Core Viewpoint - The article highlights the revival and innovation of Zhangping farmer paintings, showcasing their cultural significance and economic potential through the integration of traditional techniques and modern artistic expressions [4][10]. Group 1: Historical Context and Development - Zhangping farmer paintings originated from the late Ming and early Qing dynasties, gaining recognition in Xinqiao Town, where local artists blended traditional art and folk culture to create a unique style, now listed as a provincial intangible cultural heritage [3][4]. - In 1989, Xinqiao Town was designated as "the hometown of modern folk painting in China," and the late 1980s to early 1990s marked a peak in farmer painting creation, leading to the phenomenon where Zhangping farmer paintings consistently won awards [5][6]. Group 2: Current Trends and Innovations - The establishment of the Zhangping Farmer Painting Academy in 2010 initiated annual public training programs, reviving interest and participation in farmer painting among various demographics, including teachers, housewives, and children [6][11]. - The integration of lacquer painting techniques into farmer paintings has opened new creative avenues, enhancing the economic value of these artworks by over five times, with some pieces selling for up to 20,000 yuan [10][12]. Group 3: Community Engagement and Future Directions - The local government supports farmer painting as an industry, implementing long-term development plans and establishing platforms for training, promotion, and sales [11][13]. - Efforts to expand the talent pool include creating educational materials, hosting competitions for children, and collaborating with other artistic forms, such as printmaking and comic art, to broaden the appeal and market reach of Zhangping farmer paintings [12][13].

Core Viewpoint - The article highlights the dedication and innovation of Master Liang Zhongxiu in preserving and revitalizing the ancient craft of Pingyao lacquer art, transforming it into a global treasure over his 50-year career [1][4]. Group 1: Master Liang's Journey - Liang Zhongxiu began his lacquer art journey at the age of 17, training under renowned master Xue Shengjin, where he honed his skills in traditional techniques and studied classical art [2]. - He furthered his education at Sichuan Fine Arts Institute and Guangzhou Academy of Fine Arts, merging academic techniques with traditional Pingyao lacquer craftsmanship, leading to the creation of new processes like "gold, silver, and shell inlay" [2]. - His works have received numerous accolades, including the Craft Award at the first China Lacquer Painting Exhibition and a gold medal at the World Handicraft Conference, establishing him as a leading figure in the field [2]. Group 2: Passing on the Craft - Liang Zhongxiu actively trains young artisans in his studio, emphasizing the importance of skill and dedication in lacquer art, with several of his apprentices achieving recognition as provincial and municipal masters [3]. - He has established multiple platforms for talent development, including guest professorships and workshops, contributing to the growth of Pingyao lacquer art and its economic impact [3]. - The "Pingyao Zhongxiu Lacquer Art Culture Research Base," built by Liang, serves as a vital hub for the living transmission of this intangible cultural heritage [3]. Group 3: Global Recognition of Chinese Lacquer Art - Liang's innovative approach combines traditional craftsmanship with modern design principles, enhancing the cultural depth and regional characteristics of lacquer art [4]. - His works have been commissioned for significant institutions, including the Great Hall of the People and various embassies, showcasing the evolution of Pingyao lacquer from folk art to high-end artistic expression [4]. - Since the 1990s, his innovative products have been exported to Europe, America, and Asia, significantly contributing to national revenue and elevating Pingyao lacquer to an esteemed art form [4].