中新社晋中9月29日电 (记者 胡健)第九届平遥国际电影展29日晚揭晓各项荣誉，釜山国际电影节创始人 金东虎获得"中国电影海外贡献荣誉"。 平遥国际电影展组委会在金东虎的授奖词中提到，"在金东虎的眼中，电影不仅是艺术，更是一场文明 的对话。作为电影文化的摆渡人，将中国的烟火推向千里之外的国际星空。" 聚焦国际影坛新导演作品的"卧虎"单元，韩国导演尹佳恩执导的《世界的主人》获得"罗伯托·罗西里尼 荣誉·评审荣誉"，导演阿基诺拉·戴维斯凭借《父影之下》获得最佳导演，伊拉克电影《总统的蛋糕》获 得最佳影片。 聚焦华语新锐导演作品的"藏龙"单元，《浪花儿》获得"费穆荣誉·评审荣誉"，台湾演员张孝全凭借 《深度安静》获得最佳男演员，新加坡演员郑凯心凭借在《核》中的表演获得最佳女演员。张中臣凭借 其执导的电影《你的眼睛比太阳明亮》获得最佳导演，台湾影片《深度安静》获得最佳影片。(完) 当日，第九届平遥国际电影展组委会授予霍猛、毕赣、蔡尚君"年度影人荣誉"。"对电影、土地、普通 人的爱，一直在路上。"霍猛在获奖感言中说。 苗壮壮执导的电影《茜色日落》获得本届电影展首次设立的"亚太电影促进会奖·最佳首作"。"从山西出 发"单 ...

由蔡尚君执导，辛芷蕾、张颂文主演的《日掛中天》在此举行中国首映，开票后迅速售罄，成为本届影展大热影 片之一。 本届平遥影展片单抢眼，首映单元汇集《一战再战》《情感价值》等热门国际影片同时，更迎来多部华语年度佳 作的中国首映。除《日掛中天》以外，毕赣执导，易烊千玺主演的《狂野时代》也在平遥举办中国首映。《日掛 中天》和《狂野时代》已分别宣布定档11月7日和11月22日全国公映。 今年堪称华语电影"大年"。毕赣、蔡尚君、霍猛三位凭借最新作品在国际影坛斩获殊荣的华语导演在平遥进行了 对谈。 近日，新晋威尼斯影后辛芷蕾现身第九届平遥国际电影展，一袭新中式金色礼服令其瞬时成为全场焦点。 本届平遥影展于9月24日至9月30日举办。影展期间，促成了毕赣、蔡尚君、霍猛三位凭借最新作品在国际影坛斩 获殊荣的华语导演的对谈。平遥影展创始人贾樟柯谈到，今年"欧洲三大"电影节都有中国导演获奖，中国电影作 品被带到国际世界，让世界观众看到了中国电影的现状："在复杂的电影工作环境中，我们的导演仍然保有旺盛的 创造力。" 影后实至名归 辛芷蕾坦言，此次来到平遥比在威尼斯获奖时更紧张："你在外面混得再好，其实最在意和最想要的还是家里人的 肯 ...

Core Viewpoint - The 2025 Beijing Cultural Forum successfully concluded, featuring prominent guests including French actress Juliette Binoche, highlighting the importance of cultural exchange between China and France [1][11]. Group 1: Juliette Binoche's Career - Juliette Binoche has a celebrated career spanning over 40 years, known for her deep acting skills and performances in works by renowned directors such as Krzysztof Kieślowski and Abbas Kiarostami [3][4]. - She won the Best Actress award at the Venice Film Festival for her role in "Three Colors: Blue" [4]. - Binoche received the Best Actress award at the Berlin International Film Festival and an Oscar for her role in "The English Patient" [6]. - Her filmography includes notable works like "The Lovers on the Bridge" and "Prague" [9]. Group 2: 2025 Beijing Cultural Forum - The forum featured a series of events titled "Wind Moves, Shadows Change - Sino-French Image Dialogue," commemorating significant anniversaries in film history and promoting cultural exchange [11]. - The event gathered a strong lineup of Chinese representatives, including directors and actors, alongside a prestigious French delegation led by former Prime Minister Jean-Pierre Raffarin [13][14]. Group 3: Binoche's Directorial Debut - Binoche's directorial debut, "The Dance of Us," premiered in Asia at the Beijing forum, showcasing her commitment to the Chinese market [16]. - The film is a documentary that captures the creative process of a dance collaboration between Binoche and choreographer Akram Khan, highlighting the artistic journey [17]. - Binoche expressed her gratitude for the support from her sister, who filmed the rehearsal process, and discussed the extensive editing process that shaped the final film [21]. Group 4: Artistic Philosophy and Future Collaborations - Binoche shared her insights on love and relationships, emphasizing the importance of understanding and accepting differences in a partnership [24]. - She expressed a desire to continue participating in Sino-French cultural exchanges and showed enthusiasm for potential collaborations with young Chinese filmmakers like Bi Gan [26][29]. - Binoche articulated her belief that the value of art transcends market performance, advocating for the creation of meaningful works that reflect unique perspectives and truths [27][29].

中青报·中青网见习记者 马子倩 记者 张敏 很多人不知道，最早记录中国题材的电影纪录片，出自一位法国外交官之手。 9月22日晚，"风移影动——中法影像对话系列活动之"光影百年·中法同行"电影音乐会在中山公园音乐 堂举行，这是2025年北京文化论坛的特别策划活动。电影音乐会分为《世纪回声》和《光影旅程》上下 半场，中西乐器演奏家现场演出，配合大屏幕播放的画面，为不同历史时期中法交流中具有标志意义的 影片重新配乐。 19世纪末至20世纪初，时任法国驻昆明领事奥古斯特·弗朗索瓦在中国的北京、广西、云南等地拍摄了 一批影像资料，后被整理出版、称为《中国影像》。"这是迄今为止中国历史上第一批珍贵的活动影像 资料。"中国演员刘敏涛介绍道。 中法两国电影人联袂推荐，共同带领观众重温经典，唤起中法电影交流的珍贵记忆，是此次电影音乐会 的特别安排。其中，中国演员刘烨和他的妻子、法国摄影师安娜伊思·马田一起推荐了1958年上映、中 法合拍的奇幻儿童片《风筝》，这是新中国第一部中外合拍电影。 刘烨接受采访说，重温《风筝》后，他发现，当时的电影人虽然在影像呈现、叙事方式、影片结构以及 演员表演等方面尚处于起步阶段，但已展现出极高的水 ...

Group 1 - Chinese films have achieved significant recognition at major international film festivals in 2023, including awards for "The Land of the Living" at the Berlin International Film Festival, "Wild Times" at the Cannes Film Festival, and "Daytime Hanging" at the Venice Film Festival [1] - The Venice Film Festival has historically been a favorable platform for Chinese cinema, with renowned directors like Zhang Yimou, Ang Lee, and Hou Hsiao-hsien winning prestigious awards, particularly during Marco Müller’s tenure as chairman [3] - Despite the recent surge in box office success for Chinese films, there has been a relative quietness in terms of artistic achievements at major international festivals, with the last award for a Chinese film at Venice being in 2019 [3] Group 2 - Since the late 1980s and early 1990s, Chinese films have gained international attention through European film festivals, with notable films like "Red Sorghum" and "Farewell My Concubine" winning awards and enhancing the global profile of Chinese actors [4] - The new generation of filmmakers, represented by directors like Bi Gan and Wei Shujun, has been increasingly recognized at major film festivals, showcasing the potential and talent of young Chinese filmmakers [4] - Recent short films from Chinese directors have won multiple awards at Cannes, indicating a strong reserve of talent and creativity among the younger generation in the Chinese film industry [4]

Core Viewpoint - Huace Film & TV reported significant growth in its 2025 semi-annual report, with a revenue increase of approximately 115% year-on-year, driven primarily by its television production and distribution business [1] Group 1: Financial Performance - The company achieved an operating income of 790 million yuan and a net profit attributable to shareholders of 118 million yuan, reflecting a year-on-year growth of about 65% [1] - The non-recurring net profit reached 72.16 million yuan, up 67.9% year-on-year [1] - Revenue from television production and distribution surged to 360 million yuan, marking a substantial increase of 1259% [1] Group 2: Business Development - Huace Film & TV is expanding into short dramas, animation, and computing power to create a "second growth curve" [2] - The company has increased its monthly production capacity of short dramas to 20 episodes through various strategies [2] - In the animation sector, Huace is collaborating with Hasbro on a new "Peppa Pig" animated film, expected to release in 2026 [2] Group 3: International Expansion - The series "Guose Fanghua" has been distributed to over 10 countries and regions, and the company's first international short drama app, DailyShort, has been launched [3] - Overseas business revenue reached 88.12 million yuan, reflecting a year-on-year growth of 28.5% [3]

Group 1: Cultural Achievements and Events - Tianlu Esports Club won the world championship at the 2025 Rift Breaker S1 competition, marking a significant achievement in the esports sector [11] - The recent "Black Myth: Wukong" exhibition attracted over 450,000 visitors, showcasing the global impact of this award-winning Chinese game [10] - The West Lake District's cultural practices reflect the successful implementation of the "Eight Cultural Construction Projects," integrating digital innovation and creative expression [8][10] Group 2: Cultural Industry Development - In 2024, 214 cultural enterprises in the West Lake District generated revenue of 43.373 billion, with a growth rate of 5.8%, positioning the district among the top in the main urban area [12] - The West Lake District's cultural industry strategy includes the establishment of the China (Zhejiang) Film and Television International Cooperation Zone and the China (Zhijiang) Audio-Visual Innovation and Entrepreneurship Base [10] - The annual West Lake Cultural Creative Conference has become a vital platform for gathering creativity and linking resources, with 27 quality projects signed in 2025 [11] Group 3: Reading and Cultural Spaces - The West Lake District has established 290 reading spaces covering an area of 195,000 square meters, enhancing community access to literature [15] - The "West Lake Reading Day," celebrated on the 23rd of each month, promotes reading as a cultural habit and community event [14] - Innovative initiatives like the "Reading Passport" engage children and promote exploration of local reading spaces [15] Group 4: Urban Cultural Revitalization - The Tianmu Li International Street has undergone a significant upgrade, becoming a trendy cultural landmark [18] - The integration of cultural, cloud, and technological innovations in the "Two Towns and Six Districts" initiative is driving urban development and attracting talent [18][19] - The transformation of historical sites into modern cultural hubs, such as the Dongchao Rice Factory, illustrates the blend of tradition and contemporary culture [19]

Core Insights - The 2025 Shanghai Cooperation Organization Film Festival opened in Yongchuan, Chongqing, marking China's second hosting of the event in seven years [1] - Chongqing has become a popular filming location, with over 500 films shot in the city over the past decade, showcasing its unique landscapes and urban features [1] Group 1: Filming Locations - The city features iconic filming locations such as the Kuixing Tower from "Better Days," which has become a popular tourist spot [2][3] - The Sujiaba Interchange, known for its height of 72 meters, is a frequent backdrop in films like "Crazy Stone" [10][13] - The Tongyuanju Light Rail Station, featured in "From Your World," is noted for its reflective glass wall, making it a great spot for selfies [15] - The Qiansimen Bridge, prominently featured in "Hot Pot Hero," is known for its accessibility to tourists during holidays [20][23] - The Tea Mountain Bamboo Sea, a filming location for "House of Flying Daggers," is celebrated for its lush bamboo scenery [33][36] Group 2: Cultural Significance - Chongqing's unique geography and urban atmosphere make it an ideal setting for genres like suspense and fantasy, as seen in films like "Assassin in Red" [27] - The Dazhu Stone Carvings, a UNESCO World Heritage site, were showcased in the film "Beneficiary," highlighting local cultural heritage [30] - The Yongchuan Science Film Studio, a leading facility in the western region, was a key location for the film "Wild Times," which has garnered attention at international film festivals [44][47]

Core Insights - The recent success of Chinese films at international film festivals, particularly "Wild Times" at the Cannes Film Festival and the Paris Chinese Film Festival, highlights the growing global interest in Chinese cinema [1][5] - The evolution of Chinese cinema from traditional genres to a diverse range of storytelling, including science fiction, historical, and mythological themes, showcases its cultural richness and market potential [2][4] Group 1: International Recognition - "Wild Times" received acclaim at the Cannes Film Festival, praised for its poetic narrative and innovative visual language, marking a significant achievement for Chinese cinema on the global stage [1][3] - The Paris Chinese Film Festival featured films like "Dream of the Red Chamber: Golden Jade Marriage," which attracted foreign audiences and facilitated cultural exchange [1][4] Group 2: Market Growth and Transformation - Since the early 21st century, the Chinese film market has transformed dramatically, with box office revenues soaring from millions to billions, making China the largest film market globally by 2018 [2] - The diversification of film genres in China, including historical, mythological, and science fiction, has led to successful international releases, expanding the global audience's perception of Chinese cinema beyond traditional kung fu films [2][3] Group 3: Cultural Impact - Chinese films are increasingly showcasing traditional cultural IPs, with works like "Tang Palace Night Banquet" and adaptations of classic literature like "Dream of the Red Chamber" gaining international attention and sparking interest in Chinese culture [4] - The success of these films not only entertains but also educates foreign audiences about Chinese history and culture, fostering a desire for cultural exploration and tourism in China [4][5]

Core Insights - The film "Wild Times," directed by Chinese filmmaker Bi Gan, received the Special Prize in the main competition at the 78th Cannes Film Festival, generating significant excitement among art film enthusiasts globally [1][12] - "Wild Times" is described as a meta-film that pays homage to over a century of film history, showcasing Bi Gan's ambition and love for cinema [2][12] - The film is structured into six chapters, each reflecting different cinematic styles and eras, from silent films to contemporary narratives, creating a rich tapestry of visual storytelling [3][5][14] Group 1: Film Structure and Themes - The film opens with a silent film chapter, introducing a world where humanity has lost the ability to dream, with the character "Dreamer" being the only one still captivated by illusions [3][13] - Each chapter corresponds to a sensory experience, focusing on visual, auditory, taste, smell, and touch, culminating in a complex narrative that explores the evolution of cinema [5][14] - The narrative progresses through various cinematic styles, including film noir and Eastern philosophical themes, reflecting on the past and the nature of memory [4][6][8] Group 2: Critical Reception and Artistic Expression - "Wild Times" has received polarized reviews, with some praising its visual aesthetics and others questioning its narrative structure and symbolism [16][18] - The film's unique approach to storytelling and its dreamlike quality have been highlighted as significant contributions to contemporary cinema, positioning Bi Gan as a leading innovator in film language [16][19] - Critics have noted the film's ability to evoke deep emotional responses while simultaneously challenging viewers to engage with its complex themes [17][18]