Group 1 - The 19th Venice International Architecture Biennale features the Chinese Pavilion, organized by the Ministry of Culture and Tourism, with the theme "Co-Exist" [4] - The exhibition includes 10 works that explore themes such as Liangzhu civilization, Dunhuang caves, Beijing's central axis, and future cities, reflecting the integration of traditional Chinese wisdom into modern architectural practices [4][6] - The works aim to illustrate how Chinese architects draw from the "Tianren He Yi" worldview to address contemporary challenges in material innovation, urban development, and landscape reconstruction [4] Group 2 - "Liangzhu Twelve Laws," created by a team from the China Academy of Art, interprets the concept of "wisdom" through a poetic representation of the "Ritual and Music Civilization" as a foundational principle of Chinese culture [6][7] - The installation features 12 sound devices corresponding to the twelve months and hours, linking the Liangzhu archaeological site with surrounding communities and promoting a cultural ecological circle [6][7] - The project is part of a broader initiative by the China Academy of Art to explore cross-disciplinary themes and engage in global cultural exchanges [6][7] Group 3 - "Cang Qiong," an installation by Wang Zigeng, embodies the Chinese philosophy of harmony between humans and nature, utilizing green protective nets and traditional bamboo weaving techniques [8][9] - The work employs a rotating structure to create dynamic narratives that reflect the cyclical nature of life, drawing inspiration from traditional Chinese architectural forms [8][9] - The installation incorporates recycled construction materials, emphasizing sustainability and the cultural significance of construction sites in China [9][10] Group 4 - "Dunhuang: Gong Yi," created by architects Zhang Jiyuan and Bu Xiaojun, reflects the historical significance of the Dunhuang Mogao Caves as a site of cultural convergence along the Silk Road [10][11] - The installation presents a three-dimensional star map that symbolizes the intersection of various civilizations, including Indian, Persian, and Greek influences [11][12] - The work emphasizes that true cultural integration involves the organic reconfiguration of cultural genes over time, rather than mere stylistic amalgamation [12]

日前，记者走进第十九届威尼斯国际建筑双年展中国馆，钟鼓楼、景山、前门等北京中轴线上的代表性 景观映入眼帘。这是影像作品《北京中轴线的春天》里的一幕，视频里的自行车铃声、人声等，让观众 仿佛身临其境，感受北京中轴线在保护传统的同时焕发出的活力。 中国馆展览由中国文化和旅游部主办、中国对外文化集团有限公司承办，以"容·智慧"为主题，展出以 良渚文明、敦煌石窟、北京中轴线、立交城市、更新城市、未来城市为主题的10件（套）作品。中国馆 策展人、建筑师马岩松表示，中国馆体现出中国建筑师从中华传统文化中"天人合一"的世界观中汲取智 慧，并将这种"容"的理念运用于材料更新、城市建设与景观再造，为当前人类社会发展面临的难题提供 中国方案。多个中国团队设计的项目在本届双年展中亮相。其中，"塱头实验"展示了位于广东保存规模 最大的古村落之一——塱头村在保护修缮后的蝶变新生，"苏州园林档案——遗产园林保护利用的生动 记录"与观众分享了苏州园林这一中国古典建筑典范在遗产价值阐释、系统性保护与统一监管等领域的 经验。 厄瓜多尔建筑师豪尔赫·奥尔多尼亚斯正在中国馆认真拍摄，他的镜头聚焦清华大学建筑学院等设计 的"插件更新城"项目。他告诉 ...