云冈石窟始建于北魏时期，现存主要洞窟45个，共计1100多个小龛，大小造像59000余尊，是中国规模 最大的石窟群之一。2001年，云冈石窟被联合国教科文组织列入《世界遗产名录》。 科研方面，云冈研究院举办"2025石窟寺保护与传承"等多场学术研讨会，全年申报国家级、省级科研课 题8项，发表学术论文19篇，出版《交融与创新——北魏平城时代研究论集》等著作。 2025年，云冈石窟IP授权中心应运而生，"文化+产业"双轮驱动的发展格局加速形成，让千年石窟艺术 走进现代生活。全球首个云冈数字资产转化多媒体展"探弥·云冈"亮相，以动态活化的方式向世界展现 云冈美学。 中新社大同1月2日电 (记者 胡健)记者2日从云冈研究院获悉，世界文化遗产云冈石窟2025年参观人数突 破528万人次，同比增长18.87%，创历史新高。 "保护为先"是云冈石窟2025年的关键词。过去一年，云冈研究院完成"云冈石窟石质文物内部凝结水监 测与治理关键技术研究""平城与北魏丝绸之路与民族融合的科技考古研究"等课题。首次将高光谱技术 应用于第7、8窟，实现几何形态与物质成分的全维度记录，数字化保护迈入"光谱时代"。 此外，"石韵梵音""云海相 ...

中新社乌鲁木齐12月27日电 题：新疆木卡姆焕新"声"：文化瑰宝奏响时代新韵 "文化不能成为文物，木卡姆是流淌的文化血脉，与时俱进才能传得远。"中国维吾尔古典文学和木卡姆 学会秘书长王陈军一直在探索新疆维吾尔木卡姆艺术的创新之路，歌剧《木卡姆恋歌——万桐书》便是 一次成功尝试。 作者 胡嘉琛 在新疆鄯善县鲁克沁镇木卡姆村，80岁老者与10余岁少年闭目哼唱木卡姆选段，弹拨乐器曲调悠扬，歌 声时而高亢时而深情。"传承人多了，演出机会也多了，这对我们来说是很幸福的事。"传唱木卡姆近40 年的依力·木合买提26日接受中新社采访时说。 新疆维吾尔木卡姆艺术是一种集歌、舞、乐于一体的大型综合艺术形式。今年是"中国新疆维吾尔木卡 姆艺术"被联合国教科文组织列入"人类口头和非物质遗产代表作"名录20周年，这一历史上长期依靠口 传心授的文化瑰宝，通过守正创新呈现勃勃生机。 "回望过去20年，木卡姆从'抢救性保护'迈向'系统性传承'。"作为推动其申遗的参与者，新疆艺术研究 所原所长李季莲印象最为深刻的是，中国各级政府通过颁布条例、编制规划等举措，为新疆维吾尔木卡 姆艺术的传承、保护、发展提供保障。 "例如《新疆维吾尔自治区维吾尔 ...

Core Viewpoint - The article highlights the revival and innovation of traditional crafts in Yongkang, particularly focusing on the preservation and modernization of intangible cultural heritage such as tin sculpture and copper art, which are being integrated with contemporary technology and market demands to enhance their relevance and appeal [6][10][17]. Group 1: Traditional Craft Revival - Yongkang is known as the "City of Hardware" and has 110 representative projects of intangible cultural heritage, but traditional crafts have drifted away from daily life over time [6][7]. - The eighth China International Import Expo showcased national intangible cultural heritage, allowing traditional crafts to engage with global markets [6][10]. - The local government emphasizes cultural prosperity as part of rural revitalization, promoting active protection and innovative transmission of traditional crafts [6][17]. Group 2: Technological Integration - The tin sculpture craft, despite its historical significance, faced challenges due to modern industrial materials and high raw material costs [7][8]. - A "gene bank" for tin sculpture has been established, collecting over 10 TB of data to preserve and innovate the craft [8][9]. - The introduction of VR experiences and AI-generated designs has attracted significant public interest, with over 30,000 visitors during a holiday period [9][10]. Group 3: Market Expansion and Economic Impact - The combination of traditional craftsmanship with modern technology has led to increased production efficiency while maintaining the quality of hand-crafted items [10][11]. - Yongkang's tin sculptures have become popular souvenirs and cultural products, expanding their market presence [10][15]. - In the first three quarters of the year, 31 intangible cultural heritage workshops in Yongkang generated over 4.3 billion yuan in sales, creating employment for over 10,600 people [17]. Group 4: Innovative Transmission and Youth Involvement - Younger generations are actively participating in the innovation and transmission of traditional crafts, integrating modern elements into their designs [14][15]. - Workshops are being established to attract tourists and educate them about traditional crafts, significantly boosting local economies [17]. - The local government supports these initiatives through funding and training programs, fostering a new wave of artisans [17].

Core Insights - The integration of AI technology in cultural heritage preservation is highlighted, particularly in the context of the Sanxingdui Museum, where AI enables the "cross-pit matching" of artifacts, revitalizing ancient treasures [1] - The 2025 World Internet Conference in Wuzhen focused on the digital protection and transmission of cultural heritage, emphasizing innovative paths in the digital age [1] Group 1: Digitalization in Cultural Heritage Protection - Digitalization is seen as a lifeline for cultural protection, with Kiribati utilizing 3D imaging technology to document sacred sites and create digital archives of oral traditions [3] - China has positioned digitalization as a strategic engine for high-quality development in cultural heritage, supported by policies like the "14th Five-Year Plan for Cultural Heritage Protection and Technological Innovation" [3] - The Palace Museum has implemented a "Digital Palace" initiative, with over 1 million artifacts now possessing a "digital ID," and the digital collection has expanded from 50,000 to 150,000 items since its free opening in 2019 [3] Group 2: Technological Advancements in Archaeology - China has established a national cultural heritage database with 30 million records, enabling dynamic representation of cultural resources through the China Cultural Heritage Cloud platform [4] - Advanced technologies such as remote sensing, GIS, and drones have enhanced archaeological documentation and virtual reconstruction, particularly in the Sanxingdui sacrificial area [4] - Sichuan's cultural heritage digitalization has evolved through three phases, showcasing a deep understanding of heritage protection and utilization through technology [4] Group 3: Interactive and Collaborative Approaches - The shift from static to interactive dissemination of cultural artifacts is noted, enhancing engagement and targeted outreach for Chinese civilization [5] - The need for an ecological network for the integration of culture and technology is emphasized, with a focus on returning digital heritage resources to the people [6] - Global cooperation is essential for cultural heritage protection, with calls for sharing knowledge and technology between developed and developing countries to ensure equitable participation in the digitalization process [7]

Core Insights - The third Han Culture Forum was held in Xuzhou, Jiangsu, focusing on the theme "How to be Han: Harmony and Coexistence" [1] - The forum resulted in a digital cooperation agreement between the National Library of China and the Xuzhou Municipal Bureau of Culture, Radio, Television, and Tourism to digitize Han stone carvings, enhancing the preservation and dissemination of this cultural heritage [1] Group 1: Digitalization and Cultural Preservation - The Han stone carvings, known as "epics on stone," date back to the early Western Han period and vividly depict the social life of that era, including agriculture, fishing, and transportation [1] - The digitalization efforts will include storing the results in the National Version Resource Database and utilizing VR and AR technologies to create immersive exhibition experiences [1] Group 2: Literary and Cultural Promotion - A joint initiative between the China Writers Association's Online Literature Center and the Xuzhou Municipal Propaganda Department will support the creation of 10 online literary works focused on Han culture over the next two years, with each receiving funding of 20,000 yuan [1] - This initiative aims to promote the transformation of these literary works into film, animation, and gaming, making Han culture accessible to the general public through contemporary popular culture [1] Group 3: Significance of the Forum - The forum was organized by the Xuzhou Municipal Committee of the Communist Party of China and the Xuzhou Municipal People's Government, marking a new phase in the dual-driven approach of digital preservation and artistic creation for Han culture [1]

Core Viewpoint - The news highlights the importance of preserving and utilizing revolutionary cultural relics in China, particularly in Yan'an, emphasizing the need for innovative exhibition methods and the integration of technology in preservation efforts [2][3][4][5]. Group 1: Preservation and Digitization Efforts - The Yan'an Revolutionary Memorial Hall has enhanced communication with the families of revolutionary figures and has collected over 3,000 valuable cultural relics, including items like hand-painted albums and musical scores [3]. - A digital protection plan has been implemented, introducing climate-controlled storage and advanced monitoring systems to ensure optimal conditions for relics [3]. - The use of technology, such as 3D laser scanning and virtual reality, has been adopted to create digital models of revolutionary sites, aiding in preservation and future exhibitions [3][4]. Group 2: Exhibition and Education - Innovative exhibition methods have been developed to bring historical relics to life, utilizing multimedia displays and immersive environments to engage visitors [4]. - The memorial hall has organized exhibitions that highlight the historical significance of revolutionary events and figures, enhancing public understanding of the revolutionary spirit [4]. - During the "14th Five-Year Plan" period, approximately 600 million visitors have engaged with revolutionary sites and memorials, indicating a growing interest in revolutionary history and its lessons [5]. Group 3: Future Outlook - The "15th Five-Year Plan" period will focus on further optimizing the research, interpretation, and educational functions of revolutionary relics, ensuring their continued relevance and impact [6].

Core Viewpoint - The article highlights the successful preservation and revitalization efforts of Xinye Village, a traditional village in Zhejiang, China, showcasing a balance between cultural heritage protection and modern living needs [4][10][12]. Group 1: Historical Significance - Xinye Village, established during the Southern Song Dynasty, is home to 16 ancient ancestral halls, towers, and over 200 traditional residences, recognized as a traditional village in China since 2012 [2][3]. - The village faced significant challenges from urbanization in the late 20th century, leading to the construction of over 100 new houses that threatened its historical layout [4][5]. Group 2: Preservation Efforts - In response to the threats, a comprehensive preservation project was initiated around 2007, involving local government and experts to restore the village's historical integrity [7][8]. - The village established regulations for the protection and renovation of ancient residences, resulting in the removal of several new constructions that obstructed historical views [8][9]. Group 3: Community Involvement - The preservation strategy emphasizes community involvement, with villagers actively participating in cultural heritage protection, such as traditional crafts and performing arts [10][12]. - The village has implemented tailored renovation plans for residents living in ancient buildings, aiming for a dual benefit of heritage conservation and improved living conditions [9][10]. Group 4: Cultural Activities - Xinye Village hosts annual cultural events, such as the "March 3" agricultural experience and folk activities, attracting significant tourist interest, with 12,000 visitors recorded in a single day in 2025 [10][11]. - The introduction of digital technology and skilled craftsmen has enhanced the preservation efforts, allowing for better monitoring and maintenance of the village's architectural heritage [13].

Core Viewpoint - The article discusses the integration of 3D printing technology in the preservation and educational interaction of ancient stone inscriptions, highlighting the importance of protecting and transmitting Chinese cultural heritage, particularly through the lens of significant historical artifacts like the Longmen Grottoes and the inscriptions therein [3][6]. Group 1: Preservation Efforts - The Longmen Grottoes and the Longzang Temple stele are highlighted as critical cultural artifacts that require ongoing preservation efforts due to their historical significance and vulnerability to environmental factors [4][5]. - Various protective measures have been implemented, including raising the original stele to prevent moisture damage and constructing protective pavilions to shield against weather elements [4][5]. - Recent upgrades to display methods, such as using transparent materials for information boards, enhance visitor engagement while protecting the original inscriptions [6]. Group 2: Digital Innovation in Cultural Transmission - Traditional methods of rubbing inscriptions, while historically significant, pose risks of damaging the artifacts; thus, digital alternatives are being explored [7]. - The use of digital replicas, such as 3D printed models and AR experiences, allows for interactive educational opportunities without harming the original artifacts [8]. - The "Yinqi Wenyuan" platform for oracle bone script research exemplifies the shift towards digital accessibility, enabling broader public engagement with ancient texts through mobile technology [9][10]. Group 3: Future Directions - The article emphasizes the potential of AI and advanced digital technologies in enhancing the research and display of cultural artifacts, suggesting a future where data analysis can significantly improve the understanding and appreciation of historical inscriptions [10].

Core Insights - The integration of digital technology in museums is transforming public engagement and enhancing the preservation and transmission of cultural heritage [2][4][5] Group 1: Digital Transformation in Museums - The Palace Museum in Beijing has recorded over 1 million cultural relics in its "Digital Relics Database" and aims to digitize a total of 1.95 million relics in the next 10 to 20 years [4] - The Dunhuang Academy has completed the digitization of 300 caves, with a total data volume exceeding 500TB, focusing on the permanent preservation and sustainable use of the Dunhuang Grottoes [4] - Digital technology is creating a clearer and more complete understanding of cultural heritage, allowing for precise and scientific management [2][4] Group 2: Enhancing Public Participation - The digital era is shifting museum visitors from passive observers to active participants, with initiatives like the "Digital Watchman" program allowing the public to report damage or misconduct [8] - The Palace Museum's "Panoramic Palace" and "Famous Paintings of the Palace" projects provide immersive experiences that enhance visitor engagement [7][11] - The Shanghai Museum has launched a blockchain-based digital collection platform, allowing young people to own digital artifacts, thus integrating cultural heritage into their daily lives [9] Group 3: Technological Innovations in Cultural Heritage - Advanced technologies such as AI and 3D reconstruction are being utilized to enhance archaeological research and the preservation of fragile artifacts [5][12] - The use of high-precision digital techniques has enabled the restoration of historical artifacts and improved the understanding of their significance [5][11] - Interactive technologies in exhibitions, such as the "AI Assistant" at the Shanghai Museum, facilitate a two-way knowledge exchange, aligning with the learning preferences of younger audiences [12]

Core Viewpoint - The integration of traditional Tibetan architectural painting with modern digital technology is being pursued to preserve and revitalize this ancient art form, showcasing its cultural significance and enhancing accessibility for future generations [1][2]. Group 1: Cultural Significance - Huangnan Prefecture is renowned as the "hometown of Tibetan painting," with local art forms like Thangka and architectural painting recognized as part of UNESCO's intangible cultural heritage [2]. - The traditional Tibetan architectural painting features distinctive regional and cultural motifs, such as the Four Children Presenting Auspiciousness and the Cloud Dragon pattern, which reflect the rich heritage of the area [1]. Group 2: Digital Preservation Efforts - A collaboration between local artist Geng Deng and researchers from Qinghai Normal University aims to digitize Tibetan architectural paintings, combining traditional craftsmanship with modern technology [2][3]. - The research team is developing a comprehensive resource database using advanced technologies like 3D laser scanning and digital photography to collect and preserve architectural painting images [3]. Group 3: Technological Innovations - The team has created a high-resolution digital capture method to address challenges such as color fading and image distortion, allowing for the reconstruction of missing parts of the artwork [3]. - A coloring system has been developed that enables users to apply colors to line drawings easily, significantly lowering the entry barrier for beginners in the art form [4]. Group 4: Future Aspirations - The goal is to create a user-friendly platform where users can assemble architectural paintings using a library of design elements, akin to building blocks [5][6]. - The team is also working on virtual reality models to provide immersive experiences of Tibetan architectural art, enhancing public engagement and appreciation [6].