Workflow
数字文化产业
icon
Search documents
工业遗产再生 创新文化赋能北京区域转型
Bei Jing Shang Bao· 2025-10-09 16:14
近日,北京商报记者跟随"全国文化中心建设巡礼"主题采访团,走进RE睿·国际创忆馆及RE睿·三高炉数 字博物馆。据悉,依托于石景山区首钢园工业遗产,北京清城睿现数字科技研究院(以下简称"清城睿 现")落地开展数字圆明园、数字中轴线等文化遗产数字化再生项目,并将通过前沿的数字语言和跨界 体验,进一步引领北京文化新消费浪潮,塑造"可观、可玩、可购、可沉浸"的文旅消费新范式。 "在我们面前的料堆就是曾经炼铁留下的工业遗产。当初,为分解铁矿石建造的三层空间和底部桶椎已 经摇身一变成了数字投影的大背景。"在石景山区RE睿·国际创忆馆内,清城睿现院长贺艳正在预告一场 特别的数字秀——《重返·圆明园》光影感映展。 据介绍,RE睿·国际创忆馆依托首钢园原4号炼铁筒仓内28米高的异形空间结构和数字文化IP资源,结合 720°沉浸式漫游、裸眼3D、VR/AR数字化虚拟现实交互的体验形式和创意设计,实现对文化遗产的智 慧阐释。其中,《重返·圆明园》光影感映展作为文化遗产数字化再生的明星项目之一,一经亮相便迅 速在网络上掀起热潮,吸引超过千万的流量关注。 步入展馆,观众不仅能身临500平方米、纵深超20米的联动影像空间,以数字复原研究 ...
持续壮大数字文化产业
Jing Ji Ri Bao· 2025-09-18 22:00
一段时间以来,全国多个省份围绕数字文化产业高质量发展推出具体举措:重庆市出台《重庆市支持科 技影视产业高质量发展的若干激励政策》,提出要针对从产业平台建设到票房表现的影视全产业链条, 实行真金白银的分档奖励;江苏省召开数字文化产业高质量发展推进会,提出要把数字文化产业纳入现 代产业体系和重点产业链整体谋划,为壮大数字文化产业创造有利条件;等等。高质量发展数字文化产 业,成为不少地区经济增长的一个重要组成部分。 近年来,5G、人工智能等数字技术加速迭代并不断融入文化产业发展进程,"文化+科技"推动文化产业 向数字化、智能化方向转型,数字文化产业成为国家文化数字化战略和文化强国建设新的增长点和重点 领域。我国数字文化产业规模持续扩大,一些地区因地制宜,采用各具特色的手段吸引消费者。同时, 我国持续加强数字文化产业顶层设计,出台各项支持举措。2017年,原文化部印发的《关于推动数字文 化产业创新发展的指导意见》对深入推进文化领域供给侧结构性改革、培育文化产业发展新动能作出了 具体部署,明确了我国数字文化产业的基本概念;2020年出台的《文化和旅游部关于推动数字文化产业 高质量发展的意见》绘制了我国文化产业数字化发展 ...
iBox链盒荣膺文旅科技经典案例,非遗数字传承再添新章
Jin Tou Wang· 2025-09-16 04:28
2025年9月10日,北京首钢园迎来了中国国际服务贸易交易会的盛大开幕。在这场融合千年古都文化底 蕴与前沿数字科技的盛会中,文旅产业的未来图景徐徐展开。作为数字文化领域的先锋,iBox链盒在同 期举办的"一带一路文旅科技高质量发展大会"上摘得2025年度文旅科技应用经典案例桂冠,彰显了其在 非遗文化传承与传播领域的创新力量。 非遗传承困境下的数字破局 非遗文化作为中华文明的瑰宝,长期面临"如何走近年轻人、如何融入现代生活"的挑战。传统非遗技艺 常被局限于展馆静态展示,难以触达新生代群体。iBox链盒以数字技术为突破口,将剪纸、皮影、刺 绣、年画等非遗资源数字化,使其从"单向观赏"升级为"可参与、可交互的动态体验"。通过区块链技术 确保文化资产的真实性、唯一性和可追溯性,iBox链盒打通了线上线下(300959)双轨传播渠道,让非 遗从历史长卷跃入年轻人的数字生活。 创新实践:科技赋能非遗新生 在具体项目中,iBox链盒交出了如下亮眼答卷: 文化数字资产不仅是传承载体,更是激活非遗生命力的"催化剂"。iBox链盒表示,未来将持续聚焦两大 方向:技术升级,深化非遗的沉浸式体验;场景拓展,在艺术创新、文旅融合等领域 ...
良渚新城“文化+科技”融合发展再添硕果
Hang Zhou Ri Bao· 2025-09-11 02:07
Group 1 - The first domestic phenomenon-level animated film IP adaptation in virtual reality, "Chang'an 30,000 Miles: Dream Back to the Tang Dynasty," was showcased in Hangzhou, highlighting the cultural revival through technology [1] - The work was developed by Zhejiang Wuzhi Vision Technology Co., Ltd., utilizing self-developed large-space mixed reality immersion technology (LBMR) to create an interactive narrative space of the Tang Dynasty [1] - The immersive experience allows participants to explore a 400-square-meter area, interact with historical figures like Li Bai, and witness significant moments in Tang history, transforming from observers to participants [1] Group 2 - Wuzhi Technology's efforts reflect the systematic layout of Liangzhu New City in promoting the development of the digital cultural industry, integrating emerging industries like artificial intelligence with traditional sectors [2] - Liangzhu New City has gathered over 1,500 digital cultural enterprises, achieving notable results in technological innovation and content production, such as 4D Gaussian filming technology and AIGC technology that enhances animation production efficiency by five times [2] - The digital culture sector is a core component of Liangzhu New City's "2+1" industrial positioning, with plans to further leverage industrial clustering advantages and promote the integration of culture, technology, and industry [2]
数字文化产业进入“内容+科技+运营”多维竞争
Yang Shi Wang· 2025-08-25 00:20
Group 1 - The summer of 2025 sees a continuous rise in cultural and tourism consumption, driven by new technologies like artificial intelligence and the metaverse, leading to diverse experiences for the public [1][2] - The De Shou Palace Ruins Museum in Hangzhou showcases the integration of digital technology with historical culture, using technologies like naked-eye 3D to recreate the life of the Southern Song Dynasty [1][2] - New cultural and tourism models are emerging, such as immersive theaters and metaverse libraries, enhancing audience engagement through advanced technologies [2] Group 2 - The demand for talent in the digital cultural industry is undergoing significant changes, with new roles emerging that require both cultural knowledge and technical skills [3][4] - Positions like LED equipment engineers and virtual shooting system engineers are in high demand as traditional film production processes are redefined by virtual technologies [4] - By 2030, the demand for virtual reality talent in China is expected to exceed 6.8 million, indicating a booming market for skilled professionals [5] Group 3 - The digital cultural industry is calling for a new approach to talent cultivation, with universities restructuring programs to meet the needs of the industry [6][8] - In 2025, nearly a quarter of the new undergraduate programs introduced by the Ministry of Education focus on the digital cultural industry, including fields like digital drama and virtual space art [6][8] - Collaboration between universities and enterprises is being emphasized to ensure that talent training aligns with industry requirements, with practical projects integrated into the curriculum [7][8]
数字文化产业进入“内容+科技+运营”多维竞争 | 梳理新职业、新要求
Yang Shi Wang· 2025-08-20 03:11
Core Insights - The cultural and tourism consumption is expected to continue rising during the summer of 2025, driven by new technologies such as artificial intelligence and the metaverse, which are creating diverse experiences for the public [1] Group 1: Technological Integration in Cultural Venues - The South Song De Shou Palace Ruins Museum in Hangzhou is attracting many visitors by integrating digital technology with historical displays, creating an immersive experience through naked-eye 3D technology [3] - The museum employs various technologies like AR, dynamic scrolls, and digital projections to bring artifacts to life, showcasing the emergence of new cultural tourism models such as metaverse libraries and immersive theaters [4] Group 2: Transformation in Film and Television Production - In Chongqing, the largest virtual filming system in Asia has been implemented, revolutionizing traditional film production methods and significantly reducing set costs and waiting times [6] - The integration of digital technologies in cultural venues is not only enhancing visitor engagement but also giving rise to new industries in drama and film [7] Group 3: Emerging Job Opportunities - The demand for talent in the cultural industry is undergoing significant changes due to technological advancements, with roles such as LED equipment engineers and virtual filming system engineers becoming increasingly necessary [10] - The widespread application of big data and AI is expanding the job market to include positions like VR application developers and 3D modelers [13] Group 4: Educational Response to Industry Needs - By 2030, the demand for virtual reality talent in China is projected to exceed 6.8 million positions, with the animation market also experiencing growth due to the integration of AI [15] - New professions related to animation, such as generative AI animation producers, are being introduced to meet the evolving needs of the industry [17] Group 5: Curriculum Innovations in Higher Education - In response to the digital cultural industry's upgrade, nearly a quarter of the 29 new undergraduate programs introduced by the Ministry of Education in 2025 are focused on digital cultural sectors [19] - Institutions like Shanghai Theatre Academy and Communication University of China are developing programs that incorporate cutting-edge technologies into their curricula to prepare students for future job markets [21] Group 6: Industry Collaboration for Talent Development - Some universities are collaborating with enterprises to create tailored training programs that align with industry standards, ensuring that graduates possess the necessary skills for employment [23] - The digital cultural industry is entering a phase of multi-dimensional competition, prompting educational institutions to innovate their professional offerings and training models [25]
郇瓛:数字文化产业激活万亿蓝海
Jing Ji Ri Bao· 2025-08-19 00:02
Core Insights - The 2025 World Artificial Intelligence Conference in Shanghai highlighted the integration of AI in cultural sectors, indicating a transformative shift in the industry driven by technology and policy support [1] - China's digital cultural industry is experiencing significant growth, with projected revenues exceeding 6.67 trillion yuan in 2024, accounting for nearly 5% of GDP and a growth rate of 12.4% [1] Industry Trends - The digital cultural industry is becoming a crucial engine for cultural prosperity and economic growth, showcasing the deep integration of technology and content innovation [1] - Chinese digital cultural enterprises are evolving from participants to leaders in the global value chain, contributing to the reconstruction of international cultural discourse [1] Challenges and Opportunities - Challenges include content innovation homogenization and superficial application of digital technologies, with a notable imbalance in regional development [2] - There is a need for collaborative efforts to transition the digital cultural industry from quantitative accumulation to qualitative leaps, supported by policy frameworks and technological advancements [2] Policy Recommendations - Recommendations include enhancing the national cultural big data system, establishing standards for technology interfaces, content quality, and copyright protection, and supporting disruptive technologies like AIGC and XR [2] - Optimizing regional collaboration mechanisms and establishing digital cultural computing centers in underdeveloped areas are also suggested [2] Corporate Strategies - Companies are encouraged to strengthen technological innovation and focus on high-quality IP that reflects Chinese cultural aesthetics [3] - There is a call for increased investment in proprietary algorithms and smart creation tools to reduce reliance on foreign platforms [3] Consumer Engagement - Enhancing digital cultural consumption experiences and promoting accessible products for all demographics are essential for activating consumer potential [3] - Fostering a healthy consumption ecosystem and encouraging active participation in cultural production are vital for the industry's sustainable growth [3]
数字文化产业激活万亿蓝海
Jing Ji Ri Bao· 2025-08-18 21:20
Core Insights - The 2025 World Artificial Intelligence Conference in Shanghai highlighted the integration of technology and culture, showcasing the potential of AI in various cultural sectors such as art, tourism, and gaming [1] - China's digital cultural industry is experiencing significant growth, with projected revenues exceeding 6.67 trillion yuan in 2024, accounting for nearly 5% of GDP and a growth rate of 12.4% [1] - The transformation of China's digital cultural industry is shifting from participation to leadership in the global value chain, contributing to the reconstruction of international cultural discourse [1] Industry Overview - The digital cultural industry in China is becoming a crucial engine for cultural prosperity and economic growth, driven by the deep integration of technology and content innovation [1] - The emergence of platforms like TikTok and games like "Black Myth: Wukong" illustrates China's active role in the global cultural landscape [1] Challenges and Opportunities - Challenges include content innovation homogenization and superficial application of digital technologies, with a concentration of resources in economically developed regions [2] - There is a need for collaborative efforts to transition the digital cultural industry from quantitative accumulation to qualitative leaps, supported by policy frameworks and technological advancements [2] Policy Recommendations - Recommendations include enhancing the national cultural big data system, establishing standards for technology interfaces, content quality, and copyright protection, and supporting disruptive technologies like AIGC and XR in cultural applications [2] - Optimizing regional collaboration mechanisms and establishing digital cultural computing centers in underdeveloped areas are also suggested [2] Corporate Practices - Companies are encouraged to strengthen technological innovation and focus on high-quality IP that embodies Chinese aesthetics, such as the game "Honor of Kings" [3] - There is a call for increased investment in proprietary algorithms and smart creation tools to reduce reliance on foreign technologies [3] Consumer Engagement - Enhancing digital cultural consumption experiences and promoting accessible products for all demographics are essential for activating consumer potential [3] - Encouraging a healthy consumption ecosystem and fostering active participation in cultural production among consumers are also highlighted [3]
行进中国|数字画笔绘就乡村新景
Jing Ji Wang· 2025-08-11 03:05
Core Viewpoint - The article highlights the transformation of the Xiaolanshan Digital Cultural Industry Ecological Village in Guizhou, which aims to integrate ecological preservation with digital industry development, contributing to rural revitalization and economic growth [8][15]. Group 1: Project Overview - Xiaolanshan is the first digital cultural industry ecological village in China, initiated by the Guizhou government in collaboration with Duocai New Media, starting in 2024 [8]. - The project focuses on revitalizing traditional villages without altering their appearance or relocating residents, utilizing abandoned facilities and idle houses for digital creative workshops and shared office spaces [15]. Group 2: Economic Impact - Over 20 digital enterprises have settled in Xiaolanshan, leading to the establishment of local businesses such as small shops and restaurants, which have increased the village's collective income and residents' earnings [15]. - The project is expected to create over 1,000 jobs upon completion of its first phase and aims to achieve an annual output value exceeding 10 billion yuan by 2025, contributing over 5 million yuan to the village's collective income [15].
浙报数字文化集团股份有限公司2025年半年度报告摘要
Core Viewpoint - The company, Zhejiang Digital Culture Group, has announced its 2025 mid-term profit distribution plan, proposing a cash dividend of 0.08 yuan per share, which is approximately 26.88% of the net profit attributable to shareholders for the first half of 2025 [4][10][19]. Group 1: Company Overview - Zhejiang Digital Culture Group aims to become a leading digital cultural industry group in China, focusing on the integration of culture and technology [15][20]. - The company has implemented a "1335" strategic action plan to enhance its competitive edge and explore new business avenues [5][15]. Group 2: Financial Performance - For the first half of 2025, the company reported a revenue of 1.414 billion yuan, a slight increase of 0.09% year-on-year, and a net profit attributable to shareholders of 377 million yuan, representing a significant increase of 156.26% [15][19]. - The total assets of the company reached 12.534 billion yuan, with net assets attributable to shareholders at 10.145 billion yuan as of June 30, 2025 [15]. Group 3: Profit Distribution Plan - The proposed cash dividend totals approximately 101.45 million yuan, based on a total share capital of 1,268,074,472 shares [4][10]. - The profit distribution plan is subject to approval at the company's upcoming shareholder meeting [9][31]. Group 4: Corporate Governance and Investor Relations - The company has maintained a high standard of corporate governance, receiving an "A" rating for information disclosure for nine consecutive years [23]. - In the first half of 2025, the company held two shareholder meetings and seven board meetings to ensure effective governance [23]. Group 5: Strategic Initiatives - The company is actively pursuing opportunities in artificial intelligence and digital media, with several AI applications developed and registered [20][21]. - It has also engaged in strategic partnerships to enhance its technological capabilities and expand its market presence [17][20].