央视网消息（新闻联播）：这个暑假，全国各地非遗场馆开展内容丰富的传统文化普及活动，让孩子们在沉浸式体验中近距离感受非遗魅力。 在中国非物质文化遗产馆内，发源自隋唐的西安鼓乐以它典雅、古朴的演奏吸引众多青少年前来欣赏。演出结束后，专家还带领孩子们体验了各类传统特色 乐器，深入讲解中国音乐的独特魅力。 暑假以来，多地非遗场馆推出"遇见非遗"、暑期非遗课堂等传统文化普及活动，古琴、昆曲等多个特色非遗项目通过讲解、展演及互动体验点亮青少年假 期。据了解，仅中国非物质文化遗产馆暑期就举办近500场展演、体验活动，日均接待观众超13000人次。 湖南省非物质文化遗产保护中心推出的"我来学手艺"体验活动，涵盖了剪纸、面塑等十余种湖南传统非遗技艺。45场体验活动，场场爆满。在长沙窑的陶瓷 体验活动中，小朋友跟随非遗传承人亲身体验这项传承千年的传统技艺。 在浙江省非物质文化遗产馆的非遗互动体验区，孩子们系着围裙专注地跟着非遗传承人学习靛青白花印染技艺。由于捆扎的松紧不同，每一块扎染作品都是 独一份儿的艺术品。暑期该馆已举办90场非遗展览、展演、体验活动，日均接待观众超5500人次。 ...

Core Viewpoint - The article highlights the efforts made in Tibet's Ali region to transition from static protection to dynamic innovation in the preservation and development of intangible cultural heritage, showcasing the significance of traditional culture in contemporary society [2][6]. Group 1: Cultural Heritage Initiatives - The Tibet Autonomous Region has made significant progress in the protection and innovation of cultural heritage over the past 60 years, leveraging its cultural resource advantages [2]. - From 2012 to 2024, a total of 473 million yuan has been allocated by the central and regional governments for the protection of intangible cultural heritage projects, documentation of national-level inheritors, and the construction of facilities for protection and utilization [2]. Group 2: Intangible Cultural Heritage Projects - There are currently 2,760 representative projects of intangible cultural heritage at various levels in Tibet, with 1,668 recognized inheritors [2]. - The "Guoerzi Dance," which has a history of over 1,300 years, was included in the national intangible cultural heritage list in 2011 [6]. - The "Xuan Dance," a traditional folk dance in Tibet, was recognized as a national intangible cultural heritage in 2008, incorporating elements of Tibetan opera, dance, and folk art [8]. Group 3: Traditional Costumes and Performances - The "Pulan Costume," known for its intricate design resembling a peacock, weighs over 20 kilograms and is adorned with gold, silver, amber, coral, and turquoise [2]. - The "Garl Traditional Costume," made from lambskin and wool, is characterized by its simple square shape and is both warm and decorative [10][12]. - The "Senguo Costume," referred to as the "Rainbow Costume," is made from five colors of fabric and is celebrated for its vibrant appearance [18].

数字烟花在屏幕上绽放出敦煌壁画中的吉祥纹样，观众吹气触发数字"泥咕咕"交织出各种承载记忆 的美好图景……正在新疆和田举行的2025"新疆是个好地方"非遗援疆主题展示活动上，非遗内涵与数字 科技创造性结合成为一大亮点。 中央美术学院的学子此次创作了数字烟花沉浸互动、"泥咕咕"数字化艺术装置、数字皮影戏触控、 英歌数字互动体验等科技装置，构建了非遗展示新空间、新场景。 烟火爆竹制作技艺于2008年被列入第二批国家级非物质文化遗产代表性项目名录。在"星燧炽愿 ——数字烟花沉浸互动体验"中，设计者将敦煌壁画中的藻井纹等吉祥纹样进行现代转译，巧妙融入数 字烟花的表现形式，并特别采用传统火柴点燃的方式，唤起人们对传统节庆与美好情感的共鸣。每一次 点燃，都承载着吉祥如意的美好祝愿。 泥塑（浚县泥咕咕）在2006年被列入第一批国家级非物质文化遗产代表性项目名录。泥咕咕，这一 承载着深厚乡土记忆的民间艺术，其独特的"咕咕"声，如同穿越时空的文化回响，诉说着世代相传的祈 愿与生生不息的生命力。在"器鸣不息——'泥咕咕'数字化非遗体验"中，观众通过"吹气"这一充满仪式 感的动作，触发数字泥咕咕的形态流转，交织出春燕报丰、骏马奋蹄与 ...

Core Viewpoint - The newly passed "Regulations on the Protection, Inheritance, and Development of the Ansai Waist Drum" aims to provide a comprehensive legal framework for the preservation and promotion of this traditional art form, emphasizing both protection and innovation [1][2]. Group 1: Legal Framework - The regulations consist of 21 articles covering protection scope, government responsibilities, inheritance and development, and support measures, establishing a systematic legal basis for the Ansai Waist Drum [2]. - The regulations emphasize "living inheritance" rather than mere preservation, encouraging innovation while safeguarding traditional techniques and instruments [2]. Group 2: Cultural Significance - The Ansai Waist Drum has a history dating back over 2000 years to the Qin and Han dynasties, originally serving military purposes before evolving into a vital cultural expression for celebrations and rituals [1]. - Recognized as a national intangible cultural heritage in 2006, the Ansai Waist Drum has undergone significant evolution, developing a unique artistic style over time [1]. Group 3: Implementation and Community Engagement - The regulations aim to integrate the Ansai Waist Drum into contemporary life by promoting its presence in schools and communities, fostering talent development, and encouraging the passing down of skills from masters to apprentices [2]. - The goal is to ensure that the art form is actively practiced and appreciated, with plans for performances and regular training sessions to be legally protected [2].

Core Viewpoint - The article highlights the innovative efforts of Yang Yuxiao in revitalizing traditional paper-cutting art in her hometown of Linhai, Zhejiang, by integrating modern materials and expanding the product range, thereby enhancing both aesthetic and collectible value of the craft [4][6][10]. Group 1: Innovation and Product Development - Yang Yuxiao has introduced new materials such as silk and cashmere cotton into paper-cutting, successfully applying for 13 national patents [4][6]. - The silk paper-cutting process is more complex than traditional methods, resulting in a price increase, with products priced 10 times higher yet still favored by enterprises [4][6]. - The average price of traditional paper-cutting was only a few dozen yuan, while the new silk series is priced between 200 to 500 yuan, with some pieces selling for over 400 yuan after framing [6][7]. Group 2: Market Strategy and Consumer Engagement - Yang Yuxiao aims to attract more consumers by launching affordable products under 100 yuan, including wearable paper-cutting accessories [7]. - The revenue from customized gifts is significant, and there is potential for growth in educational experiences related to paper-cutting [7][8]. - Yang Yuxiao has organized over 150 training sessions for local villagers, resulting in more than 2,000 graduates and 80 individuals obtaining advanced paper-cutting certificates [8]. Group 3: Cultural Exchange and Global Outreach - Yang Yuxiao's participation in cultural exchanges, such as the 20th anniversary with South Korea's Hongseong County, has broadened her understanding of the potential of paper as a medium for modern design [9][10]. - The article emphasizes the importance of integrating traditional crafts into contemporary aesthetics, as seen in the innovative uses of Korean paper [9][10]. - Yang Yuxiao has utilized online platforms to teach paper-cutting, reaching international audiences, including students at Confucius Institutes [10].

Group 1: Disaster Recovery and Community Development - The earthquake in Dingri County, which registered a magnitude of 6.8, severely impacted Gu Rong Village, prompting immediate community response and recovery efforts [13][14]. - The reconstruction of Gu Rong Village is progressing well, with the main structure of new homes nearing completion, allowing residents to transition from temporary housing to permanent homes [14]. - The recovery efforts have created job opportunities for local residents, reducing the need for them to seek work elsewhere, thus improving the overall quality of life in the village [14]. Group 2: Cultural and Tourism Development - The establishment of the Sakya Art Space, the first county-level contemporary art venue in Tibet, aims to promote the integration of traditional culture and contemporary art, benefiting local tourism [15][16]. - The local government has invested in cultural tourism projects, enhancing the appeal of Sakya County as a tourist destination, which has led to increased visitor numbers and economic benefits for local businesses [15][16]. - The shift in tourism strategy emphasizes cultural experiences alongside accommodation, allowing local residents to thrive in the tourism sector [15][16]. Group 3: Infrastructure Development - The expansion of Gonggar Airport is crucial for accommodating the increasing passenger volume, with a target of 5.5 million passengers annually, necessitating improvements in external transportation [17][18]. - The project aims to alleviate traffic congestion around the airport, enhancing accessibility and supporting the region's economic growth [17][18]. - Local employment opportunities are being created through the construction projects, contributing to the community's development [17][18]. Group 4: Education and Youth Development - The educational environment in Tibet is improving, with modern facilities and diverse extracurricular activities available to students, fostering a well-rounded learning experience [19][20]. - Students are encouraged to engage in various interest groups, promoting physical activity and teamwork, which contributes to their overall development [19][20]. - The aspirations of local youth to pursue higher education and careers outside their hometowns reflect a growing ambition and potential for future contributions to society [19][20]. Group 5: Preservation of Cultural Heritage - The traditional pottery-making technique in Penggang Village is being revitalized, with efforts to teach younger generations and promote local craftsmanship [21][22]. - The recognition of Penggang pottery as an intangible cultural heritage highlights its significance in the local culture and economy [21][22]. - Plans to establish a cooperative for pottery artisans aim to enhance employment opportunities and strengthen the local economy through cultural tourism [21][22]. Group 6: Healthcare Development - The introduction of specialized medical training in anesthesia at the local hospital addresses the shortage of medical professionals in the region, improving healthcare services [23][24]. - The collaboration with medical teams from other regions has facilitated knowledge transfer and skill development for local healthcare workers [23][24]. - The successful completion of numerous surgical procedures by local doctors demonstrates the growing capacity of the healthcare system in Tibet [23][24].

Group 1 - The core viewpoint of the articles highlights the integration of technology with intangible cultural heritage (ICH) in Sichuan, enhancing the vibrancy and accessibility of traditional cultural practices [1][2][4] - The "Tianxia Jiuzhai" performance showcases the fusion of traditional Tibetan songs with modern technologies like AI and holography, attracting tourists and reshaping perceptions of Jiuzhai Valley [1] - The 9th China Chengdu International Intangible Cultural Heritage Festival features AR effects and interactive AI experiences, promoting diverse cultural engagement among visitors [2] Group 2 - The launch of the "24 Solar Terms" game by Chengdu East Extreme Six Senses Technology Co., Ltd. immerses players in a dynamic representation of rural life in Sichuan, integrating local cultural elements [3] - Policies introduced in 2025 aim to support AI design services in ICH, offering financial incentives to institutions achieving significant service revenue, thus modernizing the protection of ICH [4] - The 31st Zigong International Dinosaur Lantern Festival attracted 2.0873 million visitors, generating a revenue of 236 million yuan, demonstrating the successful commercialization of ICH [4] Group 3 - The establishment of the Lantern Academy in collaboration with Sichuan University of Light Chemical Technology focuses on training young creative teams in lantern design and production, fostering innovation in ICH [5] - The introduction of a digital ICH visual creation micro-major at Sichuan Cultural Industry Vocational College aims to cultivate talents skilled in both ICH and digital technology, promoting cross-disciplinary innovation [5]

Core Insights - The article discusses the impact of the Chinese Intangible Cultural Heritage (ICH) training program initiated in 2015, highlighting the integration of ICH practitioners into higher education institutions to foster cultural exchange and innovation [1][2] Group 1: Training Programs and Their Impact - The training programs emphasize "filling gaps," "consolidating skills," "theoretical cultivation," and "establishing systems," which are frequently mentioned by educators involved in the ICH training [2] - Nanjing Normal University has hosted multiple training sessions for ICH practitioners, focusing on traditional operas and addressing the generational gap in skills and modern aesthetic disconnect [5] - The program at Suzhou Industrial Design University has revitalized the "Taohuawu Woodblock New Year Pictures" craft, which was on the verge of extinction, by integrating it into the curriculum and offering credits that align with other majors [7][8] Group 2: Cultural and Economic Integration - The training programs encourage practitioners to merge traditional crafts with modern aesthetics, leading to the creation of brands and enhancing the marketability of ICH products [9] - Participants like Lai Lei, a representative of the Dong ethnic group's clothing, have learned to design marketable products, such as mascots for local events, thereby increasing community income and self-esteem [9][10] - East China University of Science and Technology has trained over 300 ICH practitioners and emphasizes the importance of understanding and presenting ethnic elements in contemporary design [10] Group 3: Cross-Disciplinary Innovation - The concept of "cross-disciplinary" training has emerged, where practitioners from different crafts collaborate, enhancing creativity and expanding the potential applications of their skills [12] - Institutions like Shanghai University have developed a comprehensive model for cross-disciplinary innovation, facilitating collaboration between ICH practitioners and designers, resulting in over 1,200 innovative works across various sectors [13][14] - The integration of different materials and techniques has led to unique products, such as bamboo and porcelain combinations, showcasing the potential of traditional crafts in modern contexts [14]

Group 1 - The core theme of the intangible cultural heritage (ICH) promotion activities is "Integrating into Modern Life - ICH is Youthful" [1] - A series of vibrant ICH promotional events were held in Henan Province, showcasing the vitality of ICH in modern life [1] - The main event took place in the ancient city of Junxian, featuring various ICH projects from different cities, providing an immersive cultural experience for visitors [1][2] Group 2 - The event included performances such as lion dance, which received enthusiastic responses from the audience, highlighting the engagement of younger generations with ICH [1] - ICH serves as a key to unlock nostalgia and a warm connection for modern individuals seeking their spiritual roots [1] - Various local events across Henan showcased ICH through diverse forms, including performances and hands-on experiences, enhancing public interest [2] Group 3 - Experts emphasize the importance of ICH aligning with contemporary lifestyles, aesthetic preferences, and practical needs to truly integrate into modern life [3]

Group 1 - The core event is the "2025 Cultural and Natural Heritage Day" in Dongcheng District, Beijing, focusing on the theme of "Revitalizing Intangible Cultural Heritage" [1] - The event includes various activities such as opening ceremonies, themed exhibitions, and cross-border experiences to showcase the vitality of intangible cultural heritage in the modern era [1] - A new initiative called the "Intangible Cultural Heritage Consumption Check-in Plan" was launched to integrate intangible cultural heritage with tourism and consumption, allowing visitors to collect stamps and receive discounts [1] Group 2 - Dongcheng District has established a systematic protection and innovative dissemination matrix for intangible cultural heritage, with a support plan benefiting many protection units [1] - Awards were presented to 44 outstanding projects and inheritors as part of the support and reward program [1] - The district's cultural and tourism bureau emphasizes the importance of innovation and preservation in intangible cultural heritage, planning to continue the "Revitalization Plan" through various integrations such as "Intangible Heritage + Tourism" and "Intangible Heritage + Technology" [1]