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中文在线:《罗小黑战记2》国内总票房突破5亿元
Bei Jing Shang Bao· 2025-11-24 08:38
北京商报讯(记者 卢扬 实习记者 华卓玛)11月24日,中文在线在投资者互动平台回答投资者称,《罗 小黑战记2》于2025年7月18日登陆全国院线,国内总票房突破5亿元,观影人数突破 1200 万人次,并在 各大评分平台斩获优异成绩。 ...
《哪吒2》未入选奥斯卡最佳动画长片大名单,片方回应:没有报名!好莱坞媒体惊了:原本被看好……
Mei Ri Jing Ji Xin Wen· 2025-11-22 11:10
每经编辑|段炼 11月22日,奥斯卡主办方学院公布最佳动画长片奖"符合参评资格"大名单,国产电影《罗小黑战记2》及《疯狂动物城2》《坏蛋联盟2》等共35部影片获 资格,但其中并没有刷新影史动画电影票房纪录的《哪吒之魔童闹海》。 图片来源:豆瓣电影 学院官网列出的最佳动画长片参选资格包括片长需超过40分钟;全片内容呈现的动画制作的比例至少达75%;影片必须在美国特定城市(洛杉矶、纽约 (五区)、旧金山湾区、芝加哥、达拉斯-沃斯堡、亚特兰大)的影院进行至少连续七天的商业放映,且每天在同一影院的排片至少三场。 这三条主要规定《哪吒2》都符合,那么剩下的唯一可能性就是片方华人文化和北美发行方A24没有报名参加第98届奥斯卡奖最佳动画长片的竞逐。对于 这一猜测,记者从华人文化方面得到了确证。据华人文化方面确认,他们没有为该片报名奥斯卡角逐。 有业内人士分析,《哪吒》虽在票房上大获成功,但可能在"动画技术占比"环节遭遇争议。例如,部分观众指出影片中部分场景疑似采用实拍+特效融合 技术,若学院认定其"非纯动画制作",则可能被排除在外。此外,奥斯卡对"原创性"要求极高,《哪吒》作为系列续作,创新性是否超越前作也是评委考 量重 ...
中文在线麾下国产动画电影《罗小黑战记2》获奥斯卡最佳动画长片奖参评资格
Ge Long Hui A P P· 2025-11-22 08:53
北美当地时间2025年8月8日,中文在线麾下的国产动画电影《罗小黑战记》的续作《罗小黑战记2》确 认将由奥斯卡级动画电影发行公司GKIDS在北美市场发行。 格隆汇11月22日|奥斯卡主办方学院公布最佳动画长片奖"符合参评资格"大名单,国产电影《罗小黑战 记2》及《疯狂动物城2》《坏蛋联盟2》等共35部影片获资格。 2025年7月18日,《罗小黑战记2》在全国院线上映。电影以近16万人豆瓣评分8.7分的成绩登顶2025年 中国电影年度口碑榜首,票房表现也非常亮眼,上映18天票房突破3.5亿人民币(约合4900万美元)。 据悉,早在2023年6月28日,中文在线(300364.SZ)发布了一则公告,宣布拟以1.38亿元购买"罗小黑"系 列IP母公司寒木春华51.04%股权。 这一收购意味着中文在线将获得"罗小黑"系列IP的控制权,进一步丰 富了公司的IP资源库。对于中文在线而言,这一收购具有重要战略意义。 ...
中国动画电影在日本渐增存在感
3 6 Ke· 2025-11-14 03:57
Core Insights - The Chinese animated film "The King's Avatar: For the Glory 2" is set to be released in approximately 150 theaters across Japan starting November, indicating a growing opportunity for Chinese films in the Japanese market [2][5] - The film's predecessor was well-received in China and gained popularity through social media, showcasing the potential for Chinese IPs to penetrate international markets [2][5] - The company "面白映画" is actively working to promote Chinese films in Japan, despite challenges such as lower recognition of Chinese actors compared to local and Hollywood films [5][6] Company Overview - 面白映画 was founded in 2019 by a group focused on promoting Chinese content globally, and it has a small team of 14 employees [3] - The company collaborates with over ten investment institutions from both China and Japan, including Tokyo TV and Sasaki Holdings [3] - 面白映画 aims to synchronize the release of films in Japan with their domestic premieres in China to cater to the demand from the Chinese community in Japan [6][7] Market Dynamics - The Chinese film market is significantly larger than Japan's, with over 90,000 screens compared to Japan's 4,500, indicating a vast potential for growth in international markets [3] - Despite the success of films like "Ne Zha" in China, the Japanese box office performance remains modest, with "Ne Zha 2" earning only 300 million yen in Japan [5][6] - The target audience for Chinese films in Japan includes over 900,000 Chinese residents, with nearly 300,000 in Tokyo alone, highlighting a specific market segment that can be tapped into [6][7] Future Prospects - 面白映画 plans to expand its operations beyond Japan into other Asian markets, having already established subsidiaries in Malaysia and Indonesia [7] - The increasing popularity of Chinese animated films in Japan, alongside successful collaborations with local voice actors, suggests a growing acceptance and potential for future releases [6][7]
中国动画电影在日本渐增存在感
日经中文网· 2025-11-14 03:08
Core Viewpoint - The Chinese animated film "The King's Avatar: For the Glory" is set to be released in approximately 150 theaters across Japan starting November, highlighting the growing opportunities for Chinese animated films in the Japanese market [2][4]. Group 1: Market Potential - Over 90% of China's film box office revenue comes from the domestic market, indicating a significant untapped potential for Chinese IPs (intellectual properties) in international markets [6][9]. - The Chinese film market is vast, with over 90,000 screens, which is more than 20 times that of Japan [5]. Group 2: Distribution and Audience - The film "The King's Avatar: For the Glory" is a sequel to the successful 2019 film, which gained popularity through its fantasy storytelling and appealing characters, even among audiences unfamiliar with Chinese culture [4][6]. - The distribution company "面白映画" (Omoshiroi Eiga) focuses on promoting Chinese content in Japan, despite the challenges posed by lower recognition of Chinese actors and original works compared to local and Hollywood films [6][9]. - The target audience includes over 900,000 Chinese residents in Japan, with nearly 300,000 in Tokyo alone, which is seen as a promising market for Chinese films [6][9]. Group 3: Challenges and Strategies - Despite the success of some Chinese films in Japan, such as "Hero" and "Red Cliff," the recognition of mainland Chinese actors remains limited, making promotion difficult [6]. - The company plans to extend the screening periods based on audience turnout and is preparing for the production of subtitled and dubbed versions to increase accessibility [9]. - The company aims to deepen its presence in the Japanese market before expanding into other Asian regions, with existing branches in Malaysia and Indonesia [9].
用中华文化“圈粉”世界 中国动画电影加速“出海”
Yang Shi Wang· 2025-11-14 01:59
Group 1 - The Chinese animated film "The King's Avatar: For the Glory" has achieved significant box office success in Japan, surpassing 100 million yen in its opening weekend [1][5] - The animation industry has become a key driver of growth in China's film sector, with "Nezha: Birth of the Demon Child" topping the global animated film box office charts during the Spring Festival [1][5] - At the 2025 Tokyo International Film Festival, Chinese animated films received notable attention, with several titles being highlighted, including "The Wandering Earth" and "Liao Zhai: Lan Ruo Temple" [3] Group 2 - Chinese animated films have gained both critical acclaim and box office success in overseas markets, with "Nezha: Birth of the Demon Child" ranking among the top five globally in terms of total box office revenue [5] - The development of IP-related merchandise has expanded the global reach of Chinese animated films, transitioning from cultural output to value realization [6][9] - The sales of merchandise related to Chinese animation have shown rapid growth in overseas markets, indicating a shift towards a more diversified global monetization model [9]
报告显示:电影观众更加垂类化,愈发明确自我观影偏好
Zhong Guo Xin Wen Wang· 2025-11-13 23:25
Core Insights - The report indicates a significant shift in movie audience preferences, with viewers becoming more specialized and clear about their viewing choices [1][2] - The Chinese film market is projected to achieve steady growth in 2025, with an estimated 513 million viewers, marking a new high since 2020 [1] Audience Trends - The demographic profile of moviegoers is increasingly skewed towards women, older individuals, and lower-tier markets, while there remains potential for growth among men, younger audiences, and higher-tier markets [2] - Audience preferences are becoming more defined, with men favoring sci-fi, action, crime, and war genres, while women prefer drama and romance; younger audiences lean towards crime films, and older viewers show a preference for sci-fi, fantasy, and war movies [2] Market Opportunities - The success of niche films like "F1: Speeding" and "Detective Conan: The Phantom of the Eye" suggests that there are more market opportunities for mid-tier films that focus on specific demographics and genres [2] - The report emphasizes that viewers are increasingly seeking an immersive cinematic experience, desiring high-quality stories, visual stimulation, and emotional resonance [2] Future Directions - The report outlines a clear direction for future film creation, emphasizing the need for impactful visuals, engaging genres, and strong emotional connections to win audience trust [2] - It suggests that the focus should not solely be on achieving peak box office numbers but rather on consistently providing quality content to maintain audience loyalty [2]
《2025中国电影市场及观众变化趋势报告》发布
Sou Hu Cai Jing· 2025-11-13 16:41
Core Insights - The report indicates that the Chinese film market is experiencing steady growth, with total box office revenue for 2025 surpassing that of 2024, marking the second-highest annual box office since 2020 [1][3] - The estimated number of moviegoers in China for this year is projected to reach 513 million, a new high since 2020 [1] Audience Trends - The audience demographic is shifting towards women, older individuals, and lower-tier markets, while there remains potential for growth among men, younger audiences, and higher-tier markets [3] - Moviegoers are becoming more discerning in their viewing choices, with preferences varying by gender and age group [3] Film Performance - Animation films have shown strong performance, with "Ne Zha" significantly boosting the overall market. Over 40% of viewers reported increased interest in other films due to its success [3][4] - The report suggests that mid-tier films focusing on niche audiences and specific genres may find more market opportunities [4] Viewing Motivations - Audiences are increasingly seeking exceptional viewing experiences, desiring good stories, visual stimulation, and emotional resonance [4] - High-rated films with positive reviews are more likely to attract viewers, while low-rated films face significant barriers to attendance [4]
大麦娱乐灯塔研究院报告:电影观众更加垂类化,愈发明确自我观影偏好
Huan Qiu Wang· 2025-11-13 12:44
Core Insights - The report indicates that the Chinese film market is experiencing steady growth, with 2025's box office surpassing that of 2024, marking the second-highest annual box office since 2020 [1][3] - The estimated number of moviegoers in China for this year is projected to reach 513 million, a new high since 2020 [1] Audience Trends - The audience demographic is shifting towards women, older individuals, and lower-tier markets, while there remains potential for growth among men, younger audiences, and higher-tier markets [3] - Moviegoers are becoming more discerning in their viewing choices, with preferences varying by gender and age group [3] Genre Performance - Animation films have shown strong performance, with "Ne Zha" significantly boosting the market. Over 40% of viewers reported increased interest in other films due to its success [3][4] - The report suggests that focusing on niche genres and specific audience segments may present more market opportunities for mid-tier films [4] Viewing Experience - Moviegoers are increasingly seeking exceptional viewing experiences, desiring compelling stories, visual stimulation, and emotional resonance [7] - High-rated films are more likely to succeed at the box office, as poor ratings are a significant deterrent for potential viewers [7] Future Direction - The report emphasizes that the future of Chinese cinema lies in delivering high-quality content that resonates with audiences, rather than merely chasing box office peaks [7]
港股异动 | 猫眼娱乐(01896)涨超5% 《鬼灭之刃:无限城篇》定档 机构建议关注后续上映影片表现
智通财经网· 2025-11-04 03:07
Core Viewpoint - Cat's Eye Entertainment (01896) saw a stock increase of over 5%, reaching HKD 7.08 with a trading volume of HKD 78.73 million, driven by the announcement of the film "Demon Slayer: Infinity Castle Chapter One" set to release in mainland China on November 14 [1] Group 1: Film Performance - The film "Demon Slayer: Infinity Castle Chapter One" has generated significant anticipation, with over 142,000 new "want to watch" entries on the Cat's Eye platform in a single day, setting a record for animated films [1] - The film has become the highest-grossing film in Japanese history globally and is projected to enter the top five of the global box office by 2025 [1] Group 2: Company Outlook - Longjiang Securities noted that while the company has achieved revenue growth, the overall market remains sluggish, necessitating attention to the performance of films in the second half of the year [1] - The company is expected to recover overall profits if its key distribution projects, such as "Little Monster in Langlang Mountain" and "The King's Avatar: For the Glory," perform well, along with a series of new films set to release in the latter half of the year [1] - CICC recommends continued monitoring of the box office performance of upcoming films, particularly key imported films at the end of the year [1]