Core Viewpoint - TVB is attempting to revitalize its brand and audience engagement through innovative live streaming collaborations, particularly with Douyin, to attract younger viewers and address declining revenues [14][21][22]. Group 1: TVB's Current Situation - TVB has faced continuous profit declines since 2014, with significant losses reported in 2018, primarily due to shrinking advertising revenues [16]. - The rise of streaming platforms like iQIYI and Tencent Video has diversified content consumption, drawing younger audiences away from traditional TV [16]. - Internal challenges include negative press regarding low artist salaries and management issues, leading to talent drain as many artists seek opportunities elsewhere [16][17]. Group 2: Live Streaming Initiative - The recent live streaming event, "Tonight's Good Sharp," featured a "TVB male idol group" and utilized a fan interaction format, achieving over 19 million views and 35 million likes [11][14]. - The event successfully combined nostalgia for classic Hong Kong dramas with modern entertainment trends, appealing to both older and younger demographics [20][21]. - TVB's collaboration with Douyin has resulted in over 2.3 million followers for the official account, indicating a positive shift towards a younger audience [21]. Group 3: Future Prospects - The success of the live streaming initiative suggests that TVB's intellectual property remains valuable, and its veteran stars still possess significant appeal [21]. - The company is exploring new content presentation methods and engaging with younger audiences, which could pave the way for a brand rejuvenation [21][22]. - However, challenges remain in sustaining quality content, innovating revenue models, and developing a robust talent pipeline to ensure long-term success [21].

Core Viewpoint - The article discusses the evolving landscape of the ancient costume drama (古偶) industry, highlighting the rise of new directors and the challenges faced by established ones, particularly focusing on the works of director Deng Ke and the reception of his recent projects [1][4][17]. Group 1: Director Performance and Reception - Director Deng Ke, despite having popular dramas like "折腰" and "大奉打更人," has faced criticism for his approach, particularly for turning "折腰" into a "male-oriented comedy," leading to negative feedback from fans [1][4][17]. - Other established directors such as Zhu Ruibin, Guo Hu, and Xie Ze also struggle with their reputations, often receiving backlash from audiences for their work [4][19]. - New directors like Zhao Yilong, Zeng Qingjie, and Yang Long have revitalized the ancient costume genre, receiving positive reviews for their innovative storytelling and visual aesthetics [4][7][14]. Group 2: Upcoming Works and Ratings - A list of upcoming works by various directors includes titles like "无忧渡" by Lin Yufen, which has a rating of 7.4, and "九重紫" by Zeng Qingjie, rated at 7.8 [5][6]. - Deng Ke's "折腰" currently has no rating available, while "大奉打更人" received a lower rating of 5.6, indicating a decline in audience reception [6][17]. - The article notes that the new generation of directors is successfully capturing audience interest, with shows like "雁回时" and "九重紫" standing out for their unique narratives and visual storytelling [7][10][12]. Group 3: Industry Trends and Audience Engagement - The ancient costume drama industry is experiencing a shift, with platforms investing in both established and new directors, reflecting a growing interest in quality storytelling over mere star power [20][30]. - Platforms like Tencent Video and Mango TV are strategically backing directors who have proven their capabilities, indicating a trend towards nurturing talent within the industry [21][23]. - The article emphasizes that the success of ancient costume dramas relies on a collective effort from all production aspects, suggesting that merely changing directors will not suffice to elevate the genre's overall quality [31].

Core Points - The episode of Canada's Got Talent aired on May 6, 2025, where the judges selected the first six acts moving on to the finale, with the public voting for two additional acts until 4 a.m. ET [1][4] - The finale is scheduled for May 13, 2025, at 8 p.m. ET on Citytv and Citytv+ [1] Selected Acts - The first six acts moving to the finale include: - The Martin Boys from Woodstock, New Brunswick [2] - Jacob Lewis from Butlerville, Newfoundland & Labrador, who received Shania Twain's Golden Buzzer [3] - Carsim Birmingham from Vancouver, British Columbia, who received Kardinal Offishall's Golden Buzzer [4] - Nicolina from Vaughan, Ontario, who received Lindsay Ell's Golden Buzzer [5] Voting Process - Canadians can vote for two additional acts from the remaining performances until 4 a.m. ET [1][4] Prize Information - The winner of Canada's Got Talent will receive a cash prize of $1 million, the largest in Canadian television history, along with $50 from Howie Mandel and financial advice from CIBC [6] - Each Golden Buzzer recipient will receive $25,000, totaling $150,000 for all recipients [6]