但我当时也不知道"主理人"是干什么的（虽然现在也不知道），"主理人"的定位是老板、合伙人还是经理？我就问了一位脱口秀常客朋友，她说她也不知 道。 后来才知道，不只是脱口秀行业，"主理人"一词广泛存在于上海的咖啡厅、酒吧等等，之前还有人说我是公众号主理人。主要我的公众号就我一个人，我 想不主理我的公众号都很难，我不是主理人谁是主理人。我在小红书上请了个学弟运营，但由于我不给他发工资，所以也不好意思请他主理太多事务。 但我还挺喜欢"主理人"这个词的。比如律所合伙人，可以叫律所主理人。学院院长，可以叫学院主理人。班主任可以叫班级主理人。衡斯维辛校长，可以 叫集中营主理人。我们班的团支书，可以叫团支部主理人，一家机构往往也不只有一个主理人，团支书、副团支书、组织委员、宣传委员都可以叫主理 人。 都可以叫，没什么不能叫的。 本文来自微信公众号：躺平学原理，作者：躺即可得，原文标题：《旗帜鲜明地反对将"主理人"一词批倒批臭》，题图来自：AI生成 第一次接触"主理人"这个名词，是在脱口秀行业。每个脱口秀俱乐部都有几个"主理人"，我微信里也有几个，我曾误以为"主理人"是脱口秀行业的专有名 词。 古代平民百姓不能穿特定颜色的衣 ...

Core Viewpoint - The article discusses the challenges and transformations within the stand-up comedy industry in China, particularly focusing on the impact of popular variety shows on the market dynamics and the necessity for clubs to have star performers to survive in a saturated environment [5][30]. Group 1: Industry Growth and Challenges - The stand-up comedy market in China saw rapid growth from 2018 to 2022, with market size increasing from 720 million to 3.23 billion yuan, reflecting a compound annual growth rate of 45.8% [9]. - The initial success of shows like "Roast" and "Stand-Up Comedy Competition" led to a surge in the number of comedy clubs and performers, with many clubs opening in major cities [11][12]. - However, by 2023, the market became oversaturated, leading to a decline in profitability for many clubs, with some closing within months of opening [13][26]. Group 2: Impact of Star Performers - The presence of star performers from popular shows has become crucial for clubs to attract audiences and generate revenue, as many clubs without such talent struggle to survive [30]. - Clubs like "Xifan Comedy" have benefited from the popularity of their signed performers, leading to increased ticket sales and audience engagement [16][19]. - The competition for visibility and success has intensified, with only a small number of performers gaining significant exposure through major variety shows, making it difficult for the majority to break through [17][30]. Group 3: Evolution of Business Models - Comedy clubs are increasingly shifting towards a talent agency model, focusing on nurturing and promoting performers to become stars, which is essential for sustaining their operations [19][30]. - The industry is witnessing a trend where clubs must not only host performances but also actively manage and develop their talent to ensure long-term viability [30][38]. - Clubs are implementing various strategies, such as hosting competitions and open mic events, to discover and cultivate new talent, although the process remains challenging and time-consuming [34][37]. Group 4: Future Outlook - The article suggests that the industry may stabilize by 2024, but the focus will remain on securing star talent to drive ticket sales and audience interest [14][15]. - The rise of social media and short video platforms presents new opportunities for comedians to build their brands and reach wider audiences, which clubs are beginning to leverage [39][40]. - Despite the challenges, the passion for stand-up comedy remains strong among many performers and club owners, indicating a resilient spirit within the industry [20][41].

Core Viewpoint - The stand-up comedy market is experiencing significant growth, particularly in lower-tier cities, driven by popular online shows and an influx of new talent [4][11][18]. Group 1: Online and Offline Market Dynamics - The popularity of Tencent's "Stand-Up Comedy and Its Friends 2" and iQIYI's "Comedy King Stand-Up Season 2" has peaked audience interest in the stand-up comedy market, with market shares reaching 11.45% and 9.04% respectively [4]. - The rise of new stand-up comedians has invigorated the online scene, which in turn has positively impacted offline performances, leading to a surge in live shows [6][10]. - The number of open mic events in Beijing has increased by at least 30%, indicating a growing interest in live performances [5]. Group 2: Audience and Revenue Insights - The audience for offline shows is becoming more diverse, with many first-time attendees, while established venues attract a more targeted audience [9][13]. - Ticket prices for stand-up shows in lower-tier cities are generally around 50 yuan, which is about twice the price of a movie ticket [12]. - Stand-up comedians in lower-tier cities typically earn around 100 yuan per performance, with full-time comedians being rare due to insufficient income [13][16]. Group 3: Industry Challenges and Opportunities - The stand-up comedy industry is witnessing a divide, with top-tier clubs and brands capturing most of the audience and revenue, while new entrants struggle to achieve profitability [18]. - The survival of many clubs in lower-tier cities is uncertain, with some operators reporting no return on investment after three years [16]. - The industry is evolving, with comedians increasingly leveraging social media and short videos to build their personal brands and attract audiences [17].

Core Insights - The popularity of stand-up comedy shows has peaked with Tencent's "Talk Show and Its Friends 2" and iQIYI's "King of Comedy Season 2," achieving market shares of 11.45% and 9.04% respectively, despite a slight decline compared to last year [1] - A new generation of stand-up comedians, such as Fang Zhuren and Xiao Pa, has emerged, significantly boosting both online and offline comedy markets [1][2] - The offline stand-up comedy scene is thriving, with a notable increase in open mic events, up by 30% in Beijing, indicating a growing interest in the genre [2][3] Industry Trends - The rise of online comedy shows has expanded the audience base for stand-up comedy, creating wealth and opportunities for new talent [2] - Offline venues are benefiting from the popularity of online shows, with established comedians drawing larger crowds to live performances [2][5] - The market is expanding beyond first-tier cities, with stand-up clubs proliferating in third and fourth-tier cities, indicating a shift in audience demographics [6][8] Audience Dynamics - The audience for offline performances is increasingly diverse, with many first-time attendees and a significant portion coming from online platforms [5][9] - In third and fourth-tier cities, the audience is primarily aged 18-40, with a higher percentage of female attendees [9] Economic Aspects - The ticket pricing for stand-up shows in lower-tier cities is around 50 yuan, comparable to local movie ticket prices, while performers earn between 50 to 200 yuan per show [8][9] - The financial viability of stand-up clubs varies, with some struggling to break even while others, particularly in larger cities, report annual revenues of around 6 million yuan [10][14] Talent Development - The quality of open mic events has improved, attracting well-known comedians and increasing ticket prices from 9.9 yuan to 39.9 yuan [3] - Stand-up comedians are increasingly using social media and short videos to build their personal brands and attract audiences [15] Market Segmentation - The stand-up comedy industry is becoming more segmented, with distinctions between clubs focused on stand-up and those emphasizing interactive performances [14][16] - The top-tier clubs and brands are capturing a larger share of the audience and revenue, while new entrants face challenges in monetizing their efforts [16]

Core Insights - The article highlights the rapid growth and popularity of the comedy venue "Yi Zhi Mai" in Hangzhou, which has been performing over 50 shows monthly and attracting more than 50,000 audience members since its establishment last year [3][4] - The venue is facing space constraints and is actively seeking a larger location to accommodate its growing audience and business needs [3][4] - The "Yi Zhi Mai" team has identified three key requirements for a new venue: sufficient space, convenient transportation, and high foot traffic [4] Venue Selection Process - The Up City Cultural Development Center responded promptly to the venue's needs by evaluating various cultural and commercial spaces in the area [4] - After thorough consideration, "Yun He Ying Xiang" was chosen as the new location due to its proximity to public transport and its cultural significance [4][6] - The new venue includes two theaters and is strategically located near a subway station, aligning perfectly with the venue's requirements [4] Support for Cultural Enterprises - The Up City Cultural Development Center is committed to providing ongoing support to "Yi Zhi Mai" by introducing various policies aimed at assisting cultural enterprises [5][6] - The center's service philosophy focuses on proactive, professional, and responsive support to address the development challenges faced by local cultural brands [6] - Upcoming initiatives include hosting the Hangzhou Comedy Festival and developing local cultural content IP landmarks [6] Policy Initiatives - In March, Up City introduced a series of supportive policies for the cultural industry, aiming to foster a favorable ecosystem for cultural enterprises [7] - The policies include financial support of up to 5 million yuan for innovative projects in the cultural sector, emphasizing the development of new business models and digital cultural products [7] - The Up City Cultural Development Center aims to fully utilize provincial and municipal cultural policies to ensure that local enterprises benefit from available support [7]

Group 1 - The influence of stand-up comedy has become increasingly significant in 2024, serving as a medium for emotional expression, stress relief, and social discourse [1] - Stand-up comedy has expanded beyond television to social media and short video platforms, integrating with literature, music, and film, thus becoming a cultural symbol of contemporary life [1] - The series of reports titled "The Rising Stand-Up Comedian" highlights the journey of comedians like "Pumpkin," who transitioned from a delivery worker to a full-time stand-up comedian [1] Group 2 - "Pumpkin," born in 1996 in Baoji, Shaanxi, faced numerous challenges, including academic failures and various jobs, before discovering his passion for stand-up comedy [5][9] - After moving to Shanghai, "Pumpkin" adapted to the fast-paced environment and learned to connect with urban audiences, which required understanding new cultural references [24][25] - The stand-up comedy industry in China is still in its early stages, primarily appealing to younger audiences, with potential for growth as more people seek comedic content [32]