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在展场 | 琉光璃彩:火淬千年光,璃彩映今朝
Jing Ji Guan Cha Bao· 2025-08-11 13:51
Core Viewpoint - The exhibition "Liuli Light and Color" at the National Museum of China highlights the cultural significance of Zibo Liuli, elevating it from a local intangible heritage to a national cultural symbol, showcasing its artistic value and contemporary innovation [1][2]. Group 1: Exhibition Overview - The exhibition represents a significant cultural recognition for Zibo Liuli, indicating its transition from a regional craft to a symbol of Chinese traditional craftsmanship and contemporary innovation [1]. - The showcased works reflect the artistic journey and challenges faced by the artists, emphasizing the depth of skill and patience required in the creation of each piece [1]. Group 2: Focus on Key Works - The exhibition features notable works such as the "Liuli Phoenix Crown" and "Butterfly Spirit Snake Crown," created by young artists born in the 2000s and 1990s, respectively, showcasing a clear generational shift in craftsmanship [2]. - The "Liuli Phoenix Crown," inspired by a Ming Dynasty artifact, involved the meticulous crafting of 4,800 glass pearls, demonstrating the technical challenges and innovative approaches taken by the young artist Sun Qiye [3]. - The "Butterfly Spirit Snake Crown" by Liu Yuan embodies a personal artistic expression, merging themes of beauty, fragility, and danger, reflecting a deeper exploration of nature's dualities [4]. Group 3: Artistic Exploration - The work "Eternity" by Liu Yuan delves into the philosophical exploration of beauty and fragility, questioning the nature of true eternity within the context of ephemeral life [6]. - Wang Kaibing's "Monet's Garden" represents a cross-cultural dialogue between Eastern Liuli art and Western Impressionism, showcasing the adaptability and global perspective of contemporary Zibo Liuli artists [6]. Group 4: Conclusion and Future Outlook - The exhibition illustrates the continuous evolution of Zibo Liuli, emphasizing its living tradition that thrives on innovation while respecting its historical roots [7]. - The courage and creativity of young artisans signify a promising future for traditional crafts, ensuring the enduring legacy of Chinese culture [7].
琉光璃彩闪耀国博
Core Viewpoint - The "Glorious Glass - Zibo Glass Art Exhibition" at the National Museum of China showcases over 180 pieces of ancient and modern glass art, highlighting the development of Chinese glass art and the exquisite craftsmanship of traditional glass-making techniques [4][5]. Group 1: Exhibition Overview - The exhibition is divided into three sections: "A Thousand Years of Origin," "Eternal Colors," and "Exquisite Treasures," each presenting a narrative of the evolution and innovation of Zibo glass art [4][5]. - Zibo, Shandong, is recognized as a significant historical center for ancient glass production in China, with archaeological findings of a glass workshop from the late Yuan to early Ming dynasties [4][6]. Group 2: Historical Context - The first section "A Thousand Years of Origin" outlines the history of ancient Chinese glass development and compares it with glass products from Rome and Sasanian cultures, illustrating the differences in materials and techniques [5][6]. - The exhibition features ancient glass artifacts such as the "dragonfly eye" beads and Roman glass bowls, reflecting the craftsmanship of their respective eras [6]. Group 3: Artistic Techniques - The second section "Eternal Colors" focuses on glass art pieces created through various techniques, including blowing and cold processing, categorized by color to educate visitors on the aesthetics and craftsmanship involved [6][7]. - The third section "Exquisite Treasures" showcases intricate glass works, including the Twelve Flower Gods series and the Butterfly Spirit Snake Crown, emphasizing the poetic nature of glass art [7]. Group 4: Interactive Experience - The exhibition includes live demonstrations by inheritors of the intangible cultural heritage of glass inner painting, allowing visitors to engage with the craft by trying their hand at painting on glass [7].