▌五柳七 "文潞公为相日，赴秘书省曝书宴，令堂吏视阁下芸草，乃公往守蜀日，以此草寄植馆中也。因问蠹出 何书，一坐默然。苏子容对以鱼豢《典略》，公喜甚，即借以归。" 文潞公即北宋名臣文彦博。此段记载见于清代《啸亭杂录》，时称"天下异人"的文彦博不知"芸香辟 蠹"的出处，苏颂告诉他，出自鱼豢《典略》。苏颂编写《本草图经》，后世有谚："古事莫语子容，今 事莫告君实。"跟苏颂谈典故，没有他不知道的，跟司马光论时政，没有他不记录的。 鱼豢是三国时魏郎中，撰《典略》八十九卷。原书今已散佚，只散见于《三国志》等注引中，若依《啸 亭杂录》所载，北宋秘阁中当有完整存书。 据今所见，唐代徐坚《初学记》最早引述《典略》"芸香辟蠹"之说的。《典略》载："芸草，辟纸鱼 蠹，故藏书台称芸台。"不过，汉代藏书台，一般称为兰台，而非芸台。 西汉兰台，位于长安未央宫中，为藏书之所，掌官称为史书令史，地位不高，官秩仅为百石。东汉时， 负责管理藏书的官员先后称为兰台令史、东观郎，尤其在东汉明、章、和三帝时期，兰台令史地位有所 提升，王充在《论衡》中称担任兰台令史的都是"名香文美"的"通人"，如班固、贾逵、杨终、傅毅、孔 僖、傅毅、李尤等。其中贾逵 ...

Core Points - The event "Cultural Mutual Learning and Lasting Friendship" was held in Gothenburg to celebrate the 75th anniversary of diplomatic relations between China and Sweden, featuring participation from Chinese and Swedish publishers and scholars [1][2]. Group 1: Cultural Exchange - The Chinese Consul General in Gothenburg emphasized the importance of cultural exchange as a "bonding agent" between China and Sweden, highlighting the role of books in facilitating deep connections between the two nations [2]. - The event aimed to discover excellent works and foster cooperation between publishing institutions from both countries, promoting the sharing of literature that reflects contemporary life and values [2][5]. Group 2: Participation and Contributions - Notable figures included Professor Yang Fulei from Gothenburg University and various Swedish publishers and authors, alongside representatives from 12 Chinese publishing houses [1][2]. - Chinese publishers presented over 200 different publications covering various fields such as education, technology, humanities, history, and traditional culture, fostering discussions on potential collaborations [10]. Group 3: Perspectives from Swedish Authors - Swedish children's author Maria Vanden expressed the desire to introduce more excellent works to foster mutual understanding among children in both countries [6][8]. - Cecilia Wingard, a Swedish gardening author, shared her enthusiasm for Chinese culture and expressed hope for building friendships with Chinese counterparts through cultural pursuits [8].

（原标题：一入烟萝四十年——散文集《一入烟萝》代后记） 一个画面，根植脑海许久：读过旧私塾的父亲，戴一副老花镜，捧一本黄旧的"老书"，读得津津有味。 那本旧书，竖排，繁体，封面残破，但被父亲用一张不知从何处寻来的粗纸包裹，经常脱落，缺了一 角，粘了泥土，甚至落上一粒变形的高粱米……后来，将要散架的时,父亲索性找来一块破布，保护着 那本"行将就木"的书。 对于尚未识字的我，父亲手里捧读的，等于天书。有时转到父亲身后，看他用钢笔在字间划着，手指间 尚存刚从田间带回的土屑……他手中的书并不固定，当我认字之后，可以辨出有时是《资治通鉴》，有 时是《隋书》，肯定还有别的，只是我的记忆已被时光掐断。唯一难忘的是他那个捧读的姿势。那是20 世纪六七十年代，物质匮乏，全家人三餐无继，父亲的阅读似在告诉我:书页上的文字比吃食金贵。 当我渐渐长大，能认出书页上的些许文字，这样的画面就有了重量。 一本破旧的繁体四角号码字典，或者说，我是"读"着这本字典，叩响了文学之门。 彼时的乡下，原始、贫瘠、动荡，果腹成为所有人的第一要务。父亲给这个家庭营造出一种奇特的文化 氛围：物质食粮与精神食粮的同步奇缺，使得这个家庭笼罩着一种有别于邻人的 ...

Core Viewpoint - The book "命若朝霜: 〈红楼梦〉里的法律、社会与女性" by Professor Ke Lan analyzes the legal and social conditions of women in the Qing Dynasty as depicted in "Dream of the Red Chamber," highlighting the systemic legal flaws that contributed to women's low status and the despair of the author Cao Xueqin [1][12]. Group 1: Legal Context and Women's Status - The book consists of 12 chapters, each focusing on the fate of a female character in "Dream of the Red Chamber," such as Qin Keqing and Lin Daiyu, and examines how events like collusion, abduction, childbirth, and family property distribution led them into legal predicaments [1]. - The analysis reveals deep-seated structural issues in Qing Dynasty law, including feudal hierarchy and the systemic disempowerment of women, which were not only the roots of the novel's tragedies but also the broader societal issues of the time [1][3]. Group 2: Case Studies and Legal Implications - Qin Keqing's death is often misunderstood in modern interpretations, but understanding the legal context of the Qing Dynasty reveals a more terrifying reality regarding her situation [1][3]. - Traditional Chinese law severely punished incestuous relationships, categorizing them as one of the "ten evils," with harsh penalties for those involved [3][4]. - The legal framework of the Qing Dynasty was family-centric, with strict penalties for crimes that disrupted family order, particularly regarding sexual offenses among relatives [4][8]. Group 3: Gender Dynamics and Legal Outcomes - The power dynamics in Qing families were heavily skewed in favor of patriarchs, who had significant judicial and enforcement powers over their family members, leading to a legal environment that often favored male perpetrators [8][10]. - The law provided minimal protection for women, particularly in cases of sexual assault by family members, where the legal repercussions for the aggressor were often lighter compared to the victim's potential consequences for self-defense [9][10]. - The book highlights that the legal system did not offer effective remedies for women facing sexual violence within the family, making them vulnerable to exploitation and abuse [9][10].

Core Viewpoint - The fifth Guangdong-Hong Kong-Macao Greater Bay Area Cultural Arts Festival will take place from September 16 to October 16, featuring over 100 performances, 18 art exhibitions, and 150 public welfare performances across 11 cities, aiming to create a cultural feast for the public [1][2][8] Group 1: Event Overview - The festival includes five main sections: "Art Gathering in the Bay Area," "Art Harmony," "Artistic Coexistence," "Artistic Life," and "Artistic Exchange," showcasing a diverse range of performances and exhibitions [1][2] - A total of 35 selected performances will be featured, including 10 international productions, 17 domestic productions, and 8 provincial productions, covering various art forms such as opera, dance, drama, and concerts [2][3] Group 2: Featured Productions - International highlights include productions like the Russian Vakhtangov Theatre's "Eugene Onegin" and the Greek National Opera's "La Traviata," while domestic productions feature acclaimed works such as "Four Generations Under One Roof" and "Confucius" [3][4] - The opening performance, a themed symphonic concert titled "Bay Area Chapters," will be conducted by Huang Yi, showcasing selected original symphonic works from Guangdong [3] Group 3: Academic and Trade Initiatives - The festival will host high-profile art lectures and an international performing arts trade fair, aiming to enhance the quality of performing arts in the Bay Area [5][6] - The trade fair will feature nearly 300 performing arts institutions from 20 countries and regions, promoting international collaboration and cultural exchange [7] Group 4: Community Engagement and Accessibility - The festival emphasizes public welfare, offering significant ticket discounts and free tickets for specific groups, with some performances having over 50% of tickets priced at 30 yuan [8] - Activities such as outdoor performances and a writing contest titled "Art Lights Up Life" will encourage community participation and engagement [9]

Core Points - The seventh China Xinjiang International Ethnic Dance Festival concluded on August 5, showcasing 52 performances from 24 domestic and international art groups, attracting nearly 60,000 attendees with an average occupancy rate of 92.4% [1][2] - The festival served as a platform for cultural exchange, with various dance troupes from countries like Kyrgyzstan, Tajikistan, Cambodia, and Italy participating, highlighting the beauty of diverse cultures [3][5] - The event included five supporting activities, benefiting over 200,000 people from various ethnic groups [1][18] Group 1 - The festival emphasized the importance of cultural interaction, with performances like "Friendship Rainbow" and "Colorful and Diverse" from Kyrgyzstan and Tajikistan, respectively [3] - The Italian Milan Ballet and the American José Limón Dance Company presented renowned works, fostering artistic collaboration and cultural understanding [5][11] - The festival featured street dance performances that combined traditional Chinese elements, showcasing the fusion of modern and ethnic dance [6][8] Group 2 - The festival included workshops and discussions, allowing artists and scholars to exchange ideas on modernizing ethnic dance and exploring cross-disciplinary artistic possibilities [12] - The large-scale ethnic dance drama "Yingge" and the musical "To Youth" resonated with audiences, reflecting on cultural heritage and personal experiences [13][15] - The festival's motto, "Artistic Festival, People's Holiday," aimed to promote cultural resources to grassroots communities, encouraging participation in dance and artistic expression [17][18]

Core Insights - The Shanghai International Literary Week serves as a significant platform for cultural exchange and literary discussion, having invited over 300 writers and scholars since its inception in 2011, including four Nobel Prize winners [1] - The theme for this year's forum is "Classics in Flux and Transformation," featuring various international authors and scholars who presented their insights on the relevance of classical literature today [1][2] Group 1 - Sun Yong emphasizes that classical literature remains relevant as it reveals the essence of human nature and desires, suggesting that contemporary literature's longevity depends on its depth in character portrayal [2] - Darina Gallagher discusses the vitality of classics through their continuous reinterpretation, highlighting the transformation of epic narratives into modern contexts, which illustrates the essence of classics being reborn through time and culture [2] - Dai Xiaohua draws parallels between "Dream of the Red Chamber" and modern corporate management, indicating that classical literature can provide practical insights for contemporary issues and serve as a guiding light for societal progress [3] Group 2 - The event will feature nearly 30 guests participating in over 50 literary activities, including poetry nights and discussions at various venues, with live streaming to engage a broader audience [3] - The Shanghai International Literary Week has become a window for Chinese readers to understand world literature, simultaneously serving as a platform for Shanghai and China to connect with the global literary community [3]

Core Viewpoint - The recent seminar on "Zengping Butu Shitouji" highlighted its significance in the evolution of "Dream of the Red Chamber" versions and its unique printing history, marking a milestone in Chinese literature and printing technology [2][3]. Group 1: Historical Significance - The first edition of "Zengping Butu Shitouji" was published in 1884 by Shanghai Tongwen Bookstore, representing a transition from woodblock printing to modern printing techniques [2]. - This edition is recognized as the only existing copy with a clear mark from the Guangxu era, confirming its status as the origin of the "lead and stone" printed versions of "Dream of the Red Chamber" [2][3]. Group 2: Printing Technology - The book employs an innovative combination of "lead type and stone printing," which allowed for clearer text and precise reproduction of 260 illustrations, making it accessible to the general public [3][4]. - The printing method significantly reduced costs compared to traditional woodblock printing, facilitating wider distribution of literary works [3][4]. Group 3: Scholarly Contributions - Experts at the seminar discussed the book's textual lineage, noting that it primarily follows the commentaries of Wang Xilian and a certain Shanmin, establishing a foundation for late Qing commentary traditions [3][4]. - The edition is noted for its unique features, including illustrations and a comprehensive depiction of the Grand View Garden, providing visual evidence for research in Redology [4].

Core Insights - The Chinese performance industry is experiencing significant growth, with a total of 160,500 performances and a box office revenue of 5.402 billion yuan in the first half of 2025, attracting 20.55 million audience members [1] Group 1: Performance Categories - The drama category maintains its leading position among all performance types, with a 16% increase in the number of performances and a 3% increase in box office revenue year-on-year [1] - Stand-up comedy has seen a remarkable surge, with performance numbers increasing by 54.1% and box office revenue soaring by 134.9%, making it the second-largest category in theater performances [1] - The dance performance market is stabilizing, with slight revenue growth, while high-quality dance dramas like "Only This Green" and "Dream of the Red Chamber" continue to attract significant attention, enhancing the spread of traditional culture [1] - The musical theater market is also on the rise, with a year-on-year box office revenue increase of 15.1% [1]

Core Insights - The article highlights the evolving landscape of reading habits in Beijing's subway, showcasing how commuters engage with books amidst a fast-paced environment [2][3][4] Group 1: Reading Trends - The author has documented over 2,800 reading moments and 1,300 different books, indicating a strong culture of reading among commuters [2] - Classic literature remains popular among subway readers, with titles like "Dream of the Red Chamber," "Ordinary World," and "Three-Body Problem" frequently observed [3][4] - The influence of social media and short video platforms is reshaping reading preferences, leading to a rise in books like "The Art of War" due to their association with trending content [4] Group 2: Changes in Book Formats - There is a noticeable shift towards digital reading formats, with more readers opting for e-books and audiobooks, reflecting a trend towards "immersive reading" in a fragmented media landscape [5] - The types of books being read are also changing, with an increase in smaller, more portable editions, while traditional heavy volumes are less common [5] - The publishing industry faces the challenge of adapting deep content to fit the busy lifestyles of modern readers, prompting a reevaluation of how books are presented [5]