Group 1: Digital Culture Innovations in Shandong - The Qilu Cultural Model has been selected as a major technological innovation project in Shandong Province, marking it as the only cultural project in the province's key research and development plan [1] - The project aims to address significant technological needs for economic and social development, focusing on breakthroughs in key technologies, innovative product development, and demonstration of innovative achievements [1] Group 2: Upgrades in Cultural Institutions - The online Shandong Anti-Japanese War Memorial Hall has undergone a comprehensive upgrade, set to open on July 7, featuring six core highlights including immersive experiences and interactive education [2] - The new museum integrates cutting-edge technologies such as the metaverse and AI to enhance historical narratives and visitor engagement [2] Group 3: Cultural Heritage and Digital Technology - The dance drama "The Great Dazhu" promotes the digital film set of the Dazu Rock Carvings at the Shanghai Cooperation Organization Film Festival, showcasing the realistic restoration of cultural heritage through virtual technology [2] - The "Buddhist Realm Dual Radiance" exhibition at the Wuxi Lingshan Museum utilizes 3D printing and virtual restoration technologies to recreate over 70 representative artifacts from the Longmen Grottoes, enhancing museum economics through digital innovation [2][3] Group 4: Museum Engagement and Visitor Experience - The Hunan Museum's "Digital Han Life" project employs AI to restore Han Dynasty clothing and 3D animations for immersive experiences, extending opening hours to accommodate increased visitor demand [3] - The "Future Cinema" unit at the Shanghai International Film Festival features immersive films, allowing audience interaction with characters through AR/VR technology [4] Group 5: International Collaborations in Cultural Heritage - Shiyou Technology has secured global development rights for Angkor Wat, planning to revitalize Angkor culture through virtual performances and cultural derivative products [6] - The first AI Art Exhibition in Nantes, France, explored the intersection of technology and culture, emphasizing AI as a creative tool rather than a replacement for human artistry [7] - China Silk Road Group launched a one-stop global cultural asset service platform during the Cyber Defense and Security Exhibition in Malaysia, integrating Web3.0 technologies to address digital protection and cross-border circulation of cultural heritage [7]