2月10日， 罗布斯达在西藏唐卡画院的教室里指导学徒画唐卡。新华社记者 丁增尼达 摄 唐卡是一种独具特色的绘画艺术，以其严谨的构图、丰富的色彩和深厚的文化内涵而闻名。藏族唐卡于 2006年被列入首批国家级非物质文化遗产名录。 罗布斯达是国家级非物质文化遗产项目藏族唐卡（勉萨画派）代表性传承人。小时候，他跟着爷爷学习 唐卡绘画技艺，凭借对唐卡绘画的热爱完成了漫长艰苦的基本功训练，为日后的发展奠定了扎实基础。 2005年至2015年，他历时10年，作为修复师承担了布达拉宫壁画修复工程。为了离画布更近和更稳地描 画，保证勾勒细节时不发生偏差，他长年盘腿弓腰、打着灯修复壁画。2016年，他将10年间在布达拉宫 临摹完成的18幅唐卡作品无偿捐给布达拉宫。他回忆道："这十年是我人生最有意义的一部分。" 罗布斯达也一直谨记爷爷的嘱托，要将唐卡绘画技艺代代相传。1992年，罗布斯达开始带学生。2012 年，他牵头创办西藏唐卡画院。他教的学徒，有些已成了职业画师，有些在职业技术学院当老师。如 今，他走进大学课堂，作为西藏大学艺术学院硕士生导师，他带着研究生学习唐卡的前世今生，也鼓励 年轻人多尝试新的表达。迄今为止，他培养的40 ...

Core Insights - The article highlights the "Qingqing Yellow River Tourism Belt" Spring Festival cultural and tourism series activities organized by the Huangnan Tibetan Autonomous Prefecture, aimed at enhancing cultural consumption and promoting the region's tourism brand [1][2] Group 1: Event Overview - The activities are designed to enrich the spiritual and cultural life of the public during the Spring Festival, creating a festive atmosphere that showcases the unique charm of "Beautiful Qinghai, Divine Huangnan" [1] - A diverse range of activities is included, covering intangible cultural heritage, arts, folk customs, sports, and consumption, balancing both spectator and participatory elements [1] Group 2: Cultural Heritage and Arts - The event features a display of intangible cultural heritage, including the "Gong Enjoys Its Beauty" exhibition and the third Huangnan Intangible Cultural Heritage Fair, showcasing traditional crafts like Thangka and embroidery [1] - Local artistic groups and folk opera teams are conducting performances in urban and rural areas, bringing cultural experiences directly to the community [1] Group 3: Sports and Economic Activities - The integration of "sports + tourism" is emphasized, with competitions such as the Guozhuang Dance Competition, QingBA Basketball Tournament, and traditional archery events to encourage public participation [2] - Local specialty food festivals and seasonal markets are organized to promote regional products like yak meat and yogurt, stimulating the festive economy and enhancing the cultural experience of the New Year celebrations [2]

本报黄南讯 （记者 芈峤） 2月6日，记者从青海省文化和旅游厅、青海省工业和信息化厅、青海省人力 资源和社会保障厅印发的《关于公布第六届青海省工艺美术大师民间工艺师入选人员名单的通知》中获 悉，黄南藏族自治州获批的全省工艺美术大师、民间工艺师总数51名，在全省各市（州）中位列第一， 表明黄南州近年来在培育壮大工艺美术人才队伍建设上取得了显著成效，为文化产业高质量发展提供了 坚实的人才支撑，成为青海省工艺美术队伍的主力军。 目前，黄南州各级工艺美术大师、民间工艺师达1280名，其中：中国工艺美术大师10名，省级工艺美术 大师58名，省级民间工艺师457名，州级工艺美术大师488名，州级工艺美术师267名，还有一大批市县 级工艺美术师，每年可培训工艺美术人员2000人次以上，在实现工艺美术行业创造性转化、创新性发展 中树立了新标杆、组建了新梯队、注入了新动能。 据悉，黄南州荣获第六届青海省工艺美术大师称号的有桑吉才让等4名热贡艺人，其中：唐卡类3名、青 绣类1名，华旦等20名民间艺人荣获青海省一级民间工艺师称号，才华多杰等27名民间艺人荣获青海省 二级民间工艺师称号。黄南州文体旅游广电局共推荐申报人员60名，获批 ...

Group 1 - The Huangnan Tibetan Autonomous Prefecture is focusing on developing the livestock trading center, aiming to establish itself as the China (Qinghai) Yak Trading Center during the 14th Five-Year Plan period [1] - The region's development strategy includes five key sectors: animal husbandry, cultural tourism, clean energy, ethnic industries, and modern services [1] - The initiative aims to enhance ecological civilization and high-quality development through coordinated efforts across various industries [1] Group 2 - The construction of the third largest clean energy base in the province is underway, focusing on hydropower and green energy [2] - Projects include the Ningmute Hydropower Station and the development of 3.6 million kilowatts of wind power, along with new energy storage systems [2] - The region is also promoting the development of ethnic specialty industries, including water product farming and traditional Tibetan medicine cultivation [2]

Core Insights - The article highlights the development of Haibei Tibetan Autonomous Prefecture as an international ecological tourism destination, leveraging its unique ecological resources and historical significance since the start of the 14th Five-Year Plan [1] Group 1: Tourism Development - Haibei Prefecture has received a total of 35.979 million visitors, generating a tourism revenue of 15.125 billion yuan [1] - The region has established a spatial layout of "one core leading, two belts linking, and three areas collaborating," integrating red heritage, ecological protection, and folk revitalization into overall industrial development [1] - A five-dimensional tourism system has been constructed focusing on "lake viewing, flower viewing, bird watching, gazelle watching, and fish watching," promoting activities like mountaineering, skiing, and glacier exploration to stimulate economic growth [1] Group 2: Integration of Industries - The integration of cultural tourism with sports, health care, and educational tourism is being promoted, exemplified by events like the Qilian Mountain Super Marathon, which converts event traffic into consumer spending [1] - The region has connected 31 red education sites, establishing the Atomic City as a model for the integration of red tourism and development [1] - New business formats such as hot spring health care, stargazing camping, and ecological research tourism are emerging, creating a year-round tourism model with attractions available in all seasons [1] Group 3: Transportation and Infrastructure - A "fast entry, slow travel" transportation network is being constructed, linking roads, railways, and airports to connect key scenic spots, forming a convenient travel circle with core attractions accessible within half an hour [2] - Smart tourism initiatives are being implemented, including full WiFi coverage in key scenic areas and the establishment of an online service platform for "Haibei Tourism" that offers itinerary queries and guided tours [2] - A rapid complaint handling mechanism for tourism has been established, along with special market inspections to address issues like unreasonable low-price tours, continuously optimizing the consumption environment in the region [2]

Core Insights - The event "Winter Solstice Goodies · Taste of Jianzha" showcases the integration of agriculture, culture, tourism, and commerce in Jianzha County, promoting local products and enhancing brand visibility [1][2] - The market serves as a bridge connecting urban consumers with local specialties, emphasizing the appeal of unique, culturally rich products over standardized supermarket offerings [1][2] Group 1 - The event highlights the successful integration of "agriculture, culture, tourism, and commerce," demonstrating a model for rural development that goes beyond traditional production and sales [2] - Interactive experiences, such as archery and online live streaming, enrich the consumer experience and broaden market reach, showcasing the potential of multi-faceted business models [2] - The practice in Jianzha emphasizes the importance of preserving ecological and cultural resources while innovating in market strategies to enhance local industry and community income [2] Group 2 - The event illustrates a new consumption landscape characterized by urban-rural interaction and cultural tourism integration, providing a platform for local products to gain visibility [1] - By combining ecological resources and traditional culture with modern consumer demands, the event aims to create a sustainable development path that benefits both local communities and industry quality [2] - The focus on unique local offerings, such as eco-friendly meat and traditional crafts, highlights the potential for rural areas to thrive by leveraging their cultural heritage [1][2]

Core Viewpoint - The Gannan Tibetan Autonomous Prefecture is leveraging its rich cultural heritage, including intangible cultural heritage skills like wool felt embroidery and Tangka painting, as a key driver for rural revitalization through targeted tax policies and supportive services [1][9]. Group 1: Tax Policy Support - The Gannan Taxation Bureau is implementing precise tax policies to support the development of intangible cultural heritage industries, enabling traditional skills to thrive and contribute to both cultural preservation and economic growth [1][9]. - The Summer County Taxation Bureau has effectively applied tax incentives, allowing traditional crafts to transition into modern business models, exemplified by the establishment of a cultural industry company that employs local women and disabled individuals [1][3]. Group 2: Employment and Economic Impact - The introduction of tailored tax benefits has significantly reduced operational costs for companies, allowing them to invest more in equipment and product development, thereby enhancing their competitiveness [3][5]. - The establishment of a complete production chain from research and development to sales has been facilitated by tax support, leading to increased employment opportunities for local residents [3][5]. Group 3: Challenges and Solutions - The Tangka and other local handicraft industries face challenges such as low awareness of tax policies and operational difficulties, which hinder their growth [4][8]. - The Maqu County Taxation Bureau has addressed these issues by providing targeted training and support, optimizing the invoicing process, and ensuring timely approval for tax-related requests during peak business seasons [8][9]. Group 4: Community Engagement - The "Non-material Cultural Heritage Tax Assistance Team" has been established to provide specialized services, including training for small businesses and individual artisans, to improve their understanding of tax regulations and enhance compliance [5][8]. - Bilingual support initiatives have been implemented to assist Tibetan taxpayers in navigating tax processes, ensuring that language barriers do not impede their ability to benefit from tax policies [8][9].

Core Viewpoint - The integration of financial support into the preservation and development of intangible cultural heritage (ICH) in Qinghai Province is crucial for revitalizing traditional crafts like Thangka painting and Tibetan embroidery, enabling them to thrive in the modern market [2][10][11]. Financial Support for ICH - Financial institutions in Qinghai are innovating credit products and optimizing service models to support the unique characteristics of the local ICH industry, effectively merging inclusive finance with heritage preservation [2][11]. - The People's Bank of China (PBOC) has implemented specific measures to support the development of local cultural industries, including the establishment of dedicated loan quotas for cultural industries [5][11]. Thangka Art Revival - Thangka art, recognized as a national intangible cultural heritage, faces challenges such as high material costs and long production cycles, which hinder artists like Zashi Jiancuo from sustaining their craft [3][17]. - Financial support from local banks, such as a customized loan of 294,000 yuan provided to Zashi Jiancuo, has been instrumental in overcoming funding shortages for artists [4][5]. Tibetan Embroidery Development - The Tibetan embroidery industry, represented by companies like Sulonggu, has transitioned to a model that combines company operations with local workshops and farmers, enhancing production capabilities [7][9]. - Financial backing from institutions like Mutual Agricultural Bank has allowed Sulonggu to expand its operations and support local artisans, leading to significant employment opportunities for rural women [6][9]. Impact of Financial Innovations - The introduction of specialized loan products such as "Thangka Loan" and "Embroidery Loan" has provided low-interest, flexible repayment options tailored to the needs of artisans and small enterprises [5][11]. - The establishment of the "Qingxinrong" platform has facilitated access to credit for small and micro enterprises, addressing common challenges like lack of collateral and credit information asymmetry [11][12]. Cultural and Economic Significance - The revitalization of ICH through financial support not only preserves cultural heritage but also contributes to economic development, enabling thousands of artisans to sustain their livelihoods [10][12]. - The success stories of Thangka artists and Tibetan embroiderers exemplify how financial resources can empower traditional crafts, fostering a vibrant cultural economy in Qinghai [10][13].

Core Insights - The article discusses the recent approval of two "quasi-museum" institutions in Daxing District, Beijing, which are now recognized as important cultural dissemination platforms [1] Group 1: Quasi-Museum Developments - The Beijing Municipal Bureau of Cultural Heritage has conducted a centralized acceptance inspection for various district applications, resulting in the approval of the Beijing Hongwen Boya Thangka Museum and the Beijing Zhongyuan Hanzi Cultural Museum after necessary improvements [1] - Currently, there are a total of seven "quasi-museums" in Daxing District, contributing significantly to local cultural communication [1] Group 2: Beijing Hongwen Boya Thangka Museum - Located in Weishanzhuang Town, the museum focuses on the intangible cultural heritage of Thangka art, showcasing its creation process, thematic evolution, and cultural integration [1] - The museum houses a significant collection of Thangka artworks, ranking among the top in Beijing, and serves as a vital resource for studying Tibetan culture and the exchange between Tibetan and Han cultures [1] - The museum enhances national identity through the introduction of cultural and creative products and various experiential activities [1] Group 3: Beijing Zhongyuan Hanzi Cultural Museum - Situated within the China Calligraphy Institute, this museum specializes in Hanzi culture and calligraphy, featuring over a hundred exhibits [1] - The museum presents the evolution of Chinese characters through seven styles, including oracle bone script and regular script, arranged chronologically to illustrate the development of Hanzi culture [1] - It aims to preserve and promote the profound heritage of Chinese character culture through its exhibits [1]

Core Insights - The 12th GFAA (Garde Art Week) recently took place at the Beijing Garde Art Center, featuring 56 exhibitors from around the world showcasing over a thousand artworks, ranging from ancient artifacts to contemporary pieces [1] Group 1: Exhibitors and Artworks - A diverse range of international exhibitors participated, including galleries from France, the USA, and Japan, providing a fresh artistic experience for attendees [1] - Toulouse Antique Gallery presented 19th-century French decorative arts and rare antiques, while the New York Freeman Gallery showcased works by modern Western masters and prominent Asian artists [1] - Ruru Gallery from Tokyo focused on high ancient sculptures and artifacts, contributing to the exhibition's rich variety [1] Group 2: Themes and Special Exhibits - The exhibition featured significant Buddhist artifacts, with CHINESE ART (Hangzhou) presenting exquisite Song and Yuan lacquerware and Buddhist statues, exploring historical dialogues through unique display designs [2] - ALSO Gallery selected 20 classic pieces from ancient Longquan and Cizhou kilns, which had previously circulated in Japan [2] - The exhibition also highlighted unique ancient artworks from Iran, North Korea, and Afghanistan, including rare Buddha heads and Ming dynasty blue-and-white porcelain [4] Group 3: Contemporary Art Section - The contemporary art section included Frogman Art, which has participated for nine consecutive years, emphasizing the theme "Art Makes Life Better" with works from international artists [11] - K Space presented significant works from renowned artists such as He Duo Ling and Zhou Chun Ya, while Tinny Art House focused on contemporary art and Chinese craftsmanship [12]