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奇梦岛CEO战绘宇:潮玩是连接情绪价值与产业经济的“新界面” | 智造全球·回响未来
Sou Hu Cai Jing· 2025-11-04 02:27
Core Insights - The article discusses the growth and transformation of the潮玩 (trendy toy) industry in China, highlighting the emergence of companies like Letsvan奇梦岛 as key players in this market [5][6][10] - It emphasizes the shift in consumer behavior from functional consumption to spiritual consumption, with cultural and creative elements driving new economic growth [10][12] - The article also outlines the strategic vision for the upcoming "十五五" (15th Five-Year Plan) period, focusing on cultural confidence, creativity, and global collaboration [13][15] Company Overview - Letsvan奇梦岛 has successfully developed a portfolio of original IPs, including WAKUKU and SIINONO, which have gained significant recognition both domestically and internationally [5][11] - The company has achieved a notable milestone by securing the highest financing record in the primary market for the潮玩 industry in 2025 through a merger and acquisition with量子之歌集团 [5][6] - The CEO of Letsvan, 战绘宇, rates the company's performance during the "十四五" period as 9 out of 10, indicating strong progress and a solid foundation for future growth [11] Industry Trends - The潮玩 industry is characterized by a unique role in the cultural economy, acting as a bridge between emotional value and industrial economy [12][14] - The article notes that潮玩 has transitioned from a niche collectible market to a broader consumer market, reflecting changing consumer habits [6][10] - The cultural industry is becoming a significant pillar of new consumption in China, with潮玩 playing a crucial role in this transformation [12] Future Outlook - The "十五五" phase will focus on integrating cultural creativity with urban economy, consumer growth, and manufacturing innovation [13][14] - Letsvan aims to deepen its domestic market presence while engaging with international cultural markets through collaboration and cross-border integration [13][15] - The company envisions itself as a model for high-quality development in China's cultural industry, balancing domestic strength with global outreach [15]