墓葬文化
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厚土无疆,文明滥觞
Xin Lang Cai Jing· 2026-01-16 18:01
Core Perspective - The book "Thick Earth Boundless: The Present and Afterlife of Ancient China" by Jessica Rosen focuses on a critical period in Chinese civilization history, using twelve burial sites to explore cross-regional material cultural exchanges and reconstruct the vibrant picture of the ancient Chinese world [4][6]. Group 1: Author's Background and Research - Jessica Rosen, a prominent scholar in Chinese art and archaeology, dedicated her life to the study of ancient Chinese culture and has worked at the British Museum for 27 years [5]. - Rosen has visited China numerous times over the past 40 years, engaging with archaeological researchers and exploring significant historical sites [6]. Group 2: Historical Context and Significance - The book covers a nearly 3,000-year period leading up to the establishment of the Qin Dynasty, highlighting the importance of this era in understanding the essence of Chinese civilization [6][7]. - This period is characterized by the development of a unique worldview and cosmology, as well as the emergence of writing, art, and religious ideologies [6]. Group 3: Archaeological Insights - "Thick Earth Boundless" is based on archaeological findings from twelve burial sites, each representing different geographical and cultural contexts across China [7]. - The burial sites reflect a complex social hierarchy and the significance of burial practices in ancient China, with some sites indicating the presence of royal authority [7][8]. Group 4: Influence of Loess - The loess plateau's geological features significantly influenced the construction of deep burial sites, which are unique to Chinese civilization and have persisted for thousands of years [8][10]. - The depth of these tombs, such as the Qin Emperor's tomb, which may exceed 30 meters, showcases the engineering challenges and labor required for their construction [8][10]. Group 5: Cultural Independence and Interaction - Early Chinese civilization developed distinct beliefs and practices, largely independent of Western influences, due to its geographical isolation [11]. - Despite this independence, the book emphasizes that ancient China was not isolated but engaged in continuous interactions with neighboring regions, leading to cultural exchanges [12][14]. Group 6: Synthesis of Influences - The burial practices in southern China, such as those in the Zeng Hou Yi tomb, illustrate a blend of local traditions and northern styles, showcasing the dynamic nature of cultural exchange [13]. - Artifacts from various burial sites indicate a synthesis of foreign elements and local traditions, reflecting China's ability to absorb and redefine external influences [14].
小众博物馆成热门打卡地(你所不知道的一级馆)
Ren Min Ri Bao Hai Wai Ban· 2025-08-19 01:03
Core Insights - The Luoyang Ancient Tomb Museum, also known as the Henan Ancient Mural Museum, is the only museum in China that integrates imperial tombs, burial artifacts, stone carvings, and murals, making it a significant cultural and tourist destination [7][8] - The museum has innovatively utilized its collection resources, attracting both domestic and foreign tourists, and is often referred to as "China's Pyramid" [7] - The museum underwent significant renovations from July 2020 to September 2022, enhancing infrastructure, exhibition content, and visitor experience, leading to a surge in visitor numbers [10][15] Museum Overview - Located in the northern part of Luoyang, the museum showcases 25 typical tombs from the Western Han to the Song and Jin dynasties, reflecting the evolution of burial culture in the Henan region [8][9] - The exhibitions are divided into three main sections: "Overview of Burial Systems," "Northern Wei Imperial Tombs," and "Brick Paintings of the Song and Jin Dynasties," systematically displaying the cultural evolution of tombs [9] Mural Significance - Murals are crucial artifacts that reflect ancient social life and spiritual beliefs, with their themes evolving from mythology and history to more secular subjects in later dynasties [12][13] - The museum's mural protection center, established in 1998, has become a key research base for ancient mural preservation in Henan, successfully restoring murals from various dynasties [14] Visitor Experience and Engagement - The museum has introduced immersive night tours, attracting a younger audience and significantly increasing visitor numbers, with projections of over 200 million visitors in 2024 [15][16] - The "Museum + Company" operational model has been implemented to enhance cultural product development and extend opening hours, responding to the interests of younger visitors [16]
这些现代家居用品竟然是古人墓室同款
Bei Jing Qing Nian Bao· 2025-07-09 01:02
Group 1 - The article discusses the cultural significance and modern reinterpretation of Tang Sancai pottery, highlighting its historical role as burial items for the elite during the Tang Dynasty [5][7] - Tang Sancai, known for its vibrant colors and intricate designs, is a type of low-temperature glazed pottery that emerged due to advancements in ceramic technology during the Tang Dynasty [5][6] - The production process of Tang Sancai involves complex techniques, including a two-stage firing process that allows for the unique blending of colors [6][7] Group 2 - The article notes the modern trend of transforming ancient burial artifacts into contemporary home decor items, such as lamps and planters, reflecting a blend of historical appreciation and modern aesthetics [4][10] - It emphasizes that while Tang Sancai was originally intended for funerary purposes, modern replicas made with safer materials can be appreciated in contemporary settings [7][8] - The article also draws parallels between ancient burial customs and modern home decor, suggesting that elements like starry ceilings and couple portraits have historical roots in ancient practices [8][11]