不管是十年前看，还是十年后大荧幕再见，我们对山河和故人的理解，也多了一层情感共鸣。黄河第九湾，冰封的江河将融，冬天会过去，春天会来，时 间成了解冻冰河的钥匙。 当年就很喜欢电影里钥匙的反复出现。 终于来到了电影里的，2025年。 年末传来贾樟柯《山河故人》重映定档12月12日的消息。 钝了一下才反应过来，是啊，十年前贾科长预设的未来，怎么眨眼都要结束了。 我们没有用上透明的iphone，也不知道张到乐是否回去了汾阳老家，拿着钥匙打开家门，再吃上一口母亲包的，热腾腾的饺子。平行时空里的沈涛，在那 个2025年下雪的冬天，文峰塔下独自起舞。 10年后儿子张到乐摸着脖子上的钥匙，想起了母亲，也想起了那个他再也不曾回去的老家。 故人已去，山河犹在，8个字的份量，比一座城还痛。 伤心绝望的梁子将钥匙扔上房梁，远走他乡；回上海的火车上，沈涛把家里的钥匙交给儿子； 贾科长用温柔又残忍的画面告诉我们，每个人都渴望有一把打开过去的钥匙，时间往往不留情面地换掉所有的锁。 可如果这把钥匙是跨越一个世纪，从1999年到2025年的《山河故人》，那么它能打开的，不只是贾科长的山河宇宙， 一定还有汾阳，这座山西小城。 电影和现实重叠的汾 ...

Group 1 - Chinese films have achieved significant recognition at major international film festivals in 2023, including awards for "The Land of the Living" at the Berlin International Film Festival, "Wild Times" at the Cannes Film Festival, and "Daytime Hanging" at the Venice Film Festival [1] - The Venice Film Festival has historically been a favorable platform for Chinese cinema, with renowned directors like Zhang Yimou, Ang Lee, and Hou Hsiao-hsien winning prestigious awards, particularly during Marco Müller’s tenure as chairman [3] - Despite the recent surge in box office success for Chinese films, there has been a relative quietness in terms of artistic achievements at major international festivals, with the last award for a Chinese film at Venice being in 2019 [3] Group 2 - Since the late 1980s and early 1990s, Chinese films have gained international attention through European film festivals, with notable films like "Red Sorghum" and "Farewell My Concubine" winning awards and enhancing the global profile of Chinese actors [4] - The new generation of filmmakers, represented by directors like Bi Gan and Wei Shujun, has been increasingly recognized at major film festivals, showcasing the potential and talent of young Chinese filmmakers [4] - Recent short films from Chinese directors have won multiple awards at Cannes, indicating a strong reserve of talent and creativity among the younger generation in the Chinese film industry [4]