本次展览分为五个单元，以时间为轴，通过系统性的学术梳理和珍贵的文献实物展示，全面回顾文澜阁《四库全书》颁藏杭州、历经劫波、三度补抄、抗战 西迁、整理出版、传藏全球的文明传承历程，深刻诠释"文运与国运相牵，文脉同国脉相连"的时代主题。 一整套1559册文澜阁《四库全书》精装影印本集体亮相，同时展出的翻拍相机、拍摄支架等，真实还原了文澜阁《四库全书》整理出版工程的完整历程， 2005—2015年，历时十年，1559册的文澜阁《四库全书》影印精装版全部印制完。从乾隆帝诏修到三次补抄，从战火西迁到影印重生，目前，文澜阁《四库 全书》影印本已入藏全球上百家重要机构，成为中外文化交流的金色名片之一。 Methodation Microsoft Property REDITERIAL Childer Portage CHANGE PORTER 今天（15日），文澜阁《四库全书》整理出版工程特展在国家典籍博物馆开幕，通过70余种文献实物以及互动体验，让观众走近这部研究中国古代文化、历 史、学术的"百科全书式"文献总集及其传承历程、整理出版成果，了解其背后穿越时空的文化接力。 er 一天花 元 Article STIMA AT ...

传统入境游线路多聚焦长城、故宫等标志性景点，而风物旅行则将视角延伸至小城村寨，各地风物以独 特性和原生态特质，满足外国游客的多元需求，成为个性化入境游产品。风物的产业化开发能丰富入境 游产品体系，从非遗工坊研学到民俗节庆体验，从美食寻味之旅到文化IP打卡线路，多元产品矩阵可适 配不同年龄段、不同兴趣偏好的外国游客，有效提升入境游的复购率和口碑传播力。 风物旅行以独特地域文化为吸引物，能满足外国游客对深入了解中国文化的需求，也将成为各地发展入 境游的差异化优势。 风物让文化变得可感知、可体验，打破了文化传播的抽象壁垒。中国幅员辽阔，不同地域的风物涵盖饮 食、非遗、民俗等多形态，安徽歙县鱼灯、江西婺源甲路纸伞等具象化的风物，无需复杂解读，便能使 外国游客直观地感受到中国文化的多样性。 相较于游览传统景点，风物体验更具沉浸感。游客可通过参与民俗体验、学习非遗技艺等活动，深度感 知中国文化的魅力。这种体验式的文化传播更易引发情感共鸣，有助于游客建立对中国文化的立体认 知。同时，风物中蕴含的生态智慧、匠人精神等共性价值，还能成为中外文化交流的桥梁。 随着外国游客对深度体验中国文化的需求持续增长，风物旅行正精准契合这一市 ...

Core Points - The event marked a cross-cultural dialogue between Italy and China, featuring the GOB Ocarina Ensemble performing in Shanghai as part of the Shanghai International Arts Festival's "Art Sky" initiative [1][19] - The concert showcased the integration of Italian and Chinese musical traditions, highlighting the versatility of the ocarina in performing both classical Italian pieces and Chinese folk songs [5][14] Group 1: Event Overview - The GOB Ocarina Ensemble performed a special concert titled "The Earthly Voice Across Time and Space" at Dishui Lake, Shanghai, attracting a full audience [3][5] - The concert began with Handel's "Queen of Sheba," followed by classic Italian melodies, culminating in a lively performance of the Neapolitan Tarantella [5][6] Group 2: Cultural Exchange - The ensemble engaged in an impromptu collaboration with Chinese musicians at the Zide Qinshe, blending ocarina with traditional Chinese instruments like the guqin and pipa [12][14] - The musicians expressed admiration for the rapid development of the Lingang New Area, reflecting on the cultural and technological advancements witnessed during their visit [8][19] Group 3: Audience Engagement - The concert concluded with a fireworks display over Dishui Lake, enhancing the overall experience for both the audience and the performers [6] - The GOB ensemble members interacted with local citizens during a boat tour, showcasing their ocarina skills and receiving applause from onlookers [9][19]

Core Viewpoint - The article discusses the historical significance and cultural journey of a unique Buddhist eye artifact from the Yungang Grottoes, highlighting its return to China and its representation of the exchange between Chinese and American scholars [10][11][12]. Group 1: Historical Context - The Yungang Grottoes faced deterioration due to war, theft, and natural erosion, leading to a period of neglect until rediscovery by Japanese scholar Ido Chuta in 1902, which sparked global interest [10]. - In 1932, American collector and museum director, St. John, acquired a ceramic eye from a villager near Yungang, which later became a significant artifact in his collection [11]. - The eye was returned to China in 1985, facilitated by Chinese archaeologist Su Bai, who emphasized its rarity and cultural importance [12]. Group 2: Cultural Significance - The article explains the traditional Chinese practice of "pointing the eye" in sculpture, which was initially done using black paint to enhance the expressiveness of the figures, reflecting ancient Chinese artistic principles [13][14]. - The evolution of the eye's design from painted to inlaid materials illustrates the blending of artistic techniques and cultural influences over centuries, particularly during the Northern and Southern Dynasties to the Sui and Tang periods [15][16]. Group 3: Artistic Techniques - The use of inlaid eyes in sculptures became more prevalent after the Sui Dynasty, with advancements in glass manufacturing enhancing the realism and liveliness of the figures [16][17]. - The article notes that the practice of inlaying eyes was influenced by cultural exchanges along the Silk Road, with similar techniques observed in Buddhist sculptures from regions like India and Central Asia [14][15].

Core Viewpoint - The second "Four Seas in One Voice" cultural exchange event was held at Heilongjiang University, showcasing a harmonious blend of music and dance to promote cultural understanding and appreciation between China and the world [1][3]. Group 1: Event Overview - The event was co-hosted by Heilongjiang Daily Press Group and Heilongjiang University, with support from various cultural and educational organizations [1]. - The "Four Seas in One Voice" platform aims to establish a long-term mechanism for cultural exchange, transforming sporadic interactions into regular interactions [1]. Group 2: Institutional Commitment - Heilongjiang University has been dedicated to aligning its educational themes with national strategies and regional development for 84 years, focusing on international cultural exchange and Russian language training [2]. - The university plays a significant role in supporting Heilongjiang Province's strategy to enhance its openness to the north [2]. Group 3: Participation and Impact - The event featured participation from over 150 foreign friends from more than 20 countries, highlighting the mutual learning and exchange of cultures [3].

Core Insights - The influx of international tourists to Zhengzhou's Yellow River Cultural Park highlights the growing appeal of Chinese culture and heritage, with over 20 inbound tour groups booked in just one week from various countries including Singapore, Vietnam, Malaysia, the United States, the Netherlands, and Indonesia [1][2] Group 1: Inbound Tourism Growth - The Yellow River Cultural Park is becoming a significant venue for international visitors to experience Chinese culture, with tourists actively engaging in cultural activities [1] - The implementation of the 240-hour visa-free transit policy at Zhengzhou Xinzheng International Airport has positively impacted inbound tourism, prompting local authorities to introduce incentives for tourism enterprises [3] Group 2: Cultural Exchange - The Yellow River is emerging as a popular link for cultural exchange between China and other countries, with expectations of more inbound tour groups arriving by the end of the year [2] - Tourists from various countries are not just passive observers but are actively participating in cultural experiences, such as learning traditional Chinese martial arts and etiquette [1]

Core Points - The 13th China International Folk Art Festival opened in Foshan, Guangdong, featuring over 500 artists from 13 countries across five continents, alongside Chinese art groups [1][6] - The festival's theme is "Crossing Mountains and Seas, Moving Towards the Future," with a series of activities planned, including parades, grassroots performances, and cultural exchanges [10] - Since its inception in 1990, the festival has successfully hosted 12 editions, inviting 173 foreign folk art groups from 68 countries, establishing itself as a significant platform for international cultural exchange [10] Summary by Sections Event Overview - The festival commenced with a vibrant opening dance titled "Wind Rising in Lingnan," showcasing traditional Cantonese opera and lion dance performances [2][6] - Artists from various countries, including New Zealand, the USA, and Georgia, presented diverse cultural expressions, highlighting the richness of global civilizations [6] Activities and Cultural Exchange - The festival will feature a variety of activities such as autumn parades and performances by international artists in cities like Dongguan, Zhuhai, and Shenzhen, fostering mutual learning and cultural exchange [10] - The event aims to build bridges of friendship and cultural understanding between nations through artistic collaboration [10]

Core Insights - The article highlights the journey and achievements of illustrator Yang Wenjing, emphasizing her artistic development and cultural contributions as a Chinese illustrator in the international market [2][6][7] Education and Early Career - Yang Wenjing graduated from the School of Visual Arts in New York and the Maryland Institute College of Art, where she honed her skills in illustration and developed a unique visual language [1][2] - She began her artistic journey in Xi'an, China, and pursued high school education in the U.S. to further her artistic aspirations [2] Artistic Style and Recognition - Yang's work is characterized by a blend of traditional Chinese cultural elements and modern artistic techniques, which has garnered her multiple international awards, including the Japan Illustration Award and the American Illustration Silver Award [1][3] - Her project titled "Worship," inspired by the ancient Chinese text "Shan Hai Jing," showcases her ability to merge mythology with contemporary themes, reflecting on humanity's relationship with technology [3][5] Cultural Exchange and Commercial Work - Yang's commercial projects often focus on Chinese cultural festivals, where she aims to convey authentic cultural expressions rather than stereotypical representations [6][7] - Her collaboration with the American brand "Fly by Jing" for a hot pot-themed illustration exemplifies her successful integration of cultural elements into commercial art, enhancing cross-cultural understanding [6] Future Aspirations and Challenges - Yang acknowledges the challenges of balancing creative work with the business aspects of being a freelance illustrator, emphasizing the importance of maintaining personal well-being and a supportive environment for sustainable artistic growth [7] - She aims to continue exploring the depth and diversity of Chinese culture through her illustrations while adapting to industry trends and ensuring her work remains relevant [7]

Core Insights - The conference titled "Review and Prospects of Confucius Institute Development" was held in Poitiers, France, focusing on the history and future trends of Confucius Institutes in the Francophone region of Europe [1] - The event gathered over 40 representatives from 16 Confucius Institutes in France, Belgium, and Switzerland to discuss collaborative efforts and development strategies [1] Group 1: Conference Highlights - Zhao Lingshan, Secretary-General of the International Chinese Language Education Foundation, emphasized the need for regional cooperation to enhance the quality of Confucius Institutes and promote cultural exchange between China and Europe [4] - The Vice President of the Poitiers University highlighted the positive impact of Sino-French university cooperation on the development of Confucius Institutes over the past 20 years [4] - The conference included speeches from key figures such as the first Chinese language supervisor in France, who reviewed the history of Chinese language education in the country [5] Group 2: Academic Discussions - The conference featured discussions on internal governance and external cooperation, with participants agreeing that both are essential for the effective operation of Confucius Institutes [6] - A proposal to establish a Confucius Institute alliance in the Francophone region was discussed, aiming to enhance collaboration and resource sharing among institutes [6] - The conference concluded with a commitment to uphold the principles of openness, inclusivity, cooperation, and mutual benefit in promoting cultural exchange [6] Group 3: Celebratory Events - The conference coincided with the 20th anniversary of the Poitiers Confucius Institute, which included various celebratory activities such as academic lectures and cultural events [8]

Group 1 - The South African Durban University of Technology's Confucius Institute and the KwaZulu-Natal Province Fujian Association co-hosted a Mid-Autumn Festival event titled "Dance Rhythm and Beauty" featuring performances by young artists from Beijing Dance Academy [1] - The event showcased various traditional Chinese dances, including "Little River Bends" and "Dolan's Makhsi Laifu," which received enthusiastic responses from the audience, highlighting the ability of dance to transcend language barriers [1] - The event was described as a high-level cultural exchange activity, promoting mutual learning and appreciation between South Africa and China [1] Group 2 - The Pakistani community in Islamabad held a dual celebration event for the National Day and Mid-Autumn Festival, featuring poetry recitations and dance performances by local Chinese youth [2] - In France, the French-Chinese Business Association organized a symphonic concert celebrating the 76th anniversary of the People's Republic of China, featuring performances of "Yellow River Cantata" and other classic songs by local Chinese choirs [2] - The Brazil Beijing Cultural Exchange Association hosted a gathering to celebrate the 76th anniversary of the People's Republic of China and the Mid-Autumn Festival, sharing mooncakes and tea while showcasing historical artifacts related to the Chinese community in Brazil [2]