Core Viewpoint - The article highlights the cultural significance and revitalization of Changzi Drum Song, a national intangible cultural heritage, during the Spring Festival in Changzi County, Shanxi Province, showcasing its integration into local life and celebrations [1][2]. Group 1: Cultural Heritage and Performance - Changzi Drum Song, recognized as a cultural emblem of "China's Quyi Hometown," has developed over 200 years and was included in the national intangible cultural heritage list in 2011 [2]. - The performances during the Spring Festival feature both classic pieces like "Yao Wang Teaches His Son" and new adaptations, attracting audiences of all ages [2]. - The performances are characterized by rich content that resonates with local culture, including themes of local cuisine and lifestyle, enhancing audience engagement [2][4]. Group 2: Community Engagement and Promotion - Changzi County actively promotes the protection and transmission of intangible cultural heritage through initiatives that bring Changzi Drum Song into schools, villages, and communities [4]. - Regular grassroots performances, training for heritage transmission, and the creation of unique programs ensure the art form remains vibrant and relevant in contemporary society [4]. - These efforts not only preserve traditional culture but also enrich the spiritual and cultural life of the community during the Spring Festival, adding depth to the celebrations [4].

Core Perspective - The event "Heart's Peace is Home, Intangible Cultural Heritage is Life" aims to promote the protection and transmission of intangible cultural heritage, integrating it into modern life and enhancing the cultural atmosphere for the New Year, thereby invigorating the cultural tourism market [1] Group 1: Event Overview - The event officially launched on January 30 in Kunming, Yunnan, featuring a high-profile opening ceremony and various immersive experiences [2] - The "1+4+N" model includes a main ceremony, a grand exhibition of traditional performances, a wellness area integrating traditional health wisdom, a marketplace for handicrafts, and innovative accommodation experiences [2] - A total of 127 key activities will be held across 16 cities in Yunnan, creating a multi-dimensional experience that allows visitors to see, play, taste, and take home cultural elements [2] Group 2: Digital Integration and Support - The "Taobao·China Treasures" initiative has entered Kunming, themed "Kunming Flower Market," showcasing national intangible cultural heritage products alongside Yunnan's offerings [5] - Future plans include deep integration of Taobao and Tmall into Yunnan's cultural tourism development, providing support for artisans through traffic assistance, brand incubation, and cross-border export [5] - A digital tourism map was released, featuring 32 in-depth travel routes and 8 premium self-driving routes across Yunnan, connecting key scenic spots and intangible cultural heritage experience venues [5] Group 3: Cultural Promotion - The film "Cuihu," set in Yunnan, was presented during the opening ceremony, conveying New Year blessings to visitors and audiences nationwide [7] - The event encourages visitors to explore Yunnan's intangible heritage, enjoy local flavors, and experience the warmth of Yunnan's lifestyle during the festive season [7]

Core Viewpoint - Shenyang Manchu embroidery has been recognized as a representative project of the sixth batch of provincial intangible cultural heritage in Liaoning Province, showcasing the historical transition of the Manchu people and embodying cultural significance during the Spring Festival [3][4]. Group 1: Heritage and Tradition - The embroidery technique is characterized by its rugged and simple craftsmanship, vibrant colors, and deep-rooted connection to the Manchu culture, reflecting the transition from hunting and nomadic lifestyles to settled agriculture [3][4]. - The representative inheritor, Bai Xiaoli, has dedicated over fifty years to this ancient craft, revitalizing it through modern interpretations and public engagement, such as live streaming her creative process [4][6]. Group 2: Cultural Significance and Practices - Shenyang Manchu embroidery is deeply intertwined with traditional Spring Festival customs, where families replace household textiles with new embroidered items to welcome the new year, symbolizing hope and prosperity [5][6]. - The embroidery patterns often carry auspicious meanings, such as the "nine pomegranates and one hand" design, which conveys blessings for longevity and family harmony [5][6]. Group 3: Innovation and Modernization - Bai Xiaoli collaborates with her daughter to innovate by incorporating contemporary aesthetics into small embroidered items like hairpins and bookmarks, which are well-received in major cities [6][7]. - The emphasis on maintaining traditional techniques while resisting excessive industrialization highlights the unique value of handmade products, which possess a soul and warmth that machines cannot replicate [6][7]. Group 4: Future Prospects - With increasing national attention on the protection and transmission of intangible cultural heritage, the influence of Shenyang Manchu embroidery is growing, leading to a rise in custom orders and public interest [6][7]. - Bai Xiaoli envisions creating more decorative and wearable embroidery items that resonate with the festive spirit, ensuring that this cultural heritage remains relevant and integrated into daily life [7].

Core Viewpoint - The establishment of the Nanguo Stele Calligraphy Cultural Research Institute at Handan University marks a significant step in the systematic development of the protection and transmission of the Nanguo Stele Calligraphy, a non-material cultural heritage of Hebei Province, focusing on academic research, talent cultivation, cultural dissemination, and revitalization [3][4]. Group 1: Cultural Heritage and Research - The Nanguo Stele Calligraphy, created by Zhang Yuzhao in the late Qing Dynasty, has been praised by prominent figures such as Kang Youwei and has a rich historical lineage in Handan, showcasing a unique cultural landscape [3]. - The Nanguo Stele Calligraphy has been included in the Hebei Province's list of intangible cultural heritage, representing an important aspect of cultural confidence in the Handan region [3]. Group 2: Collaboration and Development - The collaboration between Handan University and the Nanguo Stele Calligraphy Association aims to create a professional research platform for the calligraphy, opening new pathways for local cultural construction and demonstrating the potential for deep integration of intangible heritage with modern life and cultural industries [4]. - The establishment of the research institute is seen as a bridge to the future for the Nanguo Stele Calligraphy, transitioning from traditional transmission methods to a systematic, innovative, and open development phase [4].

Core Viewpoint - The exhibition "Wanfang Lezou You Yutian - Intangible Cultural Heritage Exhibition of Hotan Region, Xinjiang" showcases nearly 600 exhibits, highlighting the rich cultural heritage and craftsmanship of the Hotan region, including traditional techniques such as the production of Adire silk and Uyghur carpet weaving [2][5][6]. Group 1: Exhibition Highlights - The exhibition features 30 representative projects of national and regional intangible cultural heritage, including Adire silk weaving, Uyghur carpet weaving, and traditional residential construction techniques [2][5]. - Visitors can engage in immersive experiences, including watching traditional performances, tasting local cuisine, and participating in hands-on demonstrations of heritage crafts [2][7]. Group 2: Cultural Significance - Hotan is historically significant as a key point on the Silk Road, known for its jade and silk production, which facilitated cultural exchanges between the East and West [3][4][7]. - The region has a long-standing tradition of silk production, with evidence of sericulture dating back over 2,200 years, making it a major silk supplier along the Silk Road [5][6]. Group 3: Craftsmanship and Techniques - Adire silk, characterized by its vibrant colors and unique patterns, is a significant cultural product of the region, with its weaving techniques recognized as a national intangible cultural heritage since 2008 [5][6]. - The exhibition also showcases other traditional crafts, such as Hotan carpets and mulberry paper, which reflect the ancient wisdom and skills of the local people [6][7].

Core Viewpoint - The article highlights the efforts made in Tibet's Ali region to transition from static protection to dynamic innovation in the preservation and development of intangible cultural heritage, showcasing the significance of traditional culture in contemporary society [2][6]. Group 1: Cultural Heritage Initiatives - The Tibet Autonomous Region has made significant progress in the protection and innovation of cultural heritage over the past 60 years, leveraging its cultural resource advantages [2]. - From 2012 to 2024, a total of 473 million yuan has been allocated by the central and regional governments for the protection of intangible cultural heritage projects, documentation of national-level inheritors, and the construction of facilities for protection and utilization [2]. Group 2: Intangible Cultural Heritage Projects - There are currently 2,760 representative projects of intangible cultural heritage at various levels in Tibet, with 1,668 recognized inheritors [2]. - The "Guoerzi Dance," which has a history of over 1,300 years, was included in the national intangible cultural heritage list in 2011 [6]. - The "Xuan Dance," a traditional folk dance in Tibet, was recognized as a national intangible cultural heritage in 2008, incorporating elements of Tibetan opera, dance, and folk art [8]. Group 3: Traditional Costumes and Performances - The "Pulan Costume," known for its intricate design resembling a peacock, weighs over 20 kilograms and is adorned with gold, silver, amber, coral, and turquoise [2]. - The "Garl Traditional Costume," made from lambskin and wool, is characterized by its simple square shape and is both warm and decorative [10][12]. - The "Senguo Costume," referred to as the "Rainbow Costume," is made from five colors of fabric and is celebrated for its vibrant appearance [18].

Core Points - The article highlights the ongoing efforts in Tibet to protect and promote intangible cultural heritage, with significant financial investments from both central and regional governments [2] - A total of 4.73 billion yuan has been allocated from 2012 to 2024 for the protection of representative projects and the documentation of national-level inheritors [2] - There are currently 2,760 representative projects and 1,668 inheritors of intangible cultural heritage in Tibet [2] Group 1 - The inclusion of various traditional crafts, such as Lhasa clothing, Tibetan traditional pottery, and Tibetan incense-making, in the list of representative projects signifies the recognition of these cultural practices [2][5][6] - The Snow Ba Kong woodblock printing technique and traditional carving restoration skills have also been recognized as significant cultural heritage [8][9][17] - The Tibetan Thangka painting, particularly the Qigong Gang school, has been included in the national-level intangible cultural heritage list [19][24] Group 2 - The article emphasizes the importance of financial support for the preservation and transmission of these cultural practices, which are vital for maintaining Tibet's cultural identity [2] - The ongoing training and activities for inheritors are crucial for the sustainability of these traditional crafts [2] - The recognition of these projects and skills not only aids in cultural preservation but also has the potential to boost local tourism and economic development [2]

Core Points - The "Jigong Legend" folk literature project was recognized as one of the first batch of intangible cultural heritage projects in Hangzhou in 2006, aiming to protect and promote this cultural treasure [3] - The recent event "Exploring the Jigong Legend: Inheriting the Light of Intangible Heritage" was held at Tiger Running Park to inspire youth's love for traditional Chinese culture and raise awareness about the protection of intangible cultural heritage [3] - Participants were divided into two groups based on age, showcasing their talents through storytelling and dance performances related to the "Jigong Legend" [3] - The event featured a captivating dance performance titled "Jigong," where a young performer vividly portrayed the legendary figure of Jigong [3] - The stories selected by participants included classic tales such as "Jigong Fights the Cricket" and "The Story of Feilai Peak," demonstrating the spirit of justice and righteousness embodied by Jigong [3][4] Event Outcomes - After the performances, judges from the Hangzhou Cultural Center and Qianjiang Management Office evaluated the participants based on various criteria, leading to the selection of winners in both age groups [4] - The young performers will become members of the "Little Inheritors of the Jigong Legend" team, contributing to the protection and transmission of this intangible cultural heritage [4] - Future activities will continue to focus on the "Jigong Legend," supporting its protection, inheritance, innovation, and promotion [4]

Core Viewpoint - The event held in Yunfu City on June 21, 2025, aimed to promote the inheritance of excellent traditional culture through practical activities at the Lingnan Academy, highlighting the significance of intangible cultural heritage [2][13]. Group 1: Event Overview - The 2025 Lingnan Academy cultural practice event took place at the Lingnan Academy (Yunfu City Library) [2]. - A total of 15 parent-child families participated, engaging in activities to understand and experience the history and charm of intangible cultural heritage [3]. Group 2: Cultural Activities - The event featured various traditional sugar painting demonstrations by master craftsman Liao Yaoqiu, showcasing lifelike sugar art that captivated both parents and children [6][7]. - Participants learned about the thousand-year history and development of sugar painting, followed by hands-on experiences where children created simple sugar art pieces [9][10]. Group 3: Objectives and Impact - The event's organizers emphasized that sugar painting is not only a sweet folk art but also a century-old intangible cultural heritage skill [12]. - The initiative aims to promote the protection and transmission of intangible cultural heritage, allowing more citizens and children to understand its history and revitalizing traditional skills [13][14].

Core Viewpoint - The article emphasizes the importance of protecting, inheriting, and disseminating intangible cultural heritage (ICH) through innovative methods and platforms, particularly in the context of recent activities surrounding "Cultural and Natural Heritage Day" [1][2]. Group 1: Challenges and Opportunities in ICH - ICH faces multiple challenges, including the need to protect traditional skills while innovating dissemination methods, addressing transmission gaps, and promoting cultural continuity [1]. - There is a rich resource of ICH in China that requires systematic exploration and deeper explanation, as many representative inheritors focus solely on traditional skills and lack knowledge of internet-based innovative operational models [1]. Group 2: Innovative Platforms and Initiatives - The launch of the "CNR Intangible Cultural Heritage" live streaming project aims to explore deeper engagement with ICH through three main initiatives: cultivating young innovators in traditional crafts, creating a "cloud" sales brand for ICH products, and utilizing digital technology to build a dissemination matrix [1]. - The integration of ICH elements into daily life products and cultural creative products allows traditional culture to enter the public's view in a more approachable manner, fostering a dialogue between ancient and modern cultures [2]. Group 3: Economic and Cultural Impact - The economic value generated from ICH creative products can enhance the protection mechanisms for ICH, encouraging more new-generation inheritors to participate, thus forming a sustainable protection cycle [2]. - The article highlights the potential of ICH handcrafts to become new engines and brands for local economic development, contributing to cultural industry growth and rural revitalization [2]. Group 4: Systematic Approach to ICH - Protecting, inheriting, and disseminating ICH is described as a systematic project that connects the individuality of culture, products, and art [2]. - The article calls for a collective effort from all sectors of society to rejuvenate ICH in the digital age, reinforcing cultural confidence and contributing to the construction of a culturally strong nation [2].