降级消费成为主流，高端品牌集体遇冷。中国连锁经营协会2024年数据显示，北上广深高端商场客流量同比下降18%，而名创优品、网易严选等性价比品 牌销售额同比暴涨32.6%。这不是经济下行导致的被迫选择，而是中产阶级主动撕下"消费主义"标签的理性觉醒。北京消费者张女士坦言："以前花三万买 包，现在三千买包，剩下两万七存着心里踏实。"这种消费逻辑的转变，让奢侈品行业陷入前所未有的焦虑——当"符号价值"被"使用价值"取代，那些靠 品牌溢价生存的企业，正在经历生死劫。 一线城市人口净流出加剧，新一线城市逆袭成"新磁极"。国家统计局最新人口迁移数据显示，2024年北上广深净流出人口达63.2万，而成都、西安、长沙 新增人口均超50万。杭州某互联网公司HR透露："以前招程序员只认北上广，现在西安高校毕业生技术能力不输一线，薪资却低30%。"这种人口迁徙背 后，是房价收入比超过20:1的残酷现实——在北京，普通人需要工作20年才能买得起一套房，而在成都，同样收入只需8年。当"逃离北上广"从口号变为 现实，城市竞争格局正在重构。 实体书店逆袭，复合经营模式成"救命稻草"。2024年全国实体书店净增长6700家，复合型书店客单价 ...

Core Insights - The 15th Florence Biennale showcased the Suzhou Wu Men Fan Art's work "Five Elements Fan," highlighting the unique blend of intangible cultural heritage and contemporary aesthetics [1][2] - The Biennale, established in 1997, is one of Europe's most influential contemporary art exhibitions, focusing on the theme "The Sublime Essence of Light and Darkness: Duality and Unity in Contemporary Art and Design" [1] - "Five Elements Fan" stands out as a rare Eastern intangible cultural heritage piece, embodying the theme of light and darkness through its craftsmanship and design [1][2] Company Overview - Wu Men Fan Art is the only Suzhou fan brand participating in the Biennale, emphasizing its commitment to preserving and innovating traditional fan-making techniques [1][3] - The company has established seven training centers across Suzhou, Wuxi, Singapore, and Malaysia, focusing on the transmission and development of traditional fan-making skills [3][4] Artistic Collaboration - The "Five Elements Fan" features five fans, each representing one of the five elements, crafted from aged ebony and incorporating cloisonné techniques, showcasing both solemnity and elegance [3] - The fan's design includes original patterns and traditional mythical creatures, with the back dyed using plant-based techniques similar to the water printing method popular in Florence [3] Future Plans - Following the exhibition, Wu Men Fan Art plans to conduct a tour and is actively engaging with local art museums in Suzhou [4] - The company is exploring cross-disciplinary collaborations, including research trips to Jingdezhen to learn about ceramic production [4]

Core Insights - The revival of traditional crafts in Shaanxi Province is driven by collaboration among different generations, enhancing both cultural heritage and economic prosperity [1][5][10] Group 1: Non-material Cultural Heritage and Community Engagement - The establishment of professional cooperatives has united artisans of various ages, significantly increasing community participation and brand recognition for non-material cultural heritage products [1][2][4] - The Han Zhong area is recognized for its rich resources in bamboo, rattan, and other materials, with Han Zhong rattan weaving being listed as a national intangible cultural heritage project in 2021 [2][3] Group 2: Economic Impact and Employment Opportunities - The cooperative model has led to the creation of over 460 members in the Han Zhong rattan weaving cooperative, allowing artisans to work flexibly from home while ensuring quality control and product development [2][3][7] - The rattan industry has provided employment for over 3,500 individuals in Huangguan Town, with an average income increase of over 20,000 yuan per person [7][8] Group 3: Youth Involvement and Modernization - Younger generations, including those born in the 1990s and 2000s, are increasingly participating in traditional crafts, with many finding new career paths through training and cooperative work [5][6][9] - The integration of e-commerce has modernized the sales approach for traditional crafts, with online sales accounting for 70% of total sales in the rattan weaving sector [9][10] Group 4: Innovation and Product Development - The cooperatives are focusing on standardizing production processes and innovating product designs, leading to the development of new items that appeal to contemporary consumers [3][9] - Collaborations with educational institutions have fostered innovation in traditional crafts, blending modern design elements with cultural heritage [9][10]

Core Insights - Yulong County in Yunnan Province is focusing on the protection and revitalization of traditional villages, with 24 villages listed in the national traditional village directory, aiming for a harmonious development of cultural heritage and rural revitalization [2][3][12] Group 1: Traditional Villages - Shitou City Village, a historical site for over 1300 years, showcases the local wisdom of using stone for construction, with its unique geography contributing to the preservation of its traditional architecture [4][5] - The village has been recognized as a provincial cultural heritage site and has seen an increase in tourist visits, with a focus on outdoor adventure and cultural experiences [4][12] - The local government is investing in infrastructure improvements and encouraging residents to maintain the traditional architectural style while also utilizing the space for tourism [5][12] Group 2: Cultural Heritage and Craftsmanship - Baisha Village is part of the UNESCO World Heritage site of Lijiang Ancient Town, known for its traditional Naxi copper craftsmanship, which is vital for local culture and trade [6][7] - The preservation of traditional crafts is supported by local policies, with initiatives to engage younger generations in these skills through experiential learning [8][12] Group 3: Rural Tourism Development - Nanyao Village is developing rural tourism by leveraging its traditional architecture and local customs, attracting visitors seeking authentic rural experiences [10][11] - The village is strategically positioned to benefit from surrounding attractions, enhancing its tourism potential through resource collaboration with nearby villages [11][12] - In 2024, Yulong County expects to receive 22.99 million tourists, a 73% increase from the previous year, with a projected tourism revenue of 23.7 billion yuan, reflecting a 62% growth [12]

Core Viewpoint - The revival of traditional earthenware craftsmanship in Kashgar, Xinjiang, highlights the intersection of cultural heritage and modern enthusiasm among the younger generation for artisanal skills [2] Group 1: Cultural Heritage - The high platform residences in Kashgar have been revitalized, contributing to the resurgence of traditional earthenware techniques [2] - The patterns etched in the clay not only reflect a long-standing history but also inspire a renewed interest in craftsmanship among youth [2] Group 2: Artisanal Skills - The continued operation of pottery workshops signifies a vibrant cultural scene where stories of Kashgar are preserved and passed down through generations [2]

Core Perspective - The event "National Goods Trend · Everlasting New" is the first large-scale cultural festival in Xi'an, showcasing traditional brands and products from various provinces, aimed at revitalizing the old brand market and enhancing consumer enthusiasm [1][3]. Group 1: Event Overview - The event will take place from September 19 to 21 at the Xi'an Datang West Market, organized by the Xi'an Municipal Bureau of Commerce [1]. - It aims to integrate commercial exhibitions, cultural experiences, and tourism development, highlighting Xi'an's historical and cultural significance as a key city along the Belt and Road [3]. Group 2: Participating Brands and Products - The festival will feature over a dozen provinces' old brands and specialty products, covering various sectors such as food, traditional crafts, healthcare, and clothing [3]. - Notable brands include Beijing Daoxiangcun, Quanjude, Wuyutai, and regional specialties like Chongqing Qiaotou Hotpot and Henan Liu Laoweng Chicken Inner Gold Jiao Mo [3]. Group 3: Experience and Activities - The event will create four immersive experience scenarios centered around "eating, traveling, shopping, and entertainment," engaging multiple senses [4]. - Attendees can enjoy a blend of shopping, cultural experiences, and performances, transforming the commercial space into a cultural theater [4]. - Activities include hands-on experiences with intangible cultural heritage crafts, live music performances, and interactive cultural showcases [4].

Core Viewpoint - The Mianzhu New Year Painting Village has successfully transformed into a vibrant cultural and tourism hub, leveraging its unique heritage to attract visitors and generate significant revenue, while facing challenges in mass production and market positioning of its traditional art [1][4][8]. Group 1: Industry Development - The Mianzhu New Year Painting Village is developing a comprehensive industry ecosystem that includes dining, homestays, specialty agricultural product picking, and educational tourism, with projected tourist numbers reaching 1.07 million and revenue exceeding 420 million yuan in 2024 [1][8]. - The village has established a workforce of over 500 individuals engaged in the New Year painting industry, supported by a legal framework aimed at promoting orderly development [8][12]. - The village's strategic location within the "Chengdu One-Hour Economic Circle" enhances its tourism appeal, drawing visitors from nearby attractions [8]. Group 2: Cultural Heritage and Challenges - The traditional craftsmanship of Mianzhu New Year paintings, characterized by hand-made techniques and the use of natural pigments, remains a key selling point but also a limitation in scaling production [10][12]. - The pricing of New Year paintings is significantly lower than contemporary cultural products, reflecting a struggle to position these traditional artworks as valuable items in the modern market [12][14]. - The industry faces challenges in attracting younger generations to continue the craft, with many artisans considering alternative employment due to financial pressures [13][15]. Group 3: Future Directions - Suggestions for the future include deepening the cultural narrative behind the paintings, utilizing modern storytelling methods, and establishing promotional platforms to enhance visibility [15]. - The industry could benefit from shared manufacturing resources to reduce costs and improve production efficiency, while also fostering innovation through collaborative design initiatives [14][15]. - There is a call for more diverse sales channels and government support to ensure the sustainability of artisans and the preservation of this cultural heritage [15].

Core Insights - The article highlights the resurgence of Fuzhou cork painting, a unique folk art from Fuzhou, China, which has gained popularity due to its association with contemporary fashion trends, particularly after being featured by actress Zhao Liying [1][2]. Industry Overview - Fuzhou cork painting, also known as soft cork painting, is a traditional craft that utilizes imported cork from countries like Spain and Portugal, crafted into intricate designs depicting nature and architecture [1][2]. - The craft was first created in 1914, inspired by a European Christmas card, and has evolved into a recognized art form with significant historical value [2]. - The peak period for cork painting was from the 1960s to the 1980s, during which it was highly regarded and even presented as a national gift [2]. Current Trends - The craft is currently facing challenges in terms of inheritance and market demand, with a significant decline in the number of practitioners, dropping to fewer than a hundred [3]. - Young artists and practitioners are beginning to integrate cork painting into modern products such as accessories and home decor, helping to revitalize interest in the craft [3][4]. - The establishment of workshops and educational programs by experienced artisans aims to attract new talent and ensure the continuation of this traditional art form [3]. Cultural Significance - Cork painting is recognized as a national intangible cultural heritage in China, emphasizing its importance in preserving cultural identity [2][3]. - The art form not only represents a unique craftsmanship but also serves as a medium for cultural transmission and community engagement [4].

Group 1 - Guizhou is recognized for its rich intangible cultural heritage and is actively promoting the transformation of traditional skills into employment opportunities for local communities [1][2] - The province has established 40 provincial-level intangible cultural heritage workshop demonstration sites and recognized 519 workshops, benefiting 40,000 people with a total output value of 2.6 billion yuan [2] - The "Kaili Sour Soup Fish Making Technique" has been included in the national intangible cultural heritage list, with the sour soup industry in Qiandongnan Prefecture expected to achieve a total output value of 2.5 billion yuan in 2024, a 50% increase year-on-year [3] Group 2 - The "Village T" ethnic fashion show has attracted over 500,000 visitors and achieved over 12 billion views online, showcasing Guizhou's ethnic clothing culture on international platforms [6] - Companies are integrating modern textile embroidery technology with traditional Miao embroidery techniques, leading to rapid growth, with one company achieving an annual output value of 20 million yuan and exporting products to countries like the UK and Russia [6]

Group 1 - The media interview team visited the Yangliuqing woodblock New Year paintings in Tianjin, highlighting the cultural significance and artistic value of this traditional craft [1]