作家白先勇说，《红楼梦》里有翻不完的人生密码。 此话不假。 在中国，没有哪一本书能超越红楼梦内蕴丰富，博大精深。 "世事洞明皆学问，人情练达即文章" 职场如何打怪升级、婚姻婆媳妯娌如何相处，如何教育子女，人际交往、堪破世情人心，洞悉家族兴衰， 中国人情社会立身处世的方方面面一一道尽。 想要过好这一生，读好一本《红楼梦》就够了。 图：《红 楼梦》 剧照 它是中国最伟大的古典小说，人情小说的巅峰，更是中国传统文化的瑰宝。 大到中国儒释道、古代社会、饮食文化、园林建筑美学、文化艺术；小到为人处世、人心人性、情义、贪 嗔痴、修身、齐家……无所不包。 董卿称， 如果一生只读一本书，那一定是《红楼梦》，它是最有味道的一本书。 白先勇直呼： 读过红楼的人和没有读过的人，人生中有些东西是会不一样的。 讲真，红楼梦读来易读懂难，内蕴深不可测，文化蔚为大观，想真读懂实属不易。 常人想要一次读懂读深红楼梦，那一定要读红学大家都仰仗的人——脂砚斋。 脂砚斋是谁？ 有人说他和曹雪芹就是同一个人，有人认为脂砚斋是原著史湘云的原型，还有人认为红楼梦是他与曹雪芹 共同完成。 周汝昌等一众红学大师认定，他是曹雪芹最亲近的人。 他是红楼一梦的亲 ...

以下文章来源于那个NG ，作者阿珂可 那个NG . 用关注决定视界｜复杂世界的策展人 出品 | 虎嗅青年文化组 作者 | 阿珂可 编辑、题图 | 渣渣郡 本文首发于虎嗅年轻内容公众号"那個NG"（ID：huxiu4youth）。在这里，我们呈现当下年轻人的面 貌、故事和态度。 在前段时间的《让子弹飞》映后交流时，姜文曾说自己在中戏的艺术概论课上学到一个道理，那就 是"作品离开作者的时候，就不属于作者了"。 除了姜文，估计喜羊羊之父黄伟明现在是最明白这句话的人。 当他在多年前宣传创作理念时肯定没想到，这个该为人们带来快乐的作品，变成了悼念明朝的悲剧名 著。 请问，《喜羊羊与灰太狼》为什么是悼明之作？ 这是因为在悼明学家们的眼里，整个青青草原就是明末清初的镜像宇宙。 在地理上，他们认为羊村的大炮是山海关，狼堡是盛京，青青草原是明土。 历史在这里被正邪两立。羊所代表的元素是明朝的暗喻，而和狼有关的一切事物则代表清朝的统治。 羊村里的小羊们个个都设有层层隐喻，有的则有直接对应的明朝历史人物形象。 例如喜羊羊文韬武略兼备，象征的是抗清民族英雄史可法；懒羊羊饱食酣卧，指的是沉迷酒色而荒废 朝政的皇帝朱由崧；美羊羊影射冲冠 ...

在今年的北影课堂上，姜文曾说自己在中戏的艺术概论课上学到一个道理，那就是"作品离开作者的时候，就不属于作者了"。 除了姜文，估计喜羊羊之父黄伟明现在是最明白这句话的人。 当他在多年前宣传创作理念时肯定没想到，这个该为人们创造快乐的作品，变成了悼念明朝的悲剧名著。 请问，《喜羊羊与灰太狼》为什么是悼明之作？ 这是因为在悼明学家们的眼里，整个青青草原就是明末清初的镜像宇宙。 在地理上，他们认为羊村的大炮是山海关，狼堡是盛京，青青草原是明土。 历史在这里被正邪两立。羊所代表的元素是明朝的暗喻，而和狼有关的一切事物则代表清朝的统治。 羊村里的小羊们个个都设有层层隐喻，有的则有直接对应的明朝历史人物形象。 例如喜羊羊文韬武略兼备，象征的是抗清民族英雄史可法；懒羊羊饱食酣卧，指的是沉迷酒色而荒废朝政的皇帝朱由崧；美羊羊影射冲冠一怒为红颜的陈圆 圆。 而狼族也意有所指，他们被设定为羊儿们的天敌，象征着和明朝持续斗争的女真族。 灰太狼额前疤痕影射清初"剃发令"；每每高呼"我会回来的"，也是在比喻阴魂不散的清朝势力。 红太狼头顶金冠，代表了以金为姓的满族人。用平底锅打人，昭示了外族统治的压迫性。 狼羊后期化敌为友，暗示了明末清 ...

Group 1 - The incident involving a young actor misrepresenting a character from a classic Chinese novel has sparked significant online backlash against a scholar who corrected the mistake, highlighting the issue of irrational fan culture [1][4] - The phenomenon of fan culture has become prevalent, with a call for fans to engage in positive and rational interactions rather than blind defense of their idols, which can lead to harmful online behavior [4] - There is a growing concern about the impact of distorted fan culture on social values and the need for societal efforts to guide fans towards healthier engagement with their idols [4] Group 2 - The article emphasizes the importance of maintaining a balance between admiration for idols and the acceptance of constructive criticism, advocating for civil discourse and mutual growth between fans and idols [4] - Authorities have been urged to take action against irrational behaviors stemming from fan culture, indicating a need for regulatory measures to uphold social order [4] - The overall message promotes the idea that both idols and fans should strive to improve themselves and contribute to a healthier entertainment industry [4]

Core Viewpoint - The research on "Dream of the Red Chamber" has evolved into a significant academic field known as "Redology," with various schools of thought and numerous scholars contributing to the understanding of the novel's authorship, historical context, and artistic value [1][3][4]. Group 1: Research Schools - The study of "Dream of the Red Chamber" is categorized into four main schools: Commentary School, Poetry School, Verification School, and Hidden Meaning School, each offering diverse interpretations and methodologies [4]. - The Commentary School focuses on personal insights and reflections on the text [4]. - The Poetry School interprets the novel through poetic forms, emphasizing emotional expressions related to the characters [4]. - The Verification School, represented by Hu Shi, employs empirical methods to investigate the authorship and historical context of the novel [4]. - The Hidden Meaning School seeks to uncover concealed meanings through wordplay and associations with historical events [4]. Group 2: Key Scholars and Contributions - Hu Shi is recognized as a leading figure in the "New Redology," establishing the authorship of Cao Xueqin and proposing theories about his life and the novel's creation [6][21]. - Zhou Ruchang's extensive research highlights the influence of Cao Xueqin's family background on his writing, asserting that many characters and events in the novel reflect his personal experiences [8][16]. - Wu Enyu critiques the traditional approaches to Redology, suggesting that many scholars have fallen into the traps of old theories without substantial evidence [9]. - Liu Xinwu has popularized the study of "Dream of the Red Chamber" through media, focusing on character analysis and hidden secrets within the narrative [12]. Group 3: Controversies and Alternative Theories - There are ongoing debates regarding the true authorship of "Dream of the Red Chamber," with some scholars proposing alternative candidates such as Wu Meicun or even suggesting that the author may have been a woman [20][26]. - Recent claims assert that Cao Xueqin may not have been the original author but rather an editor or compiler of the text, raising questions about the validity of established authorship [30][31]. - The historical existence of Cao Xueqin is also questioned, with some suggesting that he may not have left any other literary traces apart from "Dream of the Red Chamber" [24][32].