展览以"合同一家""万象更新"两大核心为脉络，集中展示了唐卡、造像、瓷器、贝叶经等布达拉宫珍藏的300余件体现民族团结的文物，系统 呈现了西藏地方与祖国血脉相连的历史脉络，其中百余件为首次展出。 走进世界文化遗产布达拉宫的雪城珍宝馆，光影流转间，一幅跨越千年的中华民族交融长卷缓缓铺展…… 珍宝馆序厅两侧的浮雕壁画，展现了1300多年前文成公主进藏盛况、1652年五世达赖喇嘛启程进京觐见清顺治皇帝全过程。壁画中间是高约10 米的3D裸眼屏幕，屏幕上元青花凤穿牡丹纹罐、珍珠曼扎等稀世文物一一浮现。来自广东中山的蔡女士看着这一切，不禁屏住呼吸，举起手 机，将这份震撼定格。 "在雪城珍宝馆集中欣赏自古以来我国各民族交往交流交融的历史遗珍，我觉得非常有意义。"蔡女士说。 这场"见证与守望——铸牢中华民族共同体意识主题展"，由西藏自治区文物局主办、布达拉宫管理处承办。展览历时三年筹备，于2024年12月 31日正式开展，截至目前已累计接待观众50余万人次，日均接待超过2000人次。 明永乐宫廷御制铜鎏金释迦牟尼佛像便是其中一件。该造像莲台清晰镌刻有"大明永乐年施"楷书款识，一个"施"字，直观印证了当时西藏地方 与明中央政 ...

文脉需以典籍留存，智慧当以著作传承。交流会现场，《西藏昌都嘎玛嘎赤画派唐卡遗存保护与技艺传 承》新书发布仪式成功举行，并将新书赠予与会嘉宾代表、画师、学生等，让唐卡文化的智慧以书籍为 载体，在更广阔的天地间流转。 藏东九月秋意浓，澜沧江畔文脉兴。当千年唐卡的矿物颜料遇上乡村振兴的时代命题，一场跨越传统与 现代的文化对话，在昌都市卡若区徐徐铺展。9月29日，昌都市卡若区唐卡文化产业赋能乡村振兴交流 会在卡若区大厦负一楼报告厅圆满落幕，来自区内外的专家学者、非遗传承人、企业代表齐聚一堂，以 唐卡为媒，共探文化传承之道，共绘乡村振兴新篇。昌都市政协副主席、昌都市文联名誉主席图嘎；昌 都市委常委、卡若区委书记邓文昌出席交流会。 本次交流会堪称一场"思想与艺术的盛宴"。主旨发言阶段，中央民族大学原党委常委、副校长王志教 授，西藏唐卡协会会长阿旺晋美教授，勉萨画派国家级代表性传承人罗布斯达先生，昌都市文联名誉主 席图嘎主席，嘎玛嘎赤画派国家级非遗传承人嘎玛德勒，中央民族大学藏学研究院刘冬梅教授分别发 言，从历史脉络到当代实践，从艺术特色到产业路径，为唐卡赋能乡村振兴勾勒出清晰蓝图。 专题发言环节，故宫博物院文保标准部副主 ...

中新网甘孜9月20日电 (记者 岳依桐)在白云掩映、群山环绕的四川省甘孜藏族自治州乡城县，由中共乡 城县委、乡城县人民政府主办，以"相约白藏房 魅力香巴拉"为主题的2025大香格里拉环线·乡城白色灌 礼文化周20日正式拉开帷幕。 大香格里 拉环线区域联盟协议签约仪式现场。记者 张浪 摄 乡城县地处川滇两省交界处，甘孜州西南部，横断山脉中北段，沙鲁里山系南端，金沙江东岸纵谷地 区，属大香格里拉旅游圈腹心地带，周边有亚丁、香格里拉和丽江三个航空港，拥有丰富的自然文化资 源，尤以全国最大的白藏房群、"疯装"、桑披岭寺等乡城"三绝"而闻名，是旅游的绝佳目的地。 幕式现场。记者 张浪 摄 文化周开 文化周将持续至9月21日，包括一场开幕式和"乡城猫局"聘任发布会、田园"疯"装秀、全民"疯"玩季、 乡城农特产品展、"猫"在乡城短视频大赛、"疯装+白色灌礼"民俗文化体验活动、"魅力香巴拉"非遗市 集等七大特色活动，为天南海北的游客呈现一幅充满民族风情与田园诗意的香巴拉画卷。 乡城县委副书记、县长尼玛西日在开幕式上致辞表示，本次文化周活动既是贯彻落实省委十二届七次全 会精神的具体实践，也是构建乡城、得荣、稻城，香格里拉、丽江 ...

外国媒体人西藏行：感受真实的高原发展 中新社拉萨9月19日电 题：外国媒体人西藏行：感受真实的高原发展 作者 江飞波 谢牧 "大家应该亲自来西藏走一走，因为这种观念上的改变，不是通过我的讲述，而是通过亲身体验才能发 生的。"9月18日，来自斯里兰卡的自由媒体人达尼杜·维塔纳瓦萨姆在西藏参访时说，此行所见的西藏 发展程度和高原传统建筑等令人印象深刻。 近日，来自斯里兰卡、印度、柬埔寨、韩国、蒙古国等多国媒体人员、公务人员等在西藏自治区林芝、 拉萨两地参访，走进学校、村落了解当地教育与农村发展情况，走访唐卡画院、藏药厂等，并体验传统 藏香制作。 9月18日，多国媒体人员、公务人员还在拉萨八廓街邦达仓古建大院体验了手工藏香制作，阿比谢克·贾 阿向负责人了解了藏香制作工艺、参与藏香制作的农牧民收入等情况，"制香的过程非常有趣，我了解 到藏香是如何制作出来的，这个过程其实非常繁琐，完全使用天然的原料。真希望能投入更多时间去了 解它。" 柬埔寨公务员事务部东盟资源和国际关系中心成员崇诺菲莱谈及在林芝参访巴宜区中学的印象，"我也 去了老师的办公室，非常现代化，有很多现代化设备用来工作，我认为这里的教育体系非常规范。" 崇诺 ...

编辑：徐世明 "85后"唐卡画师着着：守正创新 让传统技艺之间多一些互动 近日，在四川省甘孜州乡城县的一间唐卡画室内，几名学生或蹲在石臼旁研磨绿松石原石，或席地而坐 对着纯棉画布细细勾勒，38岁的唐卡画师着着正细心指导学员练习唐卡绘画技艺。画室内不仅展示着作 为唐卡颜料的朱砂、雄黄等各色原石，还有用唐卡技法绘着乡城特色白藏房的菩提叶，以及画着当 地"敬猫"文化的扇面和石绘等文创产品。 在着着笔下，有象征吉祥的图案，反映乡城当地群众生产生活的实景，也有群众节日共庆的热闹场面。 着着这些年教过三十多名学生，最小的是"00后"，最大的已过五旬，有美术生暑假来体验，也有残疾人 想来学门手艺。如今，着着正忙着推进非遗传习所的建设，计划整合当地30多项非遗，相互协作，共同 发展。(记者 吕杨) 来源：中国新闻网 广告等商务合作，请点击这里 本文为转载内容，授权事宜请联系原著作权人 中新经纬版权所有，未经书面授权，任何单位及个人不得转载、摘编或以其它方式使用。 关注中新经纬微信公众号(微信搜索"中新经纬"或"jwview")，看更多精彩财经资讯。 ...

Group 1 - The "Huguo Youpin Autumn Market" was held on September 4, showcasing unique products from the Guoluo Tibetan Autonomous Prefecture, allowing Shanghai residents to experience the charm of the high plateau [1][3] - The market was co-hosted by the Guoluo Prefecture Industrial and Information Bureau and the Shanghai Aid Qinghai Cadre Liaison Group, marking the first concentrated exhibition of Guoluo's specialty products in the Changning District [3][7] - The market featured a variety of highland delicacies such as yak jerky and yak cheese, as well as precious medicinal materials like cordyceps and fritillaria, alongside traditional handicrafts like Tibetan carpets and silver jewelry [5][7] Group 2 - The event included participation from over 20 enterprises across six counties in Guoluo Prefecture, with a focus on promoting cultural exchange and cooperation between Shanghai and Guoluo [7][8] - The market aimed not only to introduce highland flavors to Shanghai residents but also to deepen their understanding of Guoluo's rich cultural heritage [7]

Group 1 - The article emphasizes the profound significance of Tibet, describing it as a land of aspiration, belief, life, and hope, deeply embedded in people's hearts [2] - Tibet occupies approximately 1/8 of China's territory, with an average elevation exceeding 4000 meters, contrasting with most people's living conditions at around 200 meters above sea level [3] - The region's geological history is highlighted, noting that it was once an ocean during the Paleozoic era, later transformed by the Himalayan uplift into the world's highest plateau [5][6] Group 2 - The article describes the majestic landscapes of Tibet, including the Yarlung Tsangpo Grand Canyon, which is the deepest canyon in the world, and the rich biodiversity supported by its unique geography [8][9] - It recounts historical events, such as the marriage of Princess Wencheng to Tibetan King Songtsen Gampo, which symbolized cultural exchange and integration between Han and Tibetan peoples [10][12][13] - The establishment of the Tibet Autonomous Region in 1965 and subsequent democratic reforms are noted as significant milestones in Tibet's modern history [17][19] Group 3 - The development of infrastructure, including the Qinghai-Tibet Railway and various highways, has significantly improved accessibility to Tibet, fostering economic growth and connectivity [19][21] - The article highlights the importance of environmental conservation in Tibet, emphasizing the region's natural reserves and the shift towards renewable energy sources [21][23] - Modern advancements in technology and education are transforming the lives of Tibetan people, allowing them to access information and resources previously unavailable [24][25] Group 4 - The narrative concludes with a celebration of Tibet's unique cultural identity, resilience, and the deep emotional connection its people have with their land, portraying it as a vibrant and evolving region [26][28][29]

Group 1: Development of Non-Material Cultural Heritage Industries - Qinghai Province has leveraged its rich non-material cultural heritage resources to develop unique industries that boost local economies [1][4] - The income from the Thangka art culture industry has increased from 240 million to 1.08 billion CNY from 2011 to 2024, with five related enterprises earning over 10 million CNY annually [1] - The Panxiu industry in Huzhu County has seen rapid growth, with 145 embroiderers producing over 500 cultural products and generating an annual income of 3 million CNY from 75,000 orders [2] Group 2: Innovations in Traditional Crafts - Local Thangka artists are innovating in content and techniques while preserving traditional craftsmanship, attracting more people to the art form [1] - The Panxiu industry has trained over 4,000 embroiderers and established several workshops, achieving a total output value of 94.7 million CNY from 2022 to 2024, with an average annual growth rate of about 5% [2] - The carpet industry is undergoing transformation with the integration of AI technology and new production methods, leading to a significant increase in the production capacity and quality of traditional carpets [3] Group 3: Economic Impact and Employment - The carpet processing points in Huangzhong District have created over 6,000 jobs, with an average annual income of 60,000 CNY for workers [3] - The Saint Source Carpet Group achieved a revenue of 119 million CNY in 2024, with export earnings exceeding 9.7 million USD, reflecting a year-on-year growth of over 8% in exports [3]

Core Viewpoint - Qinghai Province is leveraging its rich intangible cultural heritage resources to develop unique industries and boost local economic growth through innovative practices in traditional crafts [1][4]. Group 1: Thangka Art Industry - The Thangka art industry in Huangnan Tibetan Autonomous Prefecture has seen significant growth, with revenue increasing from 240 million yuan in 2011 to 1.08 billion yuan in 2024, and five related enterprises now earning over 10 million yuan annually [1]. - Local artists are innovating in both content and techniques while preserving traditional craftsmanship, leading to increased public interest in Thangka art [1]. - Efforts are being made to protect and document Thangka techniques, including "white drawing," "color painting," and mineral pigment production [1]. Group 2: Pan Embroidery Industry - The establishment of the Pan Embroidery Association in Banjian Village has led to the creation of a Pan Embroidery Garden, involving 145 embroiderers and generating an annual income of 3 million yuan from 75,000 orders [2]. - Training programs have been organized, resulting in over 4,000 embroiderers trained, and non-heritage interest classes introduced in five schools [2]. - The Pan Embroidery industry in Huzhu County has achieved a total output value of 94.7 million yuan from 2022 to 2024, with an average annual growth rate of about 5% [2]. Group 3: Tibetan Carpet Industry - The Tibetan carpet industry is undergoing transformation through technology, with companies like Shengyuan Carpet Group utilizing AI for design and production, resulting in a carpet measuring 31.95 meters by 13.55 meters [3]. - The company has diversified its production methods to include machine-woven and hand-punched carpets, enhancing the quality and variety of products [3]. - In 2024, Shengyuan Carpet's revenue is projected to reach 119 million yuan, with exports exceeding 9.7 million USD, reflecting an 8% year-on-year growth in export volume [3].

Core Points - The article highlights the ongoing efforts in Tibet to protect and promote intangible cultural heritage, with significant financial investments from both central and regional governments [2] - A total of 4.73 billion yuan has been allocated from 2012 to 2024 for the protection of representative projects and the documentation of national-level inheritors [2] - There are currently 2,760 representative projects and 1,668 inheritors of intangible cultural heritage in Tibet [2] Group 1 - The inclusion of various traditional crafts, such as Lhasa clothing, Tibetan traditional pottery, and Tibetan incense-making, in the list of representative projects signifies the recognition of these cultural practices [2][5][6] - The Snow Ba Kong woodblock printing technique and traditional carving restoration skills have also been recognized as significant cultural heritage [8][9][17] - The Tibetan Thangka painting, particularly the Qigong Gang school, has been included in the national-level intangible cultural heritage list [19][24] Group 2 - The article emphasizes the importance of financial support for the preservation and transmission of these cultural practices, which are vital for maintaining Tibet's cultural identity [2] - The ongoing training and activities for inheritors are crucial for the sustainability of these traditional crafts [2] - The recognition of these projects and skills not only aids in cultural preservation but also has the potential to boost local tourism and economic development [2]