平遥曾经是繁荣的商业中心，古城内主要街道两侧至今仍完好保存了220多家古店铺。清代晚期，总部设在平遥的票号有20多家，中国第一家票号"日升 昌"便诞生于此。"这座建筑，您现在在院子里感受到的，和古人的感受是一样的。无论经过多少次修缮，一定遵循着'修旧如旧''最小干预'的原则。"在中国 票号博物馆（"日升昌"票号旧址）院落中，工作人员介绍着古城内文物保护的日常工作，除了要做好禁止明火、消防巡查工作，他们还要监测温度湿度、确 保防风防沙，"像保护眼睛一样去保护文物"。 作为"中国四大名漆器"之一的平遥推光漆器，盛于唐代、兴于明清。2006年，平遥推光漆器髹饰技艺被列入首批国家级非物质文化遗产保护名录。近年来， 小到饰品、首饰盒、餐具，大到屏风、家具、墙画，都成了推光漆器的创作对象。匠人们手起指落间，描金彩绘，千磨万推……在流光溢彩中让这一古老的 技艺焕发新生。 古城是会呼吸的历史，也是时代的见证者。漫步古城，这里的街道保留着完整的传统格局和独特的历史风貌，街道两侧，灰砖木门的店铺古色古香，身着各 式古代服饰的游客们穿梭其间，尝美食、看非遗，衣袂飘飘，与古城相映成趣。"伴游机器人"平稳驶过古城的青石板路，3D灯光秀 ...

Core Viewpoint - The article highlights the dedication and innovation of Master Liang Zhongxiu in preserving and revitalizing the ancient craft of Pingyao lacquer art, transforming it into a global treasure over his 50-year career [1][4]. Group 1: Master Liang's Journey - Liang Zhongxiu began his lacquer art journey at the age of 17, training under renowned master Xue Shengjin, where he honed his skills in traditional techniques and studied classical art [2]. - He furthered his education at Sichuan Fine Arts Institute and Guangzhou Academy of Fine Arts, merging academic techniques with traditional Pingyao lacquer craftsmanship, leading to the creation of new processes like "gold, silver, and shell inlay" [2]. - His works have received numerous accolades, including the Craft Award at the first China Lacquer Painting Exhibition and a gold medal at the World Handicraft Conference, establishing him as a leading figure in the field [2]. Group 2: Passing on the Craft - Liang Zhongxiu actively trains young artisans in his studio, emphasizing the importance of skill and dedication in lacquer art, with several of his apprentices achieving recognition as provincial and municipal masters [3]. - He has established multiple platforms for talent development, including guest professorships and workshops, contributing to the growth of Pingyao lacquer art and its economic impact [3]. - The "Pingyao Zhongxiu Lacquer Art Culture Research Base," built by Liang, serves as a vital hub for the living transmission of this intangible cultural heritage [3]. Group 3: Global Recognition of Chinese Lacquer Art - Liang's innovative approach combines traditional craftsmanship with modern design principles, enhancing the cultural depth and regional characteristics of lacquer art [4]. - His works have been commissioned for significant institutions, including the Great Hall of the People and various embassies, showcasing the evolution of Pingyao lacquer from folk art to high-end artistic expression [4]. - Since the 1990s, his innovative products have been exported to Europe, America, and Asia, significantly contributing to national revenue and elevating Pingyao lacquer to an esteemed art form [4].