新华网惠灵顿8月25日电（记者龙雷、李惠子）2025中国—新西兰影视合作高峰论坛暨上海国际电影节 国际直通车惠灵顿放映活动24日在新西兰首都惠灵顿举行。来自两国的政府代表、影视机构负责人及电 影人共聚一堂，探讨影视产业合作的新机遇与前景。 "以电影为媒，中国故事携手新西兰创意，能产生让全世界观众共鸣的魔力。"上海国际影视节中心主任 陈果在致辞时表示，上海国际电影节愿做中新电影人永远的伙伴，从合拍制作到技术交流，从市场开拓 到文化互鉴，期待与新西兰影视同行们展开全方位对话。 责编：李磊、王瑞景 与会嘉宾认为，中新互访频繁、人文交流密切，为两国影视合作奠定了坚实基础。近年来，中国上海与 新西兰惠灵顿在电影创作、产业链建设和文化交流中展现独特优势。论坛上，双方嘉宾强调，未来将在 内容开发、技术创新和市场拓展等领域深化合作。 作为论坛重要环节，上海国际电影节"国际直通车"项目首次登陆惠灵顿，并特别放映上海出品影片《好 东西》，受到当地观众关注。主办方表示，此举不仅是艺术展示，更是促进双边合作、加强创作者与观 众交流的重要举措。 ...

Core Viewpoint - The event "Seeking Light Night" at the Xu Jia Hui Academy celebrates the 120th anniversary of Chinese cinema, combining reading and film experiences for attendees [2][3]. Group 1: Event Overview - The "Seeking Light Night" carnival took place during the Shanghai Book Fair, transforming the Xu Jia Hui Academy into an immersive space celebrating the history of Chinese cinema [2]. - The event featured a special exhibition titled "Picking Light and Shadow," showcasing the history of film companies, personalities, and related architecture in the Xu Hui area [2]. - Attendees engaged in interactive experiences related to film, making them both spectators and participants in the cinematic journey [2]. Group 2: Special Features - The event highlighted four films with Xu Hui elements, including "Havoc in Heaven," "Good Things," "Postal Affection," and "Nie Er," connecting different floors of the academy [2]. - A dedicated area for "San Mao," a character created by Zhang Le Ping, was set up for children, featuring activities like kite flying and storytelling sessions [3]. - The theme of the event aimed to showcase the diverse possibilities of reading, likening the academy to a "moonlight treasure box" that radiates the light of reading [3].

Core Insights - The summer film season has witnessed a generational shift in directors, with new talents like Shen Ao emerging as significant players, while traditional directors like Jiang Wen struggle to connect with contemporary audiences [1][3][21] Group 1: Market Dynamics - The film "Nanjing Photo Studio," directed by Shen Ao, has achieved a box office of over 2 billion yuan in just 16 days, with predictions suggesting it could reach 3 billion yuan [1][21] - In contrast, Jiang Wen's film "You Can! You Go!" has failed to surpass 100 million yuan in box office revenue after 26 days, highlighting a disconnect with current market trends [1][21] - The audience's preferences are shifting, with younger directors like Dapeng and Chen Sicheng demonstrating a keen understanding of commercial sensibilities and narrative techniques [3][14] Group 2: Director Evolution - The dominance of established directors like Zhang Yimou and Feng Xiaogang is waning, as their works are increasingly viewed as outdated or disconnected from modern audiences [4][21] - New directors are gaining traction by creating relatable content that resonates with younger viewers, thus redefining the film landscape [3][4][28] - The rise of directors like Shao Yihui and Jiaozi illustrates a trend towards innovative storytelling that appeals to contemporary sensibilities, moving away from traditional narrative structures [6][8][28] Group 3: Audience Engagement - The changing demographics of moviegoers are influencing the types of films being produced, with younger audiences favoring direct emotional engagement over complex narratives [19][25] - New directors are adept at utilizing modern marketing strategies and social media to create buzz around their films, leading to rapid box office success [27][28] - The industry is experiencing a shift towards a more inclusive ecosystem where diverse voices and styles can coexist, fostering a richer cinematic experience [42][43]

Core Viewpoint - The article discusses the evolution of film criticism in the internet age, highlighting how simplistic and emotionally charged language has become prevalent, overshadowing nuanced discussions about films [7][20][72]. Group 1: Language and Film Criticism - The rise of abstract terms like "嗲子文学" and "虐女" reflects a trend where emotional and sharp critiques gain more attention than thoughtful analysis [2][3][8]. - These labels create a narrow framework for evaluating films, reducing complex narratives to simplistic judgments [18][80]. - The phenomenon of "大词影评" (big word criticism) leads to a culture where identity and group alignment dictate film evaluations rather than the quality of the work itself [21][85]. Group 2: Impact on Audience Perception - The use of broad terms can obscure the actual content and themes of films, as seen in the criticism of "长安的荔枝" where the focus on male actors detracts from the portrayal of female characters [10][14][17]. - Emotional reactions to films often stem from group identity, leading to polarized views that can dismiss the film's artistic value [27][84]. - The article emphasizes that the reliance on these terms diminishes the audience's ability to engage with films on a deeper level, reducing personal interpretation [85][87]. Group 3: Broader Implications - The trend of using sharp language in film criticism mirrors a larger societal issue where complex discussions are often simplified into catchy phrases, impacting how people communicate and understand various topics [60][66]. - The article argues that this reductionist approach not only harms film criticism but also reflects a broader decline in thoughtful discourse in society [62][71]. - Ultimately, the article calls for a return to more nuanced and personal expressions in film criticism, allowing for a richer engagement with cinema [82][86].

Core Points - The 27th Shanghai International Film Festival will take place from June 13 to June 22, 2025, celebrating the 130th anniversary of world cinema and the 120th anniversary of Chinese cinema, aiming to create a significant cultural event in the global film landscape [1] - The festival will showcase over 400 films from 71 countries and regions, with a total of 1,500 screenings, highlighting the popularity and demand among film enthusiasts [2] - The festival's programming includes 40 thematic units, emphasizing professional standards and diverse cinematic experiences, with new sections focusing on Asian cinema and various international films [3] Film Festival Highlights - The festival will feature marathon screenings of classic films, providing unique experiences for fans, along with numerous pre-screening discussions and meet-and-greet events with filmmakers [4] - The integration of food and cultural experiences, such as food vouchers and themed dining options, enhances the overall experience for attendees, promoting a "film plus" economy [6][7] - The festival's promotional materials, including the upgraded "Film Life Handbook," will incorporate city tourism elements, connecting film viewing with local cultural experiences [8] Community Engagement - The festival will introduce interactive market concepts and various community events, such as outdoor screenings and cultural workshops, to engage both local residents and tourists [10] - Collaborations with local businesses and institutions will create a comprehensive cultural experience, encouraging visitors to explore the city beyond the film screenings [9][10] - The festival aims to foster a vibrant cultural atmosphere, promoting the integration of film, tourism, and commerce in Shanghai [6][10]

Group 1: China Publishing Group Co., Ltd. - In 2024, China Publishing Group Co., Ltd. improved management quality, achieving a balance between social and economic benefits [1] - The company published 21,000 titles with a reprint rate of around 60% [1] - The group won multiple awards, including the "Five One Project" Excellent Works Award and had the highest number of publications selected as "Good Books" in 2024 [1] Group 2: China Education Publishing Media Group Co., Ltd. - The group integrated the latest achievements of the Party's innovative theory into textbooks, reflecting the creative transformation of traditional culture [2] - It published over 45,000 books and donated more than 53 million yuan in cash and materials [2] - The group focused on developing future industries, including "Artificial Intelligence+" initiatives [2] Group 3: China Film Co., Ltd. - In 2024, China Film Co., Ltd. released 46 films, capturing 70.19% of the total box office for domestic films [3] - The company provided distribution services for 646 films, accounting for over 88% of the national box office [3] - It received multiple awards, including the "Five One Project" Award and the Golden Rooster Award [3] Group 4: Huaxia Film Distribution Co., Ltd. - Huaxia Film Distribution Co., Ltd. produced and distributed several award-winning films, contributing positively to the film industry [4] - The company provided quality distribution services to over 120 clients and released 22 films [5] - The first global high-frame LED cinema, "Huaxia Film Center," was established, leading industry upgrades [5] Group 5: China International Television Corporation - The company supported major promotional efforts for significant events, including the 20th National Congress of the Communist Party and the 75th anniversary of the founding of New China [6] - It achieved a record high in international communication business contracts and expanded its overseas media channels [6] - The company launched various cultural and sports events, enhancing its market presence [6] Group 6: Kuaishou Technology Co., Ltd. - Kuaishou Technology Co., Ltd. developed a video generation model, achieving over 6 million users and generating over 65 million videos [7] - The company created a job recruitment platform, leading to 43.2 million employment opportunities [7] - Kuaishou integrated various sectors, becoming a new carrier for the digital economy [7] Group 7: iQIYI, Inc. - iQIYI, Inc. covered over 1 billion users, ranking high in user engagement in the online video industry [8] - The company produced award-winning original content and expanded its use of AI in content production [8] - iQIYI developed immersive experiences using VR and gaming technologies [8] Group 8: Weibo Corporation - Weibo Corporation operated over 100,000 government and media accounts, achieving nearly 3 trillion annual reads [10] - The company promoted cultural themes and engaged in significant topics, generating substantial online discussions [10] - Weibo collaborated with various organizations to enhance cultural heritage and tourism [10] Group 9: Hebei Publishing and Media Group Co., Ltd. - The group achieved a revenue of 6.883 billion yuan, with a net profit of 1.186 billion yuan, reflecting steady growth [11] - It focused on reforming governance and resource allocation, with R&D investment increasing by 201% [11] - The group built 158 cultural spaces and hosted numerous reading events [11] Group 10: Shanghai Film Group Corporation - Shanghai Film Group Corporation produced award-winning works and achieved significant box office success, with total box office exceeding 7.5 billion yuan [12] - The company launched an AI creation center, pioneering a new creative model [12] - It attracted over 140,000 visitors to its film tourism projects [12] Group 11: Oriental Pearl New Media Co., Ltd. - The company integrated various media resources and advanced its smart broadcasting and cultural tourism sectors [13] - It launched significant projects, including a nationwide release of a dance film and a popular urban drama [13] - The company enhanced its cultural consumption offerings, attracting millions of visitors to its attractions [13] Group 12: Jiangsu Phoenix Publishing and Media Group Co., Ltd. - The group ranked first among domestic publishing companies in the global publishing top 50 [16] - It published over 120 award-winning titles and implemented four major original publishing projects [16] - The group achieved over 3.2 billion yuan in digital economy revenue [16] Group 13: Jiangsu Provincial Radio and Television Information Network Co., Ltd. - The company developed a comprehensive cultural and technological system, establishing a unique broadcasting platform [17] - It launched innovative projects in smart television and audio-visual applications [17] - The company collaborated internationally to create culturally impactful content [17] Group 14: Zhejiang Publishing United Group Co., Ltd. - The group focused on high-quality publishing and launched numerous themed books [18] - It established a dual online and offline distribution system, enhancing bookstore operations [18] - The group explored AI and big data applications in publishing [18]

Core Points - The article highlights the enduring artistic vitality of French actress Isabelle Huppert, who continues to perform with passion and creativity at the age of 72, recently touring China with the play "The Cherry Orchard" [1][2] - Huppert's performance style is characterized by subtlety and precision, earning her recognition as one of the best actors of her time, with accolades including a second-place ranking in The New York Times' list of the best actors of the 21st century [2][4] - The production of "The Cherry Orchard," directed by Tiago Rodrigues, remains faithful to Chekhov's original work, focusing on the emotional struggles of a noble family facing the loss of their ancestral estate [2][6] Performance Insights - Huppert's portrayal of Lyuba Ranevskaya in "The Cherry Orchard" is marked by a restrained emotional expression, contrasting with previous interpretations that emphasized more overt emotionality [5][6] - The minimalist staging and non-naturalistic direction of the play allow for an open interpretation by the audience, encouraging personal connections to the character and the narrative [6][8] - Huppert's ability to convey complex emotions through subtle physicality and micro-expressions enhances the audience's engagement with the character's internal struggles [5][6] Cultural Exchange - Huppert expresses a strong appreciation for Chinese cinema, citing films like "Daylight Fireworks" and "Roadside Picnic" as examples of works that resonate with European audiences [7][8] - The actress emphasizes the universal language of film and theater as a means of fostering understanding and emotional connections across cultures [8] - Huppert is open to future collaborations with Chinese filmmakers and expresses a willingness to learn Mandarin to enhance her engagement with Chinese roles [8]

Core Viewpoint - Alibaba Pictures reported a revenue of 6.702 billion yuan for the fiscal year 2024/25, marking a 33% year-on-year increase, with adjusted EBITA reaching 809 million yuan, up 61% year-on-year, showcasing strong growth and resilience in a challenging film market [1] Group 1: Film Business - The company maintains high-quality content output while enhancing its production capabilities and localizing strategies to capture box office market share [1] - Notable film releases include "Catching Dolls," "Silent Kill," and "Fengshen Part II," contributing to significant box office success, particularly for imported films like "What Kind of Person Do You Want to Be" and "Grandma's Grandson" [1] - The strategic focus includes strengthening promotional advantages and leveraging technology to accelerate industry modernization, with investments in virtual filming and AI analytics to reduce costs and enhance efficiency [3] Group 2: Performance and Technology in Live Events - Damai, Alibaba's ticketing platform, continues to lead the market with a GMV that has seen high growth for two consecutive years, supported by a user base of 316 million "want to see" users [4] - The platform has developed a comprehensive content ecosystem, investing in over 120 IPs across various entertainment sectors, enhancing its market adaptability and competitive edge [5] - Technological advancements have improved user experience and operational efficiency, enabling the platform to handle high traffic during peak demand [5] Group 3: IP Derivatives and Series - The IP derivatives business has shown rapid growth, with a significant increase in retail sales of licensed IP products, leading to a revenue increase of over 90% for Alibaba Fish [8] - The company has a rich IP matrix, including partnerships with top global IPs, indicating substantial potential for future growth in the IP derivatives market [8] - The series business is progressing steadily, with new high-quality productions being launched, further solidifying the content ecosystem [8] Group 4: Long-term Development Strategy - Alibaba Pictures' growth is attributed to a decade-long systematic approach, evolving from its initial film business in 2014 to a multi-engine development model after acquiring Damai in 2023 [9] - This strategic evolution has provided the company with stability and growth potential, positioning it for continued operational success and long-term investment appeal [9]

Core Insights - The article highlights the resilience and strength of women in various professions, showcasing their dedication and the emotional impact of their stories on audiences [1][2][3][4]. Group 1: Representation of Women in Media - The portrayal of female characters in films and television serves as a reflection of real women's struggles and triumphs, emphasizing their roles as symbols of hope and perseverance [1][2]. - The emotional responses from female audiences during screenings indicate a deep connection to the characters' experiences, suggesting that storytelling can provide catharsis and empowerment [3]. Group 2: Professional Dedication - The article discusses the commitment of women in high-pressure roles, such as police officers and doctors, who balance professional responsibilities with personal challenges, demonstrating loyalty and courage [1][2]. - The narrative emphasizes that the value of work extends beyond recognition, highlighting the importance of dedication in less visible roles [2][3]. Group 3: Artistic Responsibility - The role of artists is framed as a conduit for sharing the stories of these remarkable women, with an emphasis on authenticity and the impact of their portrayals on both the audience and the artist [3][4]. - The article concludes with a commitment to continue amplifying the voices of these women, reinforcing the idea that their stories deserve to be shared widely [4].