中新社记者 杜燕 徐婧 中新社北京12月27日电 题：电影如何以光影连接全球？ ——专访北京电影学院党委副书记、院长扈强 今年是世界电影诞生130周年、中国电影诞生120周年，也是北京电影学院(简称"北电")建校75周年。北 电是中国唯一一所独立设置的电影专业教育高等学府，被誉为"中国影视人才的摇篮"。 电影如何以光影为纽带，促进中外文化交流与东西文明互鉴？中国电影如何出新、出海？近日，北京电 影学院党委副书记、院长扈强接受中新社"东西问"专访，畅谈技术迭代背景下，中国电影的发展历史、 人才培养和全球对话。 现将访谈实录摘要如下： 中新社记者：电影为何能跨越语言和国界，成为文明互鉴的最佳载体？ 扈强：在我看来，电影之所以能跨越语言和国界，核心在于三点： 直观的艺术感染力。电影通过画面、声音、情节，构建立体的文化体验，比文字更易于被不同文化背景 的受众接受。一部《卧虎藏龙》，让全球观众领略中国武侠的意境之美；一部《哪吒之魔童闹海》，向 世界传递中国神话的精神内核。这种感染力是其他传播形式难以替代的。 共通的情感连接点。无论在东方还是西方，对真善美的追求、对亲情的珍惜、对正义的向往，都是相通 的。中国电影出海，既 ...

Core Insights - The event "Wind Moves, Shadows Change - Sino-French Film Dialogue" featured renowned French director Jean-Jacques Annaud and Chinese director Wu Ershan discussing cross-cultural creation, industry collaboration, and nurturing new generations of filmmakers [1][3][9] Group 1: Cross-Cultural Narrative - Jean-Jacques Annaud emphasized that the essence of film transcends language, relying on visual storytelling to convey emotions and ideas that resonate universally [3][5] - Wu Ershan agreed, stating that the common emotional experiences among people outweigh their differences, highlighting the emotional needs of audiences worldwide [3][5] Group 2: Sino-French Film Industry Collaboration - Annaud cited "Wolf Totem" as a successful example of Sino-French collaboration, noting the shared cultural heritage and pride in identity among both nations [5][6] - Wu Ershan shared insights from the production of "Fengshen," which involved a diverse team from 21 countries, enhancing the creative process through varied perspectives [6][8] - Both directors expressed optimism for future collaborations, with Annaud mentioning dedicated film festivals in France for Chinese creators [6][8] Group 3: Nurturing New Generations of Filmmakers - Annaud and Wu Ershan, both experienced in advertising before directing, highlighted the importance of practical experience in film education [8][9] - The French film system, particularly the support from the CNC, serves as a model for nurturing young filmmakers in China, balancing artistic freedom with industry development [8] - Both directors encouraged young filmmakers to practice and collaborate, emphasizing the need for mutual respect and love within creative partnerships [8][9]