青铜人头像
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古蜀珍宝到国博“出差”,总共分几步?
Xin Lang Cai Jing· 2026-01-21 19:36
展出的青铜人头像。新华社发 点交现场。图据成都金沙遗址博物馆 观众参观展出的青铜着裙立人像。新华社发 展览现场。图据中国国家博物馆 第二步是展品点交,多方留证。"文物收藏单位、借展博物馆和运输公司三方需同时在场,逐一核对查 验。对于有残缺或经过修复的地方,要专门说明和标注。同时全方位拍照,记录文物当下状态。点交还 要借助一些工具或专业仪器。"以上步骤完成后,再进行第三步——包装密封,多重保险。根据国家 《文物包装与运输规范》,为文物上多重"保险"。 "随后,文物启程上路,专车出行。"工作人员解释,文物"乘坐"的车辆,需提供满足文保要求的短期居 住环境,配备温湿度控制系统、气垫减震,每一个包装箱都要用安全带固定,并配备实时监控。 到达目的地后,就要开始布展工作。成都金沙遗址博物馆还专门选派具有丰富布展经验的专业人员赴 京,全程参与布展。布展收尾后,金沙遗址博物馆和借展方会一起给展柜封柜。 "等展期结束,金沙专业人员会再次前往借展单位,现场开柜,和借展方共同点交,确认文物状态,再 与专业运输团队共同护送文物安全回归。"到这一步,文物平安返程完成闭环。 无酸纸、定制囊匣……科技为文物上"保险" 两面刻有两组肩扛象牙 ...
通天“神作”:三星堆人的自然、图腾与祖先崇拜
Jing Ji Guan Cha Bao· 2025-12-16 04:46
Core Viewpoint - The article discusses the unique cultural significance of the Sanxingdui archaeological site, highlighting its religious artifacts and the complex belief systems of the ancient civilization that created them [1]. Group 1: Archaeological Findings - The Sanxingdui site has revealed eight burial pits containing a wealth of bronze, jade, and ivory artifacts, with distinct characteristics that allow them to be categorized into two groups [2][3]. - The burial pits show evidence of intentional burning, with many artifacts charred or deformed, suggesting a ritualistic context rather than a violent burial [4]. - The artifacts' stratified arrangement within the pits indicates a systematic approach to their burial, closely linked to ritual practices [5]. Group 2: Ritual Significance - Experts largely agree that the burial pits are associated with sacrificial activities, rather than being the result of a violent conflict [6][7]. - The concept of "yi mai" (burial for sacrifice) is referenced, indicating a cultural practice of interring offerings as part of religious ceremonies [5]. - Different interpretations exist regarding the nature of the pits, with some experts categorizing them as direct products of sacrificial activities, while others view them as burial sites for sacrificial artifacts [6]. Group 3: Belief Systems - The Sanxingdui culture exhibits three primary forms of worship: nature, totem, and ancestor worship, reflecting a rich spiritual life [8]. - Nature worship is exemplified by artifacts such as the bronze sacred tree and sun-shaped vessels, indicating a deep reverence for natural elements [9]. - Ancestor worship is represented by the unique "Zongmu" masks, which are believed to connect the living with their ancestors [10]. Group 4: Artistic Expression - The bronze sacred tree, standing at 396 cm, is noted as the largest of its kind discovered, symbolizing a connection between the earthly and divine realms [11]. - The intricate design of the sacred tree, featuring multiple branches and symbolic elements, showcases the advanced bronze casting techniques and artistic imagination of the Sanxingdui civilization [12].