法国思想家让·波德里亚凭借其"消费社会"理论在中国思想界广为人知，而他关于"拟像世界"的预言，在今天这个人工智能与社交媒体无孔不入的 时代，愈发显得精准而深刻。《拟像与拟真》是波德里亚思想生涯中极为重要的著作，他在此书中创立了"拟像""拟真"等核心概念，系统地探讨 了当代社会如何以象征和符号取代现实与意义，最终形成一个比真实更真实的"超级现实"状态。从迪士尼乐园到超市和广告，再到克隆等生物技 术成就，波德里亚以其独特的批判性眼光，审视着我们身边的一切人造物，对图像与事物的复制关系提出了根本性的质疑。 日前，豆瓣读书联合南京大学出版社·守望者邀请了汪民安、马凌、刘翔、王睿琦四位嘉宾，围绕《拟像与拟真》简体中文版的出版，结合《黑客 帝国》、迪士尼乐园等经典文艺案例，共同探讨波德里亚思想在当下的重要性，以及我们如何理解这个无处不在的"拟像世界"。以下为本次对谈 的文字整理稿。 "我"与波德里亚：思想的缘起与交汇 王睿琦：我们确实身处一个拟像和图像的时代，这一点在今天已经没有争议，我先说说我为什么会翻译这本书。起因和另一位法国思想家乔治·巴 塔耶有关。前些年，南京大学出版社出版了一系列关于巴塔耶的书，并举办了一场以巴 ...

Group 1 - Stojanica is a prominent art historian from Romania, known for his works that integrate various academic approaches, including post-structuralism and semiotics, to create a new narrative in art history [1] - His significant works, "The Birth of the Painting: The Early Modern European Meta-Painting" and "The Pygmalion Effect," have been translated into Chinese, providing a comprehensive understanding of his academic contributions [1] - "The Birth of the Painting" employs structural analysis and semiotic theory to reinterpret 15th and 16th-century European painting, linking it to contemporary art theories and religious movements [1][5] Group 2 - Stojanica's later work, "The Pygmalion Effect," explores the historical relationship between sculpture and its models, as well as the dynamic between images and life, reflecting a broader narrative approach [1][11] - His academic journey began in Romania, influenced by a family background in medicine and art, leading to a focus on art history as a substitute for his initial interest in underwater archaeology [5][7] - The influence of key figures in French and German art theory, such as Hans Belting and Louis Marin, has shaped Stojanica's scholarly voice, positioning him as a significant contributor to contemporary French art history [1][14][16] Group 3 - Stojanica's works are interconnected, with a common thread focusing on how art narratives reflect self-reflection and the dichotomy of artistic representation [11][12] - His engagement with the concept of "hybridity" in cultural identity is evident in his writings, as he navigates the complexities of being a non-native French speaker in the academic landscape [20][21] - The dialogue between his works and those of contemporaries like Gombrich highlights differing interpretations of the Pygmalion myth, emphasizing the complexity of representation in art [33][34] Group 4 - Stojanica's exploration of media in art history has evolved, with a focus on the materiality of painting and the interplay between different artistic mediums [39][42] - His recent works reflect a critical engagement with contemporary art practices, suggesting that historical artworks remain relevant and can inform modern artistic discourse [44][45] - The ongoing discourse around decolonization in art history and the global shift challenges traditional Western narratives, prompting a reevaluation of cultural perspectives in Stojanica's research [47][48]