Core Viewpoint - The event "Seeking Light Night" at the Xu Jia Hui Academy celebrates the 120th anniversary of Chinese cinema, combining reading and film experiences for attendees [2][3]. Group 1: Event Overview - The "Seeking Light Night" carnival took place during the Shanghai Book Fair, transforming the Xu Jia Hui Academy into an immersive space celebrating the history of Chinese cinema [2]. - The event featured a special exhibition titled "Picking Light and Shadow," showcasing the history of film companies, personalities, and related architecture in the Xu Hui area [2]. - Attendees engaged in interactive experiences related to film, making them both spectators and participants in the cinematic journey [2]. Group 2: Special Features - The event highlighted four films with Xu Hui elements, including "Havoc in Heaven," "Good Things," "Postal Affection," and "Nie Er," connecting different floors of the academy [2]. - A dedicated area for "San Mao," a character created by Zhang Le Ping, was set up for children, featuring activities like kite flying and storytelling sessions [3]. - The theme of the event aimed to showcase the diverse possibilities of reading, likening the academy to a "moonlight treasure box" that radiates the light of reading [3].

Core Viewpoint - The article highlights the enduring impact of Zhang LePing's "Sanmao" character, particularly through the work "Sanmao Joins the Army," which reflects the social and historical context of wartime China and resonates with multiple generations of readers [3][4][5]. Group 1: Historical Context - "Sanmao" was created in 1935 as a mischievous boy living in Shanghai, evolving over time to reflect the changing societal landscape, especially during the Second Sino-Japanese War [3]. - In 1937, the Shanghai cartoon community formed a propaganda team for anti-Japanese efforts, with Zhang LePing actively participating in promoting national consciousness through his art [3]. Group 2: Artistic Significance - "Sanmao Joins the Army" is noted for its unique approach as the first long-form wordless comic in modern Chinese history, using a small character's experiences to convey broader themes of war's absurdity and cruelty [4]. - The comic employs black humor and visual storytelling to evoke deep emotional responses, making the character of Sanmao a shared emotional memory for the public [4]. Group 3: Cultural Impact - The recent exhibition "Not Betraying the Country's Trust - Revisiting the 'Sanmao Joins the Army' Photo Exhibition" at the Shanghai Ba Jin Library attracted significant public interest, underscoring the character's lasting appeal [5]. - The dedication and patriotic spirit of early artists like Zhang LePing serve as an inspiration for contemporary comic creators, emphasizing the importance of genuine artistic expression and social responsibility [5].

在中国绘画的长河中，儿童题材画作宛如颗颗明珠，以细腻笔触勾勒童年百态，传递社会温度与文化意 蕴。不同年代的"婴戏图""百子图"各有千秋，但都传达出天真烂漫、纯真无邪的气息。人民美术出版社 的《中国娃娃》一书，收录了不同年代的儿童题材画作，介绍其产生的时代背景和社会环境等，从中我 们可以感受到，千百年来孩子的世界总是那么美好。 中国目前所见最早的婴戏图形象，出现在安徽省马鞍山市博物馆收藏的三国时期漆盘装饰画上，描绘了 两个孩子执棍比武的场景。之后，东晋顾恺之、唐代张萱都画过孩子的形象，唐代敦煌壁画中也出现了 婴儿形象。到了宋代，瓷器、织物、玩具等生活用品上都有婴戏图案，还出现了别具特色的"孩儿枕"。 宋代绘画注重写实与意境营造，儿童题材画亦不例外。画家苏汉臣的《长春百子图卷》（见图（局 部），资料图片），堪称宋代儿童生活的"百科全书"。画家以散点透视法，将四季变化和百余名孩童嬉 戏的场景展现在一幅画面中。春采荷、夏扑蝶、秋斗蟋蟀、冬踢蹴鞠，荡秋千、下棋、钓鱼、木偶戏、 舞狮等游戏穿插其间，还有些孩童像大人一样观画、抚琴、磨墨展卷。画卷中孩童发型和服饰皆有不同 的样式，动作、神情、配饰也极为丰富。 明代儿童题材画 ...