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2025年端午档票房4.59亿 《碟中谍8:最终清算》夺冠
news flash· 2025-06-02 13:20
据网络平台数据,截至6月2日21时,2025年端午档票房4.59亿。《碟中谍8:最终清算》档期内票房1.9 亿,累计2.28亿,夺得2025端午档票房冠军。第二第三分别是《哆啦A梦:大雄的绘画奇遇记》和动画 电影《时间之子》。(央视新闻) ...
2025六一档票房破亿:《碟中谍8》列票房榜第一,《哪吒2》单日仍有超400万票房
新华网财经· 2025-06-01 07:15
据猫眼专业版数据,截至6月1日13时49分,2025年六一档(6月1日)票房破亿,《碟中谍8:最终 清算》《哆啦A梦:大雄的绘画奇遇记》《时间之子》分列六一档票房榜前三位。 | 上映2天 2149.0万 | | J. 1 10 | 1 L. 7 10 | | | --- | --- | --- | --- | --- | | 哪吒之魔童闹海 | 422.54 | 4.2% | 2.8% | 736.88 | | 2025-01 154.24亿 | | | | | | 潜艇总动员: | | | | | | 冒险岛 | 179.57 | 1.7% | 4.2% | 250.60 | | 上映2天 258.9万 | | | | | | 水饺皇后 | 125.68 | 1.2% | 1.9% | 305.05 | | 上映33天 4.04亿 | | | | | | 海底小纵队:海 | | | | | | 晾大危机 | 62.22 | 0.6% | 0.6% | 81.83 | | 上映32天 3226.2万 | | | | | | 红嫁衣 | | | | | | | 58.34 | 0.5% | 1.9% | 274 ...
14小时破亿元!端午叠加“六一”双档期联动掀观影热潮
Yang Shi Wang· 2025-05-31 08:24
央视网消息:据网络平台数据,截至5月31日14时25分,2025年端午档(5月31日—6月2日)档期内票房突破1亿元。2025年端午假 期与"六一"儿童节重叠,形成了"端午+六一"双档期联动效应。因此,2025年端午假期集中了十余部影片上映,影片类型可满足"大 朋友""小朋友"的多元化观影需求。 截至目前,已有《时间之子》《私家侦探》《碟中谍8:最终清算》《哆啦A梦:大雄的绘画奇遇记》等十余部中外影片定档端午, 涵盖悬疑、剧情、动画等多种类型,为暑期档的到来提前预热。 其中,原创国产动画电影《时间之子》讲述了一场奇幻浪漫冒险之旅。无论是时间停滞时粒子流动的特效,还是都市、荒原、汪洋 等空间的转换,都构建出了一个充满想象力的世界,也因此吸引了众多观众关注。悬疑影片《私家侦探》则通过多条故事线并行, 展现了现代人的情感困境。 同时,各地也陆续推出"2025中国电影消费年"相关活动。其中,"辽宁省科技惠民观影活动",依托辽宁省科技馆内全国最大的 IMAX GT激光银幕,向全国影迷发放张惠民观影券,推动"科技+电影+文旅"深度融合,为文化消费注入新活力。 辽宁省科技馆球幕影院等科普类影厅也同步推出半价优惠,中、高考/ ...
Cineverse Motion Pictures Group's Escape From The 21st Century Hits Theaters on June 9, Tickets on Sale Now for The Bold, Genre-blending Time-Travel Adventure
Prnewswire· 2025-05-30 13:00
LOS ANGELES, May 30, 2025 /PRNewswire/ -- Cineverse (NASDAQ: CNVS), a next-generation entertainment studio, has announced Li Yang's sci-fi adventure, Escape From The 21st Century, will be available in select theaters beginning June 9th, 2025. Tickets are on sale now and fans can catch a sneak peek of the film here.The story follows three friends who discover they have the power to travel back and forth 20 years with a sneeze. However, the future is not as good as they hoped, and they need to take on the res ...
国产片放弃端午档
3 6 Ke· 2025-05-30 12:31
Core Insights - The Dragon Boat Festival box office is expected to decline significantly, with the industry showing signs of extreme caution and a tendency to abandon the festival altogether [1][2][7] - The remarkable box office performance during the 2025 Spring Festival has been overshadowed by subsequent declines, with the cumulative box office of 271 billion already surpassing that of 2018 [1][2] - Historical data indicates that the Dragon Boat Festival has never been a top-tier box office period, often performing similarly to other minor holidays [3][4] Box Office Performance - The 2025 Dragon Boat Festival is projected to face a challenging market, especially after the previous years saw significant drops of over 50% in box office revenue during the Qingming and May Day holidays [2][3] - The 2023 Dragon Boat Festival saw a resurgence with the release of "The Missing Her," which set new box office records, while 2024 experienced a drastic decline to over 3 billion [3][4] Market Dynamics - The current market environment is characterized by a lack of strong domestic films, leading to a reliance on imported films to fill the Dragon Boat Festival schedule [7][20] - The presence of major Hollywood films like "Mission: Impossible 8" is expected to provide some stability, but overall, the festival still faces downward pressure [4][12] Audience Trends - The average age of moviegoers is increasing, indicating a shift in entertainment preferences among younger audiences, which may lead to decreased interest in smaller film releases during the Dragon Boat Festival [6][7] - The competition for audience attention is fierce, with animated films like "Doraemon" and "Time Traveler" vying for market share, but facing challenges against established franchises [14][16] Film Lineup - The current film lineup for the Dragon Boat Festival is heavily skewed towards imported films, with domestic offerings lacking the potential to drive significant box office revenue [7][20] - The pre-sale data shows that "Mission: Impossible 8" leads with 910 million in pre-sales, while domestic films like "Time Traveler" and "Private Detective" are struggling to gain traction [10][12][20]
What Makes CuriosityStream Inc. (CURI) a Strong Momentum Stock: Buy Now?
ZACKS· 2025-05-29 17:01
Momentum investing revolves around the idea of following a stock's recent trend in either direction. In the 'long' context, investors will be essentially be "buying high, but hoping to sell even higher." With this methodology, taking advantage of trends in a stock's price is key; once a stock establishes a course, it is more than likely to continue moving that way. The goal is that once a stock heads down a fixed path, it will lead to timely and profitable trades.While many investors like to look for moment ...
2025端午节预售票房破1000万
news flash· 2025-05-29 06:24
Group 1 - The core viewpoint indicates that the pre-sale box office for the Dragon Boat Festival in 2025 has exceeded 10 million, with "Mission: Impossible 8: Dead Reckoning," "Doraemon: Nobita's Painting Adventure," and "The Time Traveler" leading the pre-sale rankings [1] Group 2 - "Private Detective" achieved a first-day box office of 946,300, reflecting a 9.4% increase [3] - "Little Earth Fire" has accumulated a total box office of 80.159 million after 9 days, with a 5.5% increase [4] - "Nezha: The Devil Child Is Coming" has a total box office of 15.415 billion as of January 2025 [4] - "Submarine Adventure: Adventure Island" recorded a first-day box office of 78,000 [4] - "Dumpling Queen" has a total box office of 395 million after 32 days, with a 0.5% increase [4] - "Red Wedding Dress" has a box office of 398,000 after 2 days, with a 0.3% increase [4] - "Love Letter" has a total box office of 86.085 million after 12 days of re-release [4]
从困局到破局,网络电影期待精品化
Qi Lu Wan Bao Wang· 2025-05-28 08:29
Core Insights - The online movie market is experiencing a significant downturn in both volume and box office revenue, with a drastic reduction in the number of films generating over 10 million yuan in box office revenue [1][4][9] - The industry is facing increased competition from micro-short dramas, which are gaining popularity and surpassing online movie box office revenues [7][8][13] Production and Revenue Trends - The production of online movies has decreased from over 700 films in 2020 to only 200 in 2023, with projections for 2024 remaining low [1][2] - The number of online films achieving over 10 million yuan in box office revenue has dropped from 50 in 2021 and 2022 to just 15 in 2024 [1][2] - The average number of production companies behind films that grossed over 10 million yuan fell from 14 in 2023 to 7 in 2024, indicating a cooling interest from investors [2][4] Market Dynamics - The traditional formula of "action + comedy" in online movies has led to audience fatigue, making it difficult to attract viewers even with star power [4][9] - The rise of micro-short dramas, with a projected market size of 50.44 billion yuan in 2024, has further squeezed the online movie market [7][8] Strategic Shifts - Some companies are pivoting towards micro-short dramas to seek new opportunities, with notable examples including Qishu Yuying, which plans to significantly increase its output of short dramas in 2025 [7][11] - Despite the downturn, certain companies like Lianrui Film and Qingdao Kuai Ma are maintaining a foothold in the market by focusing on high-quality productions [11][13] Future Outlook - The online movie industry may need to embrace a strategy of creating high-quality, boutique films to survive and thrive in the current landscape [11][13] - Exploring new distribution models, such as simultaneous online and theatrical releases, could provide fresh avenues for growth [13]
大麦,何以“吃了”阿里影业?丨消费参考+
2 1 Shi Ji Jing Ji Bao Dao· 2025-05-28 07:17
21世纪经济报道记者 贺泓源 北京报道 电影巨头们似乎都不想搞电影了,电影概念已经从小甜甜变成了牛夫人。 近日,阿里影业就表示,其将更名为大麦娱乐。从愿景上,阿里影业要变成现实娱乐平台。这是一种更强调现场体验、互动体验和沉浸体验的娱乐方式。 这听起来几乎与电影没有关系。 今天,我们就来盘点一下,大麦为何能够"吃下"阿里影业? 首先,从业务来看,大麦确实对阿里影业越来越重要了。在2023年末,阿里影业完成了对大麦的收购。在2025财年(2024年4月-2025年3月),大麦营收 20.57亿元,同比增长38.8%,相较并表收入同比增长235.8%;2025财年,大麦实现分部业绩 12.30 亿元,相较并表分部业绩同比增长338.5%。 作为对比,阿里影业的电影业务处于下滑态势。2025财年,该板块业务收入27.12 亿元,同比下滑10%;分部业绩为0.73亿元,同比下滑91%。 当然,也要明确,截至目前电影依旧是阿里影业最大业务板块。 第二点,从行业地位来看,大麦也要高于淘票票。 大麦在演出票务行业,独处第一梯队。比如,大麦对头部明星演唱会覆盖率接近 100%。2025财年内,大麦服务了张杰、周杰伦、孙燕姿等多 ...
港娱视帝“下海”团播,能为TVB“舞”出一个未来吗?
3 6 Ke· 2025-05-27 00:18
Core Viewpoint - TVB is facing significant challenges as it transitions from a period of prosperity to decline, with its traditional programming losing influence and viewership, leading to a search for new revenue streams such as group broadcasting [4][14]. Group 1: TVB's Current Situation - TVB has experienced a continuous decline in profitability since 2014, culminating in a loss of HKD 4.91 billion in 2024, marking seven consecutive years of losses [4][11]. - The company has attempted various self-rescue strategies, including partnerships with mainland Chinese platforms and the introduction of new programming formats [4][6]. - Despite some successes in collaboration with mainland platforms, the overall impact on TVB's core business remains limited, and the influence of Hong Kong dramas continues to wane [6][10]. Group 2: Group Broadcasting as a Strategy - Group broadcasting, a new form of live streaming featuring multiple hosts, is being explored by TVB as a potential revenue source, leveraging the popularity of its veteran actors [8][10]. - While group broadcasting has attracted attention and generated viewer engagement, it risks damaging the actors' reputations and does not address the fundamental issues facing TVB's traditional programming [10][12]. Group 3: Future Outlook - TVB is optimistic about the potential for recovery in 2025, projecting a significant increase in EBITDA compared to 2024, with hopes of returning to profitability [11][12]. - However, the company faces several challenges, including a weak advertising market, underperformance of its OTT streaming services, and uncertainty in the co-production market with mainland China [11][12][14]. - The success of TVB's recovery efforts will largely depend on the performance of its co-produced dramas and the ability to regain its competitive edge in content production [14].