毛笔制作的齐锋工序。 笔上刻字。 笔锋在宣纸上行走，可轻若游丝，亦可重如磐石；能疾如清风拂过，亦能涩似老藤盘根。一切变 化，尽在运笔者腕底细微的力度、速度与角度之间。自商朝起，这支看似简单的毛笔，便与华夏文明同 生共长，成为中国人手中最独特、最深邃的文化象征。 南宁市宾阳县宾州镇大罗村，曾是远近闻名的毛笔制作专业村。12月27日上午10时，冬日暖阳漫过 窗棂，将罗儒供的工作室浸透。工作台上，牛骨梳、齐毛板、刻刀、水盆各安其位；笔架上，狼毫、羊 毫、紫毫等数百支毛笔悬挂如针……此刻，这位73岁的非遗代表性传承人正俯身与毫、竹、角展开对 话。 大罗毛笔制作始于清代，罗氏先祖自浙江湖州善琏镇习得制笔技艺，传至后世又经革新，终成独具 特色的工艺风格。2012年，大罗毛笔制作技艺跻身自治区级非物质文化遗产代表性项目名录。 "毛笔以动物毛与竹管制成，按毫料分为硬毫、软毫及兼毫三类。"罗儒供自11岁开始制笔，与毛笔 相伴62载，案前的材料早已是他最默契的伙伴，"你看，这些狼毫、兔毛可用来制作硬毫，那些羊毛、 鸡毛是用来制作软毫的，二者搭配便是兼毫。别看毛笔结构简单，体现的却是一种刚柔并济的智慧。" 罗儒供取来一束脱脂后的山 ...

中新网西安12月21日电 题：千年漆艺"圈粉"高校学子 秦地"守艺人"数字技术解锁传承新生 作者 杨英琦 "第一次接触大漆，我就知道它是'活的'，有自己的生命与性格。"抚摸着刚打磨完成的漆器，陕西省工 艺美术大师肖云峰陷入回忆。在他位于秦岭北麓的工作室里，各式漆器泛着温润光泽，未干的漆液在光 影中静静呼吸、蜕变。如今，这份走过八千年岁月的生命力，仍在一代代"守艺人"的掌心流淌。 "我们聚焦于创新与转化。在传承传统技艺的基础上，探索传统手工艺如何融入当代生活。"西安美术学 院工艺美术系副主任刘谦介绍，该校特别注重引入跨学科的思维与方法，旨在打破学生思维定式，激发 创新。 图为肖云 峰在工作室内向记者介绍漆艺作品。杨英琦 摄 走进西安高校的教室，传统漆艺呈现出另一番面貌：3D打印的胎体、激光雕刻的纹样、数码喷绘的画 稿……传统技艺与现代科技在校园中碰撞、交融。 "在教学中，3D打印技术能将制作复杂胎体的时间从数十天缩短至一两天，数码喷绘则让描画底稿的效 率成倍提升。这使学生能将更多精力专注于需要手感与创意的核心环节，极大优化了学习节奏与创作体 验。"西安美术学院工艺美术系当代手工艺教研室主任徐立乾表示，这种创新不 ...

Core Viewpoint - The article highlights the significance of "Mud Man Zhang," a traditional clay sculpture art from Tianjin, which has evolved into a cultural symbol and a precursor to modern collectible toys, showcasing its historical and artistic value while appealing to contemporary audiences [1][3]. Group 1: Historical Background - "Mud Man Zhang" originated in the Daoguang era, with its founder Zhang Mingshan mastering the art of creating lifelike figures, initially depicting street vendors and performers [3][4]. - The art form gained international recognition when Zhang Mingshan's work "Weaving Woman" won first prize at the Panama-Pacific International Exposition in 1915, marking its entry onto the global stage [4]. Group 2: Artistic Techniques - The clay used for "Mud Man Zhang" sculptures is sourced from the best red clay found underground in Tianjin, requiring extensive preparation to achieve the desired quality [4][6]. - The crafting process involves skilled techniques where artisans shape the figures, followed by drying, firing, and applying a delicate color finish, embodying the principle of "three parts shaping, seven parts coloring" [6]. Group 3: Contemporary Relevance - The art form has adapted to modern expressions, with recent exhibitions showcasing works that explore deeper philosophical themes and incorporate contemporary elements, such as film influences [6]. - "Mud Man Zhang" is set to feature at the 2025 Shanghai Cooperation Organization summit, where attendees will have the opportunity to engage with the art, further promoting its cultural significance [6].

Group 1: Consumer Behavior Changes - The trend of downgraded consumption is becoming mainstream, with high-end brands facing a collective downturn as consumer traffic in premium malls in major cities like Beijing, Shanghai, Guangzhou, and Shenzhen has decreased by 18% year-on-year, while affordable brands like Miniso and NetEase Yanxuan have seen sales surge by 32.6% [1] - This shift is not merely a reaction to economic downturns but reflects a rational awakening among the middle class, as consumers prioritize practical value over symbolic value, leading to anxiety in the luxury goods sector [1] Group 2: Urban Migration Trends - There is a significant net outflow of population from first-tier cities, with 632,000 people leaving Beijing, Shanghai, Guangzhou, and Shenzhen in 2024, while new first-tier cities like Chengdu, Xi'an, and Changsha are experiencing population growth exceeding 500,000 [3] - The high cost of living in first-tier cities, exemplified by a housing price-to-income ratio exceeding 20:1, is driving this migration, as individuals seek more affordable living conditions in emerging cities [3] Group 3: Revival of Physical Bookstores - The number of physical bookstores in China has increased by 6,700 in 2024, with hybrid bookstores achieving a customer spending rate 1.85 times higher than traditional bookstores [3] - The social aspect of these bookstores, such as coffee areas and community events, is a key factor in their success, indicating a desire for real social interactions in a digital age [3] Group 4: Resurgence of Traditional Crafts - The revival of traditional crafts is being led by younger generations, with 67% of artisans on Douyin being post-95s, highlighting a shift towards valuing craftsmanship over fast consumption [5] - This trend suggests a changing societal definition of success, as young people are willing to pursue less lucrative but personally fulfilling careers in traditional crafts [5] Group 5: Digital Detox Movement - A digital detox movement is emerging among young people, with daily internet usage among the 18-25 age group decreasing from 6.2 hours to 5.6 hours in 2023, and sales of feature phones increasing by 85% [6] - This trend reflects a backlash against excessive digitalization, as individuals seek to improve their quality of life and work efficiency by reducing screen time [6] Group 6: Rise of Flexible Employment - The number of freelancers in China has reached 240 million, with 35% identifying as "slash youth," indicating a shift away from traditional career paths [8] - This flexible income model allows individuals to diversify their income sources, but it also raises concerns about social security coverage and job stability for this vulnerable group [8] Group 7: Interconnected Social Phenomena - The various trends observed, such as downgraded consumption, urban migration, bookstore revival, traditional craft resurgence, digital detox, and flexible employment, are interconnected and reflect a broader societal redefinition of what constitutes a good life [10] - These phenomena indicate a societal progression rather than mere anomalies, prompting a reevaluation of existing systems and policies to align with these changes [11][15]

Core Insights - The 15th Florence Biennale showcased the Suzhou Wu Men Fan Art's work "Five Elements Fan," highlighting the unique blend of intangible cultural heritage and contemporary aesthetics [1][2] - The Biennale, established in 1997, is one of Europe's most influential contemporary art exhibitions, focusing on the theme "The Sublime Essence of Light and Darkness: Duality and Unity in Contemporary Art and Design" [1] - "Five Elements Fan" stands out as a rare Eastern intangible cultural heritage piece, embodying the theme of light and darkness through its craftsmanship and design [1][2] Company Overview - Wu Men Fan Art is the only Suzhou fan brand participating in the Biennale, emphasizing its commitment to preserving and innovating traditional fan-making techniques [1][3] - The company has established seven training centers across Suzhou, Wuxi, Singapore, and Malaysia, focusing on the transmission and development of traditional fan-making skills [3][4] Artistic Collaboration - The "Five Elements Fan" features five fans, each representing one of the five elements, crafted from aged ebony and incorporating cloisonné techniques, showcasing both solemnity and elegance [3] - The fan's design includes original patterns and traditional mythical creatures, with the back dyed using plant-based techniques similar to the water printing method popular in Florence [3] Future Plans - Following the exhibition, Wu Men Fan Art plans to conduct a tour and is actively engaging with local art museums in Suzhou [4] - The company is exploring cross-disciplinary collaborations, including research trips to Jingdezhen to learn about ceramic production [4]

Core Insights - The revival of traditional crafts in Shaanxi Province is driven by collaboration among different generations, enhancing both cultural heritage and economic prosperity [1][5][10] Group 1: Non-material Cultural Heritage and Community Engagement - The establishment of professional cooperatives has united artisans of various ages, significantly increasing community participation and brand recognition for non-material cultural heritage products [1][2][4] - The Han Zhong area is recognized for its rich resources in bamboo, rattan, and other materials, with Han Zhong rattan weaving being listed as a national intangible cultural heritage project in 2021 [2][3] Group 2: Economic Impact and Employment Opportunities - The cooperative model has led to the creation of over 460 members in the Han Zhong rattan weaving cooperative, allowing artisans to work flexibly from home while ensuring quality control and product development [2][3][7] - The rattan industry has provided employment for over 3,500 individuals in Huangguan Town, with an average income increase of over 20,000 yuan per person [7][8] Group 3: Youth Involvement and Modernization - Younger generations, including those born in the 1990s and 2000s, are increasingly participating in traditional crafts, with many finding new career paths through training and cooperative work [5][6][9] - The integration of e-commerce has modernized the sales approach for traditional crafts, with online sales accounting for 70% of total sales in the rattan weaving sector [9][10] Group 4: Innovation and Product Development - The cooperatives are focusing on standardizing production processes and innovating product designs, leading to the development of new items that appeal to contemporary consumers [3][9] - Collaborations with educational institutions have fostered innovation in traditional crafts, blending modern design elements with cultural heritage [9][10]

Core Insights - Yulong County in Yunnan Province is focusing on the protection and revitalization of traditional villages, with 24 villages listed in the national traditional village directory, aiming for a harmonious development of cultural heritage and rural revitalization [2][3][12] Group 1: Traditional Villages - Shitou City Village, a historical site for over 1300 years, showcases the local wisdom of using stone for construction, with its unique geography contributing to the preservation of its traditional architecture [4][5] - The village has been recognized as a provincial cultural heritage site and has seen an increase in tourist visits, with a focus on outdoor adventure and cultural experiences [4][12] - The local government is investing in infrastructure improvements and encouraging residents to maintain the traditional architectural style while also utilizing the space for tourism [5][12] Group 2: Cultural Heritage and Craftsmanship - Baisha Village is part of the UNESCO World Heritage site of Lijiang Ancient Town, known for its traditional Naxi copper craftsmanship, which is vital for local culture and trade [6][7] - The preservation of traditional crafts is supported by local policies, with initiatives to engage younger generations in these skills through experiential learning [8][12] Group 3: Rural Tourism Development - Nanyao Village is developing rural tourism by leveraging its traditional architecture and local customs, attracting visitors seeking authentic rural experiences [10][11] - The village is strategically positioned to benefit from surrounding attractions, enhancing its tourism potential through resource collaboration with nearby villages [11][12] - In 2024, Yulong County expects to receive 22.99 million tourists, a 73% increase from the previous year, with a projected tourism revenue of 23.7 billion yuan, reflecting a 62% growth [12]

Core Viewpoint - The revival of traditional earthenware craftsmanship in Kashgar, Xinjiang, highlights the intersection of cultural heritage and modern enthusiasm among the younger generation for artisanal skills [2] Group 1: Cultural Heritage - The high platform residences in Kashgar have been revitalized, contributing to the resurgence of traditional earthenware techniques [2] - The patterns etched in the clay not only reflect a long-standing history but also inspire a renewed interest in craftsmanship among youth [2] Group 2: Artisanal Skills - The continued operation of pottery workshops signifies a vibrant cultural scene where stories of Kashgar are preserved and passed down through generations [2]

Core Perspective - The event "National Goods Trend · Everlasting New" is the first large-scale cultural festival in Xi'an, showcasing traditional brands and products from various provinces, aimed at revitalizing the old brand market and enhancing consumer enthusiasm [1][3]. Group 1: Event Overview - The event will take place from September 19 to 21 at the Xi'an Datang West Market, organized by the Xi'an Municipal Bureau of Commerce [1]. - It aims to integrate commercial exhibitions, cultural experiences, and tourism development, highlighting Xi'an's historical and cultural significance as a key city along the Belt and Road [3]. Group 2: Participating Brands and Products - The festival will feature over a dozen provinces' old brands and specialty products, covering various sectors such as food, traditional crafts, healthcare, and clothing [3]. - Notable brands include Beijing Daoxiangcun, Quanjude, Wuyutai, and regional specialties like Chongqing Qiaotou Hotpot and Henan Liu Laoweng Chicken Inner Gold Jiao Mo [3]. Group 3: Experience and Activities - The event will create four immersive experience scenarios centered around "eating, traveling, shopping, and entertainment," engaging multiple senses [4]. - Attendees can enjoy a blend of shopping, cultural experiences, and performances, transforming the commercial space into a cultural theater [4]. - Activities include hands-on experiences with intangible cultural heritage crafts, live music performances, and interactive cultural showcases [4].

Core Viewpoint - The Mianzhu New Year Painting Village has successfully transformed into a vibrant cultural and tourism hub, leveraging its unique heritage to attract visitors and generate significant revenue, while facing challenges in mass production and market positioning of its traditional art [1][4][8]. Group 1: Industry Development - The Mianzhu New Year Painting Village is developing a comprehensive industry ecosystem that includes dining, homestays, specialty agricultural product picking, and educational tourism, with projected tourist numbers reaching 1.07 million and revenue exceeding 420 million yuan in 2024 [1][8]. - The village has established a workforce of over 500 individuals engaged in the New Year painting industry, supported by a legal framework aimed at promoting orderly development [8][12]. - The village's strategic location within the "Chengdu One-Hour Economic Circle" enhances its tourism appeal, drawing visitors from nearby attractions [8]. Group 2: Cultural Heritage and Challenges - The traditional craftsmanship of Mianzhu New Year paintings, characterized by hand-made techniques and the use of natural pigments, remains a key selling point but also a limitation in scaling production [10][12]. - The pricing of New Year paintings is significantly lower than contemporary cultural products, reflecting a struggle to position these traditional artworks as valuable items in the modern market [12][14]. - The industry faces challenges in attracting younger generations to continue the craft, with many artisans considering alternative employment due to financial pressures [13][15]. Group 3: Future Directions - Suggestions for the future include deepening the cultural narrative behind the paintings, utilizing modern storytelling methods, and establishing promotional platforms to enhance visibility [15]. - The industry could benefit from shared manufacturing resources to reduce costs and improve production efficiency, while also fostering innovation through collaborative design initiatives [14][15]. - There is a call for more diverse sales channels and government support to ensure the sustainability of artisans and the preservation of this cultural heritage [15].