坐落于北京中轴线上的故宫博物院，推出"数字文物库"，文物资料的数量不断增长，目前已经有100多 万件文物被记录保存；距离故宫博物院2000多公里之外，河西走廊西端的戈壁上，"数字敦煌"资源库吸 引了78个国家的访问，访问量超过2000万人次…… 当博物馆遇上数字化，公众与博物馆的连接方式正在被改变，这也推动着文化遗产的进一步保护与传 承。"数字技术让文化遗产'家底'更清晰更完整，管理更精准更科学。"近日，在2025北京文化论坛上， 文化和旅游部副部长、国家文物局局长饶权说，数字化管理构建了资源管理新格局。 9月23日，在2025北京文化论坛"保护传承：数字化赋能文化遗产"平行论坛上，北京故宫博物院副院长 朱鸿文分享了故宫近30年数字化的发展历程。受访者供图 文物有了"数字孪生体" 故宫博物院副院长朱鸿文介绍，故宫用时20多年，完成了超过100万件文物数据的采集，未来计划再用 10到20年，让195万件文物悉数数字化。敦煌研究院副院长俞天秀介绍，敦煌研究院已经完成300个洞窟 的数字化采集，200个洞窟的数据处理，212个洞窟空间结构、45身彩塑、16个遗址的三维重建，5万余 张历史档案底片数字化，总数据量超过 ...

近日，青海省黄南藏族自治州（以下简称"黄南州"）的画师更登，手握画笔盘腿而坐，将从各地搜 集来的藏式建筑彩绘纹案，绘于画布，悉心保存。百公里外，青海师范大学的科研人员，手持"数字画 笔"，绘出千年藏式建筑彩绘保护和利用的另一番图景。 不管是横梁、柱身，还是门窗、墙体，彩绘艺术在藏式建筑中应用广泛，而四童献瑞图、穿云龙 图、莲花吉祥图等图案，彰显着藏式建筑彩绘浓郁的地域和文化特色。如今，应用前沿科技手段，这门 古老艺术正迸发强劲活力。 古老传承"数字再现" 黄南州是著名的"藏画之乡"。这里的一些传统村落，家家画唐卡、户户有画师。当地的唐卡、堆 绣、建筑彩绘等艺术形式，构成蜚声海内外的联合国教科文组织人类非遗代表性项目——热贡艺术。 年近五旬的更登是青海省级工艺美术大师，自幼随老艺人学习绘画技巧，在唐卡和建筑彩绘领域小 有成就。"相比唐卡，建筑彩绘的绘画需求相对较少，且难度大，干这行的画师自然少。"更登说，他有 一个夙愿，就是将藏式建筑彩绘手艺发扬光大。 得知这一情况后，青海师范大学计算机学院博士生导师、青海省计算机学会理事长耿生玲意识到， 藏式建筑彩绘传承至今殊为不易。"开展数字化，让科技手段与文化保护更好融合 ...

Core Viewpoint - The article discusses the digital preservation and restoration of the ancient rock inscriptions at Wuxi, Hunan, highlighting the innovative use of technology to protect cultural heritage from deterioration and enhance public engagement with history [1][2][3]. Group 1: Digital Preservation Techniques - A combination of advanced technologies, including photometric stereo capture and 3D laser scanning, is being utilized to digitally restore the inscriptions, achieving a precision of 0.01 millimeters [2]. - The digital restoration process for a medium-sized stone tablet takes approximately 24 hours to complete, allowing for the recovery of previously lost text [2][3]. - The project has successfully digitized over 200 endangered stone inscriptions, reviving many faded characters [3]. Group 2: Cultural Engagement and Museum Development - A digital museum dedicated to the rock inscriptions is set to open in December 2024, featuring three main exhibition areas that connect visitors with the historical context of the inscriptions [3]. - The museum aims to transform cultural heritage from being merely observable to being participatory, encouraging interaction with the ancient texts through digital means [3]. - The establishment of a database for Chinese rock inscriptions is part of the initiative to facilitate cultural exchange and mutual learning among different regions [3].

Core Insights - The Kizil Grottoes, one of the earliest large-scale grottoes in China, face significant challenges in preserving their murals due to natural erosion and human damage, with nearly 500 square meters of murals having been looted by Western explorers in the late 19th and early 20th centuries [1][2] Group 1: Preservation Efforts - The Kizil Grottoes currently have 349 caves, with 107 containing murals that cover nearly 4,000 square meters [1] - A significant restoration project has been undertaken, where from 2002 to 2016, 487 high-definition images of murals were collected from over 20 foreign museums, leading to the publication of a comprehensive research volume titled "Research on the Restoration of Kizil Grotto Murals" [2] - Modern technology, including terahertz and X-ray imaging, is being utilized to identify and restore damaged murals, particularly in Cave 161, where severe smoke damage obscured the original images [2][3] Group 2: Technological Innovations - The Zhejiang University team has successfully identified key elements of the murals in Cave 161, including a typical Kucha style design, using non-destructive testing methods [3] - Digital restoration efforts are ongoing for Cave 38, where artificial intelligence is being employed to recognize and complete missing parts of the murals, paving the way for new digital preservation techniques [3] - The integration of modern technology into the preservation of the Kizil Grottoes signifies a blend of tradition and innovation, ensuring the longevity of these ancient artworks [3]

Core Insights - The Yungang Grottoes have extended their opening hours to 10 PM during the May Day holiday, attracting 221,100 visitors over five days, a year-on-year increase of 8.96% [1] - The Yungang Research Institute is focused on protecting and innovating the dissemination of the cultural and artistic value of the Yungang Grottoes, which are considered a significant part of ancient Chinese art history [1][2] - The integration of modern technology, such as 3D printing and digitalization, is enhancing the visibility and preservation of Yungang Grottoes, with 80% of the caves now digitally preserved [2][3] Group 1: Preservation Efforts - The Yungang Research Institute employs a "monitoring-repair-prevention" protection system, emphasizing the importance of systematic and long-term preservation efforts [2] - Restoration work on Cave 6 involved over 300 days of closure, highlighting the meticulous nature of the preservation process [1][2] - The institute aims to transition from individual artifact protection to a comprehensive system that includes the entire mountain, caves, and sculptures [2] Group 2: Technological Integration - Advanced technologies like AI and 3D scanning are being utilized for archaeological research and virtual restoration of the grottoes [3] - The creation of a movable 3D-printed replica of Cave 12 has garnered positive feedback during exhibitions, showcasing innovative methods of art dissemination [3] - The digital reconstruction of Cave 13 has achieved high-precision 3D modeling, allowing for a detailed representation of the grottoes in a digital space [2][3] Group 3: Cultural Significance - The Yungang Grottoes represent a fusion of different cultures and religious beliefs, making them a point of resonance for diverse audiences [2] - The ongoing efforts to digitize and promote the grottoes aim to make their beauty accessible to a global audience [2][3] - The combination of cultural, artistic, and technological elements is seen as a pathway to illuminate the shared journey of civilization [3]