Core Viewpoint - The article explores the cultural and social significance of banquets during the Five Dynasties period, particularly focusing on the famous painting "Night Banquet of Han Xizai," which reflects the lavish lifestyle and the political turmoil of the time [1][11]. Group 1: Historical Context - The Five Dynasties period was marked by political instability, with the Southern Tang dynasty under the rule of Li Yu, who was more interested in arts than governance [1]. - Han Xizai, a prominent official, hosted extravagant banquets to navigate the political landscape, showcasing the intersection of culture and politics during this era [1][11]. Group 2: Banquet Culture - Banquets served as a crucial social activity, transcending mere entertainment to become a vital form of communication among various social classes, from emperors to commoners [1]. - The article describes the evolution of banquet furniture, highlighting the transition from low-foot to high-foot furniture, reflecting changing social aesthetics [2]. Group 3: Musical Elements - Music played a central role in banquets, with instruments like the pipa being prominent, showcasing the evolution of musical styles and instruments during the period [4][5]. - The participation of guests in performances indicates a shift from passive enjoyment to active engagement in the cultural practices of the time [5]. Group 4: Culinary Aspects - The cuisine of the banquets featured local delicacies, particularly seafood, reflecting the agricultural richness of the Jiangnan region [7]. - Various dishes, including fish and game, were staples, with references to historical texts highlighting the importance of food in social gatherings [7][8]. Group 5: Attire and Aesthetics - The article discusses the fashion of the Five Dynasties, which represented a transitional phase between the opulence of the Tang dynasty and the more restrained styles of the Song dynasty [10]. - Attire during banquets was characterized by simplicity and elegance, contrasting with the elaborate styles of previous eras [10]. Group 6: Conclusion and Reflection - The lavishness of the banquets, while culturally significant, also served as a facade for the underlying political instability and personal tragedies faced by figures like Han Xizai [11]. - The article concludes that despite the grandeur of these events, they ultimately reflect a deeper sense of melancholy and the fleeting nature of power and luxury during a tumultuous period in Chinese history [11].

Core Points - The article discusses the historical significance and popularity of "fish slices" (鱼脍) in ancient Chinese cuisine, particularly during the Tang Dynasty, where it was a favored delicacy [4][6][8] - It explains the definition of "脍" and its relation to modern sashimi, confirming that both refer to thinly sliced raw fish [5] - The article highlights the evolution of fish slices from ancient times to modern practices, noting regional variations and traditional preparation methods [7][8] Summary by Sections - **Definition and Historical Context** - "脍" refers to finely sliced meat, with fish slices being a specific type of this preparation [5] - The popularity of fish slices dates back to the pre-Qin period, with references found in ancient texts [7] - **Culinary Significance in the Tang Dynasty** - Over 80 poems in "Complete Tang Poems" mention fish slices, indicating its cultural importance [6] - The skill of preparing fish slices was highly regarded, with notable figures, including officials, being adept at this craft [6] - **Evolution and Regional Variations** - Fish slices were enjoyed in various forms, with specific recipes and techniques documented in historical texts [7] - Modern practices in regions like Heilongjiang and Guangdong showcase the enduring popularity and adaptation of fish slices, with diverse ingredients and flavors [8]

动画电影《三国的星空第一部》正在热映。电影以东汉末年为背景，聚焦曹操早期经历，从讨伐董卓、迎奉天子到与袁绍的官渡之战，描绘了曹操在乱世中 确立自己的使命与信念，一举统一北方的故事。 有观众看完后表示，"电影很带感，兼具星汉灿烂的浪漫和金戈铁马的磅礴。"此外，电影里蕴藏的诸多"课本知识点"也成为大家热议的话题，从诗词到文 物，从美食到风景，都让观众置身汉代文化的熏陶中，感受着民族千年的文化自信。 诗词 "对酒当歌，人生几何！譬如朝露，去日苦多。" 这些课本里熟悉的诗词，也作为台词出现在了《三国的星空第一部》里。电影里，曹操行至碣石山时，登山望海，吟诵起《观沧海》，抱负满怀，壮阔豪 迈；而在纪念阵亡将士时，曹操则吟诵起"譬如朝露，去日苦多"，忧愤深沉…… "东临碣石，以观沧海。水何澹澹，山岛竦峙。" 一边看电影，一边学习和重温诗词，确实是颇为奇妙的体验。 三国时期，在最为动乱的北方，文学却得到进一步发展，其中尤以"建安文学"成就最大，主要代表人物有"三曹"和"建安七子"。曹操作为建安文学的开拓者 和主将，作品主要为诗，基本都有很高的艺术价值和史料价值，《观沧海》《短歌行》就是其中的杰出代表。 附上这两首诗的全文， ...