有尴尬恐惧症的人，看不得《刺杀小说家2》。 这个国庆档，《刺杀小说家2》交出了一份令人遗憾的成绩单：上映8天，票房仅仅收获2.95亿元，不仅不及同期的《志愿军：浴血和平》和《731》，更 远逊于前作的10.35亿元。而在豆瓣，其评分也跌至6.1，评论区沦为大型分裂现场，观众一面为"烛龙腾空"的视觉奇观惊叹，一面对支离破碎的叙事逻辑 脚趾抠地。 当技术的"重工业"与叙事的"轻体量"形成如此荒诞的对比，我们不禁要问：中式奇幻，为何总讲不好一个故事？《刺杀小说家2》的尴尬，或许能成为透 视这一现象的最佳样本。 "为醋而包的饺子" 如果要用一个词形容《刺杀小说家2》，那就是"尴尬"。 电影中有这么一个桥段，小说主角空文穿越到现实后，质问小说家路空文为什么要"写死"他所有的朋友，小说家回答："为了故事好看，我可不得那么写 吗？" 然而事实是，整部电影的故事并不好看。甚至可以说，它根本不算一个完整的故事，反而更像是"为了一碟醋而包的饺子"。 先给没看过《刺杀小说家》的人科普一下这个系列的设定。电影中有两个世界：其一是现实世界，小说家路空文创作了小说《弑神》；其二是小说中的异 世界，小说主角空文于此踏上了对抗赤发鬼的弑神之 ...

Core Insights - The recent summer releases of animated films "Liao Zhai: Lan Ruo Si" and "Wang Wang Shan Xiao Yao Guai" have sparked a resurgence of interest in Chinese fantasy storytelling, resonating with audiences through familiar narratives and innovative aesthetics [1][2] Group 1: Animation Industry Trends - Chinese animation is increasingly seeking to express a unique cultural identity through technological and artistic innovation, blending traditional aesthetics with modern techniques [1] - The thematic evolution of Chinese animation reflects a shift from divine narratives to a focus on individual human experiences and values, as seen in films that address contemporary issues such as personal choice and workplace challenges [2][3] Group 2: Audience Engagement - The characters in "Wang Wang Shan Xiao Yao Guai" resonate with young audiences by embodying relatable traits and addressing themes relevant to modern life, such as self-actualization and career dilemmas [2] - "Liao Zhai: Lan Ruo Si" employs a narrative structure that connects classic stories with contemporary settings, prompting viewers to reflect on deeper existential themes [2][3] Group 3: Cultural Reflection - The current generation of Chinese animated films is moving towards exploring internal emotional connections and cultural resonance, rather than merely creating external cultural symbols [3]

Core Viewpoint - The release of the domestic 3A game "Mingmo: Yuanshu Zhi Yu" by Lingze Technology has garnered significant attention and is expected to enhance the global influence of Chinese games, following the success of "Black Myth: Wukong" [12]. Group 1: Game Release and Performance - "Mingmo: Yuanshu Zhi Yu" was officially launched on July 24 and has topped the global and regional sales charts on Steam, as well as in Hong Kong and Taiwan [2]. - The game is priced at 248 yuan for the standard version and 298 yuan for the deluxe version, with pre-order numbers continuing to rise [2]. - The game has received positive reviews from renowned gaming review site IGN, highlighting its unique artistic style and story setting [2]. Group 2: Cultural Integration and Development - The game integrates elements of ancient Shu civilization, traditional folklore, and Tianfu culture, creating a distinct "Chinese fantasy" experience [4]. - The development team spent six years creating the game, drawing inspiration from ancient texts and scanning historical sites to incorporate digital reconstructions of cultural artifacts [6]. - Traditional Chinese cultural elements, such as Sichuan opera and shadow puppetry, are embedded in the gameplay and story, enhancing the cultural experience for players [7]. Group 3: Industry Context and Support - Chengdu's cultural and creative industry has seen significant growth, with the number of regulated enterprises increasing from 1,552 in 2018 to over 3,000 in 2024, and a 10.3% year-on-year increase in industry value added in Q1 of this year [8]. - Lingze Technology benefits from a "hundred-meter industrial chain" model, with numerous local companies contributing to the game's production, particularly in art and modeling [8]. - The company has received substantial support from the Chengdu High-tech Zone in terms of industry services, policy support, talent recruitment, and promotional resources [8].