Core Insights - The article highlights the rapid growth and popularity of the comedy venue "Yi Zhi Mai" in Hangzhou, which has been performing over 50 shows monthly and attracting more than 50,000 audience members since its establishment last year [3][4] - The venue is facing space constraints and is actively seeking a larger location to accommodate its growing audience and business needs [3][4] - The "Yi Zhi Mai" team has identified three key requirements for a new venue: sufficient space, convenient transportation, and high foot traffic [4] Venue Selection Process - The Up City Cultural Development Center responded promptly to the venue's needs by evaluating various cultural and commercial spaces in the area [4] - After thorough consideration, "Yun He Ying Xiang" was chosen as the new location due to its proximity to public transport and its cultural significance [4][6] - The new venue includes two theaters and is strategically located near a subway station, aligning perfectly with the venue's requirements [4] Support for Cultural Enterprises - The Up City Cultural Development Center is committed to providing ongoing support to "Yi Zhi Mai" by introducing various policies aimed at assisting cultural enterprises [5][6] - The center's service philosophy focuses on proactive, professional, and responsive support to address the development challenges faced by local cultural brands [6] - Upcoming initiatives include hosting the Hangzhou Comedy Festival and developing local cultural content IP landmarks [6] Policy Initiatives - In March, Up City introduced a series of supportive policies for the cultural industry, aiming to foster a favorable ecosystem for cultural enterprises [7] - The policies include financial support of up to 5 million yuan for innovative projects in the cultural sector, emphasizing the development of new business models and digital cultural products [7] - The Up City Cultural Development Center aims to fully utilize provincial and municipal cultural policies to ensure that local enterprises benefit from available support [7]

撰文 | 徐鲁青 编辑 | 姜妍 2024年，脱口秀影响力愈发显著，已然成为人们表达情感、宣泄压力、探讨社会议题的重要媒介。那些 熟悉的脱口秀演员再次进入观众视野，他们用幽默消解刻板，将调侃解构荒诞，以一种别样的方式回应 着当下的关切。 不仅限于电视节目的舞台，脱口秀的触角早已深入社交平台与短视频领域。在这些更为碎片化的媒介 中，段子成为新的传播载体，与文学、音乐、影视的跨界结合，也赋予了这一形式更新的表达维度。这 一曾在小众地下文化中生长的艺术，如今跻身主流，成为解读当代生活的文化符号。它承继幽默的传 统，也以自身的方式回应着当下社会的集体焦虑。 "幽默"一词最早由林语堂翻译自英文"humor"，他通过创办《论语》半月刊，试图唤醒中国人对幽默作 为生活一部分的意识。正如杨笠所言："语言是一个人能拥有的最重要的权力。" 如今我们希望在脱口 秀的舞台上，寻找到这种新语言形式的力量。 鉴于此，界面文化策划了系列报道——进击的脱口秀演员，今天推出的是该系列的第五篇：《南瓜：最 适合我的工作，是送外卖和讲脱口秀》。 作时的南瓜（图片来源：南瓜小红书） "大家好，我是外卖员南瓜。" 2019年的一天下午，南瓜点击了手机 ...