转自：扬子晚报 2月16日，中央广播电视总台2026春节联欢晚会节目单发布，节目单显示，安徽合肥分会场节目《合韵 满江淮》中，南京市越剧团团长、中国戏剧"梅花奖"得主李晓旭将亮相登台，她将与吴琼、韩再芬等多 位"梅花奖"得主同台献艺，在万家团圆时送来江南雅韵。 据悉，在该节目中，李晓旭在该节目中的造型来源于南京市越剧团广受好评的"金陵三部曲"收官之作 《织造府》。该剧讲述了曹雪芹重返织造府，"魂穿"书中世界，变身贾宝玉，与林黛玉、薛宝钗、贾母 等经典角色展开对话，为观众开启了一段跨越现实与梦境的诗意之旅。"能够在央视的舞台上将南京的 文化底蕴和越剧艺术的独特韵味结合起来展示，非常激动。"李晓旭表示，"在全球华人共庆新春的重要 时刻，能将南京的文学故事、越剧的艺术之美传递给世界，既是我的荣幸，更是身为南京戏曲工作者的 责任与使命。" 演出分为上下两篇，上篇"越满金陵入戏来"，精选《莫愁女·游湖》《九斤姑娘·相骂本》等经典片段。 下篇"梅花清韵满梨园"，则由七位梅花奖名家轮番登台，演绎各自代表作。李晓旭将带来拿手好戏《梁 祝·回十八》，李晓旭作为越剧毕派小生，演唱细腻婉转，以字字珠玑的唱腔勾画出梁山伯情丝万千的 ...

Group 1 - The article emphasizes the collaborative nature of stage performances, highlighting the importance of understanding between playwrights, actors, and the audience to create impactful art [1] - The author discusses the journey of working with various theater groups, particularly the Jiangsu Provincial Kunqu Opera Theatre, and the meticulous process of tailoring scripts to fit the unique characteristics of actors and the art form [2] - The creative process is described as a collective effort, with contributions from various artists, including composers and directors, leading to the successful development of multiple theatrical works [3] Group 2 - The article illustrates the significance of precise subtitles in enhancing the audience's experience, showcasing a situation where the absence of subtitles during a performance led to an unexpected engagement from the audience who utilized an online script [4] - The author reflects on the rewarding nature of collaboration with theater companies, actors, and audiences, emphasizing that every effort contributes to a larger artistic expression [4]