在炮龙老庙前，炮龙集结。 本报记者宋延康 摄 炮龙文化广场上万炮齐鸣，炮龙狂舞。 本报记者叶子榕 摄 炮龙亮眼，光芒四射。本报记者宋延康 摄 炮龙随着焰火腾跃。 本报记者苏昭宇 摄 炮声不停，龙舞不止。 本报记者宋延康 摄 英歌舞表演。本报记者叶子榕 摄 游客点燃鞭炮抛向炮龙。 本报记者宋延康 摄 现场气氛热烈。 本报记者叶子榕 摄 本报讯（记者苏昭宇）2月27日（正月十一）傍晚，宾阳县人流汇聚，105条炮龙静静盘踞在县城各处，等待2026年宾阳县"百龙舞宾州"舞炮龙活动开始。炮 龙文化广场上，本地居民与游客燃放爆竹，一条条栩栩如生的神龙在隆隆炮声中轻轻抬头，缓缓活动身躯，还未腾空就已经让观众感受到强大的气场。 随着活动开始时间越来越近，现场炮声也越发密集。点睛仪式上，广东普宁头槌英歌队震撼登场，宾阳炮龙与潮汕英歌舞跨界展演。刚劲的英歌舞遇上热烈 的舞炮龙，尽显两广民俗交融魅力。 18时58分，长者点亮龙眼，霎时万炮齐鸣，所有炮龙在同一刻腾空。炮龙以龙珠、龙牌（龙灯）、锣鼓、文武场开路，护龙队首尾相随，火焰师则负责燃放 由杉木炭粉末、松香粉末等制作的火药，更显龙腾而起之势。 炮龙所到之处，市民游客夹道相迎，将 ...

Group 1 - The event held on February 26 featured the sixth drum exchange meeting in Jiazhuang, Cang County, Hebei Province, showcasing 14 unique farmer performance teams [2] - The performances included traditional activities such as drum playing and lion dancing, allowing the community to experience the charm of traditional culture and the festive atmosphere [2] - The event highlighted local intangible cultural heritage, including the Cangzhou lion dance and other folk performances [6][8] Group 2 - The performances were part of a larger celebration for the Spring Festival, emphasizing the importance of cultural heritage in local festivities [2] - The event served as a platform for cultural exchange and community engagement, fostering a sense of pride and continuity in local traditions [2][6]

Group 1 - The article highlights the integration of traditional culture with modern technology during the 2026 Spring Festival, showcasing a vibrant revival of ancient customs [6][9][15] - Various regions across China are hosting diverse intangible cultural heritage activities, marking the longest Spring Festival holiday in history, lasting nine days [9][12] - The use of technology, such as robots and drones, enhances the experience of traditional cultural performances, making them more interactive and engaging for the audience [15][17] Group 2 - Events like the cultural exhibition in the Capital Museum and immersive performances in Ningxia showcase the rich diversity of Chinese folk customs [12] - Traditional activities, such as paper-cutting and lion dances, are being revitalized and celebrated in urban and rural settings, reflecting a blend of heritage and contemporary life [6][9] - The article emphasizes the role of technology in transforming cultural experiences from passive observation to active participation, enriching the overall festive atmosphere [15][17]

Group 1 - The core viewpoint emphasizes the importance of promoting traditional Chinese cultural works to a global audience, highlighting the need for innovative presentation methods to attract younger audiences [1] - The "14th Five-Year Plan" provides direction for traditional culture to "go global," with classic literary works and myths representing significant cultural heritage [1] - Challenges identified include a shortage of scriptwriters, lack of reliable partners, and insufficient funding, which hinder the adaptation of traditional cultural themes [1] Group 2 - A proposal titled "Promoting the Global Reach of Chinese Traditional Arts" was submitted by the National Committee members, which was selected as a good proposal for 2025 [2] - The proposal suggests practical measures such as policy support in project funding, awards, and broadcasting to enhance the international dissemination of traditional arts [2] - There is a call for cultural works to reflect the spirit of Chinese culture while maintaining artistic and aesthetic qualities, warning against cultural distortion driven by technology [2]

Group 1 - The core viewpoint of the article highlights the recognition of Zhouhuadian Village as a "Charity Practice Activity Base," emphasizing the integration of charity culture into rural revitalization through traditional arts [3][4] - Zhouhuadian Village has a rich cultural heritage linked to Confucianism, which has fostered a strong foundation for charitable activities and traditional cultural development over the past sixteen years [3] - The establishment of a calligraphy society and free training classes by local artist Yin Feipeng has transformed the village into the first "Calligraphy Village" in the city, promoting cultural and charitable initiatives [3][4] Group 2 - The village has implemented a model of "Ink Transmitting Kindness, Art Practicing Good Deeds," providing free Spring Festival couplets to over 900 households during the annual meeting [4] - Charitable actions such as educational support and elder care have become regular practices, with charitable culture integrated into village regulations and family values [4] - The recent award serves as a new platform for deepening charitable practices, with the annual meeting themed around the "Chinese Good Character Classic," continuing the tradition of free blessings and couplets [4]

Core Viewpoint - The article highlights the evolution and cultural significance of Lao She Teahouse, emphasizing its role in promoting traditional Chinese culture while innovating to attract younger consumers [1][4]. Group 1: Cultural Heritage and Innovation - Lao She Teahouse has transformed from a street tea stall established in 1979 to a cultural landmark in Beijing, reflecting the vitality of private enterprises since the reform and opening-up [1]. - The teahouse integrates various traditional cultural performances, such as Peking opera and shadow puppetry, creating a comprehensive cultural experience that includes tea, drama, food, and etiquette [2]. - The teahouse's management emphasizes the importance of preserving and promoting traditional Chinese culture, aiming to keep the essence of Beijing's tea culture alive [2]. Group 2: Engagement with Modern Trends - During the Spring Festival, the teahouse hosted a "head goose" non-heritage market, linking traditional culture with rural revitalization, featuring local products and hands-on experiences for visitors [3]. - To appeal to younger audiences, the teahouse has introduced innovative tea products, such as the "7-day mood tea," which aligns with the fast-paced lifestyle of younger consumers [4]. Group 3: Financial Support and Growth - The growth and innovation of Lao She Teahouse are supported by favorable financial policies aimed at empowering private enterprises, including a recent initiative to provide 1 trillion yuan in loans to support small and medium-sized private businesses [6]. - Financial support enhances cash flow and encourages investment and research, which is crucial for the innovative development of private enterprises like Lao She Teahouse [6]. Group 4: Consumer Experience and Product Offering - The teahouse offers a wide range of products, including tea sets, gift boxes, and cultural merchandise, catering to diverse consumer needs [5]. - Collaborations with established brands like Ruifuxiang and Buyingzhai have created unique consumption scenarios, stimulating new consumer engagement [5].

Core Viewpoint - The article highlights the growing popularity and cultural significance of Hanfu among young people in China, showcasing a shift from niche interest to mainstream acceptance and participation in traditional cultural activities [1][5]. Group 1: Cultural Engagement - Young people are actively participating in Hanfu events, with organized parades and cultural activities becoming common, reflecting a revival of traditional customs [1][2]. - The transformation of Hanfu from a niche interest to a daily wear option for young people indicates a broader cultural shift towards embracing traditional Chinese attire [3][5]. Group 2: Cultural Confidence - The younger generation expresses pride in Hanfu, viewing it as a representation of rich cultural heritage, which fosters a sense of cultural confidence [4][5]. - The perception of Hanfu has evolved from being seen as odd to being appreciated for its beauty, illustrating a significant change in societal attitudes towards traditional clothing [5][6]. Group 3: Innovation and Creativity - Young enthusiasts are not only wearing Hanfu but also innovating by mixing traditional elements with modern designs, showcasing a creative approach to cultural expression [3][6]. - There is a movement among young people to teach traditional crafts and skills to the next generation, indicating a commitment to preserving and promoting cultural heritage [6][7]. Group 4: Community and Collaboration - The formation of non-heritage workshops and community activities reflects a collective effort among young people to engage with and promote traditional culture [6][8]. - The article emphasizes the importance of collaboration among young individuals to enhance the visibility and appreciation of traditional crafts and attire [7][8].

Core Viewpoint - The Beijing Arts and Crafts Museum is hosting a popular Spring Festival exhibition titled "A Gathering of Seasons: Treasures of the Nation," featuring over 120 exhibits that celebrate traditional culture and craftsmanship, particularly focusing on the theme of "horse" [1][2]. Group 1: Exhibition Details - The exhibition is divided into four main sections: "Same Roots of Family and Nation," "Family Prosperity," "Seasonal Changes," and "Zodiac Year," and is free to the public [1]. - The exhibition includes various artworks, such as the cloisonné piece "Silk Road Steed" and a lacquer jewelry box depicting a warhorse, showcasing the cultural significance of horses [1]. Group 2: Visitor Engagement - The museum employs personalized storytelling techniques, with guides like Wu Jing adapting their narratives based on the audience, whether they are children or elderly visitors [2]. - Visitors can engage in hands-on experiences with traditional crafts, such as making a cloisonné brooch, which enhances their understanding of traditional techniques and creates a more immersive cultural experience [2].

Core Viewpoint - The exhibition at the Beijing Arts and Crafts Museum, themed around the Chinese New Year and featuring over 120 exhibits, has attracted significant public interest, highlighting the importance of cultural heritage and traditional craftsmanship in contemporary society [3][4]. Group 1: Exhibition Details - The exhibition is titled "A Gathering of Seasons: Treasures of the Nation - The Essence of Beijing in Every Object" and is divided into four main sections: "Shared National Pulse," "Family Prosperity," "Seasonal Changes," and "Zodiac Guardianship," all of which are free to the public [3]. - The exhibition features various artifacts, including the cloisonné piece "Silk Road Divine Steed" and a lacquer jewelry box depicting a warhorse, showcasing the artistic representation of horses [3]. Group 2: Audience Engagement - The museum employs personalized storytelling techniques during tours, adapting explanations based on the audience's age and interests, such as focusing on animal and plant motifs for children and historical context for older visitors [4]. - The museum's collection primarily consists of works from the 1960s to 1970s, filling a historical gap in the development of Beijing's arts and crafts industry [4]. Group 3: Interactive Experience - During the exhibition, visitors can engage in hands-on experiences with various intangible cultural heritage crafts, such as making a cloisonné brooch, which enhances their understanding and appreciation of traditional techniques [5]. - The museum aims to transform its collection into a living culture that is tangible and participatory, encouraging more people to visit and celebrate a meaningful Chinese New Year [5].

Core Viewpoint - The article highlights the immersive experience of traditional culture during the Spring Festival in Shunyi, emphasizing the significance of local folklore and customs, particularly the Zhangzhen Kitchen God legend, through various festive activities and events. Group 1: Cultural Events - Shunyi has transformed the "authentic New Year" experience into a live event, featuring traditional cultural immersion during the Spring Festival [1] - The Zhangzhen Kitchen God legend serves as the foundation for a ceremonial folk activity, with flower teams parading through the streets on the first and fifth day of the New Year, interacting with the public [4] - Various intangible cultural heritage performances are scheduled throughout the Spring Festival, showcasing traditional skills and crafts [6] Group 2: Festive Activities - The Northwu Town Dragon Dance Competition will take place on February 28, 2025, featuring vibrant performances that enhance the festive atmosphere [7][10] - The "Zhao Quanying Cup" folk flower competition is set for March 3, 2025, continuing a 20-year tradition with multiple flower teams performing traditional dances [12] - The events are designed to create a lively and engaging environment, allowing participants to experience the essence of the Spring Festival firsthand [13]