"如是莫高"敦煌艺术大展第二季 服饰在古代 不仅是身份与地位的象征， 更是文化与历史的载体。 莫高窟第130窟的 《都督夫人礼佛图》， 她们头上戴着花饰， 身上的服装以及服饰的面料 都非常华美。 前面三人头饰 朵子、鲜花、小梳、宝钿， ■展期：至2026年11月11日 ■地点：北京展览馆 ■票价：正价票128元 穿碧衫红裙， 肩披绛地帔子和白罗画帔， 重现了盛唐时期 都督夫人王氏带着 女儿、侍女一起礼佛的场景。 脚蹬笏头履， 一看便知是豪门贵族眷属。 来源：北京日报客户端 ...

这款敦煌博物馆超大天然橡胶鼠标垫， 将灿烂辉煌的敦煌艺术， 浓缩于你的日常工作与娱乐空间， 让每一次点击与滑动， 都成为与古老文明的静谧对话。 （来源：百姓关注） 手腕滑动的不再是冰冷的工业品， 而是跨越千年的敦煌色彩。 超大尺寸，自由无界 远超普通鼠标垫的超大尺寸，为鼠标提供广阔无边的滑行舞台。无论是办公使用多屏操作，还是游戏时 需要大幅甩枪，都能畅行无阻，彻底解放手腕。 ⚙️ 天然橡胶基底，防滑耐用 官方授权，正品敦煌美学 由敦煌博物馆官方授权监制，图案源于馆藏珍品。每一处纹样、每一笔色彩都经过严谨考究，确保原汁 原味的敦煌艺术神韵。这不仅是鼠标垫，更是一幅可触摸的移动壁画。 神秘紫色系，独特氛围感 突破传统敦煌色的范畴，采用高雅、深邃的紫色系进行艺术再创作。它神秘、浪漫且充满想象力，能轻 松融入各类桌面风格，瞬间营造出沉静、专注又极具格调的工作或游戏氛围。 它将点亮这些场景 稳固防滑：底部采用优质天然橡胶，紧密吸附桌面，激烈操作也不易移位。 顺滑表面：微细纹理布面确保鼠标定位精准，移动顺滑流畅，手感舒适。 持久耐用：边缘锁边工艺，防止翘边；材质抗磨损，长久使用图案依旧清晰亮丽。 创意工作者：激发灵感，在 ...

Core Viewpoint - Dunhuang art has a profound cultural impact, integrating painting, sculpture, architecture, and decoration, serving as a source of inspiration for modern design and innovation [1][2]. Group 1: Influence of Dunhuang Art - Dunhuang art has influenced various design categories throughout different periods, showcasing the richness of traditional Chinese culture as an endless source of innovation [2]. - Elements and styles from Dunhuang's decorative patterns can be applied to modern decorative design, reflecting the wisdom and emotions of ancient laborers [2]. - Specific patterns from Dunhuang murals, such as headdresses and geometric designs, provide inspiration for contemporary jewelry, utensils, and architectural decoration [2]. Group 2: Educational and Cultural Legacy - The importance of combining traditional art with modern design needs has been emphasized, highlighting the concept of "source and flow" in design education [2]. - The commitment to systematically organize and study Dunhuang patterns is seen as a fulfillment of the teachings from predecessors, aiming to inspire younger generations to engage in the protection and promotion of Dunhuang art [3]. - The continuity of cultural heritage through successive generations is essential for the flourishing of Chinese culture [3].

Core Viewpoint - Chang Shana, a prominent figure in Chinese art and design, has dedicated her life to the study and application of Dunhuang art, influencing modern design while preserving traditional elements [6][10][18]. Group 1: Personal Background and Early Life - Chang Shana was born in 1931 in Hangzhou, Zhejiang, and has had a lifelong connection with Dunhuang art, starting from her childhood experiences in the Mogao Caves [6][9]. - Her father, Chang Shuhong, was a significant influence, introducing her to Dunhuang's artistic heritage, which shaped her career path [10][11]. Group 2: Artistic Contributions and Achievements - Chang Shana has been involved in major national projects, including the design of the Great Hall of the People and the sculpture "Eternal Blooming Bauhinia," which was gifted to Hong Kong [14][15]. - She has integrated Dunhuang elements into various modern designs, such as the ceiling decoration for the Great Hall of the People, showcasing a blend of traditional and contemporary styles [14][16]. Group 3: Educational Influence and Legacy - Throughout her career, Chang Shana has held significant academic positions, including serving as the dean of the Central Academy of Craft Art, where she has influenced generations of artists [6][14]. - Her ongoing exhibitions, such as "Blooming Dunhuang," highlight her extensive body of work and commitment to preserving and promoting Dunhuang art [16][18]. Group 4: Recent Works and Future Plans - Chang Shana continues to create art that reflects her lifelong dedication to Dunhuang, with recent projects including designs for the Spring Festival Gala and contributions to the 2025 Osaka World Expo [17][18]. - Her philosophy emphasizes the timelessness of traditional culture, as seen in her latest works that merge ancient motifs with modern aesthetics [17][18].

Core Viewpoint - The article discusses the contrasting contributions of Zhang Daqian and Chang Shuhong to the preservation and promotion of Dunhuang art, highlighting their respective roles as an explorer and a guardian of this cultural heritage [1][8]. Group 1: Zhang Daqian's Contributions - Zhang Daqian's journey to Dunhuang began in 1941, where he spent over two years studying and replicating the murals, significantly contributing to the understanding of Chinese art history [1][2]. - He was the first Chinese scholar to systematically number the caves at Mogao, completing a total of 309 caves, which was a groundbreaking effort in the field [2]. - His work faced controversy due to accusations of damaging the murals during his replication process, leading to a significant backlash from the academic community [3][4]. Group 2: Chang Shuhong's Role - Chang Shuhong arrived in Dunhuang in 1943, taking over the responsibility of preserving the murals after Zhang Daqian's departure, dedicating his life to this cause [4][6]. - He faced severe living conditions and personal sacrifices, including the departure of his wife, yet he remained committed to the protection and study of Dunhuang art [6][7]. - Under his leadership, the Dunhuang Art Research Institute was established, and he became known as the "Guardian of Dunhuang," symbolizing dedication to cultural preservation [6][8]. Group 3: Legacy and Impact - The friendship and collaboration between Zhang Daqian and Chang Shuhong have inspired subsequent generations of artists and scholars to continue the work of preserving Dunhuang's cultural heritage [8]. - Their efforts have led to a resurgence of interest in Dunhuang art, with modern scholars and artists employing digital technology and traditional methods to ensure the longevity of these cultural treasures [8].