陶先生一家三口逛市集，喜欢"三国"故事的小朋友选了两本三国题材连环画；另一边是陈先生一家 人，挑选的是《三毛流浪记》，"让孩子看看我们小时候喜欢的故事"，他说。 记者 施晨露 阳光正好，风很温柔，河水粼粼，树影婆娑。上海的秋天，从苏州河畔樱花谷到鲁迅公园大草坪， 有了书，有了文学，一切都刚刚好。 这个周末，中国上海国际童书展在世博展览馆迎接大小读者，走出去，漫步城市空间，"阅读"让城 市风景化作一个个令人心动的瞬间。 苏州河上乍浦路桥，百年建筑上海大厦与陆家嘴"三件套"世纪同框的风景，引得路人驻足拍照。桥 下，"旧书新知·淘书乐"的招牌在滨水沿岸十分醒目。"去看看！"在附近City Walk的市民游客接二连三 走进市集，午间时分，展位两旁已经站满读者。 有外国游客对中国传统文化的图书很感兴趣，一页页仔细翻阅；有家长让孩子"自由发挥"，迅速选 定好几本童书；住在附近的阿姨买走了中国画入门书，"退休了，我多学点东西，享受多姿多彩的生 活"。 走进文学节现场，一个直径7米多的"世界时钟"装置尤其惹眼，围绕时钟的是世界各地读者写下 的"世界的一日"——同一个日期的故事。 绕过草坪的一个角落里，"肖大妹"的缝纫机前，一 ...

Core Viewpoint - The event "Seeking Light Night" at the Xu Jia Hui Academy celebrates the 120th anniversary of Chinese cinema, combining reading and film experiences for attendees [2][3]. Group 1: Event Overview - The "Seeking Light Night" carnival took place during the Shanghai Book Fair, transforming the Xu Jia Hui Academy into an immersive space celebrating the history of Chinese cinema [2]. - The event featured a special exhibition titled "Picking Light and Shadow," showcasing the history of film companies, personalities, and related architecture in the Xu Hui area [2]. - Attendees engaged in interactive experiences related to film, making them both spectators and participants in the cinematic journey [2]. Group 2: Special Features - The event highlighted four films with Xu Hui elements, including "Havoc in Heaven," "Good Things," "Postal Affection," and "Nie Er," connecting different floors of the academy [2]. - A dedicated area for "San Mao," a character created by Zhang Le Ping, was set up for children, featuring activities like kite flying and storytelling sessions [3]. - The theme of the event aimed to showcase the diverse possibilities of reading, likening the academy to a "moonlight treasure box" that radiates the light of reading [3].

Core Viewpoint - The article highlights the enduring impact of Zhang LePing's "Sanmao" character, particularly through the work "Sanmao Joins the Army," which reflects the social and historical context of wartime China and resonates with multiple generations of readers [3][4][5]. Group 1: Historical Context - "Sanmao" was created in 1935 as a mischievous boy living in Shanghai, evolving over time to reflect the changing societal landscape, especially during the Second Sino-Japanese War [3]. - In 1937, the Shanghai cartoon community formed a propaganda team for anti-Japanese efforts, with Zhang LePing actively participating in promoting national consciousness through his art [3]. Group 2: Artistic Significance - "Sanmao Joins the Army" is noted for its unique approach as the first long-form wordless comic in modern Chinese history, using a small character's experiences to convey broader themes of war's absurdity and cruelty [4]. - The comic employs black humor and visual storytelling to evoke deep emotional responses, making the character of Sanmao a shared emotional memory for the public [4]. Group 3: Cultural Impact - The recent exhibition "Not Betraying the Country's Trust - Revisiting the 'Sanmao Joins the Army' Photo Exhibition" at the Shanghai Ba Jin Library attracted significant public interest, underscoring the character's lasting appeal [5]. - The dedication and patriotic spirit of early artists like Zhang LePing serve as an inspiration for contemporary comic creators, emphasizing the importance of genuine artistic expression and social responsibility [5].

在中国绘画的长河中，儿童题材画作宛如颗颗明珠，以细腻笔触勾勒童年百态，传递社会温度与文化意 蕴。不同年代的"婴戏图""百子图"各有千秋，但都传达出天真烂漫、纯真无邪的气息。人民美术出版社 的《中国娃娃》一书，收录了不同年代的儿童题材画作，介绍其产生的时代背景和社会环境等，从中我 们可以感受到，千百年来孩子的世界总是那么美好。 中国目前所见最早的婴戏图形象，出现在安徽省马鞍山市博物馆收藏的三国时期漆盘装饰画上，描绘了 两个孩子执棍比武的场景。之后，东晋顾恺之、唐代张萱都画过孩子的形象，唐代敦煌壁画中也出现了 婴儿形象。到了宋代，瓷器、织物、玩具等生活用品上都有婴戏图案，还出现了别具特色的"孩儿枕"。 宋代绘画注重写实与意境营造，儿童题材画亦不例外。画家苏汉臣的《长春百子图卷》（见图（局 部），资料图片），堪称宋代儿童生活的"百科全书"。画家以散点透视法，将四季变化和百余名孩童嬉 戏的场景展现在一幅画面中。春采荷、夏扑蝶、秋斗蟋蟀、冬踢蹴鞠，荡秋千、下棋、钓鱼、木偶戏、 舞狮等游戏穿插其间，还有些孩童像大人一样观画、抚琴、磨墨展卷。画卷中孩童发型和服饰皆有不同 的样式，动作、神情、配饰也极为丰富。 明代儿童题材画 ...