中新社成都9月13日电 (记者 贺劭清)作为第二届金熊猫奖的压轴大戏，金熊猫盛典13日晚在成都举行， 27个奖项逐一揭晓。《哪吒之魔童闹海》(简称《哪吒2》)获动画片单元最佳动画片奖。 第二届金熊猫奖揭晓 《哪吒2》获最佳动画片奖 9月13日，金熊猫盛典在成都举行。《哪吒2》获最佳动画片奖。 中新社记者 安源 摄 据了解，金熊猫奖是以影视为载体、以大熊猫为文化符号、以推动构建人类命运共同体为旨归的国际影 视文化大奖。本届金熊猫奖共有126个国家和地区的作品参评，共征集作品5343部。其中，国外作品 3910部、占73.2%。 第二届金熊猫奖评委会主席、中国导演陈凯歌在盛典表示，人们需要的不是一种文化，而是不同文化兼 容并蓄。金熊猫奖正是要搭建这样一座桥梁，让交流和互鉴变得真实可感。 在纪录片单元，中国导演高松凭借《故乡几万里》获最佳导演奖；挪威纪录片《新荒野》获最佳纪录片 奖。 在动画片单元，《哪吒2》获最佳动画片奖，《长安三万里》获最佳视觉效果奖。来自巴西的动画片 《塔伊纳和亚马孙守护者》获最佳动画形象奖。 动画片单元主席、中国导演蔡志军表示，动画片用最简洁的符号，最真挚的情感，唤醒人类共同的记 忆。今天中 ...

Core Points - The 20th Changchun Film Festival concluded on August 28, revealing the Golden Deer Awards winners, with "Nanjing Photo Studio" winning Best Film, Best Director, and Best Screenplay [1] - The festival featured a theme of "New Era, New Cradle, New Power, New Journey" and included various segments such as award ceremonies, film screenings, and industry integration activities [2] Awards Summary - "Volunteer Army: Life and Death Battle" and "Dragon Action" received the Jury's Grand Prize [2] - Liu Haoran won Best Actor for his role in "Decoding" [2] - Lin Xiaojie won Best Actress for her performance in "Little Me" [2] - Best Cinematography was awarded to Cao Yu for "Decoding" [2] - Best Editing went to Zhang Jiahui for "Through Fire and Flames" [2] - Best Music was awarded to Zhu Yun for "Breaking Hell" [2] - Li Yang received Best Debut for "Safe Withdrawal from the 21st Century" [2] Festival Overview - The festival took place from August 23 to August 28 and celebrated the 80th anniversary of the Changchun Film Studio [2] - Over 50 unique cultural and tourism activities were organized, emphasizing Changchun's identity as a "Film City" [2]

Core Insights - The ongoing Shanghai International Film Festival highlights the industry's focus on understanding and resonating with young audiences, emphasizing the importance of emotional connection in storytelling [4][5][6] - The film "逆风而行" (Against the Wind) addresses the collective memory of struggle and growth associated with the college entrance examination, aiming to evoke emotional resonance with viewers [5][6] - Directors are increasingly aware of the need to engage with audiences on a deeper level, with a shift from merely presenting stories to standing among viewers and reflecting their experiences [7][8] Industry Trends - The rise of short videos as a dominant form of entertainment poses a challenge for traditional film consumption, as audiences seek content that expresses their attitudes and emotions [7][8] - The concept of activating a "universe" around a film, where a single work can drive multiple revenue streams through merchandise and related products, is gaining traction in the industry [9][10] - The need for a shift in production mechanisms, including cost control and reducing reliance on box office revenue, is emphasized to adapt to changing market dynamics [10][11] IP Development - The potential of film IPs to generate significant revenue through merchandise and cross-industry collaborations is highlighted, with examples like "哪吒之魔童闹海" (Nezha) demonstrating the economic impact of successful IPs [11][12] - The importance of creating emotionally resonant characters and stories that can connect with audiences on a deeper level is seen as essential for developing powerful IPs [12][13]

Core Insights - The film industry is facing challenges in converting high traffic from short video marketing into box office success, with audience expectations rising significantly since the 2025 Spring Festival [1] - The value of good films is increasing, as evidenced by record-breaking box office figures at the Shanghai International Film Festival, including a single screening record of 580,000 yuan and a total festival box office of 43 million yuan [1] - Audience standards for what constitutes a "good film" have increased by 15%, indicating a disconnect between audience expectations and actual film offerings [1] Group 1 - The film "Breaking Hell" has achieved over 200 million yuan in box office revenue, with its success attributed to extensive audience feedback during its 50 editing versions [2] - Director Chen Maoxian emphasizes the importance of engaging with the audience and co-creating films that resonate with their expectations [2] - The film "Annual Meeting Cannot Stop!" has grossed nearly 1.3 billion yuan, showcasing the importance of understanding and representing the audience's life and concerns [3] Group 2 - Successful films like "Nezha" and "The Wandering Earth" share common elements of originality and foresight, highlighting the need for creators to explore deep, relatable themes [4] - The rise of short videos and micro-dramas reflects changing audience aesthetics, particularly among Generation Z, who demand higher standards in storytelling and presentation [4] - The intense ticket demand at the Shanghai International Film Festival, with 92 films selling out quickly, indicates that young audiences are still passionate about cinema, provided the quality meets their expectations [4] Group 3 - The evolution of film technology and aesthetics has been a constant, with the industry needing to innovate to maintain relevance and appeal to contemporary audiences [5] - The film industry is encouraged to break traditional molds and collaborate with audiences to create meaningful content that resonates with current cultural dynamics [5]

Core Insights - The current state of the film industry is marked by a lack of genuine storytelling and creativity, leading to disappointing box office results during the May Day holiday period, with a 50% year-on-year decline in ticket sales, reverting to 2017 levels [1][3][5] - The industry is experiencing a reflection phase, where the failure of films is attributed to the content itself rather than external factors, indicating a need for creators to take full responsibility for their work [5][6] - Hong Kong directors, once at the forefront of the Chinese film industry, are now seen as outdated, with their techniques becoming tiresome for audiences, as evidenced by the poor performance of their recent films [8][10] Industry Trends - The film market is witnessing a significant shift, with audiences increasingly rejecting formulaic and recycled content, as seen in the stark contrast between successful films like "Nezha" and the underperformance of recent releases [3][19] - There is a growing concern that filmmakers are succumbing to the pressures of short video formats, leading to a faster-paced storytelling style that may not resonate with traditional film audiences [14][18] - The upcoming film slate shows a lack of innovative projects, with many filmmakers opting for sequels or adaptations rather than original content, which may hinder the industry's recovery [21][23] Audience Expectations - Audiences are becoming more discerning, with higher standards for what constitutes a worthwhile film experience, as evidenced by the poor reception of films that fail to deliver meaningful narratives [19][21] - The trend of "crying films" that gained popularity during the pandemic is waning, with recent releases struggling to attract viewers, indicating a shift in audience preferences [19][21] - There is a call for filmmakers to explore deeper, more relatable themes that reflect the complexities of modern life, rather than relying on superficial success narratives [11][18]