我们不可能抛弃过去、抛弃传统、离开中华大地，凭空生造一个现代化出来。加强对中华优秀传统文化 的继承和弘扬，发掘好运用好其中蕴藏的宝贵经验、精神智慧，将为中国式现代化注入强大动能 郑板桥有诗云："画根竹枝插块石，石比竹枝高一尺。虽然一尺让他高，来年看我掀天力！"把握好传统 与现代的关系，在守正创新中稳扎稳打、锐意向前，走向未来便能拥有"掀天之力"，一如那拔节向上的 翠竹。 观察传统产业如何向新而行，竹子是个很好的对象。无论是新材料的性能突破，还是碳汇量的精准监 测，都离不开科技支撑。不把目光局限于作为草木的竹子，而是向上延伸产业链、向深发掘附加值、向 外拓展产业群，激活了一域发展沉睡的潜能。善用科技，创新方法，因地制宜，这是传统融入当下、提 质升级的共通逻辑。 传统不是落后的代名词，传统的农林牧渔业和制造业也可以孕育新产业新业态新模式，成为培育新质生 产力的沃土。理解了这一点，就更能读懂"十五五"规划建议中，"建设现代化产业体系"为什么内含"优 化提升传统产业"，"构建现代化基础设施体系"为什么内含"推进传统基础设施更新和数智化改造"等战 略安排。 如何看待传统、怎样对待传统文化，是迈向现代化过程中必须回答好的 ...

武汉地书大赛自2013年开始举办以来，从最初的地方文化活动逐渐成长为具有全国影响力的文化品 牌。市江滩办相关负责人表示："地书大赛的深层价值在于它所承载的城市精神，当选手们用石灰水在江 滩上写下对城市的热爱时，他们书写的不仅仅是文字，更是对传统文化的敬畏与创新，是对城市精神的 传承与弘扬。" 据悉，本届大赛共评选出十佳选手及优秀组织奖等多个奖项，获奖作品将在横渡长江博物馆进行长 期展出，供市民们欣赏观摩。 编辑：代婧怡 2025中国武汉第十届地书大赛暨第十四届芦花文化节在汉口江滩三阳广场举行 11月22日，2025中国武汉第十届地书大赛暨第十四届芦花文化节在汉口江滩三阳广场举行。来自全 国各地的百余位书法爱好者齐聚长江之畔，以笔墨为桥、江滩为卷，共同绘就长江生态文化画卷。 活动现场，巨型地书作品的创作成为焦点。参赛者手持特制的地书笔，在百米亲水平台上挥毫泼 墨，以环保石灰水为"墨"，以平整地面为"纸"，共同完成了一幅书法长卷。 昆明丰宁地书协会会长韩立宇即将在月底迎来80岁的生日，今年他带领了3名协会成员前来武汉参 赛。他说："武汉地书大赛的环境和服务堪称全国一流，武汉江滩风景美不胜收，人文氛围热情洋溢，明 ...

第十五届全运会即将落下帷幕 是什么给你留下的印象最深刻？ 是赛场上的速度与激情 是运动员的圆满与遗憾 是"大湾鸡"的可爱与"疯癫" 还是赛场内外那无处不在的"中国风" 今天让我们一起来找找 全运会上的传统文化元素 11月9日晚 全运会开幕式的盛况 依然能在人们心中引发强烈共鸣 英歌飒爽 南狮腾跃 龙舟竞技 传统与科技的有机融合 让岭南风韵的刚柔并济、热情奔放 直抵人心 ↑11月9日，第十五届全运会开幕式现场。新华社记者 李鑫 摄 或许你对这些文化元素不甚了解 可每当鼓声响起时 也能不由自主跟着节奏舞动起来 这一刻 DNA里的民族自豪感油然而生 ↑11月9日，演员在开幕式现场表演。新华社记者 邓华 摄 ↑11月9日，粤剧演员在开幕式现场表演。新华社记者 杨冠宇 摄 当有着"南国红豆"美誉的粤剧 ↑11月9日，演员在开幕式现场表演。新华社记者 潘昱龙 摄 在舞台上唱响 这一吸纳了多元音乐、戏剧元素的剧种 将梆子、二簧声腔 与粤方言音韵完美结合 水袖起落，戏腔动人 一颦一笑，韵味十足 《男儿当自强》 这首改编自古曲《将军令》的旋律 也穿越古今 再次以雄浑的气势 展现出中国人 生生不息、奋发图强的精气神 给人以力量的 ...

Core Insights - The tourism performance in China has shown significant growth in the live performance sector, with increases in the number of shows, box office revenue, and audience attendance compared to previous years [4][5][6] - Major performances like "Impression Liu Sanjie" and "Again Dunhuang" have become key attractions, contributing to local tourism and economic growth [10][12] Group 1: Market Performance - In the first three quarters of this year, the national tourism performance market has achieved year-on-year growth in terms of the number of performances, box office revenue, and audience numbers, indicating strong market vitality [4] - The cumulative performances of four major shows in Dunhuang during the "14th Five-Year Plan" period reached 7,901, attracting over 3.75 million visitors and significantly boosting local economic sectors such as accommodation and dining [12] Group 2: Product Innovation and Upgrades - The tourism performance market is experiencing a rich supply of products, with traditional formats like mountain water performances and themed park shows undergoing continuous upgrades to enhance their appeal [5][7] - The 2025 revamped version of "Tunnel Warfare" will include interactive elements for tourists, allowing them to engage directly with the performance, thus deepening emotional connections [7] Group 3: Cultural Integration and Technology - The integration of traditional culture and modern technology is crucial for the development of tourism performances, with a focus on creating high-quality content and expanding industry boundaries [8][9] - Performances like "Dragon and Phoenix Dance China" have been updated to appeal to younger audiences by incorporating modern aesthetics and technology, showcasing traditional culture in a contemporary context [9] Group 4: Audience Engagement - The immersive experience in performances such as "Long Hate Song" and "Again Dunhuang" allows audiences to feel a deeper connection to the cultural narratives being presented, enhancing their overall experience [6][11] - The use of advanced technologies like large-scale stage machinery and 3D imaging in performances has transformed the audience's experience, making it more engaging and interactive [11]

Core Viewpoint - The opening ceremony of the 15th National Games in Guangzhou highlighted the cultural and historical significance of the Guangdong-Hong Kong-Macao Greater Bay Area, emphasizing the region's development and unity through sports and cultural performances [1][2][3]. Group 1: Cultural Significance - The ceremony featured a water-themed stage, symbolizing the connection of the Greater Bay Area to water and its historical roots [1]. - Performances included traditional elements such as the "青铜句鑃" and ancient melodies, showcasing the region's rich cultural heritage [4][5]. - The event celebrated the historical significance of Guangzhou as a starting point of the Maritime Silk Road and its evolution into a major economic hub [6]. Group 2: Unity and Collaboration - The opening ceremony emphasized the collaboration among Guangdong, Hong Kong, and Macao, with representatives from all three regions participating in the event [2][7]. - The performances depicted the shared history and aspirations of the people in the Greater Bay Area, reinforcing a sense of community and collective effort [8][10]. - The event aimed to inspire future cooperation and development within the region, aligning with the goal of building a vibrant and competitive world-class city cluster [7]. Group 3: Sports and Future Aspirations - The ceremony featured various sports elements, highlighting the importance of athletics in promoting unity and national pride [12]. - The event concluded with a call for athletes to embody the spirit of sportsmanship and strive for excellence over the next 12 days of competition [17]. - The lighting of the main torch symbolized the collective aspirations of the region's athletes and the broader community [14][15].

智慧赋能，打造高效专业的"新闻中枢" 走进新闻中心，忙碌而有序的氛围扑面而来。本届新闻中心在功能性与体验感上再度升级，致力于为记者们营造一个高效、便捷的工作环境。在这里， 媒体记者可以第一时间获取进博会最权威、最新的官方信息，实时观看开幕式、虹桥国际经济论坛及闭幕式等重要活动的视频直播。同时，新闻中心内举行 的多场新闻发布会以及组织安排的会内会外采访活动，将为中外记者深入挖掘进博亮点、传递全球经贸强音提供绝佳平台。 11月3日，第八届中国国际进口博览会新闻中心在国家会展中心（上海）正式启用，开门迎接从四面八方汇聚而来的中外媒体记者。从即日起至11月10 日闭幕，这里将成为报道进博盛会的"记者之家"，以全面升级的智慧科技与充满人文关怀的暖心服务，为全球媒体提供强大支持，并讲述一个传统与现代交 融的精彩进博故事。 除了是专业的新闻工作区，新闻中心更是一个展示中国文化、海派风情的迷人窗口。今年，文化展示区域内容尤为丰富，如同一幅精心绘制的"双面 绣"，一面是深厚的传统底蕴，一面是活力的现代创新。 记者们在工作之余，可以漫步至非遗体验区，亲手感受上海独特非遗项目的魅力，在匠人的指导下，领略中国传统手工艺的精妙。一旁的 ...

Core Viewpoint - The rise of Guofeng fashion is a significant driver for the Chinese clothing industry, reflecting cultural confidence and the urgent need for transformation and upgrading in the sector [1][2]. Market Dimension - The Guofeng fashion industry has the potential to tap into a market worth trillions, with consumption scenarios expanding from ceremonial occasions to daily commuting and social displays [1]. - The consumer base is shifting from niche preferences to mass consumption, indicating a broader acceptance and integration of Guofeng fashion into everyday life [1]. Industry Dimension - Leading brands are focusing on the integration of traditional craftsmanship with modern design, while smaller brands are concentrating on lightweight Hanfu and new Chinese styles, fostering a diversified development landscape [1]. - Guofeng fashion is gaining international recognition, frequently appearing on global platforms like Paris Fashion Week, which enhances cultural exchange and boosts export growth [1]. Innovation and Technology - The integration of Guofeng fashion with traditional culture should go beyond superficial elements, delving into Chinese philosophy and aesthetics to create meaningful design narratives [2]. - Embracing digital technologies such as AI, big data, and new materials is essential for enhancing design efficiency and enabling personalized production, thereby creating immersive consumer experiences [2]. Collaborative Ecosystem - The Guofeng fashion movement requires systemic innovation across the entire value chain, from material research and manufacturing processes to brand building and tourism integration [3]. - Key regional clusters should play a coordinating role to eliminate bottlenecks in the industry chain, providing support and services to small and medium enterprises, and promoting collaborative development [3]. Cultural Confidence - The Guofeng fashion industry not only injects growth momentum into the Chinese clothing sector but also reinforces cultural confidence, showcasing the revival of traditional craftsmanship within modern design [3].

Core Insights - The Mid-Autumn Festival in Guangdong's Jieyang has become a significant cultural event, attracting tourists to experience traditional customs like the tower-burning ceremony, which has evolved from a local entertainment activity to a major tourist attraction [2][3][4] Cultural Significance - The tower-burning ceremony, rooted in the region's history, serves as a ritual for blessings and has been celebrated since the late Yuan Dynasty, showcasing the rich cultural heritage of the Chaoshan area [2][3] - The event has gained popularity among younger generations, who are increasingly interested in traditional culture and actively participate in its promotion [6][7] Economic Impact - During the recent holiday period, Jieyang welcomed approximately 1.82 million visitors, marking a 10.15% increase compared to the previous year, with overnight visitors rising by 33.66% [2][6] - The local government has recognized the potential of cultural tourism, launching 89 intangible cultural heritage activities during the holiday to enhance visitor experiences [6][7] Tourism Development - The rise of cultural tourism in Chaoshan is attributed to young people's desire to explore local traditions rather than just visiting popular tourist spots, alongside the influence of social media in promoting these events [6][7] - The completion of the ancient city renovation project has further boosted tourism, with over 500,000 visitors recorded in the first five days of the holiday [7]

Core Viewpoint - The design of the 2008 Beijing Olympics mascots, the "Fuwa," was a significant cultural representation of China, created by artist Han Meilin, who aimed to convey friendship, peace, and the spirit of the Olympics through these characters [1][2]. Group 1: Design and Cultural Significance - Han Meilin was chosen for his ability to encapsulate the essence of Chinese culture in the mascots, which needed to appeal to a global audience while maintaining cultural depth [2]. - The "Fuwa" were designed in a single night, reflecting Han's commitment to representing the Chinese nation and its cultural values, with each character's name incorporating the concept of "福" (fortune) [2][4]. - The mascots conveyed a message of friendship and positivity through the phonetic play on "Beijing welcomes you" [2]. Group 2: Artistic Journey and Philosophy - Han Meilin's artistic journey includes a deep exploration of ancient Chinese characters, leading to the creation of the "Tianshu" series, which reflects his dedication to reviving and interpreting lost cultural symbols [5][8]. - His work emphasizes the importance of cultural heritage and the need to document and appreciate historical symbols, regardless of their immediate understanding [5][9]. - Han's artistic process is characterized by a relentless pursuit of beauty and meaning, dedicating extensive hours to his craft, often losing track of time [6][8]. Group 3: Community Engagement and Education - Han Meilin has established free art museums across various cities, aiming to make art accessible and promote aesthetic education among the public, particularly children [9][10]. - His approach to art education emphasizes voluntary engagement rather than coercion, allowing children to connect with art naturally [11][12]. - The initiative to create public art spaces reflects a desire to bridge the gap between high art and everyday life, making art a relatable and integral part of the community [10][12].

Core Points - The article discusses the historical significance and popularity of "fish slices" (鱼脍) in ancient Chinese cuisine, particularly during the Tang Dynasty, where it was a favored delicacy [4][6][8] - It explains the definition of "脍" and its relation to modern sashimi, confirming that both refer to thinly sliced raw fish [5] - The article highlights the evolution of fish slices from ancient times to modern practices, noting regional variations and traditional preparation methods [7][8] Summary by Sections - **Definition and Historical Context** - "脍" refers to finely sliced meat, with fish slices being a specific type of this preparation [5] - The popularity of fish slices dates back to the pre-Qin period, with references found in ancient texts [7] - **Culinary Significance in the Tang Dynasty** - Over 80 poems in "Complete Tang Poems" mention fish slices, indicating its cultural importance [6] - The skill of preparing fish slices was highly regarded, with notable figures, including officials, being adept at this craft [6] - **Evolution and Regional Variations** - Fish slices were enjoyed in various forms, with specific recipes and techniques documented in historical texts [7] - Modern practices in regions like Heilongjiang and Guangdong showcase the enduring popularity and adaptation of fish slices, with diverse ingredients and flavors [8]