看电影、赏演出、观赛事……新春佳节，一场场热气腾腾的文体盛宴轮番上演，勾勒出一幅幅生动的节 日图景，点燃了新年消费市场的"一把火"。 今年春节档，电影市场8部新片涵盖喜剧、动画、武侠、谍战、科幻等类型，满足了不同年龄段观众的 观影需求。据灯塔专业版数据，截至2月22日17时59分，2026春节档（2月15日—2月23日）档期总票房 （含预售）突破50亿元，观影人次破亿。在超长假期、家庭观影以及下沉市场潜力持续释放等多重利好 加持下，电影市场热度不断攀升。 正月初一，湖南长沙潇湘青春影城人头攒动。春节期间，这里被装点得年味十足：入口处的大红灯笼与 中国结交相辉映，一辆复古花车上摆满了晶莹剔透的糖葫芦，四周环绕着春节档热门影片的海报，吸引 了不少观众驻足拍照。 充满仪式感的"电影+年俗"场景，让等待开场的观众李女士感到惊喜："候场变得有意思了，感觉年的味 道一下子就浓了起来。" "我们不仅要在观影环境上做文章，更要让一张电影票'活'起来。"影院经理耿传颂告诉记者，今年影院 联合商场推出了"票根经济"玩法。市民凭当日电影票根，可在商场内享受餐饮、体验、零售等多个品类 的专属折扣。"我们希望观众走进来，不只是看一场电 ...

"我们不仅要在观影环境上做文章，更要让一张电影票'活'起来。"影院经理耿传颂告诉记者，今年影院 联合商场推出了"票根经济"玩法。市民凭当日电影票根，可在商场内享受餐饮、体验、零售等多个品类 的专属折扣。"我们希望观众走进来，不只是看一场电影，而是能在这里找到属于春节的那份热闹和温 暖，让一张票根成为撬动商圈消费的'钥匙'。" 影院的火热，只是新春文体市场繁荣的一角。从大银幕转向小荧屏，春节档的剧集同样精彩纷呈。随着 电视剧《太平年》的热播，一股"跟着太平年游杭州"的风潮悄然兴起。 在杭州街头，一辆以《太平年》为主题喷绘的公交车格外引人注目。车身以吴越文化为底色，绘就了一 幅流动的历史画卷。车厢内，覆盖全线的吴越文化专属语音报站系统，化身为乘客的"随身文化向导"， 娓娓道来一个个历史故事。这趟由杭州市文化广电旅游局联合影视、交通、旅游等单位共同推出的主题 公交，不仅成为城市的一道独特风景线，更将荧屏上的热度导流至线下，让"看剧"与"旅行"实现了完美 联动。 看电影、赏演出、观赛事……新春佳节，一场场热气腾腾的文体盛宴轮番上演，勾勒出一幅幅生动的节 日图景，点燃了新年消费市场的"一把火"。 今年春节档，电影市场8 ...

Group 1 - The integration of film and tourism has become a new trend during the Spring Festival, with movies boosting local attractions and enhancing cultural transmission [1] - The movie "Flying Life 3," produced in Shanghai, features various local landmarks such as the Pujiang Line and Minpu Bridge, which have gained popularity among tourists who share photos on social media [1] - The hit TV series "Peaceful Year" has sparked a cultural tourism boom in the Wu-Yue region, with sites like the Qian Family Ancestral Hall and the Longhua Pagoda becoming popular destinations for visitors [1]

Core Viewpoint - The historical drama "Tai Ping Nian" is noted for its high fidelity to historical events, focusing on the chaotic period of the Five Dynasties and Ten Kingdoms, highlighting the brutality and moral decay of the era [2][3]. Group 1: Historical Context - The series depicts the fragmentation of power following the fall of the Tang Dynasty, showcasing various factions vying for control, with the throne changing hands frequently, reflecting a time where might dictated legitimacy [2][3]. - The narrative illustrates the abandonment of Confucian values such as "benevolence and righteousness," replaced by a harsh reality where power becomes the only law [2][4]. Group 2: Power Dynamics - The show emphasizes the necessity of power in restoring order during the collapse of the old regime, with scenes depicting the brutal enforcement of discipline within the military and the management of famine-stricken populations [3][4]. - It highlights the use of severe measures to maintain order, as seen when leaders resort to executions to quell unrest, indicating that without such authority, stability would be unattainable [3][4]. Group 3: Justice and Morality - The drama presents a critique of the misuse of laws as tools for power struggles, suggesting that regulations should not merely serve the interests of the powerful but should embody inherent justice [6][7]. - Characters like Feng Dao and Shen Wenqi exemplify loyalty and righteousness, standing out in a time when such virtues are rare, underscoring the moral dilemmas faced in a lawless society [6][7]. Group 4: The Role of "Yi" (Righteousness) - The concept of "Yi" is portrayed as essential, representing loyalty and integrity, which are crucial in a chaotic environment where many abandon these principles for survival [6][7]. - The series argues that true justice requires a moral foundation behind laws, advocating for a system where rewards and punishments are justly administered, rather than based on personal whims [7].

Core Viewpoint - The popularity of the TV series "Tai Ping Nian" has significantly boosted tourism in Hangzhou, particularly in areas associated with the historical context of the show, leading to a surge in visitor numbers and interest in local culture [1][6]. Group 1: Tourism Impact - The airing of "Tai Ping Nian" has led to a more than 30% year-on-year increase in visitor traffic to Hangzhou, with many tourists specifically seeking to experience the historical sites depicted in the series [1][6]. - Key attractions such as Qianwang Shrine and other related landmarks have become essential destinations for fans of the show, enhancing their understanding of Wu-Yue culture [3][6]. Group 2: Cultural Experience - The local government has launched themed activities like "Follow 'Tai Ping Nian' to Tour Hangzhou," allowing visitors to engage with six cultural landmarks and enjoy traditional foods featured in the series [6]. - Tourists are increasingly interested in immersive experiences, such as exploring the historical sites and cultural artifacts related to the Wu-Yue Kingdom, as evidenced by personal itineraries shared on social media [6]. Group 3: Local Economy - Traditional foods, such as the famous sauce duck, have seen a notable increase in sales, with many visitors purchasing local delicacies as souvenirs, reflecting a growing trend of culinary tourism [5][7]. - The phenomenon of a single show driving tourism and local economic activity has been observed in other regions as well, indicating a broader trend in the cultural tourism industry [6].

Core Viewpoint - The historical drama "Tai Ping Nian" has gained significant attention for its unique focus on the relatively obscure period of the Five Dynasties and Ten Kingdoms, presenting a narrative that transcends traditional historical war dramas and emphasizes the resilience of civilization [1][3] Group 1: Historical Context and Narrative - "Tai Ping Nian" explores the historical "blank space" of the Five Dynasties and Ten Kingdoms, a period characterized by frequent regime changes and sparse historical records, which has often been overlooked in film and television [1][2] - The narrative framework of the series is built around two generations, with older characters like Feng Dao and Guo Wei representing the struggle to maintain order in chaotic times, while younger figures like Qian Hongchu and Zhao Kuangyin embody the ideals of the new era [1][2] Group 2: Production and Realism - The production team established a "realistic historical drama" direction from the outset, with a focus on meticulous historical research, as emphasized by director Yang Lei, who aims to recreate the authentic atmosphere of the Five Dynasties [2] - The series features an extensive set design of 38,000 square meters and over 8,000 costumes, with individual armor sets weighing over 40 pounds and consisting of 2,800 pieces, showcasing a commitment to detail [2] Group 3: Character Development and Themes - The character development in "Tai Ping Nian" is notable, with over 230 named characters, each treated as a vital part of history, allowing for a rich exploration of their stories and motivations [2] - The series elevates historical events into broader inquiries about civilization, focusing on themes such as the importance of the common people and the pursuit of peace, resonating with contemporary audiences [3]

Core Viewpoint - The TV series "Tai Ping Nian" has become a hit due to its innovative subject matter and high production quality, effectively bringing the complex historical period of the Five Dynasties and Ten Kingdoms to life [2] Production Quality - "Tai Ping Nian" was in preparation for 8 years, featuring a recreation of 30,000 square meters of real scenes and 8,000 sets of Tang Dynasty grass-dyed costumes, showcasing significant investment in production [2] - The series has received praise for its detailed dialogue and the overall performance of the cast, contributing to its appeal among history enthusiasts [2] Historical Representation - The show presents a dual narrative focusing on both older and younger generations of historical figures, making the complex history more accessible to viewers [2] - The series features over 30 historical characters in its first four episodes, prompting viewers to engage with the historical context actively [2] Acting Performance - The performances of the cast, including Bai Yu as Qian Hongchu and Zhu Yawen as Zhao Kuangyin, have been highlighted for their depth and emotional range, enhancing the storytelling [3][4] - Bai Yu's portrayal of Qian Hongchu involved significant physical transformation, including a weight loss of 50 pounds to convincingly depict the character's age progression [3] - Zhu Yawen's performance as Zhao Kuangyin effectively balances the character's martial prowess with emotional depth, showcasing a nuanced understanding of power dynamics [4] Audience Engagement - The series has sparked interest among viewers, with many taking on the role of "class representatives" to help others understand the historical references and character relationships [2] - The engaging narrative and character development have made "Tai Ping Nian" a series that is both enjoyable and worthy of repeated viewing [5]

陈志坚指出，《太平年》这类作品具有明确的创作导向，其虚构是为传递具有现实说服力的历史认知而 服务的。"它本质上是一种'引导型'创作，目标是激发共同的历史关切。" 电视剧《太平年》全球启航发布会现场，演员倪大红分享拍摄故事。 曹丹 摄 中新网杭州2月5日电(林波)近期，历史题材电视剧《太平年》的热播，引发公众与学界对历史剧中真实 与虚构关系的再次讨论。 针对这一议题，浙江大学历史学院副教授、中国古代史研究所副所长陈志坚接受中新网专访时表示，在 历史的大众传播中，不必过度纠结于"绝对真实"的执念，历史剧创作的核心价值在于能否成功唤起当代 人对历史的关注与思考，实现历史的"活化"传承。 1月18日， 这与以市场娱乐为导向的商业历史剧路径不同，二者出发点与目标各异，不宜简单比较。 以《太平年》为例，尽管其在具体人物命运与情节上进行了大量戏剧性虚构，但它成功地将"钱王治 国""纳土归宋"等核心历史框架以及五代时期纷乱与治理的复杂性推至前台。剧中，无论是对吴越国"保 境安民"国策的描绘，还是对"以百姓为重"政治智慧的渲染，都使得原本仅存于典籍中的历史命题变得 可感可知。 游客在钱王祠外拍照留念。 曹丹 摄 1月18日， ...

中新社太原2月5日电 (记者 胡健)随着电视剧《太平年》热播，民众对五代十国历史的探寻也愈加浓 烈。剧中多次提及的"晋阳"，让山西太原一时间成为互联网上的文旅新焦点。 《太平年》以吴越国"纳土归宋"为主线，再现了五代末期的历史风云。该剧以其考究的细节和厚重的叙 事，吸引观众"边看剧边查资料"，形成"研学式追剧"风潮。这段略显模糊的历史，正通过荧屏变得清晰 可感。 位于山西太原的晋阳古城考古遗址公园，遗址中清晰可见当年晋阳古城的城址遗迹。(资料图)中新社记 者 胡健 摄 "一座晋阳城，半部五代史。"剧中频繁出现的晋阳，正是这段历史的地理核心。后唐、后晋、后汉及北 汉等多个政权皆发迹或建都于此，太原堪称五代时期的"权力枢纽"。社交媒体上，"看了《太平年》， 好想去太原"成为热门话题，更有网友呼吁当地把握文旅机遇。 面对突如其来的关注度，太原市文旅局发布"游锦绣太原城·看《太平年》大剧"两条历史主题旅游线 路，实现从"荧屏"到"实地"的跨越。 一条为"山川铭史·王气萦踪"线，串联晋祠、天龙山、蒙山等山水古迹，追寻五代帝王的信仰与足迹。 另一条"晋阳龙兴·古都探源"线，则聚焦晋阳古城考古遗址公园、山西博物院等文博场所 ...

总导演杨磊：向后人传递﹃太平年下饮一杯热酒﹄的期盼 杨磊 于是，跟随钱弘俶视角，观众看见了偏安一隅的吴越国，在平和的表象下暗潮汹涌，于乱世中无法独善 其身；又随着钱弘俶北上中原，目睹了战火连天里道皆白骨、灾民食人的惨象；还见证了乱兵入城后， 汴梁顷刻沦为炼狱，无论公卿庶民皆遭劫难的国破家亡……镜头中，对五代十国时期"牵羊礼""人相 食"等残酷历史场景的还原，也引起了巨大讨论。 "历史不是美化，而是让我们更珍惜当下的和平。"杨磊说，这些残酷场景不是为了刺激观众，而是为了 真实还原那个"人相食"、朝不保夕的时代。"我们慎重选择了比较保守的镜头语言，以克制的方式呈 现，让观众在震撼之余，能更深刻地理解'太平'的珍贵与来之不易。" 电视剧《太平年》剧照。 唐宋之际的五代十国，是中国历史上一段特殊时期，也是一个政权更迭、兵荒马乱的混乱时代。与人们 耳熟能详的三国相比，同样动荡波折的五代十国时期却未被太多人熟知，也鲜有影视剧创作涉足其中。 可随着一部历史剧的播出，那段动荡的乱世岁月，掀起了网友对于这段历史的广泛讨论，这就是电视剧 《太平年》。 从一段裂土纷争，战火不断的岁月中，如何讲述出天下太平的愿景？面对纷乱变迁的历史 ...