推动文旅与体育、康养、研学等业态深度融合，举办祁连山超级马拉松等活动，让"赛事流量"转化 为"消费增量"。整合全州红色资源，31处红色教学点串联成线，使原子城成为全国红色旅游融合发展的 典范。藏绣、唐卡等非遗代表性项目走进景区，实现文化价值与市场活力的双向赋能。温泉康养、星空 露营、生态研学等新业态不断涌现，构建起"四季有景、全年可游"的全域旅游格局。 着力构建"快进慢游"立体交通网络，公路、铁路与机场联动发力，串联全州重点景区的景观道、旅游驿 站贯通成线，核心景区半小时可达的便捷出行圈逐步形成。推进智慧旅游建设，实现重点景区WiFi全 覆盖等，"海北旅游"线上服务平台提供线路查询、导览讲解等一站式服务，让出行更便捷高效。建立旅 游投诉快速处理机制，开展文旅市场专项整治，严查不合理低价游等违规行为，持续优化全州消费环 境。 海北州编制专项规划明确"一核引领、两带联动、三区协同"的空间布局，将红色传承、生态保护、民俗 活化深度融入产业发展全局，出台系列扶持政策与奖励细则等，形成上下联动、政企协同、全域推进的 发展格局。深挖全州"山、湖、林、草、鸟、兽"生态资源，构建起"观湖、观花、观鸟、观羚、观鱼"五 维旅游体 ...

12月20日至21日，由黄南藏族自治州尖扎县委县政府主办的"冬至囤好物·尖扎鲜味等您尝"2025年特产 大集活动，在西宁市城东区吾悦广场举行。这项活动既是尖扎"农体文旅商"融合发展成果的集中展示， 更是一次精准的产销对接与品牌推广。让更多人领略黄河谷地的生态之美、非遗之韵与产业活力，为农 牧产业提质增效、群众增收注入动力。 这场大集背后蕴含着"农体文旅商"融合发展逻辑。主题打卡点将自然景观与人文特色融入场景设计，让 逛市集变身一场微型文化体验；射箭体验区的互动设置，让传统体育项目走进大众生活；线上直播的同 步跟进，让尖扎好物触达更广阔的市场。多业态的融合，让消费场景更加丰富立体，也让产业发展的链 条更加完整。它证明了乡村特色产业的发展，不必局限于单一的生产销售模式，通过文化赋能、场景创 新、线上线下联动，就能激活更多潜力。 优质的消费供给往往藏在乡土之间，藏在文化深处。尖扎的实践正是如此，把绿水青山守护好，把传统 技艺传承好，再通过市集这样的载体搭建起沟通桥梁，就能让特色产业既有"土味"又有"品位"，既 有"乡愁"又有"潮流"。希望更多的地方能够精准挖掘自身特色，将生态资源、传统文化与现代消费需求 相结合，找 ...

中新网甘肃新闻12月24日电 (邱晓东 李海梅 尹倩)甘南藏族自治州，这片浸润着千年文化底蕴的土地 上，羊毛毡绣、洮绣、唐卡等非遗技艺既是民族文化的瑰宝，更是乡村振兴的重要引擎。甘南州税务局 立足州域特色产业需求，以精准政策辅导和暖心纳税服务，为非遗产业纾困解难、赋能增效，让古老技 艺在税收护航下焕发新生，实现文化传承与富民增收同频共振。 做细"办税服务"点燃毡绣"增收引擎" 在"中国拉卜楞·世界藏学府"的文化浸润下，夏河羊毛毡绣这门古老非遗技艺，在税费优惠政策赋能下 成为乡村振兴新引擎。夏河县税务局精准落实税收扶持政策，推动古老技艺实现传统与现代的华丽转 身。夏河县科才镇莫尔村的阿古卓巴文化产业有限公司，由五位大学生联合创办，以"非遗＋文创"模式 吸纳二十余名妇女及两位残障人士就业，是当地产业发展的典型代表。 图为夏河 税务干部为纳税人讲解政策。 "我们刚起步时既不懂市场运营，也不了解税收政策，连纳税申报都不会操作，一度特别迷茫。"公司财 务负责人彭措扎西回忆道，"税务干部主动找上门，及时辅导政策，帮我们解了燃眉之急。"税务干部根 据企业特点，量身定制税费优惠"大礼包"，手把手辅导企业申报文化产业增值税优惠 ...

同仁市素有"中国唐卡艺术之乡"的美誉。在这里，几乎家家有画师，人人会执笔，而扎西尖措便是 其中之一。 初冬时节，走进青海省黄南州同仁市保安村的画室，阳光透过格窗洒在扎西尖措手中的狼毫笔上。 他蘸取研磨好的颜料，在43米长的唐卡画卷上细细勾勒出宗教的庄严法相、飞天飘逸的衣袂纹路。"光 是勾勒这些线条，就花了我们一个多月时间。"扎西尖措轻抚画布说道。 在青海省海东市青绣总部的工坊里，四位土族绣娘指尖捻着彩色丝线在画布上翻飞，银针起落间， 一朵朵层叠的太阳花图案愈发鲜活。"这朵'太阳花'我们绣娘绣了快十年，现在终于到了收尾的最后一 道工序。"青海素隆姑文化旅游产业开发有限公司（以下简称"素隆姑公司"）负责人任玲玲俯身在旁， 指尖轻轻拂过绣面，语气里满是珍视。 从热贡艺术的精雕细琢到土族盘绣的针脚绵密，青海的非遗技艺如青藏高原的冰川融水般，在千年 时光中流淌积淀，既承载着各民族的文化基因，更凝结着匠人的毕生坚守。 然而，在庄严的唐卡与精美的刺绣背后，青海非遗产业长期面临"酒香也怕巷子深"的发展困境：受 制于高原地理条件，原材料采购成本居高不下；传统"手工作坊"模式产能有限，难以对接规模化市 场…… 破解传承之困，激活 ...

北京中元汉字文化博物馆位于大兴区天宫院魏永路9-1号中国书画院内，是一家聚焦汉字文化与书法艺 术的专题博物馆。馆藏展品百余件，以汉字七体演变为核心主线，按时间轴直观呈现甲骨文、金文、篆 书、隶书、楷书、行书、草书的演变历程，以文字遗存为载体，传承弘扬中华民族博大精深的汉字文 化。 新京报讯 据"文旅大兴"微信公众号消息，日前，北京市文物局"类博物馆"挂牌开放专家委员会对各区 申报单位开展集中验收工作，大兴区文化和旅游局推荐的北京泓文博雅唐卡博物馆、北京中元汉字文化 博物馆经专家组现场指导、申报单位提升整改后，均已达到"类博物馆"相关建设要求和验收标准。截至 目前，全区已有7家"类博物馆"，成为大兴区文化传播的重要载体。 北京泓文博雅唐卡博物馆位于大兴区魏善庄镇，展览以非遗唐卡艺术为主要内容，通过系统呈现唐卡的 创作工艺、题材演变与文化交融历程，彰显其作为高原视觉艺术典范的独特价值。馆内唐卡藏品数量居 北京地区前列，艺术价值极高，是研究藏族文化、藏族民间技艺及汉藏文化交流的重要实物载体。馆方 通过推出配套文创产品、开展丰富体验活动，进一步增强中华民族大家庭认同感。 ...

Core Insights - The 12th GFAA (Garde Art Week) recently took place at the Beijing Garde Art Center, featuring 56 exhibitors from around the world showcasing over a thousand artworks, ranging from ancient artifacts to contemporary pieces [1] Group 1: Exhibitors and Artworks - A diverse range of international exhibitors participated, including galleries from France, the USA, and Japan, providing a fresh artistic experience for attendees [1] - Toulouse Antique Gallery presented 19th-century French decorative arts and rare antiques, while the New York Freeman Gallery showcased works by modern Western masters and prominent Asian artists [1] - Ruru Gallery from Tokyo focused on high ancient sculptures and artifacts, contributing to the exhibition's rich variety [1] Group 2: Themes and Special Exhibits - The exhibition featured significant Buddhist artifacts, with CHINESE ART (Hangzhou) presenting exquisite Song and Yuan lacquerware and Buddhist statues, exploring historical dialogues through unique display designs [2] - ALSO Gallery selected 20 classic pieces from ancient Longquan and Cizhou kilns, which had previously circulated in Japan [2] - The exhibition also highlighted unique ancient artworks from Iran, North Korea, and Afghanistan, including rare Buddha heads and Ming dynasty blue-and-white porcelain [4] Group 3: Contemporary Art Section - The contemporary art section included Frogman Art, which has participated for nine consecutive years, emphasizing the theme "Art Makes Life Better" with works from international artists [11] - K Space presented significant works from renowned artists such as He Duo Ling and Zhou Chun Ya, while Tinny Art House focused on contemporary art and Chinese craftsmanship [12]

Core Viewpoint - The 12th Jiadé Art Week is being held in Beijing from October 21 to 26, showcasing over a thousand art pieces that bridge Eastern and Western cultures, achieving a record number of exhibitors [1][3]. Group 1: Exhibitors and Artworks - This year's event features 56 distinguished antique dealers, galleries, and art institutions from around the world [3]. - Notable exhibitors include the French crystal luxury brand Lalique, which elevates everyday moments into extraordinary experiences, and the New York Freeman Gallery, presenting works from modern Western masters like Edward Vial and Salvador Dalí [3]. - The exhibition includes a variety of ancient artifacts, such as exquisite Song and Yuan lacquerware and Buddhist sculptures, presented by Chuzhai [6]. Group 2: Special Highlights - A significant highlight of this year's event is the special exhibition "Looking Back at the Path - Special Exhibition of Huang Binhong's Family Treasures," featuring over a hundred family heirlooms from the late 1920s to the early 1950s, providing a new perspective on Huang Binhong [8]. - The exhibition also showcases rare historical nut carvings, including Ming and Qing dynasty pieces and finely crafted European nut artifacts [6].

Core Viewpoint - The article highlights the resurgence and cultural significance of Tibetan traditional crafts such as Tibetan medicine, Tibetan paper, and Thangka paintings, showcasing their growing recognition and value in contemporary society [1] Group 1: Tibetan Medicine - Tibetan medicine is experiencing a revival, with increased interest in its holistic approach and natural remedies, attracting both local and international attention [1] - The integration of Tibetan medicine into modern healthcare systems is being explored, enhancing its credibility and accessibility [1] Group 2: Tibetan Paper - Tibetan paper, known for its unique production methods and cultural heritage, is gaining popularity among artists and consumers, leading to a rise in demand [1] - The preservation of traditional paper-making techniques is crucial for maintaining cultural identity and supporting local economies [1] Group 3: Thangka Paintings - Thangka paintings are being recognized as valuable art forms, with a growing market for both collectors and tourists [1] - The promotion of Thangka art is contributing to cultural tourism, providing economic benefits to local artisans and communities [1]

Core Insights - The exhibition "Witness and Guard: Forge a Strong Sense of Community among the Chinese Nation" showcases over 300 cultural relics that reflect ethnic unity, with more than 100 items being exhibited for the first time [2][4] - The exhibition has been in preparation for three years and officially opened on December 31, 2024, attracting over 500,000 visitors, averaging more than 2,000 visitors daily [2] Group 1 - The exhibition features a variety of artifacts including Thangka paintings, sculptures, porcelain, and ancient texts, highlighting the historical connection between Tibet and the central government [2] - A notable artifact is the Ming Dynasty's gilt bronze statue of Shakyamuni Buddha, which illustrates the close relationship between Tibet and the Ming central government [2][4] - The exhibition also includes historical tea packages and plaques related to the Tea Horse Road, showcasing the cultural exchange and trade between different ethnic groups [4] Group 2 - The exhibition balances "cultural relic protection" with "display innovation," utilizing low-oxygen, temperature-controlled display cases to safeguard artifacts while employing advanced technology for an immersive viewing experience [4] - Technologies such as 3D digital displays and interactive touch walls provide insights into the architectural aesthetics of Tibetan ancient buildings and the preservation of precious ancient texts [4] - The exhibition serves as a testament to the shared history of various ethnic groups in China and aims to foster a vision for the future of the Chinese nation [4]

Core Insights - The event held in Changdu's Karuo District focused on leveraging traditional Thangka art for rural revitalization, showcasing a blend of cultural heritage and modern development [2][3] - Experts and representatives from various fields gathered to discuss the historical significance and contemporary applications of Thangka art, aiming to create a clear blueprint for its role in rural revitalization [2][3] Group 1: Event Overview - The Thangka Cultural Industry Empowerment for Rural Revitalization Exchange Conference took place on September 29, featuring participation from scholars, inheritors of intangible cultural heritage, and business representatives [2] - Keynote speeches were delivered by notable figures, including professors and national-level inheritors, discussing the historical context and artistic characteristics of Thangka [2] Group 2: Practical Applications - A special session highlighted practical paths for the Thangka cultural industry, with insights from various experts, including those from the Palace Museum and local travel agencies [3] - The event included the launch of a new book on the preservation and transmission of the Gama Gaqi Thangka painting style, aimed at promoting cultural wisdom through literature [3] Group 3: Future Directions - Karuo District is recognized as a pilot area for cultural industry empowerment in rural revitalization, with national-level intangible cultural heritage Thangka painting styles serving as both cultural treasures and economic drivers [3] - The district plans to use Thangka as a connection point to deepen collaboration and innovation, positioning it as a "cultural engine" for rural revitalization and contributing to the high-quality development of Tibet [3]