新京报记者 左琳 编辑 彭冲 校对 杨许丽 "我当时其实是个'i人'（内向的人）。"田野觉得自己还真有点儿天赋。 我问过至少7位演员"在这座城市讲脱口秀是什么感受"，答案都出奇地一致："老难演了！" 不是观众不幽默，而是太幽默。在这里讲笑话不是展示，而是较量。台上演员汗流浃背，台下观众静得 出奇，甚至起身就走，眼神里带着同情和自信："就这？还没我唠嗑有意思。" 当年田野坐在台下时就是这么想的。2018年，他大学毕业两年，回到哈尔滨工作，业余沉迷演讲。当地 脱口秀俱乐部的老板找到他，希望他试试"单口喜剧"。 在当时，这还是个新东西，解释不明白，只能类比，就像华北的单口相声，东北二人转的说口。 田野知道这个，也是因为他大学时在温州做实习销售，每人都要在早会上分享自己的经历，同事的讲话 老让他觉得"太沉闷"，他试着在早会上讲了一段"单口"，大获成功，经理拍着他的肩，建议他去参加主 持人比赛。 这个春节，我第一次在家乡哈尔滨听了场线下脱口秀，即兴的，没剧本，没退路，演员把话茬抛给观 众，观众再抛回来。 我竟替演员们紧张。毕竟对一个"不能让话掉地上"的东北人来说，冷场和尴尬是酷刑，万一台下没人响 应—— 这大概也是所有 ...

采访结束前，记者问谭湘文，如果可以对两年前刚拿下脱口秀比赛冠军的自己说句话，会说什么？他想 了一下，说："就是坚持吧！" 此时，旁边的徐浩伦突然接话："你长得还挺帅的。" 谭湘文面无表情地看了搭档一眼，没接茬，但周围的人都笑了。 这种一个正经、一个拆台的场面，熟悉他们的人早就见怪不怪。 "松弛感"是二人给旁人留下最深刻的印象。 今年再上春晚，二人都感觉到心态上明显的变化。"第五次联排，感觉比去年稍微松了一些。"徐浩伦回 忆，"去年第一次上，和线下比确实紧张，节奏也会有点紧，今年节奏放慢了。" 谭湘文在旁边补充："在去年原有的基础上，我们还是在慢慢地往上写点东西。" 采访时距离除夕夜只有不到48小时。2月16日晚，这对从湖南长沙走出来的"对口白话"组合第二次站上 中央广播电视总台春节联欢晚会的舞台。采访时，面对记者的轮番提问，他们俩一个负责认真作答，另 一个时不时蹦出个出人意表的"金句"。 从几年前还是只有少数人知道的"地下文化"，到如今成为各大综艺的流量担当，再到连续四年有演员登 上春晚舞台，脱口秀在中国只用了短短几年时间就走完了从"小众"到"大众"的路。而谭湘文和徐浩伦， 正是这股浪潮中最年轻、最新鲜的浪花 ...

Group 1 - The 2025 Shanghai Online Audio-Visual Content Creators Conference took place from September 19 to 20, featuring comedian He Guangzhi as a speaker [1] - He Guangzhi emphasized Shanghai's significance as a hub for stand-up comedy, stating that it is where the art form has flourished and attracts performers from across the country [3] - He highlighted the creative environment in Shanghai, noting the abundance of cafes and bars that facilitate artistic expression and collaboration among comedians [3][4] Group 2 - He Guangzhi described Shanghai as a city with intense competition but also greater opportunities and a more equitable platform for performers, regardless of their background [3] - He compared the competitive landscape to a race, where all performers start on the same line, symbolizing the equal chances available in the city [3] - The late operating hours of the Shanghai subway system were mentioned as a benefit for those working late, allowing them to return home conveniently [4]

Core Insights - The second season of "King of Comedy: Stand-Up Season" (referred to as "喜单2") has successfully concluded, showcasing the power of comedy to resonate with audiences and elevate the voices of "small characters" [1][10] - The rise of stand-up comedy has created a blue ocean market, with "喜单2" leading the way in making previously overlooked stories widely recognized [4][14] Audience Engagement - "喜单2" has become a weekend ritual for many young people, similar in importance to traditional cultural practices [4] - The show has achieved an impressive average rating of 7.9 on Douban, outperforming similar programs [4][6] Market Performance - "喜单2" has dominated various online rankings, including being the top show in multiple categories for nine times, indicating its strong market presence [6][8] - The show has generated significant social media engagement, with over 61,000 posts on Xiaohongshu and 23.8 billion views on Weibo [8] Industry Growth - The stand-up comedy sector is experiencing rapid growth, with a 135% increase in box office revenue and a 54% rise in performance frequency [11][16] - The program has expanded its collaboration with over 35 comedy clubs across more than 10 cities, enhancing its reach and influence [11][12] Brand Partnerships - "喜单2" has seen a doubling of advertising revenue compared to its first season, attracting a diverse range of brand sponsors [18][21] - The show has successfully integrated brand marketing with comedy content, creating a more engaging advertising experience [23][46] Social Impact - The program has provided a platform for underrepresented voices, allowing "small characters" to share their stories and experiences [47][51] - The show has fostered a deeper connection between audiences and societal issues, transforming comedy into a medium for social commentary [64][65]

Core Viewpoint - The article highlights the impact of comedian Wang Dadao's performance in the second season of "Talk Show and Friends," where she addresses the issue of sexual harassment, resonating with many female viewers and showcasing her unique style [2][5]. Group 1: Performance and Reception - Wang Dadao's performance brought the topic of sexual harassment to the forefront, sharing personal experiences that resonated with other female performers [2]. - Her distinctive performance style, characterized by exaggerated body movements and a powerful English monologue, received praise from notable figures like Luo Yonghao and Li Yuchun [2][5]. - Audience reactions to her performance were diverse, with descriptions ranging from "humorous" to "poetic," indicating a multifaceted reception [2]. Group 2: Personal Growth and Expression - Wang Dadao's journey reflects a transformation in her ability to express anger and confront societal expectations, moving from self-doubt to embracing her authentic self [5][16]. - The comedian's experiences of shame and her decision to reject societal norms are central themes in her performances, allowing her to connect deeply with her audience [5][10]. - She emphasizes the importance of sharing personal stories, which resonate with many, highlighting a collective experience of shame and anger among women [10][16]. Group 3: Background and Influences - Wang Dadao's upbringing in a lively family environment fostered her expressive personality, influencing her comedic style [6][7]. - Her early experiences with self-image and societal expectations shaped her comedic narrative, as she navigated feelings of inadequacy and the desire for acceptance [9][16]. - The article discusses her reflections on childhood memories and their impact on her current work, illustrating how past experiences inform her comedic voice [20][21].

Core Viewpoint - The article highlights the transformative journey of female comedian Wang Dadao, who uses her platform to address issues of shame and sexual harassment, resonating with many women who share similar experiences [2][3][6]. Group 1: Performance and Impact - Wang Dadao's performance in the second season of "Talk Show and Its Friends" brought the topic of sexual harassment to the forefront, creating a strong connection with her audience [2]. - Her unique style, characterized by exaggerated body movements and a powerful English monologue, has been praised by notable figures in the entertainment industry [2][3]. - The feedback from the audience reflects a diverse range of perceptions, with some comparing her to other well-known comedians, indicating her multifaceted appeal [3]. Group 2: Personal Growth and Expression - Wang Dadao's journey involves overcoming self-doubt and embracing her identity, moving away from the need for external validation [5][6]. - The act of performing stand-up comedy has allowed her to channel past experiences of shame into humor, enabling her to express discomfort and anger [6][7]. - She emphasizes the importance of authenticity, stating that she no longer wishes to conform to others' expectations, but rather to be her true self [6][12]. Group 3: Emotional Resonance and Connection - The article discusses how Wang Dadao's performances resonate emotionally with her audience, as they reflect shared struggles and experiences [12][19]. - Her desire to connect with others through her art stems from a deep-seated need for acceptance and understanding, particularly influenced by her childhood experiences [19][22]. - The narrative illustrates the complexity of human emotions, highlighting the balance between vulnerability and strength in her comedic expression [17][23].

Core Viewpoint - The rise of "房主任" (formerly 樊春丽) as a prominent figure in the stand-up comedy scene highlights how marginalized groups can leverage narrative content to gain a voice and address social issues, particularly concerning women's struggles and domestic violence [1][2][14]. Group 1: Social Issues and Marginalized Voices - "房主任" uses humor to address serious social issues, such as domestic violence and the challenges faced by women in traditional marriages, effectively bringing these topics into public discourse [2][5][14]. - The emergence of stand-up comedy as a platform allows individuals from marginalized backgrounds to challenge elite narratives and share their experiences, thus reclaiming their voice [2][14]. - The performance of "房主任" serves as a reflection of collective female experiences, particularly regarding oppressive family structures and societal expectations [3][5][14]. Group 2: The Role of Media and Commercial Mechanisms - Media plays a crucial role in transforming personal struggles into public discussions, allowing for broader acceptance of difficult topics like domestic violence [17][18]. - Commercial mechanisms, such as the support from comedy clubs and established comedians, are essential in providing opportunities for marginalized voices to be heard and to thrive [16][18]. - The success of "房主任" illustrates the potential for commercial platforms to empower individuals from disadvantaged backgrounds, enabling them to share their stories and influence societal change [16][18]. Group 3: Psychological and Cultural Capital - The development of psychological capital is vital for individuals like "房主任" to overcome personal trauma and assert their rights, leading to a transformative journey [19][20]. - Cultural capital, gained through professional training in comedy, equips marginalized individuals with the skills to articulate their experiences in a relatable manner, fostering public engagement [18][19]. - The interplay of financial, cultural, and psychological capital is necessary for sustaining the voices of marginalized groups and ensuring their narratives are not only heard but also respected [18][19][20]. Group 4: Future Directions for Social Change - To sustain the momentum of movements like "房主任," there is a need for an ecosystem that supports marginalized expressions, including funding for training and platforms for sharing stories [22]. - The integration of marginalized voices into commercial strategies and public policies can enhance visibility and support for social issues, promoting long-term change [22]. - Continuous engagement with these narratives is essential to prevent them from being trivialized and to ensure that they contribute to meaningful societal progress [21][22].

Core Viewpoint - The return of the long-standing variety show "Day Day Up" is a significant focus at the Mango Spring 2025招商会, indicating a strategic attempt by Mango to stabilize its programming lineup after the departure of "Happy Camp" [1][8] Group 1: Background and Context - "Day Day Up" was expected to be discontinued due to declining market appeal, with its last broadcast occurring in early 2022, while "Happy Camp" ended its 24-year run the same year [2][4] - The show attempted a rebranding towards cultural and public welfare programming, which temporarily extended its lifespan but ultimately could not reverse its downward trend [2][7] Group 2: Market Performance - The show's ratings plummeted to around 0.4% by the end of 2021, failing to rank among the top local channels, and it did not make the top 20 in online viewership in the first half of 2022 [4] - "Day Day Up" once generated significant revenue for Mango, with sponsorship fees peaking at 250 million in 2015, but by 2022, it struggled to secure sponsors, leading to a lack of financial support [5][7] Group 3: Strategic Considerations for Return - The decision to revive "Day Day Up" comes as the variety show market lacks strong weekly programming, with "Hello Saturday" being the only notable competitor, suggesting a potential gap for "Day Day Up" to fill [11] - The show’s unique blend of talk show elements and cultural exchange could differentiate it in a market increasingly dominated by stand-up comedy formats [12][16] Group 4: Challenges Ahead - The revival faces challenges in re-establishing the "Day Day Up" brand and its "Day Day Brothers" IP, which needs to be revitalized to regain audience interest [15][16] - Balancing entertainment and cultural content will be crucial, as previous attempts to focus solely on cultural themes did not yield positive results [16]

Group 1 - The article highlights the unique perspective of a blind comedian named Black Lamp, who uses humor to address his condition and engage with audiences in a way that challenges societal norms around disability [1][3][6] - Black Lamp's performances often include self-deprecating humor and dark jokes, which serve as a form of desensitization to the stigma surrounding disabilities [3][4][6] - His comedy has sparked awareness about accessibility issues in urban environments, prompting audiences to notice and report inadequate facilities for the visually impaired [6][63] Group 2 - Black Lamp was diagnosed with a rare condition called juvenile macular degeneration at the age of 13, which leads to significant vision loss and ultimately blindness, affecting 1 in every 12,000 people globally [7][8] - He has faced challenges in the job market due to his visual impairment, often having to change jobs frequently and feeling disconnected from societal expectations [10][23][26] - The comedian's journey into stand-up was initially motivated by a desire to connect with others who share his condition and raise awareness about it [34][36] Group 3 - Black Lamp's performances have led to the creation of a support community for individuals with juvenile macular degeneration, where they can share information and experiences [35][38] - His comedic style has evolved over time, allowing him to engage audiences more effectively and address sensitive topics related to disability [51][54] - The article discusses the importance of humor in coping with life's challenges, particularly for those with disabilities, and how Black Lamp's work exemplifies this [72]