Core Points - The 121st Paris International Exhibition concluded on May 11, showcasing global cultural exchanges and innovations, with a significant focus on Chinese culture through the "Encountering China" exhibition [2][5] - The exhibition attracted over 400,000 visitors, featuring various thematic areas including global culture, home decoration, and automotive travel [2] - The "Encountering China" exhibition presented nearly 2,000 unique exhibits, highlighting traditional crafts and modern cultural products, significantly increasing its exhibition area compared to the previous year [2][3] Group 1: Cultural Representation - The exhibition included participation from 10 cultural institutions and 30 tech companies from various Chinese provinces, emphasizing the richness of Chinese heritage [2][5] - Traditional crafts such as paper-cutting, ceramics, and embroidery were showcased alongside modern products like AI digital humans and popular cultural IPs, appealing to a diverse audience [2][3] - Non-heritage representatives demonstrated traditional skills live, showcasing the vibrancy and relevance of cultural heritage in contemporary contexts [4] Group 2: International Engagement - The event served as a platform for cultural dialogue, with notable figures praising China's efforts in cultural heritage preservation and the engagement of younger generations [4][5] - Shenzhen's debut at the exhibition highlighted innovative cultural tourism projects, aiming to enhance cross-cultural dialogue and understanding [5] - The exhibition coincided with the 50th anniversary of diplomatic relations between Europe and China, positioning it as a significant cultural exchange opportunity [5][6] Group 3: Future Prospects - The exhibition aimed to present a credible and appealing image of China to European audiences, fostering a deeper understanding of Chinese culture [6] - Future initiatives include the development of new cultural landmarks and projects in Shenzhen, which are expected to stimulate further international cultural exchanges [5][6]

漫画中幽默简洁的笔触、通俗化的哲理故事，让她抱着蔡志忠的漫画一看就是一整天。直到现在，李海 华的手绘名片上绘制的仍是蔡志忠风格的漫画。 8年前李海华来到匈牙利，有大量业余时间去做自己热爱的事，于是她全身心地投入中国非遗学习中。 二〇二四年六月，李海华（右二）在"匈牙利博物馆之夜"活动中进行扎染展示。受访者供图 李海华是匈牙利非遗讲师，在匈牙利创办李子花开非遗工作室，先后与中国驻匈牙利大使馆、布达佩斯 中国文化中心、匈牙利妇女联合会等文化机构合作，开展非遗公益活动。 李海华致力于让匈牙利及欧洲各国的朋友们能够近距离接触和了解中国丰富多彩的非物质文化遗产。 结缘非遗 李海华自幼心中就有个"文化梦"。她说："从小我看一棵树、一朵花，我都能看出它的美，就好像我在 与这个世界的美同频共振。"李海华小时候的梦想是成为一名画家，蔡志忠的漫画就是她的美术启蒙。 初次接触非遗时，李海华只将其当作爱好，深入学习后才发现内有乾坤。为学习绘制脸谱，她专门从大 连采购脸谱造型的石头，在石面上练习。纸上临摹与石上雕刻截然不同，石面光滑坚硬，运笔须精准到 位，线条粗细毫厘必究，稍有偏差就可能毁掉整块石料。李海华说："那时每天至少练习两小时 ...