每经编辑｜段炼 11月22日，奥斯卡主办方学院公布最佳动画长片奖"符合参评资格"大名单，国产电影《罗小黑战记2》及《疯狂动物城2》《坏蛋联盟2》等共35部影片获 资格，但其中并没有刷新影史动画电影票房纪录的《哪吒之魔童闹海》。 图片来源：豆瓣电影 学院官网列出的最佳动画长片参选资格包括片长需超过40分钟；全片内容呈现的动画制作的比例至少达75%；影片必须在美国特定城市（洛杉矶、纽约 （五区）、旧金山湾区、芝加哥、达拉斯-沃斯堡、亚特兰大）的影院进行至少连续七天的商业放映，且每天在同一影院的排片至少三场。 这三条主要规定《哪吒2》都符合，那么剩下的唯一可能性就是片方华人文化和北美发行方A24没有报名参加第98届奥斯卡奖最佳动画长片的竞逐。对于 这一猜测，记者从华人文化方面得到了确证。据华人文化方面确认，他们没有为该片报名奥斯卡角逐。 有业内人士分析，《哪吒》虽在票房上大获成功，但可能在"动画技术占比"环节遭遇争议。例如，部分观众指出影片中部分场景疑似采用实拍+特效融合 技术，若学院认定其"非纯动画制作"，则可能被排除在外。此外，奥斯卡对"原创性"要求极高，《哪吒》作为系列续作，创新性是否超越前作也是评委考 量重 ...

当地时间11月21日，奥斯卡奖的主办方美国电影艺术与科学学院公布了符合资格参与最佳纪录长片、最 佳国际影片以及最佳动画长片三个奖项竞逐的影片大名单。在最佳动画长片领域，今年有35部影片有资 格"冲奥"，意外的是，《哪吒之魔童闹海》并不在其中。 智通财经记者从《哪吒之魔童闹海》出品方"华人文化"方面确认，他们没有为该片报名奥斯卡角逐。 今年有86部电影有资格参选最佳国际影片，包括《南京照相馆》和《破·地狱》。 来源：智通财经 责任编辑：张恒星 ...

Group 1 - The Academy of Motion Picture Arts and Sciences announced the list of films eligible for the Best Documentary Feature, Best International Feature, and Best Animated Feature categories for the Oscars [1] - A total of 35 films are eligible for the Best Animated Feature category, but "Ne Zha" is notably absent from this list [1][3] - The absence of "Ne Zha 2" has surprised Hollywood media, as it was considered a strong contender alongside other films like "Paddington Bear 3" and "The Smurfs: The Magic" [3] Group 2 - The eligibility criteria for Best Animated Feature include a minimum runtime of 40 minutes, at least 75% of the film being animated, and a commercial release in specific U.S. cities for at least seven consecutive days with a minimum of three screenings per day [3] - A total of 86 films are eligible for the Best International Feature category, including "Nanjing Photo Studio" and "Breaking Hell" [4]

Core Points - The 38th China Golden Rooster Awards ceremony took place in Xiamen, Fujian, with Yi Yangqianxi and Song Jia winning Best Actor and Best Actress respectively [1] - The Best Feature Film award was given to "Good Things," while "The Volunteer Army: Life and Death Battle" received a Special Jury Award [1] - Notable awards included Best Director to Chen Sicheng and Dai Mo for "Detective Chinatown 1900," and the Lifetime Achievement Award in Film to Qiao Zhen and Xiao Guiyun [1] Awards Summary - Best Feature Film: "Good Things" [1] - Special Jury Award: "The Volunteer Army: Life and Death Battle" [1] - Best Director: Chen Sicheng and Dai Mo for "Detective Chinatown 1900" [1] - Best Supporting Actor: Yuan Fuhua for "Dumpling Queen" [1] - Best Supporting Actress: Zhong Chuxi for "Good Things" [1] - Best Screenplay: Chen Maoxian and Zheng Weiji for "Breaking Hell" [1] - Best Directorial Debut: Gao Peng for "Old Gun" [1] - Best Children's Film: "Shining Youth in the Sky Relay" [1] - Best Foreign Language Film: Italian film "Tomorrow" [1] - Best Documentary/Educational Film: "Your Voice" [1] Notable Achievements - Yi Yangqianxi became the youngest Best Actor winner in the history of the Golden Rooster Awards at age 24 for his role in "Little Me" [1] - Song Jia's performance in "Good Things" was praised for its depth and representation of contemporary women's spirit [2] - "Ne Zha" achieved a global box office of over 15 billion RMB and won Best Art Film for its innovative blend of Eastern aesthetics and modern visual language [2]

Group 1 - The 38th China Golden Rooster Awards ceremony was held on November 15 in Xiamen, Fujian [1] - Yi Yangqianxi won the Best Actor award for his role as Liu Chunhe in "Little Me," making him the youngest recipient of this award [1] - Song Jia received the Best Actress award for her role as Wang Tiemei in "Good Things" [3] Group 2 - Other notable awards included: - Best Supporting Actor: Yuan Fuhua for "Dumpling Queen" [6] - Best Supporting Actress: Zhong Chuxi for "Good Things" [6] - Best Feature Film: "Good Things" [6] - Best Director: Chen Sicheng and Dai Mo for "Detective Chinatown 1900" [6] - Best Original Screenplay: Chen Maoxian and Zheng Weiji for "Breaking Hell" [6] - Best Directorial Debut: Gao Peng for "Old Gun" [6] - Best Low-Budget Feature Film: "May You Live Long" [6] - Best Animation: "Nezha: The Devil's Child" [6] - Best Documentary/Science Education Film: "Your Voice" [6] - Best Children's Film: "Shining Youth in the Relay" [6] - Best Opera Film: "Double Butterfly Fan" (Min Opera) [6] - Best Foreign Language Film: "There is Tomorrow" (Italy) [6] - Best Sound: Wang Danrong for "The Volunteer Army: Life and Death Battle" [6] - Best Editing: Zhou Xinxia for "The Pain of Me and My Mother" [6] - Best Art Direction: Han Zhong and Ma Xiaofei for "Decoding" [6] - Best Music: Zhai Jinyan for "Lychee of Chang'an" [6] - Best Cinematography: Zhao Fei for "The Volunteer Army: Life and Death Battle" [6] - Lifetime Achievement Award in Film: Qiao Zhen and Xiao Guiyun [6] - Jury Special Award: "The Volunteer Army: Life and Death Battle" [6]

Core Insights - The Chinese film market is undergoing significant transformation, with a recovery trend observed, but changes in supply structure and audience demographics are notable [3][6] - The audience's age structure is shifting upwards, and younger viewers are increasingly diversifying their entertainment options, leading to intensified competition for films as a form of offline entertainment [3][6] Industry Trends - The pre-release popularity indicators for films are declining, making film reputation a key factor influencing market performance [6] - The rise of algorithms has enabled precise audience targeting but risks creating information silos and homogenized marketing, necessitating adjustments in content creation and promotional strategies [6] Company Strategies - Companies like 壹同制作 emphasize a dual-driven approach of talent and innovation, highlighting the importance of rational thinking, planning skills, and artistic judgment in producers [6][8] - 壹同制作's successful projects, such as the "唐人街探案" series, demonstrate effective audience targeting and the synergy between film IP and real-world tourism [6][8] Cross-Cultural Engagement - 英皇电影's film "破·地狱" successfully taps into shared cultural themes, resonating with both Hong Kong and mainland audiences through its exploration of family ethics and universal themes [9] - The company aims to deepen the integration of Hong Kong films in the mainland market through talent cultivation and strong genre-focused outputs [9] Animation and Original Content - 千万间动画 focuses on breaking age barriers with its content, aiming to appeal to both adults and children, as seen in the "罗小黑战记" series [10] - 麦特影业 emphasizes original content development, targeting specific emotional experiences of audiences, and has seen success with films like "好东西" through strategic marketing and word-of-mouth [12][15]

Core Points - The second Golden Panda Awards ceremony was held in Chengdu, where "Nezha: The Devil's Child" won the Best Animated Feature award [1][3] - The Golden Panda Awards aim to promote cultural exchange and understanding through film, featuring entries from 126 countries and regions, with a total of 5,343 submissions [3] - The awards highlighted the importance of diverse cultural expressions and the role of animation in evoking shared human memories [3][4] Awards Summary - Best Animated Feature: "Nezha: The Devil's Child" [1][3] - Best Director in Documentary: Gao Song for "Hometown Thousands of Miles" [3] - Best Documentary: Norwegian film "New Wilderness" [3] - Best Visual Effects: "Chang'an 30,000 Li" [3] - Best Animated Character: Brazilian film "Taina and the Amazon Guardians" [3] - Best Film: Italian film "There is Tomorrow" [4] - Best Music: Zhu Yun for "Breaking Hell" [4] - Best Actress: Délia Weinberg for "The Other Side of the Sky" [4] - Best Actor: Yi Long for "Mistakes by the River" [4] - Best Drama Series: "Mountain Flowers Blooming" [3] - Best Actress in a Drama Series: Tang Yan for "Blossoms" [3] - Best Actor in a Drama Series: Ng Chun Yu for "Border Water Stories" [3] - Best Director in Drama Series: James Strong for "Mr. Bates vs. the Post Office" [3]

Core Points - The 20th Changchun Film Festival concluded on August 28, revealing the Golden Deer Awards winners, with "Nanjing Photo Studio" winning Best Film, Best Director, and Best Screenplay [1] - The festival featured a theme of "New Era, New Cradle, New Power, New Journey" and included various segments such as award ceremonies, film screenings, and industry integration activities [2] Awards Summary - "Volunteer Army: Life and Death Battle" and "Dragon Action" received the Jury's Grand Prize [2] - Liu Haoran won Best Actor for his role in "Decoding" [2] - Lin Xiaojie won Best Actress for her performance in "Little Me" [2] - Best Cinematography was awarded to Cao Yu for "Decoding" [2] - Best Editing went to Zhang Jiahui for "Through Fire and Flames" [2] - Best Music was awarded to Zhu Yun for "Breaking Hell" [2] - Li Yang received Best Debut for "Safe Withdrawal from the 21st Century" [2] Festival Overview - The festival took place from August 23 to August 28 and celebrated the 80th anniversary of the Changchun Film Studio [2] - Over 50 unique cultural and tourism activities were organized, emphasizing Changchun's identity as a "Film City" [2]

Core Insights - The ongoing Shanghai International Film Festival highlights the industry's focus on understanding and resonating with young audiences, emphasizing the importance of emotional connection in storytelling [4][5][6] - The film "逆风而行" (Against the Wind) addresses the collective memory of struggle and growth associated with the college entrance examination, aiming to evoke emotional resonance with viewers [5][6] - Directors are increasingly aware of the need to engage with audiences on a deeper level, with a shift from merely presenting stories to standing among viewers and reflecting their experiences [7][8] Industry Trends - The rise of short videos as a dominant form of entertainment poses a challenge for traditional film consumption, as audiences seek content that expresses their attitudes and emotions [7][8] - The concept of activating a "universe" around a film, where a single work can drive multiple revenue streams through merchandise and related products, is gaining traction in the industry [9][10] - The need for a shift in production mechanisms, including cost control and reducing reliance on box office revenue, is emphasized to adapt to changing market dynamics [10][11] IP Development - The potential of film IPs to generate significant revenue through merchandise and cross-industry collaborations is highlighted, with examples like "哪吒之魔童闹海" (Nezha) demonstrating the economic impact of successful IPs [11][12] - The importance of creating emotionally resonant characters and stories that can connect with audiences on a deeper level is seen as essential for developing powerful IPs [12][13]

Core Insights - The film industry is facing challenges in converting high traffic from short video marketing into box office success, with audience expectations rising significantly since the 2025 Spring Festival [1] - The value of good films is increasing, as evidenced by record-breaking box office figures at the Shanghai International Film Festival, including a single screening record of 580,000 yuan and a total festival box office of 43 million yuan [1] - Audience standards for what constitutes a "good film" have increased by 15%, indicating a disconnect between audience expectations and actual film offerings [1] Group 1 - The film "Breaking Hell" has achieved over 200 million yuan in box office revenue, with its success attributed to extensive audience feedback during its 50 editing versions [2] - Director Chen Maoxian emphasizes the importance of engaging with the audience and co-creating films that resonate with their expectations [2] - The film "Annual Meeting Cannot Stop!" has grossed nearly 1.3 billion yuan, showcasing the importance of understanding and representing the audience's life and concerns [3] Group 2 - Successful films like "Nezha" and "The Wandering Earth" share common elements of originality and foresight, highlighting the need for creators to explore deep, relatable themes [4] - The rise of short videos and micro-dramas reflects changing audience aesthetics, particularly among Generation Z, who demand higher standards in storytelling and presentation [4] - The intense ticket demand at the Shanghai International Film Festival, with 92 films selling out quickly, indicates that young audiences are still passionate about cinema, provided the quality meets their expectations [4] Group 3 - The evolution of film technology and aesthetics has been a constant, with the industry needing to innovate to maintain relevance and appeal to contemporary audiences [5] - The film industry is encouraged to break traditional molds and collaborate with audiences to create meaningful content that resonates with current cultural dynamics [5]