齐鲁晚报.齐鲁壹点记者樊伟宏 "我们会继续坚持作品的手工造物、科技赋能和文化内核三个重要主题，用琉璃讲好淄博乃至中国故事，让作品拥有 更强力的生命力和艺术张力。"袁媛表示。 8月23日，由淄博市政府新闻办、市工业和信息化局联合策划的"产业链上的山东好品牌"系列现场记者见面会走进领 尚琉璃文化创意园，聚焦淄博琉璃产业链，交流淄博琉璃文化传承和产业发展的生动故事。 围绕如何在传承千年技艺的同时打造"琉璃精品"，据袁媛介绍，接下来，他们将实现两个转变，首先是让琉璃从艺术 品变成生活艺术品，走进更多家庭；其次是从地域品牌走向国际，成为世界级品牌。 1995年在博山建厂，从一开始做外贸，到后来开拓国内家居市场、做淘宝抖音直播，再到现在走进国博等一流博物 馆，作为淄博琉璃产业链的核心企业，金祥琉璃文化艺术有限公司销售经理袁媛表示，数十年间，他们抓住过外贸机 遇，也扛过环保改革、经济危机的考验，正是因为这些挑战，才让企业从幼苗长成了大树。 ...

Core Viewpoint - The introduction of the "Zibo City Ceramic and Glass Industry Development Promotion Regulations" is crucial for the innovative development of Zibo's ceramic and glass industry, providing solid institutional support and policy guidance for high-quality industrial development [1][3]. Group 1: Industry Overview - Zibo is the only region in China that encompasses the entire industry categories of ceramics and glass, including daily-use ceramics, artistic ceramics, architectural ceramics, advanced ceramics, glass, and glaze, along with manufacturing equipment and raw materials [3]. - The regulations aim to address common issues in industrial development and promote the new quality productivity of traditional industries tailored to local conditions [3]. Group 2: Key Focus Areas of the Regulations - The regulations detail support for various aspects of high-quality industrial development, including industrial agglomeration, enterprise cultivation, transformation and upgrading, innovation and research, market cultivation, brand building, cultural creativity, and cultural tourism integration [3][4]. - Support for advanced ceramics is emphasized as a new avenue to push the boundaries of traditional ceramic performance and explore cutting-edge fields [4]. Group 3: Implementation Strategies - The regulations advocate for the establishment of a new industrial development pattern, enhancing agglomeration effects by promoting the clustering of enterprises, service providers, and research institutions to form a complete industrial chain [4]. - There is a focus on cultivating "specialized, refined, distinctive, and innovative" enterprises to enhance core competitiveness and mitigate the risks of overcapacity [4]. - The regulations encourage digital and green transformation of ceramic and glass enterprises, injecting new momentum into high-quality industrial development [4]. Group 4: Market and Brand Development - The regulations promote the establishment of online and offline sales platforms to help enterprises expand both domestic and international markets, while also encouraging personalized customization services to meet diverse consumer needs [5]. - Emphasis is placed on brand building through the integration of regional cultural characteristics, enhancing the visibility and influence of local industries, and fostering the development of a renowned ceramic and glass brand city [5]. Group 5: Future Actions - The next steps include strengthening supervision and promotion of the regulations' implementation, collaborating with relevant departments to ensure policy measures are effectively executed [5]. - Regular visits and surveys will be conducted to understand challenges faced by enterprises during the implementation process, with a feedback mechanism established to collect opinions and suggestions for continuous improvement [5].

Core Insights - The article highlights the resurgence and evolution of Chinese glass art, particularly focusing on the historical significance and contemporary innovations in the craft [1][2]. Group 1: Historical Context - Ancient glass was primarily recognized in colors such as yellow, red, blue, white, and green, with early forms being small items like beads and hairpins. The introduction of blowing techniques during the Southern and Northern Dynasties expanded the variety of glass forms [1][2]. - By the Qing Dynasty, court glassware featured elegant shapes and intricate designs, marking a peak in ancient glass art. Zibo glass inherits this tradition, rooted in folk auspicious culture, creating popular glassware [1]. Group 2: Contemporary Innovations - Modern glass artists are experimenting with a wider range of colors and techniques, merging contemporary aesthetic pursuits with traditional Chinese aesthetics. For instance, the work "Glass Ink Color," designed by Han Meilin, reinterprets traditional ink lines using the fluid characteristics of glass [2]. - The use of lampworking, a heat-forming technique, has allowed artists to expand the expressive capabilities of glass art, as seen in notable pieces like "Butterfly Spirit Snake Crown," which draw from both Chinese traditional culture and Western glass art [4]. Group 3: Artistic Expression and Challenges - The plasticity of glass is a crucial characteristic that enables artists to externalize their thoughts and artistic expressions. Current glass artists are seeking to find a unique aesthetic expression for glass, balancing between popular and high art, and addressing how to maximize visual impact while maintaining spiritual depth [4].

Core Insights - The Ninth International Rose Conference showcased nearly a thousand rose varieties, with 118 new domestic cultivars, highlighting the cultural significance behind their names [1][2] - The domestic cultivar "Yueding" emerged as the most popular variety, featuring larger flowers and more blooms per stem, attracting significant attention from visitors [1] - The event aims to promote the flower industry in the Mentougou District, with plans for large-scale cultivation of representative new varieties post-conference [2] Group 1 - The exhibition featured a diverse array of rose colors and types, with a focus on domestic self-bred new varieties that have undergone 8 to 10 years of cultivation [1] - The names of the new varieties, such as "Mentougou Red," "Spring Breeze Yongding," and "Liuli," are designed to evoke cultural connections and stimulate visitor interest [2] - The conference not only showcases the achievements in Beijing's garden city construction but also aims to boost the local flower industry in Mentougou [2] Group 2 - The event has extended the duration of the 12th China Rose Exhibition and the Beijing West Rose Young Lifestyle Festival to May 18, allowing more visitors to experience the indoor and outdoor rose exhibitions [2]