动画电影创作

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《哪吒2》《浪浪山小妖怪》火出圈 揭秘动画电影如何诞生
Yang Shi Xin Wen· 2025-08-12 01:44
8月11日,电影《浪浪山小妖怪》累计票房突破5.74亿元,刷新中国影史国产二维动画电影票房纪录。 2025年,中国动画电影迎来高光时刻: 《哪吒之魔童闹海》以突破性的艺术表现力和市场号召力,一举摘得中国影史动画票房桂冠。 今年暑期档更是有着《浪浪山小妖怪》《聊斋:兰若寺》《罗小黑战记2》等动画电影佳作。 在很多人的理解中,动画片是创作者画出一幅幅单独的画面,再将它们整合在一起,让静态的画面动起来。实际上,动画创作远非简单的"画面连播",其 制作流程相当繁琐,团队分工也非常细致。可以说,动画片里的每一帧都是创作团队每一位成员的灵感和辛勤工作的结晶。 一部动画电影究竟是如何诞生的?带你了解↓ 美术设定 设计人物的造型、色彩、表情动 作等,另外也要对场景、道具以 及影片整体色彩风格等进行设定 静态分镜和故事板 将剧本做成像连环画那样的分镜 序列,标注内容、台词、运镜方 式、时长等。在团队协作中具有 很高的沟通价值 剪辑(动态故事板) 将上一步中的"连环画"通过 简单的动画串起来,先看看时 间和节奏合不合适 三维动画 =维动回 设计稿 (layout) n to t 细化分镜的空间关系,把动画人物 在电脑里把设计好的 ...
干货满满!粤港澳大湾区动画电影周嘉宾主题分享覆盖产业链
Nan Fang Du Shi Bao· 2025-08-10 05:53
Core Insights - The 2025 Guangdong-Hong Kong-Macao Greater Bay Area Animation Film Week was held in Dongguan from August 8 to August 15, focusing on the theme "Passion, Let Imagination Break Through the Screen!" [1] - The event featured master classes where industry leaders shared insights on animation creation, production, and distribution, emphasizing the importance of cultural confidence and social relevance in storytelling [2][5] - The Guangdong government is committed to developing a sustainable brand for animation films in the Greater Bay Area, inspired by the success of the animated film "Ne Zha" [1][2] Creation - Animation creation is rooted in cultural confidence, social reality, and unique expression, with a focus on transforming good ideas into compelling stories [2] - The value coordinate model for animation creation includes cultural, social, and innovative axes, highlighting the need for creators to address societal issues and emotional needs [2] - Successful adaptations should not merely replicate existing IP but should innovate and refresh the original content [2][3] Production and Distribution - The production process involves technical collaboration and innovative practices to enhance efficiency and meet industry demands [5][6] - The shift from rigid to flexible production models is crucial for the animation industry, allowing for better adaptation to market needs [6][7] - Challenges in international distribution include cultural barriers and the need for localized strategies to improve overseas performance of Chinese animated films [7] Technology - The balance between technology and art is essential in animation, with a focus on maintaining aesthetic values amidst technological advancements [9] - AI can enhance animation production but cannot replace the understanding of human emotions and societal contexts [9][10] - The development of VR technology presents opportunities for immersive experiences but also raises ethical concerns regarding its impact on viewers [10]