第二届推荐计划经评选产生26部推荐纪录片、推荐短视频、推荐改编作品。智通财经《穿越中国》 （Men of Steel）等10部作品获评第二届"新时代·新影像"中外联合创作计划推荐短视频。 2026年1月15日，"新时代·新影像"中外联合创作计划第二届成果展映暨第三届启动仪式在北京举行，中 外业界人士、专家学者，以及相关部门机构代表和媒体记者等两百余人出席活动。 成果展映暨启动仪式现场 第二届"新时代·新影像"中外联合创作计划由国务院新闻办公室、国家互联网信息办公室、国家广播电 视总局指导，中国外文局、中央广播电视总台影视剧纪录片中心CCTV-9、Discovery探索频道主办，旨 在面向全球广泛征集纪录片、短视频等影像选题和成片，并对入选项目开展创作指导、制作支持、专业 培训、传播推广等形式的扶持。自2024年7月启动以来，第二届创作计划共收到来自全球创作者提交的 影像选题7180个，最终评选并扶持创作了100个影像选题。 新视角下的中国超级桥梁 《穿越中国》采用FPV无人机第一人称视角，让观众"化身飞鸟"，从高空俯瞰千年古桥与现代超级工 程。 "我们不仅旨在呈现中国古今工程奇迹，更期望以'桥'这一跨越时空的 ...

日本王朝物语部分书封及书脊 异界的核心载体类型 王朝物语中的异界叙事的空间载体可划分为三类，每一类空间都承载着独特的叙事功能与文化寓意，共 同构建了古代人对"非凡空间"的想象体系。第一类是超自然空间，《竹取物语》中的月之国有着与人间 截然不同的时间流速、生命形态与社会秩序，月之国的叙事功能在于构建一个"理想的超现实空间"，与 人间的短暂、烦恼、充满欲望形成鲜明对比。辉夜姬因"罪孽"被放逐人间，最终回归月之国的情节，既 体现了"神圣者下凡—历劫—回归"的叙事模式，也暗含了古代日本人对"彼岸世界"的向往与对现实世界 的美好追求。此外，《源氏物语》中的须磨浦与明石浦、《松浦宫物语》中的蓬莱仙宫也属于此类空 间。龙宫作为海龙王的居所，象征着"神秘的自然力量"与"丰饶的生命源泉"，光源氏在须磨浦遭遇暴风 雨时梦见海龙王的邀请，实则是对其命运转折的象征性预示；蓬莱仙宫在《松浦宫物语》中被重塑 为"转世之地"，华阳公主死后在蓬莱转世，打破了传统蓬莱作为"不死仙山"的单一意象，融入了佛教的 轮回观念，体现了文化交融对异界空间想象的重塑。 第二类是未知地域，未知地域是指现实世界中存在但未被人充分认知的空间，其核心特征是"陌生 ...

Core Insights - The key to cross-cultural narratives is not to pursue a single standard answer but to build a "dialogic pluralistic context" [1] Group 1: Cultural Exchange and Economic Development - The Yicai Panorama salon aims to facilitate cultural exchange among global cross-disciplinary individuals, focusing on sharing civilizational wealth and creating a better future [1] - The Greater Bay Area (GBA) is one of China's most open and economically vibrant regions, integrating modern service advantages from Hong Kong and Macau with the manufacturing base of the Pearl River Delta [1][3] - The GBA promotes strategic emerging industries such as artificial intelligence, biomedicine, and new energy through industrial collaboration and innovation, transitioning from scale expansion to innovation-driven growth [1][3] Group 2: Art and Cultural Integration - Macau, as a world tourism and leisure center, combines its open advantages with the Pearl River Delta to form a new open economic system [3] - The GBA's cultural manufacturing industry is projected to generate revenue of 12,639 billion yuan in 2024, accounting for 25.5% of the national total, with leading capabilities in consumer electronics and smart terminals [6] - The GBA's cultural service industry is expected to exceed 1.3 trillion yuan in 2024, leading the nation in sectors like online gaming, animation, and esports [6] Group 3: Historical and Cultural Significance - The historical significance of Macau and Zhuhai as a maritime corridor has made them melting pots of civilization, transcending mere economic exchange [4] - The dual narrative of "impact and harmony" in Macau's cultural landscape illustrates the coexistence of different cultural expressions, providing a rich context for cross-cultural research [7][8] Group 4: Future Initiatives and Collaborations - The second GBA Youth Artist Program is being prepared to coincide with the 10th anniversary of Yicai Global in Macau in 2026, aiming to reflect on how China integrates and influences the world [9]

Core Insights - The event "Wind Moves, Shadows Change - Sino-French Film Dialogue" featured renowned French director Jean-Jacques Annaud and Chinese director Wu Ershan discussing cross-cultural creation, industry collaboration, and nurturing new generations of filmmakers [1][3][9] Group 1: Cross-Cultural Narrative - Jean-Jacques Annaud emphasized that the essence of film transcends language, relying on visual storytelling to convey emotions and ideas that resonate universally [3][5] - Wu Ershan agreed, stating that the common emotional experiences among people outweigh their differences, highlighting the emotional needs of audiences worldwide [3][5] Group 2: Sino-French Film Industry Collaboration - Annaud cited "Wolf Totem" as a successful example of Sino-French collaboration, noting the shared cultural heritage and pride in identity among both nations [5][6] - Wu Ershan shared insights from the production of "Fengshen," which involved a diverse team from 21 countries, enhancing the creative process through varied perspectives [6][8] - Both directors expressed optimism for future collaborations, with Annaud mentioning dedicated film festivals in France for Chinese creators [6][8] Group 3: Nurturing New Generations of Filmmakers - Annaud and Wu Ershan, both experienced in advertising before directing, highlighted the importance of practical experience in film education [8][9] - The French film system, particularly the support from the CNC, serves as a model for nurturing young filmmakers in China, balancing artistic freedom with industry development [8] - Both directors encouraged young filmmakers to practice and collaborate, emphasizing the need for mutual respect and love within creative partnerships [8][9]

Group 1 - The 8th Malaysia International Film Festival is currently taking place in Kuala Lumpur, showcasing the increasing presence of Chinese films, including "My Friend Andre," which is competing for the highest award, the "Golden Ring Award" [1] - The Chinese animated film "Ne Zha" has gained significant attention in Malaysia, providing an excellent opportunity for Malaysian audiences to understand Chinese culture, particularly due to the character's familiarity within the Chinese mythological context [1] - The success of these films is attributed to their effective cross-cultural narratives, addressing universal themes such as justice, bravery, and love, which resonate with Malaysian audiences [1] Group 2 - Recent years have seen innovations and breakthroughs in Chinese cinema, enhancing cultural expression through technology, exemplified by the advanced computer graphics in "Ne Zha," which offers an unprecedented sensory experience [2] - The collaboration between China and Malaysia in film has intensified, with notable projects such as the co-produced documentary "Our Story" and the Malaysia Chinese Film Festival, showcasing various Chinese films to local audiences [2] - There is a natural cultural connection between Malaysia and China, with hopes for increased cooperation in film co-production, distribution, and market expansion to create internationally competitive Chinese-language films [2]

Core Viewpoint - China has significantly improved its international discourse power and influence through innovative international communication strategies, as highlighted by its rise in the global soft power index [12][13]. Group 1: Soft Power and International Communication - According to the Brand Finance 2025 Global Soft Power Index, China ranks second globally, having improved its position by three places over the past year [12][13]. - China has achieved growth in six out of eight soft power pillars and two-thirds of specific indicators, indicating positive outcomes in international communication [13]. - Despite these achievements, there remains a need for improvement in global perceptions of China's lifestyle and tourism appeal [13]. Group 2: Diverse Participation in International Communication - The current international communication system in China does not match its comprehensive national strength and international status, necessitating a collaborative effort from various stakeholders, including government, media, and individuals [14]. - The role of overseas Chinese as cultural ambassadors is crucial in enhancing international communication and showcasing a credible and appealing image of China [15]. Group 3: Content and Channel Diversification - The high score in the "Business and Trade" indicator suggests that as international recognition of China grows, there is an increasing demand for understanding the underlying values and culture of Chinese enterprises [14]. - There is a call for a richer narrative in international communication, focusing on economic, technological, and cultural stories to enhance the effectiveness and impact of China's international messaging [14]. Group 4: Cross-Cultural Narratives - Cross-cultural narratives play a vital role in fostering mutual understanding and trust among nations, with an emphasis on China's unique cultural values and practices [17][18]. - China's narrative should include its achievements in poverty alleviation and technological advancements, showcasing its global responsibilities and contributions [18]. Group 5: Enhancing Persuasiveness of Chinese Discourse - Different types of discourse, including civilizational, national, governance, and innovative narratives, are essential for effectively communicating China's policies and values to the world [19][20]. - The connection between policy and storytelling is crucial for enhancing the empathy and resonance of China's narrative [20]. Group 6: Embracing Technological Change - The international communication landscape is undergoing significant changes due to technological advancements, necessitating a strategic approach to leverage new tools and platforms for effective storytelling [21][22]. - Examples of successful initiatives include collaborations between media and cultural institutions to enhance the global reach of Chinese narratives [23]. Group 7: Corporate Responsibility and Global Engagement - Chinese enterprises are increasingly "going global," and they should actively integrate into local economies while promoting China's image and stories [24][25]. - Companies are encouraged to innovate in international communication by addressing themes such as green development and cultural exchange, thereby fostering connections with global audiences [25].

Core Perspective - The article highlights the journey of Li Shuyi, a visual animation designer, who has made significant contributions to the development of Asian-related programs in the U.S., enhancing cultural exchange between China and the U.S. and increasing the influence of Chinese female designers on the international stage [2][4]. Group 1: Education and Early Career - Li Shuyi developed a passion for art and animation from a young age, leading her to study animation at Jinan University, where she gained theoretical knowledge and practical experience [3][4]. - After graduation, she entered the animation advertising field, which deepened her understanding of animation applications and opened new career opportunities [4][5]. Group 2: Professional Achievements - In 2013, Li Shuyi pursued further studies at Pratt Institute in New York, where her animated short film "Good Service" received recognition at several film festivals, reflecting her ability to convey universal themes of perseverance [4][5]. - She played a key role in the development of the popular food channel "Spring Festival Menu" on the Discovery Channel, showcasing Chinese culinary culture and facilitating cultural exchange through food [5][6]. Group 3: Cultural Integration - The visual design of "Spring Festival Menu" utilized warm colors and traditional elements to create a festive atmosphere, effectively engaging American audiences while preserving the uniqueness of Chinese culture [6][7]. - Li Shuyi emphasized the importance of visual storytelling in cultural dialogue, allowing for a subtle yet impactful exchange of cultural values [6][7]. Group 4: Recent Projects and Future Aspirations - In 2023, she contributed to the promotional design for the influential film "Barbie," which aimed to inspire audiences with its empowering themes [7][8]. - Currently, she is involved in visual guidance for brand upgrades at X Company, owned by Elon Musk, and aspires to continue exploring new artistic realms while promoting Sino-American cultural exchange [8][9].