二手的生活没有根基，借来的故事徒有躯壳。轻飘飘的文字，落不了地，也入不了心。热闹之下，扎扎 实实、有分量、有价值的作品，才是青年作家的立身之本 青年是文学的未来。透过它，能看到文学正在进行中的演变及其特点，也能前瞻未来文学发展的趋向与 可能。纵观古今中外，很多作家在青年时期就已完成自己的重要作品，甚至后来仍在一次次重返青年时 的写作主题。这说明了文学创作与作家生命阶段的重要关联。敏锐的感官、充沛的体能、开阔的视野和 不受束缚的想象力，是青年写作的独特优长。技巧可以随着时间历练逐渐成熟，但原初的艺术直觉和表 达激情，却是宝贵而稍纵即逝的。 正因如此，人们对青年写作寄托着许多期待。但一段时间以来，青年写作面目相似、叙事乏力，圈子 化、浮躁化的现象引发讨论，网络上也出现了有关青年作者创作造假、"过度借鉴"甚至剽窃抄袭他人作 品的指责。正视青年作家的成长阶段和成长规律，激发青年作家的创作活力和创新热情，引导青年作家 自我提升、自我超越，成为重要的文学课题。 以写作与生活的关系为例。写熟悉的、有体认的、有经验支点的社会生活，是许多作家的共同选择。茅 盾曾经论及新文化运动以来成长的女性作家，认为她们大多以人生自叙为开端走 ...

Core Viewpoint - The 12th "Writers' Activity Week" organized by the Chinese Writers Association focuses on the theme of "New Forces in Chinese Literature," highlighting the experiences and challenges faced by a new generation of young writers [5]. Group 1: Young Writers' Experiences - Zhou Wanqing, a young writer, emphasizes the importance of personal stories and the influence of the people she has met on her writing, leading to the creation of her short story collections [6]. - Lin Weipan shares that his journey into literature began with reading "One Hundred Years of Solitude," and his recent work "Dasa" reflects his exploration of Hakka culture [7]. - Zhou Hongxiang discusses his early start in writing and his recent long novel "When It Burns," which is connected to his hometown of Chongqing [8]. - Qian Xing recounts his return to writing after an eight-year hiatus, focusing on the lives of ordinary people he encounters [9]. Group 2: Challenges in Contemporary Writing - Qian Xing notes that the abundance of writing materials today makes it challenging to choose what to focus on, as he balances writing with a full-time job [13]. - Zhou Hongxiang identifies the increasing number of creators and decreasing readers as a significant challenge, leading to a disconnect between writers and their audience [12]. - Zhou Wanqing reflects on the struggle to maintain depth in writing amidst the fast-paced information flow of modern society [11]. Group 3: The Role of Technology and New Media - Lin Weipan argues that AI cannot replace human creativity, and that literature remains a vital form of expression despite technological advancements [10]. - Qian Xing suggests that writers should leverage new media and technology to connect with readers and enhance their storytelling [14]. - Zhou Hongxiang believes that the boundaries between different literary genres are blurring due to the internet, allowing for a more fluid approach to storytelling [15]. Group 4: The Concept of "New Forces" in Literature - The theme of "New Forces" in literature is seen as a call for young writers to produce impactful works that resonate with contemporary issues [17]. - Qian Xing emphasizes that authentic and compassionate narratives hold the most power in today's literary landscape [16]. - Zhou Hongxiang and Lin Weipan agree that the new generation of writers must navigate their unique experiences while contributing to the evolution of literature [16][17].