景德镇是千年瓷都，陶瓷历史遗存丰富。自20世纪70年代末以来，景德镇御窑博物院及其前身景德镇市 陶瓷考古研究所在数十年的考古工作中，出土了2000多万片窑业标本，其中明清御窑瓷片占比较大。这 些标本的出土地点明确、地层清晰、品类丰富，成为构建基因库数据权威性的基石。 "这座古陶瓷基因库，曾是许多考古人的心之所向。"景德镇御窑博物院院长翁彦俊说，以往考古出土器 物的识别、鉴定大多依赖专家经验；古陶瓷基因库建成后，有了规范的标本库、统一的数据标准，为文 物鉴定、学术研究打下了坚实基础。 古陶瓷基因库，为什么诞生在景德镇？ 江西景德镇御窑博物院古陶瓷基因库内，一排排深灰色铁柜上，按序排列着上千个透明抽屉，抽屉内摆 放着景德镇古陶瓷样本，时间跨度从晚唐到民国。与此同时，基因库的机器人也正在制作新的陶瓷标 本。 国家文物局在《"十四五"考古工作专项规划》中，提出要多渠道搜集、采集能够反映中华文明基因的典 型性考古标本和数据资源，建设集资料存储、考古研究、科技分析、保护修复、成果展示于一体的中华 文明文物基因库。 2022年6月，景德镇御窑博物院在海量陶瓷标本基础上，与清华大学、北京故宫博物院、中国科学院上 海硅酸盐研究 ...

Core Insights - The establishment of the ancient ceramic gene bank in Jingdezhen aims to standardize the identification and research of ancient ceramics, providing a solid foundation for academic studies and cultural heritage preservation [1][2] Group 1: Background and Purpose - Jingdezhen, known as the "Porcelain Capital," has a rich history of ceramic production, with over 20 million kiln samples excavated since the late 1970s, primarily from the Ming and Qing dynasties [1] - The ancient ceramic gene bank was created to collect and analyze archaeological specimens that reflect the genetic heritage of Chinese civilization, as outlined in the National Cultural Heritage Administration's "14th Five-Year Plan" [1] Group 2: Technological Integration - The gene bank collaborates with institutions like Tsinghua University and the Palace Museum to develop a knowledge graph database and 3D digital models of typical ceramic specimens [2] - As of now, over 3,000 selected samples have been collected, encompassing nearly 1.2 million pieces of ancient ceramic genetic information [2] Group 3: Applications and Impact - The gene bank aids in the authentication of ancient ceramics, exemplified by a case where a Dutch collector identified a late Qing dynasty piece using the bank's data [4] - It supports advanced research techniques, such as sub-micron technology, to study the coexistence of imported and domestic materials in blue-and-white porcelain from the Ming dynasty [4] - The bank facilitates the reproduction of historical artifacts, such as the Ming Yongle blue-and-white cup, by providing detailed data to contemporary ceramic workshops [5] - It also encourages creative cultural product development by making data available for designing modern items inspired by ancient ceramics [5]