11月20日清晨，桂东蒙山的薄雾似轻纱，漫过夏宜瑶族乡的山坳。香云纱生产基地里，"哒哒哒"的薯莨加工声穿透晨霭，与山涧流水交织成韵。新采的 薯莨被捶捣成浆，在染桶中漾起琥珀色波光，清冽的草木清香漫溢开来，浸润着山间的清晨。 航拍香云纱晒场。梁乾胜 摄 基地负责人李果良双手托着真丝坯布，缓步走向染池。手腕轻抖，布匹如瀑布倾泻，在池中激起细浪。"一匹香云纱，需反复浸染几十次，让每根丝吃 透颜色，光泽才由内而外散发。"他指尖顺着布纹轻拨，时而提拉尽浸，时而轻拧挤浆。褐色浆汁沿布缘滴落，在池面晕开转瞬即逝的褐痕，如此往复，布 上褐意渐浓。 这便是香云纱，本名"莨纱"，岭南古老染色面料。因穿着行走发出"沙沙"声响，得名"响云纱"，后雅称"香云纱"。作为世界唯一纯植物染料染色的丝 绸，它凉爽宜人、轻薄抗皱、柔软有身骨，布面暗光流转，蕴藏着说不尽的东方韵味，被誉为纺织界"软黄金"。 这项始于宋代的染整技艺，跨越千年，于2008年入选国家级非物质文化遗产名录。制作过程最难掌握的，莫过于对薯莨水浓度的把控。李果良手执木 棒，轻挑浆汁向记者演示："滴落两三秒不挂丝为稀液，适合渗透；滴落4—6秒挂丝的，染匀最佳；7—10秒挂丝明显 ...

Core Insights - The National Day and Mid-Autumn Festival holiday saw a significant focus on intangible cultural heritage (ICH) in various tourist attractions across China, particularly in Shanxi Province's Xinzhu Ancient City, where traditional performances and local delicacies attracted large crowds [1][6] - In Shenzhen, a unique underwater performance of the traditional fish lantern dance showcased a blend of cultural heritage and modern presentation, enhancing the visitor experience [7][9] - Various regions, including Jiangxi and Jiangsu, innovated their cultural tourism offerings by integrating traditional arts with modern technology, creating immersive experiences that stimulated consumer engagement and extended visitor stays [11][14][19] Group 1: Shanxi Province - Xinzhu Ancient City experienced an average daily visitor count exceeding 110,000 during the holiday period, highlighting the popularity of ICH performances and local cuisine [6] - The traditional performance of "Dahuo" (Iron Flower) captivated audiences with its spectacular display of molten iron, contributing to the festive atmosphere [4] Group 2: Shenzhen - The underwater performance at the local aquarium featured traditional fish lanterns and a 15-meter-long dragon lantern, creating a dynamic and visually striking experience for visitors [9][10] - The integration of a large 73-square-meter national flag in the performance further enhanced the celebratory atmosphere, engaging the audience [10] Group 3: Jiangsu and Jiangxi - Jiangsu's innovative combination of traditional Huai opera with modern robotics attracted significant attention, showcasing a new model of cultural performance that includes interactive elements [11][14] - In Jiangxi, a series of activities at Jizhou Kiln combined ICH experiences with local cuisine and ceramic markets, enriching the visitor experience and promoting cultural engagement [16][18] - The "culture + experience + consumption" model implemented in these regions effectively stimulated holiday economic activity while fostering the transmission of intangible cultural heritage [19]

Core Viewpoint - The article highlights the vibrant cultural tourism activities in Wuzhishan, Hainan, focusing on the integration of intangible cultural heritage (ICH) with tourism to enhance visitor experiences and promote local culture [2][3]. Group 1: Cultural Activities - Wuzhishan is hosting various cultural events during the National Day and Mid-Autumn Festival, themed "Intangible Heritage Dance Reflecting Mountain City" which includes diverse experiences such as culinary and craft demonstrations [2][3]. - The activities feature traditional performances like the Li ethnic bamboo pole dance, showcasing the lively interaction between tourists and local residents [2]. Group 2: Community Engagement - The events encourage active participation from visitors, allowing them to engage in traditional dances and crafts, thereby deepening their understanding and appreciation of Hainan's culture [3]. - Various locations in Wuzhishan, such as Maona Village and Xiaodao Park, are hosting specific ICH-themed activities, enhancing the cultural narrative through hands-on experiences [3]. Group 3: Economic and Social Impact - The integration of ICH with tourism is seen as a strategy to promote high-quality development in the cultural tourism sector, contributing to rural revitalization and community harmony [3]. - The "ICH + Cultural Tourism" model is enriching the festive atmosphere and narrating Hainan's stories through its scenic landscapes and cultural heritage [3].

Core Insights - The article highlights the revival and commercialization of traditional Fengxiang clay sculpture in Liuying Village, Shaanxi Province, which has transformed from a local craft into a significant economic driver for the community [1] Group 1: Historical and Cultural Significance - Fengxiang clay sculpture has a history of over 600 years and is recognized as a national intangible cultural heritage project, with nearly all villagers skilled in the craft [1] - The cultural value and market potential of clay sculpture are emphasized by the representative inheritor, Hu Jinwei, who aims to integrate traditional craftsmanship with modern design [1] Group 2: Economic Impact and Development Model - The clay sculpture industry in Liuying Village has over 200 households and more than 1,000 individuals involved, generating an annual output value exceeding 40 million yuan [1] - The "company + cooperative + farmer" model has been implemented to organize and train artisans, enhancing the market vitality of the traditional craft [1] Group 3: Future Prospects and Innovation - The village is focusing on developing a non-heritage cultural village by combining intangible cultural heritage with tourism, creating new avenues for growth [1]

Core Viewpoint - The 2025 National Hakka Mountain Song Invitation Competition aims to promote traditional Hakka culture and heritage through a series of events, emphasizing themes such as rural revitalization, national unity, and red culture [1] Group 1: Event Overview - The competition will take place from August to September in Yichun Tonggu and Nanchang, featuring four stages: preliminary, semi-final, final, and evening performance [1] - The theme "Singing a Mountain Song for the Party" integrates various contemporary elements, aiming to engage participants and audiences alike [1] Group 2: Cultural Significance - The event showcases the rich and diverse intangible cultural heritage of Hakka culture, allowing audiences to appreciate its profound depth and unique charm [1] - A special segment for "Red Hakka Mountain Songs" will be included, highlighting the cultural and historical significance of Hakka songs [1] Group 3: Participation and Activities - The competition attracts singers and teams from regions including Jiangxi, Hunan, Hubei, Guangdong, and Fujian, with participants spanning all age groups [1] - Additional cultural tourism activities such as scenic area singing, guest field trips, and self-driving tours will be organized to enhance the immersive cultural experience [1]

Core Viewpoint - The integration of intangible cultural heritage and rural tourism in the Nu ethnic group has led to economic growth and cultural preservation in the village of Laomuden, Yunnan Province, showcasing a successful model of "intangible cultural heritage + tourism" [2][6][9]. Group 1: Cultural Heritage and Tourism Development - The Nu ethnic song "Ode De" has gained recognition through performances, bringing attention to the Nu culture and Laomuden village [2][6]. - The village has transformed from a secluded agricultural community to a popular tourist destination, with over 40 homestays established, significantly increasing local employment in tourism-related jobs [5][9]. - The local tourism revenue reached over 8 million yuan in 2024, highlighting the economic impact of tourism on the village [5]. Group 2: Personal Journey and Community Impact - Yu Wulin, a key figure in promoting Nu culture, started the first homestay in Laomuden in 2001, evolving it based on tourist needs and preferences [3][4]. - The community has embraced tourism, with many villagers seeking guidance from Yu Wulin on establishing their own homestays, leading to a collective economic uplift [5][9]. - Cultural transmission efforts include free classes for children to learn "Ode De" and traditional instruments, ensuring the preservation of Nu heritage for future generations [8][9]. Group 3: Economic Benefits and Cultural Engagement - Participation in cultural performances provides additional income for villagers, with performers earning around 4,000 yuan per month during peak tourist seasons [8]. - The model of "intangible cultural heritage + tourism" not only enhances cultural awareness among visitors but also improves the livelihoods of local residents [9][10].

Core Viewpoint - The integration of intangible cultural heritage (ICH) with tourism in Ningbo's Zhenhai District has significantly boosted local visitor numbers and consumption, exemplified by a 66.7% increase in tourists during the Dragon Boat Festival holiday [1]. Group 1: Cultural Heritage and Tourism Integration - The Zhenhai District has 52 ICH projects and 60 representative inheritors, focusing on revitalizing traditional crafts through a "dual empowerment" approach that combines ICH with tourism [1]. - The district has developed 10 unique ICH spaces that have become popular attractions for both residents and tourists, enhancing the area's cultural appeal [1]. Group 2: Community Engagement and Economic Impact - In Yongwang Village, ICH workshops have attracted over 10,000 visitors, extending tourist stay and boosting local consumption [2]. - The creation of a cultural center for Xiepu farmer paintings has led to the successful sale of various merchandise, including farmer painting-themed products [2]. - Monthly events featuring ICH representatives have increased community engagement and cultural consumption, with over 10 popular activities launched during the "Most Zhenhai, Waiting for You" ICH theme month [2]. Group 3: International Engagement and Economic Growth - The district has hosted international participants, including 56 foreign teachers from countries like Thailand and Kenya, who engaged in hands-on cultural experiences [3]. - The "point-to-line" initiative aims to connect various ICH sites and tourism routes, generating over 2.1 billion yuan in sales from related cultural products and agricultural goods [3]. - Over 30,000 participants have engaged in immersive ICH educational projects, showcasing the successful blend of traditional culture with modern tourism [3].

Core Insights - The integration of intangible cultural heritage (ICH) into the cultural tourism industry is creating new opportunities and experiences for visitors, with various ICH tourism projects emerging across regions [1][2] - The demand for ICH tourism is driven by increasing cultural confidence and a desire for unique cultural experiences beyond traditional sightseeing and dining [1][2] Group 1: Industry Trends - ICH tourism is becoming popular as tourists seek immersive experiences, such as traditional crafts and local cuisine, which enhances their cultural engagement [2][3] - Successful ICH tourism projects require systematic thinking and long-term planning, with local governments implementing strategies to make ICH accessible and engaging for tourists [2][3] Group 2: Innovation and Technology - The use of new technologies, such as artificial intelligence, is being explored to inject innovation into local ICH, enhancing its appeal and relevance [2] - Online platforms are being utilized to promote ICH, with creators achieving significant engagement and visibility through social media [2] Group 3: Challenges and Considerations - There are concerns about the commercialization and misrepresentation of ICH, highlighting the need for genuine and immersive experiences that respect cultural heritage [3] - The focus should be on protecting ICH while fostering its integration with tourism and technology, ensuring that it remains relevant and beneficial for future generations [3]

Core Viewpoint - The article highlights the transformation and revival of Fengxiang clay sculpture, a traditional craft in China, through innovation and cultural exchange, led by Hu Xinming, a national-level inheritor of this intangible cultural heritage [2][4]. Group 1: Historical Background - Hu Xinming began learning clay sculpture at the age of 11, and over the decades, he has witnessed the evolution of this craft into a cultural treasure recognized beyond local borders [2]. - Fengxiang, known as the birthplace of Zhou-Qin culture, has a rich history that influences the designs of clay sculptures, such as the classic tiger face shape resembling ancient bronze patterns [2]. Group 2: Challenges Faced - The Fengxiang clay sculpture industry faced a decline as villagers turned to other jobs due to low income from clay sculpture, with Hu Xinming identifying four main issues: fragility during transport, low processing efficiency, poor packaging, and outdated designs [4]. - Past export attempts, such as sending thousands of clay sculptures to Singapore, resulted in significant losses due to breakage, highlighting the need for improvements in production methods [4]. Group 3: Innovations and Revival - Hu Xinming innovated by incorporating materials like paper pulp and cotton into the clay, developing more durable sculptures, and modernizing production techniques with new molds and packaging [4]. - The revival of Fengxiang clay sculpture has led to a significant increase in production, with over 200 households and more than a thousand people involved, generating an annual output value exceeding 40 million yuan, and products being exported to over 30 countries [4]. Group 4: Cultural Integration and Future - The younger generation, represented by Hu Xinming's son, is integrating modern elements into clay sculpture, creating new products like scarves and phone cases, which have gained popularity online [5]. - The establishment of clay sculpture training centers and experience parks reflects a successful blend of intangible cultural heritage with tourism, paving new paths for the industry [4].

Group 1 - The Dragon Boat Festival this year marks the first holiday after the implementation of the 240-hour visa-free transit policy, leading to a record high in inbound and outbound passenger flow at various ports [1][2] - The National Immigration Administration reported that 231,000 foreign visitors entered China under the visa-free policy during the holiday, representing a 59.4% increase compared to the same period last year [1] - The influx of foreign tourists is attributed to China's rich cultural heritage and traditional festival experiences [1] Group 2 - In Beijing, the total number of inbound and outbound passengers reached 178,000 during the Dragon Boat Festival, a 14.8% increase year-on-year, with foreign visitors accounting for 54,000, up 34.7% [4] - The Beijing Municipal Bureau of Culture and Tourism organized over 1,700 activities themed "Enduring Dragon Boat Spirit, Colorful Summer in Beijing" to engage with inbound tourists [4] - In Xi'an, the holiday saw over 17,000 inbound and outbound passengers, with new measures introduced to enhance international tourism visibility [6] Group 3 - In Hubei, the visa-free policy attracted a significant number of foreign tourists, with a 21.1% increase in inbound and outbound passenger flow during the holiday [8] - The implementation of visa-free policies for South Korea and Japan has led to a surge in short-distance cruise tourism, with Liaoning and Shandong becoming popular destinations [9][11] - During the holiday, Shandong reported 11,000 inbound South Korean travelers, a remarkable 117.5% increase year-on-year [13] Group 4 - The Guangdong-Hong Kong-Macao Greater Bay Area hosted various large-scale events, leading to record high inbound passenger flow at multiple ports [22] - Shenzhen's ports, including Luohu and Huanggang, achieved new highs in inbound passenger flow, with over 690,000 people processed at Huanggang Border Inspection Station during the holiday [24] - Zhuhai's ports also experienced a peak in inbound and outbound passenger flow, with a 6.7% year-on-year increase, driven by the popularity of domestic tourism and convenient cross-border policies [28]