（原标题：《哪吒2》将于8月2日全网上线） 《哪吒之魔童闹海》定档8月2日全网上线。 据网络平台数据，《哪吒之魔童闹海》2025年1月29日上映，累计报收票房154.46亿元，观影人次3.24 亿，是中国影史票房、人次双冠军。 此外，《哪吒之魔童闹海》英文配音版官宣定档，将于8月22日起在美国、加拿大、澳大利亚和新西兰 陆续上映，并以IMAX与3D格式震撼呈现。 综合自：央视新闻 责编：李丹 校对：高源 ...

Group 1 - The total box office for July 2025 has surpassed 4 billion, with "Nanjing Photo Studio" leading the monthly box office [1] - "Nanjing Photo Studio," released on July 25, 2025, generated a box office of 857.18 million, accounting for 21.4% of the total box office [4] - Other notable films include "The Lychee of Chang'an" with 556.44 million (13.9%) and "Jurassic World: Reborn" with 567.65 million (13.7%) [4][5] Group 2 - The average ticket price for "Nanjing Photo Studio" was 35.3, with an average attendance of 23.4 per screening [4] - "The Lychee of Chang'an" had an average ticket price of 37.5 and an average attendance of 10.8 [4] - "F1: Fast and Furious" generated 303.50 million with an average ticket price of 48.1 and an average attendance of 10.5 [5]

2025年电影暑期档已过大半。据灯塔专业版数据，截至7月31日下午15时，2025年暑期档(6月-8月)总票 房(含预售)已突破59亿元。 中国电影评论学会会长饶曙光在接受采访时表示，"今年电影暑期档走势较稳健，《南京照相馆》《罗 小黑战记2》《长安的荔枝》都保持强劲势头，整体令人期待。" 历史题材电影叫好又叫座 《南京照相馆》海报(片方供图) 《聊斋：兰若寺》用六种美术风格重构经典志怪故事，"崂山道士"篇将毛毡风格动画搬上大银幕；"鲁 公女"篇章中单帧画面渲染时间长达220小时，被网友称为"每一帧都是壁纸"。 《罗小黑战记2》则坚持延续二维手绘，在保留治愈系画风的同时，在画面、世界观、镜头调度等方面 进行多重升级，原画从第一部的7万张增至20万张，立体的角色形象、精彩的打斗场面以及深刻的情感 内核，吸引了众多动漫爱好者，在豆瓣获得8.7的高分。 饶曙光表示："《罗小黑战记2》有独特的宇宙观和艺术表达，故事主角的现实处境，以及他们在面对挑 战时的人生态度，都更接近于我们普通人。" 2025年暑期档电影类型丰富多样，涵盖了喜剧、悬疑、动画、历史、奇幻等十余种类型，满足了不同年 龄层、不同喜好观众的需求。 一批以 ...

暑期档过半，电影市场才算是真正热起来了。 随着历史战争电影《南京照相馆》连续四天单日票房破亿，猫眼预测票房上调至37亿+，暑期档迎来了"救市之作"，电影市场终于有了盼头。 暑期档上半场的惨淡还犹在眼前，头部大片接连折戟，一度让业内对电影市场的发展略感悲观，好在《南京照相馆》重新提振了市场信心，但在场子热起 来之后，又能否延续大好势头呢？ 爆款有迹可循 《南京照相馆》的大爆，是意料之外，也是情理之中。 客观来说，影片本身的内容质量和价值是相当高的，点映期间口碑就已经非常不错了。不少影评人表示"如果放在前两年上映，票房毫无疑问会大爆。" 但偏偏今年暑期档电影市场的惨淡有目共睹，观众的观影意愿持续下降，《南京照相馆》的点映票房并不出色，点映六天总票房未能过亿，与之形成鲜明 对比的是去年暑期档票房冠军《抓娃娃》点映首日票房就高达1.5亿。 市场冷淡是一方面，另一方面《南京照相馆》主演刘昊然、王传君的票房号召力远不及沈腾和马丽，个人IP无法带动观众入场，市场关注度远不及《抓娃 娃》。 电影的目的并不是展示血腥暴力，而是让观众能够真正记住历史，克制和留白并没有减损影片所传达出的痛苦悲愤和民族气节。简单来说就是能让观众感 ...

Core Viewpoint - The summer box office for 2025 has reached over 5.5 billion yuan, but the market is under pressure due to low ticket sales compared to previous years, raising concerns among industry professionals [1][2]. Group 1: Box Office Performance - As of July 29, 2025, the total box office for the summer season (June 1 - August 31) exceeded 5.5 billion yuan, with "Nanjing Photo Studio" grossing 536 million yuan in its first five days and projected to reach 3.246 billion yuan [1]. - The summer box office has only reached 3.412 billion yuan by mid-July, which is lower than the 3.848 billion yuan earned by the 2023 summer box office champion "All In" [1]. - The current summer box office performance is significantly below the 20.62 billion yuan total from the 2023 summer season and the 17.653 billion yuan from the pre-pandemic 2019 summer season [1]. Group 2: Film Quality and Audience Engagement - "Nanjing Photo Studio" has a high Douban rating of 8.6, but it faces challenges in attracting a broader audience due to its serious historical theme, which may deter some viewers [2]. - The film industry has produced quality films this summer, such as "Lychee of Chang'an," which has a Douban rating of 7.6, yet it is projected to earn only 660 million yuan, lower than previous works by the same director [3]. - The current market situation reflects a complex new phenomenon where the quality of films does not necessarily translate into audience enthusiasm, indicating a shift in consumer behavior and expectations [3]. Group 3: Industry Challenges and Future Outlook - The film industry must adapt to changing audience sentiments and provide deeper emotional connections to alleviate consumer hesitance towards movie spending [4]. - Industry professionals are encouraged to focus on improving their craft and creating timeless classics that can withstand the test of time, ensuring the industry's future viability [4].

Core Insights - The phenomenal performance of "Nanjing Photo Studio" and the underwhelming results of many summer blockbusters reflect significant changes in the film market dynamics [1][24] - The film is projected to achieve a box office of over 34.59 billion, marking it as the first major domestic blockbuster of the summer season [1][2] Box Office Performance - "Nanjing Photo Studio" saw its AI box office prediction double from 15 billion to 34.59 billion within a day [1] - The film broke the single-day box office record for historical films in the summer season, achieving a cumulative box office of 5.15 billion within its first few days [2][3] - The film's performance on weekdays significantly elevated the overall box office, with a single-day revenue of 1.79 billion, compared to the typical 400-600 million range for weekdays in the summer [3] Audience Reception - The film received a high rating of 8.6 on Douban, contributing to its rising box office performance [4] - The audience demographic for "Nanjing Photo Studio" is diverse, with a significant portion of viewers over 40 years old, indicating its broad appeal [21] Market Trends - The success of "Nanjing Photo Studio" contrasts sharply with other films that failed to meet expectations, highlighting a shift in audience preferences towards quality content over star power or established IPs [24] - The film's success has positively impacted the box office performance of other films released in August, such as "East Extreme Island" and "Wang Wang Mountain Little Monster," which are now receiving increased attention [25][30] Thematic and Artistic Approach - "Nanjing Photo Studio" adopts a unique narrative perspective, focusing on ordinary Chinese citizens during the Nanjing Massacre, which sets it apart from previous films on similar themes [10][11] - The film's restrained visual and emotional expression allows for a more profound connection with the audience, avoiding the typical sensationalism found in war films [15][17]

2025年春节，《哪吒2》空降香港，票房火爆，背后却是东方、英皇、洲立、银都四大巨头为发行权明 争暗斗，甚至中央出面调解，才首次联合发行，创下排片纪录。这期视频我想从《哪吒2》在港上映的 风波，聊到香港院线风云激荡的30年。 ...

Language & Culture - Chinese is one of the world's oldest and most continuously used languages, with a history spanning thousands of years [1] - Each Chinese character evolved from oracle bone inscriptions to seal script, clerical script, regular script, and cursive script, resembling small paintings [1] Film, Television, Game & Animation Industry - ZHANG Jiaming has participated in film and television works such as the movies *Nezha: Birth of the Demon Child* and *Nezha: Chaos in the Sea*, and served as the dubbing director of the Bilibili animation *Humble Me, Just a Wild Monster* [1] - ZHANG Jiaming's dubbing works include the game *Planet: Restart* and radio dramas *Swordsman in the Snow* and *Mobius Time and Space* [1] - ZHANG Jiaming works as a visiting professor and lecturer at domestic universities, providing performance and line guidance for film and television works [1] - The JAMMONKEY (Jam Monkey) team, led by ZHANG Jiaming, provides dubbing, sound effects, and music services for the industry [1] - ZHANG Jiaming also acts as a motion capture director and actor, being active in the film, television, game, and animation industries [1]

Core Insights - The film "Nanjing Photo Studio" has achieved a box office of over 476 million yuan, with AI predictions raising the total box office forecast to 3.17 billion yuan, potentially placing it among the top three films of the year [1][3] - The film's narrative is based on true historical events during the Nanjing Massacre, focusing on ordinary citizens' efforts to document Japanese war crimes [4][5] - The film has received high ratings on social media platforms, with a score of 8.6 on Douban, indicating strong audience approval [9][10] Box Office Performance - As of July 28, the total box office for the summer season has surpassed 5.346 billion yuan, with "Nanjing Photo Studio" ranking among the top three films alongside "Jurassic World: Dominion" and "The Lychee of Chang'an" [14] - The film has garnered significant support from audiences in cities like Shanghai, Nanjing, and Suzhou, with Nanjing contributing over 60% of its box office on July 27 [3][4] Historical Context and Themes - The film is inspired by the real-life story of the Huadong Photo Studio, where a young apprentice discovered evidence of Japanese atrocities during the Nanjing Massacre [4][5] - It portrays the struggle and awakening of ordinary citizens in the face of war, highlighting their courage to document the truth despite the dangers [9][10] - The film's narrative is enriched by historical research, referencing works like "The Rape of Nanking" by Iris Chang to depict the horrors of the massacre [10][13] Upcoming Releases - Several historical war-themed films are set to be released, including "731," which focuses on Japanese Unit 731's war crimes, and "Dongji Island," based on the rescue of British POWs by Chinese fishermen [13][14] - The concentration of anti-Japanese war films aims to remind audiences of the importance of remembering history and cherishing peace [14]

Core Viewpoint - The article highlights the current challenges faced by the Chinese film industry, indicating a significant decline in audience attendance and box office performance despite an increase in the number of cinemas and screens. The industry is experiencing a structural downturn, with a reliance on blockbuster films leading to financial instability and a lack of diverse content [2][17][49]. Group 1: Box Office Performance - As of July 23, 2025, the total box office for the summer season was only 4.297 billion yuan, far below the pre-pandemic levels of 17.778 billion yuan in 2019 [8][9]. - The summer box office in June 2025 reached a historical low of 1.91 billion yuan, marking the lowest total in a decade [22]. - The overall box office for the first half of 2025 was 29.231 billion yuan, with a year-on-year growth of 22.9%, but over half of this revenue came from the Spring Festival, primarily driven by the film "Nezha: The Devil's Child" [16][30]. Group 2: Audience Trends - Since March 2025, the average number of attendees per cinema has been between 2 to 4, with an empty hall rate approaching 40% [12]. - A report indicated that by 2024, 57% of audiences watched only one film throughout the year, with the proportion of viewers under 25 dropping to 21% [38]. - The audience's departure from cinemas is attributed to a collective disappointment with the quality of films, leading to a perception that many movies are not worth the trip to the theater [40][57]. Group 3: Industry Structure and Financial Health - The number of operating cinemas in China surpassed 13,000, with nearly 80,000 screens, yet the audience continues to decline [13][16]. - The film industry's revenue-sharing model is deemed unreasonable, with production companies receiving only about 33% of the box office revenue after costs, leading to significant annual losses [34][36]. - The industry is heavily reliant on blockbuster films, with only 23 films surpassing 100 million yuan in box office in the first half of 2025, indicating a dangerous dependency on a few successful titles [30][31]. Group 4: Creative Challenges - The film industry is facing a talent drain, with creators under pressure to deliver commercially viable content, leading to a lack of innovative storytelling [41]. - The number of films registered for production decreased by over 20% in the first five months of 2025, reflecting a contraction in the industry [42]. - The rising production costs and extended filming periods are creating a mismatch between market supply and demand, further exacerbating audience dissatisfaction [46]. Group 5: Adaptation and Future Directions - Some companies are shifting focus from traditional film production to broader content creation strategies, such as developing IPs and diversifying revenue streams [51]. - The integration of non-ticket revenue sources, such as merchandise and food sales, is becoming increasingly important for cinemas to sustain operations [51]. - Despite the challenges, there remains a segment of the audience seeking quality films, indicating that there is still potential for growth if the industry can adapt to changing consumer preferences [55][60].