本次演出围绕"古韵·传承""时代·绽放"两大篇章，《百寿图》《扇舞欢潮》《上春山》等八组精彩秧歌 节目轮番上演；手绢、高跷、寸跷、扇子等传统道具上下翻飞，身怀绝技的秧歌艺人通过植根黑土地的 民间艺术，展现了东北文化的深厚底蕴。 创意节目《嘿！秧歌》别出心裁，将拉丁舞、街舞与秧歌风情创新融合，以精彩的斗舞形式展现了传统 艺术传承与创新的青春力量；在演出尾声，上百个寓意吉祥的手绢从舞台飞向观众席，将喜庆祝福传递 给现场每一位观众，将喜迎重阳佳节的欢乐氛围推向高潮。 10月26日，"沈彩飞阳"沈阳现代都市圈秧歌展演在沈阳举行，展演汇聚了沈阳都市圈多个城市及长春、 哈尔滨的优秀秧歌队伍。(沈阳市文化旅游和广播电视局 供图) 中新网沈阳10月27日电 (记者 韩宏)记者27日从沈阳市文化旅游和广播电视局获悉，"沈彩飞阳"沈阳现 代都市圈秧歌展演近日在沈阳举行，展演汇聚了沈阳都市圈多个城市及长春、哈尔滨的优秀秧歌队伍。 本次展演由沈阳市文化旅游和广播电视局主办，是沈阳都市圈文化协同发展的重要载体。此次展演打破 地域壁垒，实现优质文化资源在区域间流动共享。 10月26日，"沈彩飞阳"沈阳现代都市圈秧歌展演在沈阳举行，展演汇 ...

Core Viewpoint - The article highlights the transformation and revival of Fengxiang clay sculpture, a traditional craft in China, through innovation and cultural exchange, led by Hu Xinming, a national-level inheritor of this intangible cultural heritage [2][4]. Group 1: Historical Background - Hu Xinming began learning clay sculpture at the age of 11, and over the decades, he has witnessed the evolution of this craft into a cultural treasure recognized beyond local borders [2]. - Fengxiang, known as the birthplace of Zhou-Qin culture, has a rich history that influences the designs of clay sculptures, such as the classic tiger face shape resembling ancient bronze patterns [2]. Group 2: Challenges Faced - The Fengxiang clay sculpture industry faced a decline as villagers turned to other jobs due to low income from clay sculpture, with Hu Xinming identifying four main issues: fragility during transport, low processing efficiency, poor packaging, and outdated designs [4]. - Past export attempts, such as sending thousands of clay sculptures to Singapore, resulted in significant losses due to breakage, highlighting the need for improvements in production methods [4]. Group 3: Innovations and Revival - Hu Xinming innovated by incorporating materials like paper pulp and cotton into the clay, developing more durable sculptures, and modernizing production techniques with new molds and packaging [4]. - The revival of Fengxiang clay sculpture has led to a significant increase in production, with over 200 households and more than a thousand people involved, generating an annual output value exceeding 40 million yuan, and products being exported to over 30 countries [4]. Group 4: Cultural Integration and Future - The younger generation, represented by Hu Xinming's son, is integrating modern elements into clay sculpture, creating new products like scarves and phone cases, which have gained popularity online [5]. - The establishment of clay sculpture training centers and experience parks reflects a successful blend of intangible cultural heritage with tourism, paving new paths for the industry [4].