已不识薛，薛假借问路试王心未果， 薛追王至寒窑后叙述别后经历，夫妻始得相认。王允寿辰，薛向王允、魏虎讨算十八年累欠之粮饷。后 王允篡位，欲杀薛平贵，薛逃，王允遣高嗣继追之。代战公主接薛信鸽，知其遇险，率兵救援，高嗣继 不敌，投降后引薛反攻长安获胜。薛自立为王，贬王允、斩魏虎，分封宝钏、代战。迎请王母，共庆团 圆。 演职员表 剧中人.......…….扮演者 薛平贵……马博通 新春看大戏，年味正浓时！丙午新春，吉祥大戏院与北京京剧院联袂呈献六场精彩大戏，2月17日至19 日（大年初一至初三），每日双场，名角荟萃、风华尽展。邀您沉浸于醇厚戏韵之中，共迎红火热闹的 中国年！ 京剧《红鬃烈马》 王宝钏……白 金 代战公主……张婉婷（银空山） 王岳凌（大登殿） 王夫人……李 佳 精彩剧照 马博通 饰 薛平贵 白金 饰 王宝钏 请在购票网页领券下单，享7折优惠 票价：380/300/280/200/100元 京剧《玉堂春》 演出时间：2月17日 19:30 演出地点：吉祥大戏院 剧情简介 名妓苏三（ ...

Core Insights - The Ye Shenglan Grand Theatre celebrates its fifth anniversary, serving as a cultural hub that integrates traditional and modern elements while connecting the campus with the community [1][2] - Established in December 2020, the theatre aims to cultivate Peking opera talent, preserve cultural heritage, and promote Peking opera culture [1] - The theatre has become a significant platform for students and faculty to engage with traditional Chinese culture through performances and educational activities [1][2] Summary by Sections Theatre's Mission and Activities - The Ye Shenglan Grand Theatre was founded with the mission to nurture Peking opera talent and serve the community, becoming a vital cultural coordinate [1] - Since its inception, the theatre has hosted high-quality Peking opera performances, enriching campus cultural life and allowing students to experience traditional culture closely [1] Educational Initiatives - In 2021, the theatre innovatively integrated party history education with Peking opera, presenting red-themed performances that combine revolutionary spirit with traditional art [2] - This approach has enhanced the emotional and impactful expression of red education, contributing to the school's ideological education efforts [2] Community Engagement - The theatre has opened its doors to a diverse audience, including students, community residents, and opera enthusiasts, transforming the campus into a key part of regional public culture [2] - New productions like "Qi Baishi" and "Century of Shougang" have been performed, telling Chinese and Beijing stories through traditional art, thus expanding the theatre's cultural influence [2] Future Plans - The "Peking Opera Elegance into Campus" initiative has become a regular program, focusing on the continuous enhancement of cultural influence and the promotion of quality cultural resources [2]

Group 1 - The New Year's holiday features a variety of domestic original works and classic foreign productions, providing audiences with a cultural feast [1] - The play "Zhang Juzheng" and the adaptation of Chekhov's "The Cherry Orchard" are highlights, exploring human choices amid changing times and showcasing traditional Chinese aesthetics [2] - The National Peking Opera's three classic productions have seen a surge in ticket sales, indicating a strong market demand for quality performances [4][6] Group 2 - Young audiences now make up over 70% of the viewers for Peking Opera, a significant shift from the traditional older demographic [6][8] - The rise in popularity among younger audiences is attributed to the unique artistic appeal of Peking Opera and its innovative promotion through new media platforms [8][10] - The National Peking Opera is actively engaging young people through backstage tours and campus outreach programs, fostering a deeper connection with traditional culture [10][12]

Core Viewpoint - The article highlights the importance of human talent in the flourishing development of traditional Chinese opera, showcasing how contemporary artists are innovating while preserving the art form's rich heritage [1]. Group 1: Peking Opera - Shi Yihong, a first-class actress from the Shanghai Peking Opera, has successfully transitioned from a martial arts role to a singing role, performing in multiple classic roles and emphasizing the need for innovation in Peking Opera [3][4]. - Shi's rigorous training under her mentor, Lu Wenqin, for over ten years has shaped her artistic capabilities, allowing her to revive classic performances like "The Tiger's Claw," which had not been staged in Shanghai for over 60 years [6][8]. - Shi's approach to cross-genre performances, such as her interpretation of Cheng Pai's "Locking the Silk Bag," reflects her understanding that learning from different styles is about embodying their spirit rather than mere imitation [7]. Group 2: Yue Opera - Zhu Xiaozhao, a first-class actress from the Nanjing Yue Opera Troupe, emphasizes the emotional depth and intricate performance required in Yue Opera, which combines singing and acting to convey characters' inner feelings [9][11]. - Zhu has initiated the "Yue Rhythm Ancient Poetry" project, blending classic poetry with Yue Opera styles to engage younger audiences, achieving notable success in schools [11][12]. - The project has resulted in the creation of a book and audio recordings that showcase the integration of various Yue Opera styles with classical poetry, aiming to make the art form more accessible to the youth [12]. Group 3: Yu Opera - Jia Wenlong, a former vice president of the Henan Yu Opera Theatre, focuses on modernizing Yu Opera by incorporating contemporary narratives while maintaining traditional elements [13][14]. - His portrayal of the character Jiao Yulu involved extensive research and community engagement, leading to a performance that resonated deeply with local audiences [14][16]. - Jia's innovative techniques in modern plays, such as integrating fast-paced storytelling with traditional forms, aim to keep Yu Opera relevant and engaging for future generations [16][17]. Group 4: Huangmei Opera - Yuan Yuan, a first-class actress from the Anhui Huangmei Opera Theatre, dedicates herself to refining her craft, particularly in the classic "The Butterfly Lovers," ensuring that her performances resonate with contemporary audiences [18][20]. - Yuan's approach to character development involves infusing traditional roles with modern sensibilities, making them relatable to today's viewers [20][21]. - Her commitment to both preserving and innovating within Huangmei Opera has earned her prestigious awards, reflecting her dedication to the art form [21][22].

Group 1 - The cultural performance market in Beijing is vibrant during the New Year and Spring Festival, featuring a variety of stage works that create a festive atmosphere [2] - The National Grand Theatre presents traditional Peking operas such as "Locking the Silk Bag" and "The Four Brothers Investigate Their Mother," alongside modern Peking opera classics like "The Red Lantern" and "Taking Tiger Mountain by Strategy" [2] - The Beijing New Year Concert will take place at the Great Hall of the People, continuing a 20-year tradition of celebrating the New Year with ethnic songs and performances from various artists [2] Group 2 - The play "Eternal Joy and Unending Peace" will be showcased at the Shanghai West Bank Theatre from January 16 to 17, 2026, highlighting the narrative of the relocation of the Yongle Palace and integrating modern visuals with traditional aesthetics [3] - Several European music concerts will be held in Guangzhou during the New Year and Spring Festival, including a German musical "Elizabeth" at the Guangzhou Grand Theatre in mid-January [3]