◆原 野 2002年岁末，外滩源工程正处于改造阶段，上海友谊商店接连开展清仓活动。彼时我在外滩23号工作， 趁午休等时机几番前往觅宝，最终觅得这款《双提篮女孩》铜雕摆件。 这款铜雕连底座高27厘米，底座直径11厘米，是一件复制品，原作出自法国雕塑大师奥古斯特·莫罗之 手。莫罗出身顶尖雕塑世家，父亲与兄弟皆是法国知名雕塑家。他尤擅塑造女性人物与小天使造型，诸 多作品现珍藏于欧洲知名艺术机构。 铜雕·双提篮女孩 她的身体微微倾斜，并非刻意，而是自然流露的动态感，仿佛下一秒就会因新奇发现驻足。头部随之转 动，目光灵动好奇，像是回应伙伴呼唤，又或是被路边小花吸引。创作者精准地捕捉了这一瞬间，将女 孩的天真活泼凝固在青铜之上，让观者仿佛能穿越时空，走进满是童趣的世界。 女孩的发型也是作品的亮点，发丝根根分明，似在微风中轻扬。纹理时而微卷、时而顺滑，尽显莫罗对 质感的精准把控。女孩手中的篮子同样雕刻精细，篮子表面的编织纹路清晰流畅，提手圆润光滑，让人 仿佛能感受到提篮时的舒适触感。 青铜深沉厚重的色泽，与女孩纯真形象形成奇妙对比。青铜象征岁月沉淀，女孩代表新生希望，这种对 比让作品更具张力，尽显超越时间的永恒之美。她唇边 ...

Core Viewpoint - The article highlights the artistic journey and contributions of Zhou Xiaoping, a Chinese-German sculptor, emphasizing her role in creating public sculptures that reflect urban memories and cultural identity [4][8]. Group 1: Artistic Background and Education - Zhou Xiaoping developed an early interest in art, particularly in sculpture, and pursued formal education at Shanghai University, where she was one of the first students in the sculpture department [5]. - Her experiences during a trip from Dunhuang to Tibet inspired her first significant sculpture, which was later showcased in a major exhibition [5]. - After working in Shanghai, she sought further education in Germany, where she learned advanced techniques in steel sculpture and contemporary art concepts [6]. Group 2: Major Works and Contributions - Since 2003, Zhou has created over 80 large-scale urban sculptures across various Chinese cities, focusing on the idea that sculptures serve as vital carriers of urban memory [8]. - Notable works include "Sweet Watermelon," which symbolizes the selflessness of Shanghai residents during the Expo preparations, and "New Healthy Horizon," which enhances public space safety through artistic design [8][9]. - Her sculpture "Steel Butterfly" represents the transformation of a former steel factory into a park, reflecting the community's nostalgia and adaptation to change [9]. Group 3: Public Engagement and Philosophy - Zhou emphasizes the importance of public art being accessible and engaging, as seen in her interactive sculptures like "Listening to Water," which transforms industrial elements into art that resonates with the public [10]. - She believes that public art should not only be aesthetically pleasing but also functional and relatable, as demonstrated in her works that invite public interaction [10]. - Zhou's recent projects focus on finding artistic value in everyday objects, conveying messages of joy and freedom through her creations [10]. Group 4: Collaborative Initiatives - In 2014, Zhou initiated a cross-disciplinary project called "Sculpture + Painting," collaborating with contemporary artists worldwide to document and archive artistic expressions [11]. - She has also contributed to art education, noting a shift towards gender balance in art programs, reflecting broader societal progress [11].