新华社英国爱丁堡8月8日电 通讯｜"我们是音乐的使者"——记中国国家大剧院管弦乐团在英国首演 新华社记者赵家淞 8月6日晚，当中国国家大剧院管弦乐团演奏完中国作曲家陈其钢的代表作《五行》后，热烈的掌声响彻 英国苏格兰首府爱丁堡市亚瑟音乐厅。 "我的业余爱好是拉小提琴，非常喜欢中国小提琴协奏曲《梁祝》，今天在现场聆听中国国家级乐团的 演出，我深受感动。"爱丁堡市民亨利·罗丝对新华社记者说。 国家大剧院分管日常工作的副院长赵海英接受记者采访时说："国家大剧院管弦乐团能够携手世界顶尖 艺术家，在欧洲知名的艺术舞台上展示新时代中国交响乐发展的卓越成就，这是非常值得骄傲的，也是 中国文化自信的充分体现。" 7日，乐团艺术家来到爱丁堡市政厅奏响八重奏，穿插演奏中外曲目，带来一场文化交流盛宴。 爱丁堡市副市长莱斯利·玛丽昂·卡梅伦对中国艺术家来到爱丁堡交流表示欢迎，并邀请国家大剧院管弦 乐团更多成员未来访问爱丁堡，呈现更多优秀作品。 "我们是音乐的使者。我们把音乐视作一个礼物，从北京的国家大剧院带到了欧洲。"国家大剧院管弦乐 团首席李喆说。 据国家大剧院管弦乐团介绍，本轮欧洲巡演由中国银行、中国人民对外友好协会支持，将持续 ...

Core Viewpoint - Changsha Kiln is a significant ancient ceramic production site in China, known for its innovative underglaze color porcelain and its integration of poetry and art into ceramics, reflecting the cultural evolution of Chinese ceramics over the past 1,000 years [1][5]. Group 1: Historical Significance - Changsha Kiln emerged during the Middle Tang Dynasty and reached its peak in the Late Tang Dynasty, serving as an important site for ceramic culture research in China [1]. - The kiln is recognized for its unique craftsmanship, combining ceramics with poetry, calligraphy, and painting, which has contributed to its distinct aesthetic [1][3]. Group 2: Cultural Exchange - As a key starting point of the Maritime Silk Road during the Tang Dynasty, Changsha Kiln's porcelain was exported to over 20 countries and regions, facilitating cultural exchange between China and the world [5]. - The archaeological findings of Changsha Kiln ceramics in various global locations, including Southeast Asia and North Africa, highlight its role as an active participant in 9th-century maritime ceramic trade [9]. Group 3: Modern Developments - The Changsha Kiln site has been transformed into a national archaeological park, with initiatives like pottery towns and intangible cultural heritage studios aimed at attracting artisans and young people to continue the ceramic-making tradition [11].

Core Viewpoint - The interview with British video blogger Stuart Wiggin highlights his experiences in China and his efforts to present a more nuanced and positive image of the country to the world, contrasting with mainstream Western media narratives [3][4][8]. Group 1: Background and Motivation - Stuart Wiggin first came to China in 2007 as part of an English teaching program, which sparked his interest in the country and its culture [4][6]. - After living in rural areas and then moving to Beijing, he began documenting his experiences through video in 2014, initially for personal reasons but later realizing the broader interest in his content [4][6]. Group 2: Impressions of China - Wiggin describes China as the friendliest country he has visited, with a diverse range of landscapes and a vibrant culture that continually surprises him [6][9]. - He emphasizes the warmth and hospitality of the Chinese people, noting the strong connections between individuals and the richness of cultural diversity, including the existence of 56 ethnic groups [6][7]. Group 3: Media Representation and Cultural Exchange - Wiggin critiques Western media for often presenting a simplified and politicized view of China, which fosters a divisive "us vs. them" mentality [8]. - He believes that his "micro-narratives" through video can help bridge cultural gaps by showcasing everyday interactions and the commonalities between people [8][11]. Group 4: Future Aspirations - Wiggin hopes his videos will encourage viewers to question preconceived notions about China and to experience the country firsthand [11]. - He advises young people interested in cultural exchange to share their experiences sincerely and respectfully, which is crucial for fostering deeper understanding between cultures [11].

Core Viewpoint - The article highlights the significance of Zhonghe Shaoyue, a traditional Chinese music form, in preserving and promoting Chinese cultural heritage, particularly through its performance at the Temple of Heaven and its recognition as an intangible cultural heritage [2][6]. Group 1: Historical and Cultural Significance - Zhonghe Shaoyue originated from the ritual music of the Western Zhou period, integrating music, dance, and ceremony, and is performed using 16 types of traditional instruments [2][3]. - The music form has been recognized as a key cultural symbol, being included in both the Beijing municipal and national intangible cultural heritage lists [2][3]. - The Temple of Heaven, along with other historical sites, utilizes Zhonghe Shaoyue, which is regarded as the "voice of Huaxia" and an important marker of Chinese ritual music culture [2][3]. Group 2: Preservation and Promotion Efforts - Since the 1980s, efforts have been made to rescue and study Zhonghe Shaoyue, culminating in the establishment of the Ya Le Center in 2012 for systematic research and preservation [2][3]. - The center has recorded audio of 464 pieces of Zhonghe Shaoyue from the Ming and Qing dynasties and is utilizing 4K technology for digital preservation [3]. - The promotion of Zhonghe Shaoyue has expanded significantly, with online viewership increasing from 500,000 to 23 million between 2020 and 2023, showcasing its growing popularity [3]. Group 3: Cultural Exchange and Global Impact - Zhonghe Shaoyue plays a unique role in cultural exchange, with performances in countries like France, Belgium, and the UK, attracting interest from international audiences [6]. - The music conveys the cultural concept of harmony, reflecting the Chinese pursuit of beauty and balance in life [6][5]. - The art form embodies the essence of traditional Chinese music, aiming to connect modern audiences with ancient philosophies regarding the relationship between humanity and nature [5][6].

Core Points - The Hong Kong Palace Museum has attracted approximately 3.2 million visitors since its opening in June 2022 [1][2] - The museum aims to serve as a platform for cultural exchange between China and the world, leveraging Hong Kong's unique historical and cultural background [2] Group 1 - The museum plans to launch overseas and mainland tours for its textile and gold-silver artifacts exhibitions, with several museums already expressing interest in collaboration [2] - A special exhibition on the Mughal Dynasty is set to be launched in collaboration with the Victoria and Albert Museum in the UK later this year [2] - The museum is also progressing with plans for an Ancient Egyptian civilization exhibition scheduled for November, with ongoing discussions regarding the selection of artifacts [2] Group 2 - The museum expresses gratitude for the support from the Palace Museum and mainland cultural institutions since its inception [2] - Future initiatives will focus on deepening traditional culture and education while employing innovative strategies to attract younger audiences [2]

Group 1 - The 31st Beijing International Book Fair was held from June 18 to 22, showcasing over 22,000 types of books from more than 1,700 exhibitors from 80 countries and regions, and achieving nearly 4,000 international copyright trade agreements [1][2][5] - The event highlighted China's publishing industry's robust development and openness, serving as a bridge for cultural exchange and mutual learning between China and the world [1][5] - Various themed books, including foreign editions of Chinese historical texts and modern works, were prominently featured, aiming to enhance international understanding of Chinese civilization and modernization [2][6] Group 2 - The fair served as a platform for promoting Chinese culture, with significant participation from various regions, including Beijing, Guizhou, and Xinjiang, each showcasing unique literary works and cultural narratives [5][6] - The event facilitated international cooperation in publishing, with agreements for multi-language copyright outputs and collaborative projects, such as the integration of Chinese advanced technologies into global markets [6][8] - Numerous cultural activities were organized, allowing authors and readers to engage directly, fostering deeper connections through literature [10][14] Group 3 - The fair featured a strong emphasis on children's literature, with over 100 original works and multiple copyright agreements aimed at introducing Chinese stories to global audiences [7][9] - The participation of Malaysia as the guest of honor included collective exhibitions and copyright cooperation, emphasizing the importance of books as a bridge for human connection and creativity [13][14] - The event also hosted various forums and discussions, bringing together experts and scholars to explore collaborative opportunities in the publishing industry [14]

Core Points - The Shenyang International Pump Track Park is the first pump track in Northeast China certified by the International Cycling Union, featuring a total area of 45,800 square meters with nine different types of tracks catering to various skill levels [1][3] - The park has hosted several international events, including the 2023 UCI Pump Track World Championship qualifiers and the 2024 China Pump Track League, enhancing the local tourism and hospitality sector [3] - The park is part of the industrial transformation project in the Tiexi District, repurposing a former abandoned factory area into a unique sports venue that integrates industrial heritage with modern sports [4][7] Economic Impact - The park has increased the occupancy rate of international brand hotels within a 3-kilometer radius by 37% [3] - The introduction of a "fast-track visa service" for foreign participants provides a 48-hour visa exemption, facilitating international participation in events [3] Cultural Significance - The park serves as a bridge for cultural exchange, promoting inclusivity and openness in the city, as reflected in its motto "There are no boundaries, only starting points" [7]

Group 1 - The second Frankfurt International Dragon Boat Friendship Race was held in Frankfurt, Germany, with 17 teams from various countries participating, attracting nearly 10,000 local spectators [1] - The Italian "Chinese Dragon Boat Team" won the championship in the professional category, highlighting the competitive spirit of the event [1] - The event serves as a platform for cultural exchange and mutual understanding between China and Germany, as emphasized by participants and organizers [1][2] Group 2 - The dragon boat race is not only a competitive event but also a cultural celebration, featuring diverse artistic performances that captivated the audience [2] - Performances included traditional music and dance from various countries, showcasing the event's role in promoting friendship and cooperation among nations [2] - The Cambodian honorary consul in Frankfurt remarked on the importance of unity and collaboration, hoping the dragon boat race would foster friendship and confidence among participants [2]

Group 1 - The Frankfurt International Dragon Boat Friendship Race aims to strengthen cultural exchanges and friendships between China and Germany, showcasing the spirit of unity and perseverance of the Chinese people [1][2] - The event features 17 participating teams from various countries, including Germany, France, Italy, and the United States, highlighting the diversity and international appeal of the sport [1] - The race serves as a platform for community engagement, with participants expressing enthusiasm for meeting new friends and experiencing new lifestyles [2] Group 2 - The event is characterized by a festive atmosphere, with enthusiastic audience participation and support for the teams, particularly the "Silver Brigade" from the United States, whose members are all over 60 years old [2] - The organizers express optimism for the future of the event, noting that many teams from the previous year have returned to participate again, indicating growing interest and commitment to the annual race [2]

Core Viewpoint - The article highlights the rich cultural heritage and significant archaeological findings of the Dingzhou Museum, showcasing its extensive collection of artifacts from various historical periods, particularly the Han and Northern Dynasties, and its role in promoting traditional Chinese culture through exhibitions and educational activities [11][12][20]. Group 1: Museum Overview - Dingzhou Museum, established in 1959 and relocated to a new building in 2018, features a design reminiscent of Han Dynasty architecture, enhancing its cultural significance [11]. - The museum houses over 50,000 items, including 107 first-class cultural relics, making it a leading county-level museum in China [12]. Group 2: Key Exhibitions and Artifacts - The museum's permanent exhibitions include "Han Family Tombs," "Northern Dynasty Buddhas," and "Ding Kiln Porcelain," showcasing artifacts that reflect the region's historical and cultural depth [11]. - Notable artifacts include the East Han dragon and phoenix jade disc, the East Han carved jade screen depicting deities, and the Northern Song Dynasty Ding kiln white-glazed dragon-head vase, which is the largest of its kind from the early Northern Song period [13][10][18]. Group 3: Cultural Significance - The museum emphasizes the importance of the Han Dynasty in Chinese history, with significant findings from the tomb of Liu Chang, the King of Zhongshan, including exquisite gold and jade artifacts that exemplify the craftsmanship of the era [13][14]. - The museum also highlights the development of Buddhist art in the Northern Dynasties, showcasing unique white stone sculptures that reflect the region's status as a center for Buddhist iconography [15][16]. Group 4: Educational and Community Engagement - The museum has organized various cultural events and educational programs, attracting over 600,000 visitors in 2024, and aims to enhance public engagement with traditional Chinese culture [20]. - Activities during the "International Museum Day" included interactive experiences that allowed visitors to connect with China's rich cultural heritage [20].