（来源：湖州日报） 转自：湖州日报 记者 倪晶 从兴趣到志趣的转变，发生在2019年莫干山镇的一场集市。宣芸的大伯宣国维是湖州市级竹编技艺非遗 代表性传承人，当时正在集市展示竹编技艺。帮着大伯照看摊位的宣芸就地取材，用棕榈叶编了几只小 昆虫，没想到一下子勾起了许多人的童年记忆。"原来还有这么多人喜欢这个！"她的眼睛瞬间亮了起 来。 工作之余，宣芸重新拾起这份爱好，开始认真钻研棕编技艺。"找各种资料看，跟着大伯学，也向本地 的、外地的老师傅请教。"宣芸介绍，棕编是汉族经典传统手工艺，以棕榈叶为原料，用铁丝或木棍作 骨架，通过穿插、折拉、打扣、收边、裁剪等手法编织作品。新鲜棕榈叶适合做简单的小昆虫，孩子们 能把玩一两天；老叶子则要先水煮至青转黄，阴干约一周时间，使用前再泡水恢复韧性，编好的作品刷 上桐油，便能长久保存。 走进宣芸的家，仿佛置身一座小型棕编"动物园"。小到知了、蝈蝈，大到仙鹤、游龙……花鸟鱼虫、飞 禽走兽，惟妙惟肖。 "编织最难的是拿捏力度和捕捉动物的神态。"宣芸坦言，叶子干了就容易脆裂，用力过猛会断，力道太 轻则松散，动物的精气神，全靠编织时一点点调整造型。为了让作品更逼真，她常常跑到户外观察动植 ...

Group 1 - The article highlights the stories of young female creators who are passionate about their art, unafraid of controversy, and boldly exploring new fields, embodying freedom, avant-garde spirit, and courage [1] - Zhou Rui, a fashion designer born in 1994, received the LVMH Prize Special Jury Award in Paris in 2021, becoming the first Chinese designer to win this award [1][3] - Zhou Rui's designs challenge traditional beauty standards by embracing diverse body types, aiming to encourage women to overcome body shame [3][21] Group 2 - Qin Yuling, a post-90s artist from Hunan, studied glass art in Japan and returned to Jingdezhen to establish her own glassblowing studio, becoming one of the few artists in China specializing in this craft [6][34] - Qin Yuling's work involves high-temperature glassblowing, often working for over ten hours in extreme heat, and she views glass art as her life's mission [6][36] Group 3 - A 32-year-old designer named Banana returned to her hometown in Chaoshan to save her family's crochet factory from bankruptcy by leading local women in crochet entrepreneurship [10][50] - Banana's designs incorporate modern aesthetics and themes related to gender and emotions, aiming to preserve traditional crochet techniques while innovating [10][54] - The crochet project not only provides financial support for the women involved but also fosters a sense of pride and identity among them [61][75]

Core Viewpoint - The article highlights the efforts of Wang Boyang in preserving and innovating the traditional craft of making pomelo containers, which is an important part of Guangxi's intangible cultural heritage, while also contributing to local economic development through the pomelo container industry [1][2][3] Group 1: Traditional Craft and Innovation - Wang Boyang has dedicated over 20 years to studying the traditional making techniques of pomelo containers, which originally involved 60 to 70 processes, but he has streamlined it to 12 to 15 processes while maintaining the essence of the craft [2] - The traditional pomelo container making process includes multiple steps such as drying and shaping, which require meticulous attention to detail to ensure quality [1][2] Group 2: Economic Impact and Community Involvement - The pomelo container industry has seen significant growth, with an annual output value of approximately 30 million yuan, benefiting over 2,000 local residents through flexible employment opportunities [3] - The production of pomelo containers has stimulated the cultivation of pomelo trees among over 300 local households, covering more than 3,000 acres [3] - The pomelo containers have gained popularity as souvenirs among tourists and are also exported to countries like the United States and Singapore [3]

Group 1 - The media interview team visited the Yangliuqing woodblock New Year paintings in Tianjin, highlighting the cultural significance and artistic value of this traditional craft [1]

Core Viewpoint - The article highlights the significance of Nanyang Luohua (burning painting) as a traditional Chinese art form, emphasizing its historical roots, unique techniques, and contemporary adaptations to attract younger audiences [1][19]. Group 1: Historical Background - Nanyang Luohua originated in the Western Han Dynasty and reached its peak during the Ming and Qing Dynasties [5]. - In 2021, Luohua was recognized as a national-level intangible cultural heritage [1]. Group 2: Artistic Techniques - The creation of Luohua involves several key processes including composition, material selection, burning patterns, and mounting [5]. - The core techniques of Luohua include "outline, texture, dot, and burn," which are influenced by traditional Chinese painting [9]. - The temperature control during the burning process is critical, ranging from 300°C to 800°C, especially for delicate materials like silk and rice paper [11]. Group 3: Contemporary Innovations - Recent creations have incorporated modern elements and themes that resonate with younger audiences, such as animated works and three-dimensional forms [17]. - The integration of practical applications, from large screen paintings to small decorative items, showcases the blend of art and utility in Luohua [19]. Group 4: Preservation and Promotion - Local initiatives include hosting exhibitions, training programs, and collaborations with universities to promote Luohua and engage the community [19]. - Government support through subsidies aims to encourage young people to participate in the preservation of Luohua techniques [21].