Core Viewpoint - The article emphasizes the role of the Communist Party of China as a faithful inheritor and promoter of excellent traditional Chinese culture, highlighting its commitment to expanding high-level opening-up through the integration of traditional wisdom with contemporary values [2]. Group 1 - The speaker, He Ping, is the Vice Dean and Professor at Tsinghua University's School of Economics and Management [2]. - The discussion centers around a classical quote referenced by President Xi Jinping, "志合者，不以山海为远," which translates to "Those with shared aspirations are not deterred by mountains and seas," illustrating the deep wisdom of traditional Chinese culture [2]. - The article showcases China's determination to expand high-level foreign openness, reflecting its contemporary significance and relevance [2].

Group 1 - The core viewpoint of the article highlights the premiere of the dance drama "Her Kizil" at the National Grand Theatre, which innovatively revitalizes traditional culture through a dynamic artistic expression [2] - The production is part of a broader initiative in Xinjiang to strengthen the awareness of the Chinese national community by creating numerous artistic works that promote and explore excellent traditional Chinese culture, which have been well-received by audiences [2]

Core Viewpoint - The article emphasizes the role of the Communist Party of China as a faithful inheritor and promoter of excellent traditional Chinese culture, continuously endowing it with new contemporary significance through the "two combinations" [2] Group 1 - The speaker, Hong Xianghua, highlights the profound wisdom and contemporary relevance of traditional Chinese culture as reflected in President Xi Jinping's speeches and writings, which often quote classical phrases [2] - The specific quote "潮平两岸阔，风正一帆悬" is used as a starting point to discuss its creative background, core meaning, and contemporary implications [2] - The article illustrates China's commitment to sincere friendships and practical cooperation with developing countries, contributing to the construction of a community with a shared future for mankind [2]

Group 1 - The event "Qing Sheng Chuan Yun, Shen Sheng Bu Xi" was held in Shanghai to promote traditional Chinese culture among youth, organized by the Shanghai Youth League Committee [1] - The performance included various traditional art forms such as folk drumming, Peking opera, Kunqu opera, and a fashion show featuring traditional Chinese clothing, showcasing the integration of modern elements with traditional culture [3][5] - A traditional culture experience market was set up outside the theater, featuring 24 themed booths that engaged youth with activities like archery and riddles, bringing traditional culture closer to them [7]

Group 1 - The event "Qing Sheng Chuan Yun, Shen Sheng Bu Xi" aimed to promote excellent traditional Chinese culture was held at the Shanghai Children's Art Theatre on January 9, 2026 [1] - The performance was divided into four chapters: "Millennium Elegance," "Jiangnan Tide," "Radiant New Era," and "Stars Shining Bright," showcasing the richness and charm of traditional Chinese culture while emphasizing youth's role in modernizing China [2] - The opening performance featured the Haijangzhou Drum and Music Troupe and the Shanghai Sanlin Lion Dance Team, setting a vibrant tone for the event [4] Group 2 - A traditional cultural market was set up outside the theatre, featuring 24 themed booths divided into interactive experiences and static displays, attracting many young participants [6] - Various games such as pot throwing, archery, and riddle guessing were available, creating a lively atmosphere, while the intangible cultural heritage display showcased intricate crafts like Gu embroidery and tea art [6] - The market served as a dynamic classroom for youth to engage with history and tradition, allowing them to experience activities like dragon and lion dancing, calligraphy, and traditional crafts [6]

Core Viewpoint - The art of embroidery in China has evolved from practical origins to a sophisticated cultural expression, showcasing regional styles and historical significance. Group 1: Historical Development - Embroidery in China dates back to the Neolithic era, evolving alongside civilization and becoming a blend of utility and aesthetics, reflecting cultural and emotional narratives [1] - The earliest known embroidery artifacts were discovered in Hunan's Changsha Chu tombs, showcasing exquisite techniques and inscriptions [2] - During the Zhou Dynasty, embroidery became a means to signify social status, with the imperial court establishing specialized positions for embroiderers, a practice that continued into the Ming and Qing dynasties [2] Group 2: Regional Styles - The four major embroidery styles—Su, Xiang, Yue, and Shu—each possess unique characteristics, with Su embroidery known for its delicate patterns and Xiang for its intricate details [4][5] - Yue embroidery is distinguished by its vibrant colors and the use of materials like peacock feathers, while Shu embroidery is recognized for its bold designs and fine craftsmanship [5][6] - Other regional styles, such as Long embroidery and Gu embroidery, also flourished during this period, contributing to the diversity of Chinese embroidery [7] Group 3: Cultural Significance - Embroidery has played a significant role in military and religious contexts, with notable examples including maps and texts embroidered for ceremonial purposes [3] - The craftsmanship of palace embroiderers during the Qing Dynasty led to the production of luxurious and elegant pieces, ensuring the preservation of traditional techniques [3] - The emotional and cultural narratives embedded in embroidery reflect the lives and aspirations of the embroiderers, often intertwining personal stories with broader historical themes [8][9] Group 4: Modern Innovations - The art of embroidery continues to thrive, adapting to modern technologies while maintaining its cultural roots, with a shift towards digital and intelligent embroidery techniques [12] - Despite the rise of machine embroidery, the traditional skills and cultural significance of hand-stitched embroidery remain vital, nurturing the next generation of artisans [12]

Core Viewpoint - The Jining Municipal Federation of Trade Unions has innovatively developed the "Chinese Workers' Great Ideological and Political Course" to enhance the ideological and political education of workers by integrating traditional Chinese cultural wisdom into practical training and education [1][2]. Group 1: Educational Initiatives - The "Chinese Workers' Great Ideological and Political Course" addresses the mismatch in supply and demand for ideological education among workers, increasing participation rates from 65% to 85% [1]. - Over 300 customized courses are conducted annually, with a satisfaction rate of over 95%, utilizing a diverse teaching team from universities, enterprises, and labor models [2]. - Online platforms like "Cloud Academy" and "Zoulu Hui Gong Home Cloud Classroom" have reached over 700,000 participants, with micro-lecture views exceeding 100,000, facilitating a shift from scheduled learning to on-demand understanding [2]. Group 2: Practical Applications and Outcomes - The establishment of ideological practice bases and craftsman innovation studios has led to significant advancements, with one studio solving 125 technical problems and generating over 32 million yuan in economic benefits [3]. - The integration of ideological education into daily work and life has created a three-dimensional educational model focusing on value guidance, skill enhancement, and life care [2][3]. - The emphasis on creative and practical approaches in ideological education aims to enhance workers' sense of identity, participation, and benefit [3].

Group 1 - The core viewpoint emphasizes the importance of traditional Chinese culture and its continuous influence on society, as highlighted by President Xi Jinping's consistent respect and appreciation for it [2]. Group 2 - The article reflects on the deep thoughts and collective strength derived from the rich cultural heritage of China, symbolized by the vast landscapes and historical footprints [2].

Core Viewpoint - The exhibition "God and Objects Travel - Research Exhibition of Huo Chunyang's Art" showcases over 300 ink flower and bird works created by artist Huo Chunyang from 2006 to the present, highlighting his artistic evolution over nearly two decades [2][4]. Group 1: Exhibition Overview - The exhibition is organized by Tianjin Academy of Fine Arts and aims to present the artist's continuous transformation in subject matter, brushwork, and imagery [2][4]. - It runs from January 7, 2026, to February 22, 2026, and includes a series of high-level activities to promote dialogue and artistic presentation [10]. Group 2: Thematic Structure - The exhibition is divided into four chapters: "Divine Thought," "Understanding Objects," "Artistic Play," and "Passing on Tradition," each exploring different aspects of Huo Chunyang's artistic contributions and educational impact [7]. - "Divine Thought" focuses on the artist's aesthetic exploration and the traditional paradigm of "spirit," "rhythm," and "energy" [7]. - "Understanding Objects" reflects the integration of natural observation with the methodology of "understanding objects to gain knowledge," emphasizing the synchronization of understanding, self-cultivation, and broader aspirations [7]. - "Artistic Play" highlights the interplay between personal cultivation and exceptional skills, showcasing the artist's life qualities and contemporary concerns [7]. - "Passing on Tradition" reviews the journey of the "Huo Chunyang Scholarship" and the establishment of the "Huo Chunyang Flower and Bird Painting Research Institute," illustrating the artist's influence on public resources and his contributions to traditional art innovation and talent cultivation [7].

Group 1 - The core viewpoint emphasizes the importance of culture in nurturing the spirit and moral character of the nation, reflecting the new changes in people's spiritual and cultural needs, and its significance in promoting cultural development in the new era [1] - The Chinese Communist Party recognizes the role of culture in enhancing the ideological and spiritual state of the people, with a focus on cultural confidence and the importance of cultural construction in governance [1][2] - The need to build a strong socialist ideology that unites the people and enhances their cultural confidence is highlighted, drawing from traditional Chinese culture to foster a proactive spirit among the populace [2] Group 2 - The promotion of a prosperous socialist culture is essential, with an emphasis on creating a people-centered cultural environment that meets diverse spiritual and cultural needs [3] - The call for cultural innovation and reform is crucial for enhancing cultural productivity and ensuring that cultural development serves societal needs and promotes social values [3] - The importance of cultural works that reflect contemporary Chinese values and aesthetics is stressed, aiming to enrich the people's cultural life and foster a healthy societal value pursuit [3]